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'mwt the Papers Say. 



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final Writer, extending itmoratiaiL.. 



Nob, as others ate just starting to add simitar features, 
saying they're 'molulionary , Final Writer extends the 
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jf's no wonder tt<e iv receiwd !<;p wuirs. ratings and 
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Final Copy if Release 2 



Our word processors go beyond simply producing normal 
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hi > easily used as. word processors, 
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diey*Te far too cuiflbersome- 
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perfect printed presentation. 
Complete control aver how 
documents look, am you have 
it at your finger tips on your 
Annual Features Indude: 
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or arrows at any angle), Multiple Newspaper Style snaking 
columns, PferfectPrlnt™ (the unique ability to use Post 
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objects and imported pictures (.placed, anywhere, scaled or 
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It's features like these that explain 
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Final Writer wns. launched last year witfi the power user in mind. It Ls the Amiga's 

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As well an having a unique list of features Tor the auilior of longer documents and 

publications ■ automatic incfexinj;, table of ilJustrations, talile of contents arid bibh'og- 

laphy generation ■ Find (PWerwiih to TuOfacfa™ was the first »wd processor to 

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angle, it offers a virtually unlimited ability for effects with graphics and text. Just 

like Final Q$jr is, flwtf WWWalso includes PtrfectPrint™ and has a set of tools 

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features unique to Soft Wood 

with both the new Touch 

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Simply dJddng 1 a button, 

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layout Options' (left, right, centre or justified, bullets, line spacing, indents etc.) 

The options you have through single button selections are nothing less than 

remarkable! Indeed, CM magazine heralded ihese as "the closest rhinj> 10 Microsoft 

Word to appear on the Amiga"! Also uniquely, Final Writer c-M import, scale, crop, 

fe^ . view on screen and output structured PostScript EPS dip-art images (we 

^r_ supply a hundred free with the package) to any printer (>2mb system 

111 ram required), And... if you own a PostScript printer Final Writer 

Wl I - > ; v is the only word processor with a set of output options 

^«-*^ - — *"* including seating, crop marks, thumbnails, and half- . 
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actions) and you have... Final Writer Release 2. 

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♦ 



facsimile: 0773 «3KHtl 



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o 

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AMIGA CON 



TENTS 




OFF THE CUFF 

E D I T Ft \ A L 

This issue 
sli auld prove 
thai the Amiga 
is, tnjfnrid 
doubt, strtngar 
Itian ever. IIS 
linally reachEd 
maliiTitv and lilt 
amount of prod- 
ucts currently 
3V3 liable for it 
land covered on llie la I lowing 1BD payesj 
proves my paint. In itiis issue we eiamine 
3D theory and practice in a special report en 
page 26 aid have a full review of Imaging 3 
on page 110. We also preview Ihe lirst Vfl 
headset tot the Amiga, review six A120B 
RAM accelerators and check out (lie ae-51 
games available this summer Including my 
favourite at the rnarWi. Universeitii uur 
cover demo Tltt Clue. 

I Me to say It, but inmrilarjlv I have to: 
Irere's no tuntier news on wtio the new 
owners nl Cummrjogre might Be. The only 
significant avert in retell weeks is that the 
Commodore OK learn haive put (award a 
management buyout bid, Strangely enough 
though, there appears Id ha lass nervous- 
ness about Ihe situation in the software 
industry this month - could this be conli- 
denae In the success ol the UK bid. or 
conlidence in tome other potential buyer? 
There are certainty enough bids on Ihe table 
lo make things Interesting though, 
So come on guvs , hurry up I The bets are on , 

Alan Dykes 
Editor 



®> 




. 3D SPECIAL REPORT 

Stunnina 3D araohics are everywhere you look these days, and it's the Amiga that s 

uiw i sj ^ p # . tiJ U-'» ., A ! in ^ thnm Jinri HrtLlli \t.rit I refill 



get in on the act yourself. All of this and a report on CyberMaKx - the first full Virtual 
Reality headset tor your Amiga! 



— 



GET SERIOUS 

PRODUCTIVITY REVIEWS PRODUCTIVITY REVIEWS PRODUCTIVITY REVIEWS 

There's plenty to get your teeth into this month, especially for anyone who loves graphics. We've got the awesome 
Brilliance 2, the ingenious SX-1 , the shiny Imaging 3 and an essential guide to the many RAM accelerator boards for 
the Al 200. 'PLUS, a full look at a couple of products that could actually be good for your health! 



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102 



102 



103 



104 



109 



110 
112 



117 



117 



119 



121 



125 



MOVIEFONTS 

Various fonts for spicing, up those videos and games. 

SPACE AND ASTRONOMY 
CD-ROM 

A massive CD goldmine tor space cadets. 

CD EXCHANGE VOL. 1 

An Amiga specilic CD-ROM packed with public 
domain games and utilities. 

BRILLIANCE 2 

Overtaking Deluxe Paint 4 on the inside comes me 
latest upgrade of the Amiga's most powerful paint 
package ever. 

SX-1 

It's now possible to convert your CD32 into an A12M, 
complete with keyboard, disk drives and mouse. 

IMAGINE 3 

The latest update of the popular 3D graphics system. 

G-FORCE ACCELERATOR 

You want more speed from the A40Q0? GVP's 
G-Force cranks it up. 

COCHLEAR 
CONSCIOUSNESS 

Train your ears to recognise perfect pitch with this 
unique program. 

HEART RATE MONITOR 

Plug yourself into your Amiga, and get down to 
some aerobics, 

ALTERNATIVE 3D 
TEXTURES 

Heaps of texture maps for your rendering applications 

GO FASTER BOARDS 

We test six ol the best A1 200 RAM and 

accelerator boards, 

EPSON STYLUS 

Epson's printer turns in a 
winning performance, . 




BtWtatKB 2. MM adding ■ 'two' to Wis end of II* 
niirnu really made »rt)r dlflenBncs? 




Jntrngtae 3, all Ihg Menders ol 3D creation ait 
yo4ir t lng»rtlp«. 




CONTENTS CU AMIGA 




iiws 

)me 

'da for 



I «ntl 01 Hi 



ilional 




SCREEN SCENEl 

GAME REVIEWS GAME REVIEWS GAME REVIEWS GAME REVIEWS 

September is a strange month forttie software industry, Everyone starts getting really geared up tor the 

Christmas rush, but seem to forget that there are bags of top-quality software just waiting to be reviewed. 
Like Bullfrog's Theme Park, Club Soccer The Manager and the superb Universe from Core Design! 

58 FIRST IMPRESSIONS 

lis another bumper crop this month as we let the cat out of the bag 
on soma top software, like Gremlin's Lifii Divift (Again.) 

CROTEAM 



61 
62 
64 
68 
70 
73 
76 
79 
80 
84 
86 
90 
94 
96 
99 



There's a whole lota programming going on in Croatia at the momenL 
Tony Dillon takes a look at some of the hottest games around. 



Lisa Collins takes a look at Empire's adult adventure and 
exclaims 'that's disgusting". Sex, violence and lost shoes. 

UNIVERSE 

256 colours on an ASOO? Alan Dykes casts his expert eye over 
Core Design's sequel to Curse Of Encrtantia. 

D-DAY 

Impressions are out to prove that they are the masters of strategy. 
Matt Broughton looks for Ihe truth behind the rumour, 

THEME PARK 

THEME PARK. THEME PARK? THEME PARK! Has there ever 
been a game thai has warranted as many reader calls as thJs? 

VITAL LIGHT 

What is it with software publishers? First Craft and now Vital Light. 
The margarine industry will see them in court. Probably. 

THE CLUE 

Our exclusive demo, and what's more, our exclusive review! (sleo 
have created one ol the mosl original adventures ever. 

CLUB SOCCER - THE MANAGER 

It's been promised for a long time, but was it worth the wait? Tony 
Dillon definitely thinks so. 

PINKIE 

Aaah, it's juslsooooo cute! Pinkie is here to be your friend, and 
il you're young enough you might just enjoy it. 

PINKIE COMPETITION 

If, like our Tony, you've become a Pinkie fan, you'll be wanting 
some of that fab Pinkie gear won't you? 

KID CHAOS 

It was originally called Kid Vicious, but then people realised that this 
cute platforms r from Ocean isn't vicious at all. 

VFM 

More budget hi-jinks this month, as Tony Dillon reviews three 
compilations featuring really old games, with mixed reactions, 

VALHALLA SOLUTION 

'Goodbye stuck on level one blues, hello level two happiness', as 
Lisa Tunnah from Vulcan Software might say (if we asked her). 

VAMPYRA 

She pouts, she wiggles, she smiles, and she plays a lot of 
adventures. Thai's why she's here to help. 

HELPLINE 

When the Samaritans are engaged, the RSPCA don't want to know 
and your local priest has no idea, write to Helpline! 



CU AMIGA ADVERTISING 

CU AMIGA' 5 advertising department has moved address If you need Id cunlact itiern wild a 

query afacim advertising in this, magazine or abnul an emstmg advertiser yen can pel hold ol 

Iheroatlhe following address: tu Amiga Advertisement Deuatlmem, Durrani House. S 

He rha I H ill. Lo nflon EC1 fi SiJ . 7 »l : ( 071 } 71 3 5ZS9. 




D-Day Daw*on come back. All is forgiven. 




H'» here" It's big! lis ffiame Part:! 



P&*4 






THe cutest lllll* dud* *v*r - Plnkla. 

REGULARS... 

d COVERDISKS 

See lh& panel opposite. 

16 NEWS 

Could it be true? A Commodore man- 
agenienl buy out? Read the full story 
Dn page 19. Pius!' Cheap games from 
Psygnosis, A new racing game from 
Team 17. Ocean and EA join forges. 

39 CD32 ZONE 

51 st Century are coming back to the 
CD32 in a big way, with a new Pinbati 
Game and Marvin's Marvelous 
Adventure. Read all about itf 

128 PD SCENE 

Some of ihe best coders in the world 
write public domain software, so we 
have the best writers writing about ill 

135 PD UTILITIES 

PD Utilities is absolutely jam packed 
Ihis month with educational software. 
a business planner and pots morel 

140 ART GALLERY 

You still keep sending the disks in, so 

she keeps on loading them. Dare you 
have a steady relationship with 
Combat Collins? 

178 POINTS Of VIEW 

Andre Digard gives us all a lesson on 
violence in computer games, 



Another two incredible disfcs fur you this 
month . w ilti m ore p acka ges thai you' II never 
know how you did without -Did Hfoitfand 
AMFC. plus a lnlly exclusive and completely 
playable demo gf Men's brand new crime 
based adventure. The Clue. Have Inn! 

G E 8 



! Mb 1 1, i 




Another two super packages lor you lo enjoy 
this month. First up is SIR Work 2. a demo di 
the u II innate in life management packages, 
followed closely by AMFC- the perfect music 
hie convener. Whal more could yoo waul' 



THE PERFECT CRIME 
IN THIS GIGANTIC 
AHVENTUHE 
IEMO 




Tire dine is a Running, new adventure Irrjin 
Auslrian publishers Neo, and we've got Ihe 
first laoh al it. along with this exclusive 
playable demo! 



EDITH: A, Turing- Pyk,,,. DEPUTY EDITOR Lis] 
fiflW Q jj;' <■ iJi. GAMES EDITOR lay H* alter li. 
pjacna' falkm TECHNICAL EDITOR . ..rfy lU r In^TI 
i,^\ Lni,,i L , ASSISTANT TECHNICAL editor w,^, 
h<uiiul' Hukjiiii BUT EDITOR ■:■.>■„. T.*. fa gnt Hj ijl 
f^*Mc-, ■■ DiSIGilEBH^'Mafcodytkn.™;- 

U:nl:v TECHNICAL CONSULTANT trfn Kenw^- 
CONTRIBUTORS ■ ln> A™)y UimM. Vompynj, 
AiH»«Ovj' I ADVERTISEMENT HlNlGHl.'ii,:; 
CkrUHNIOH! SALES EXECUTIVES T>,i rVr»u« 
Kjira fenhi- AD PRODUCTION lim: ( r/nn HI i. , Phi 
CROUP ADVERTISEMENT MANAGER N.j-I l,r r l:„ 
PUBLISHING DIRECTOR Yihi I tmi ( ::i Irrrf 

' H, JO'S T c i i im ^oriJ 

i b 3au i»i o?' m trao hi> 07i m j/'.i i 

CMlrfcmm 6K- fioMitx Ltd. ft*k Hum, hul taxi, 
Peterborough Ff 1 2TC hJbxnfmaa iw)d enquiries To*w 
MJii>wg 1n«vf Hou*-, 'it mmj] Po*. Latfftil St, tbta 
Ho^wough, Lcci LEI 6 9t? Tel QS3B 4oB 9.BS Amwd 
Sotncnprion Ruin Cine postogel \w 1 2 4vjue&. UK & tfPO 
E47 50, Qvxoi srfax mail: EM 00. Airanrf Europe * 
i.,. U&M A.moW !w I 4 7 C&S SO 

niHTTO M ML UHnTD HMCHHM 



"aIcI 11z -™° 



CU AMIGA 



■SJJBL__ 

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DIR WORK A AMN 

Just look what we have for you this month: 
a working demo of DIR Work 2- the superb program 
which helps you manage files and disks, amongst 
other things. jj_ 



TVPt 



JLi 



One of the really great things 
about the Amiga is how easy 
it is to use. PCs need special 
monitors, force you to mess, around 
with command lines and use MS- 
DOS- The Amiga,, however, can, be 
plugged into a normal TV and oper- 
ated using a mouse with a nice 
graphical environment. Much better! 
However, have you ever tried using 
the Amiga's command line {Shell or 
CLI)7 Thais not so simple. 

It involves a lot of complicated 
procedures which are best avoided, 
but whal do you do if you really 
have to use these complicated shell 
commands? Well, for starters you 
could read the 'QftA Special Amiga 
Workshop* which is In CU AMIGA 
every month. Alternatively, you can 
use this month's excellent Technical 
Coverdisk - Dir Work 2. 

SHELL SHOCKED! 

DIR Work 2 allows you to perform 
fairly complex SHELL commands 
using a very sim- 
ple point and click 
user interface. 
Want to delete a 
file without an 
icon? Just click 
on the file name 
and then the 
delete button! 

All common 
disk operations 
are possible with 
Dm Work 2, 
including COPY, 
MOVE. DELETE, 
MAKE DIR 
(MAKEDIRECTO 
RIES/ 

DRAWERS), 
RENAME, and 
DISKCOPY, These are comple- 
mented by further buttons to let you 
easily move around directories and 
volumes, edit files, view graphic files 
and play sound modules. It will also 
do a lot more besides, 

Built into the program is a full 
system diagnosis facility, telling you 
all about your Amiga - including 
how much RAM you have, what 
libraries are present, what's in mem- 
ory and so on I 



SECRET WEAPON 

The more astute of you will have 
noticed that the cover disk is labelled 
demo. But so far, everything in DIR 
Work is fully functional, so how come 
it's a demo. Well, if you want to use 
DIR Work just to control your fifes 
then it is a lull program, but DIR 
WORK has a secret weapon. It's fully 
configurable. Every button, slider, 
menu and text description can be 
changed - you can make the pro- 
gram look completely different, and 
change practically every aspect of its 
operation. And it's this part that Is dif- 
ferent in our demo. 

Whilst you can still change every- 
thing, you won't be able to save your 
changes for future use. If you want 
the full version turn to page 36 tor 
the upgrade offer, or call Emerald 
Creative on 081 715 8B8S. 

So how do you use DIR Work? 
Well, firstly, follow the instructions on 
page 15 to load it. with the program 

- tjirilork JIM SlHlHIHj^ijJMM. 

itrtetirl .isk 



natural for 
DtRWork2\o 

work in a simi- 
lar manner, 
the display 
being split into 
two halve*. 

Both sides 
of the screen 
have a direc- 
tory list and 
identical sets 
of buttons. 
Selecting one 



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or more files and directones and 
clicking on an action button on that 
side of the screen will, if appropriate 
depending on the action of the but- 
ton, transfer the files selected to Ihe 
directory on the other half of the 
screen. For functions that dont 
involve moving a file around, ie delet- 
ing or renaming, simply select the 
files and click on the button. Multiple 
files can be selected by either drag- 
ging the mouse pointer down over 
file names, or 
I 'd highlighting one 
file and then 
clicking on sub- 
sequent files 
whilst holding 
down the SHIFT, 
CONTROL or 
ALT key 
Operations will 
be carried out on 
each file in turn. 



fl* Di.sk 



up and running you'll see a screen 
like the one below - if not. you've 
loaded the wrong program! 

DOUBLE SIDED! 

Most file operations (ie moving, 
copying etc) involve you selecting a 
file m one location (ie a directory or 
volume) and performing an opera- 
tion on the file, typically moving or 
copying lo other directory or volume. 
Given this two- sided operation its 



Now most of you 
won't want to sit 
and read through 
masses of instructions so instead 
take a peek at the annotated diagram 
on the ne*t page. This shows the 
important buttons with descriptions, 
everything you need to use the most 
commonly used parts of the program 
is listed here. 

The following are other general 
purpose functions and shortcuts that 
can be carried out, 

To display text and IFF graphics 
files simply double click on the file. 



b 



JL 



Skip 



9* 



How D«l< 



Shou 



HiY 



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fufTFTsit 

Doing this will bring any IFF picture, 
whilst ASCII texi files will be shown 
on screen. The program will try to 
open all types of file, and display 
them, so you may get some unusual 
results opening non-lFF or non ASCII 
files. The equivalent buttons lor 
these operations are 'TYPE" for test 
files, and 'SHOW for graphics tile*. 
Likewise, double clicking on a pro- 
gram or application will load and run 
that application. Double clicking on a 
directory name will move into that 
directory, making it the current one, 

GREAT EH? 

And that's it for DiR Work ?this 
month, Next month we'll examine 
changing the look of the program, a 
facility which, although you can use it 
in this demo version, you won't be 
able to save the changes until you 
upgrade. We'll also check out its built 
in diagnostic tools, and disk handling. 
You can probably figure most of it out 
on your own in the mean time, 
although there will be a lew surprises 
lined up in the instructions. 



The copyright display pop* up occasionally in 
Ihedtfno veralan. 



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Mn HI 3 11) till hi 'tl J SH IM HI W 3 

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tut Hun, En! Mid ]qiw>iiL (Still, Lilian Wf 

hid (111) M3 )'AI FiiiililWl!!] 



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GET DIR: Feeds |he contents of the 
curem directory, in most cases Ihe 
program will do this automatically, 
out there are times when you may 
need to do this manually. 

COPY; Copes the files selected in 

ttie source directory into (tie destina- 
tion directory 

MOVE: This is the sister button 10 Copy 
Whereas Copy leaves the original in place, 
Move copies the file(s) and then deletes the 
ong;rais afterwards. 



li 



DELETE: Strangely enough 
this deletes, ie removes, the 
file or files and directories 
selected from the dish. Once 
you've deleted them you can't 
gel them back so be careful! 

MAKE DIR: Creates a new 

directory or drawer. You will 
be prompted to enter the 
name in a requester. 



TYPE: Clicking one or more 
text files and pressing this 
button will display the file on 
screen. This will bring up a 
new screen with a series of 
buttons along the bottom. 
These buttons allow you to 
print the file, search lor occur- 
rences of specific words, 
change the display to HEX 
(probably only useful if you're 
a programmer), and move 
around the tile. Double 
clicking on a text file will also 
bring this display up, 



RUN: If you've 

highlighted a program 
or application clicking 
on this button wiil try to 
load and run it -like 
double Clicking on a 
program in Workbench, 



SHOW: Similar to 

TYPE but for Amiga 
graphic files. 

PLAYSS:PLAYMOD: 

Audio lile support: to be 
covered nest month. 



- DirHcrk V2. J) S 1998-1994 Chris Hanes. - 




B 



GetDir 



Type 



Renane 



Copy 



Run 



Hove 



Show 



Had I con 



Delete 



PlaySS 



Instant 



MakeDi: 



PlayHoJ 



Uo limes 



Disk 



Sys 



GetDir 



Type 



Hide 



Ran: DI8: 



A N \ 



|__ Quit 



Clipboards 



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Ran Disk 



RENAME: Clicking on this lile will 
allow you to change the name of a 
file. You will first be asked if you wish 
to change the filename, skip this tile 
or cancel the operation. You will then 
be shown the existing name and 
asked for a new one. If you selected 
multiple tiles each file will be 
changed in turn. 



PATSEL: The display in the directory 

display is normally set to all files and 
directories, although you can change 
which filenames are shown. Clicking 
on PATSEL will ask you for the pat- 
tern sef&Ction for filenames that the 
program will use when listing files, 
This asks for the wild Cards and file- 
names to use, these follow standard 
Amiga standards. 



215 



< > 



A 



V 



A 



V 



Renane 



Copy 



Run 



Move 



Show 



fhtoftotr 



Delete 



PlaySS 



HakeDir 



PlayHod 



instant Vtrhmes 



dfb: DF1: 






PIT: 



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215 



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8H Ran D 



_ 



VdLUMES: Lists 

ill the volumes 
available on your 
■Amiga, to use 
one simply-double 
click on it. 



vn 



H 



ADDICOM: To 

be covered 

next month. 



A: Automatically I 
selects all the 
files for you. 

/: Changes the cur- 
rent directory to its 
parent, ie moves 
back up through 
the directory list. 



PATHNAME: 
Identities where 
DIR Work is cur- 
rently looking for 
files. Selecting a 
new volume (see 
VOLUMES) will 
change this lext 
for you. 

Alternatively you 
can simply click on 
it with the mouse 
and manually type 
in new paths, 



DISK: and SYS: 

These options will be covered neat month 



N: Deselects all 
selected files. 



HIDE: Moves DIP 
WORK to a back- 
ground screen. 







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Why not place jour order! on our new bulletin 

boird. First comrrt re not Jim a m*»n( reordering, it 
al*» si»=* ,ou ice™ to read or download technical 
support files and ad*ic«. 

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Cc4c-nr inhjeti J*0 a 3*0 dpi, "" k TM (<h. ipecW | 

> TE31 HEWLETT 
1 PACKARD 

...£229,991 
...£249.99 

HP 500 Colour .£344.99 

LOrVPflJCe H P 560 Co lo u r, „ . . £47 9 .99 1 

even faster than the old HPSSOCff 
All HP printer* come with a 3 year warranty 



LOW STAR 
PRICES 



I Star LC 1 00 colour £ 1 1 9.99 

I* pin colour, I fantJ, I M tp» draft. 45 epi NLQ 

Star LC24- 1 00 >■■■ — ,» £ 126-99 

StarLC24-MCol..„ ..£199.99 

I cumpkt* with automatic lhc«t faeder,. I f I epi draft 

Star LC24-3O0 Col £149.99 

M pin <(Uility, 2H Cpl draft, It cp» LQ, 3*K buflrr 
expandlble tci4*r; h l*fonll«nd Quietmoda- 

StarSJ 144 Colour Thermal 

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only £339.99 

I Star SJ4B Autosheet feeder.only £49 .99 

Universal Printer Stand, ....only £4,99 



PRINTER CONSUMABLES 



RIBBONS 

CHIi«n Swift mono ribbon „ — t*.M 

Cltiien Swift Colnur ribbon iSi'12 

Epion LX3M Cataur ribbon — _,-..,.. HIT* 

Star LC 1 61 1 QB mono „.,„,., „.-.-0.( 

Star LCUB* mono ...£-4.^ 

Star LC I W I Bueoleur ,.,„„ r ._i:7.?9 

Star LC200 colour ttl '*? 

Star LC14.10 mono _ „„— tB.M 

S*jirLCl4-)WMl*CohMir ill ■« 

Re-lnkSpray far mono ribbon»~— — ** "■ ■ * * '■" 

COVERS 

C*j W nprin1^tOV^<pl»I*««P* ri 'r mod "0 H 

Citizen SwllWABC ,„.,«,» 

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StarL.C24-J«0^u ts.tt 

StarLCIWHccrttr .„*(.« 

p&PER. DT90H lptHY OAfV *hHn, rardh&TCd W-rti •IrsiiW)' or 

Fanfolo (tractor t*u&\— SOD iheeti . 

FanFnld <tr>ctor feed) I OM theet* .£8.9f 

Fan fold (traetor faedj .JflOB ih««tl.£ 17.99 

Single ihett 59* iheetl..,^ 

Sintflt theet,..,,...,,-.- '"B0 ibteti ..il.n 

Single ihait,-. HM ih«tt.tl7,?° 

;,ir MM sn«o ti.Ofl Whe* forrtBtd nfclmyc. pnnttf 



lir Robnti«:s 

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WorldPortl44004'Fa 

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HfUu dwwght YTIbta Wlifait iry die ™roci| TH«r come wit* * 



MONITORS 





..£104.99 
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NEWt AKF40 

Stereo, colour menrtor with Hmt 
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only £249.99 
NEV/f Microvitec Autoscan 1 438 

.IB dpi , I ill* KHI, all Amiga mod*i, AGA comp. 
no audio, tilt L twivefl itand, 

noWonly£2a9.99 

•Free cable for fldUO* only A I IQt C»hle H.tt extra 



PREMIER Ink 

!.-irtridee Refill; 

■ wlch yoii, ink'bu hbi* jit. 



S*v« ■ farluni In runnini in-i"» < 
Cimpitlblr »lrh die H>50D:SS_. 
B|l«ri»i*0nj.0i l i*wJ*DD3H, itir S^aO , CitUMi rr»J«*ni) 
many^turi. Full r*n|*of Enlown »*llllbl*. 

ain E ld=refl|i*{3.a,Til> to.*9 

Twin refills (44ml) ...,...„ £*: 

Thru colour kit («ml) ..£ I 9,« 

Full colour kit (BBml) £.T 

BLilkr«nil»(ll5ml) £14.»S 

Cartridges 
Canon BjlfJ'Sj48 cartridge 

Double Hfe S tH> cartridges £24-99 

HPSSOj'SGO Coluur cartridge £24-99 

Epson Stylus ColourCartridge— — — £39 « 

Epson Stylus moroCartridEC - 

Epson StrluifJUHrrrniurni Cartridge .£ [ | 

StarSJ 144 mono cartridges ( I pitch)... £2 1 .99 
StarSJ 144 colour cartridge* (3 pack).,£^ 1 .9 

Miicellart-eOIB 

Printer Switch Box I w»y __ J. 1 7-99 

PrintarSwrtchBfiniJwlay ....£17,M 

PrinterStmdifUnlvanai).. £7.» 

JHatre printer cable ...-c6.tr 

SMetreprlntereaMo __ . ,^e-' 

IB metre prlotor cable _cll.T? 



PRIMAA50O&A600RAM I SPECIAL OFFERS/ I ROM BO PRODUCTS I SOFTWARE 



3 TEAR WARRANTY. 1 . 1 

ASOOSHkRAM 
rsion (no clock). £ I 9.99 
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expansion ....,..,.,.,£34.99 

A600 I Mb RAM expansion 
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Mb SI MM „ r £9599 

4 Mb S I M M. .NEW LOW •R,CEf....£ * 3 9.99 
It Mb SIMM. -NEW LOW FRJCEJ £169.99 



12 BIT RAM (forA400o etC ) 



RAM & CUSTOM CHIPS 



i = E i D 



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£4599 

£5399 

£106.99 

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£89.99 
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mbby B9SIMMS<IMb> £34, 9 

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25* by 4 ZIPS.... _„ (each) £5. 99 1 

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| D K B I 20 1 A 1 200 RAM board ,£84.99 

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Kicks tart 2-05 {far use in A600)...£28.99 

Fatter Agnes fl 1 72 A ...,.,£ 26.99 1 

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657 1 -0326 Keyboard controller^ 1 3, 99 1 
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AMIGA I 200 RAM 



HAWK CO-PRO & RAM 

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1 MS HAM £9B 991 

2 M B HA M ,„„.. i I t * ■ ' * I 

A MB HAM ....„£ I 9B. 99 1 

J MB HAM „„ .£3*4. Ml 

iHJtlfl MHiCOPHO £147.991 

2 MB ft 3 j MMi MHO ........£ I 9*. 9*1 

i*H»UHHi CO PRO £ 294.991 

3MB*.4Qr1HlCOPR O £ 49 * 

FULL 2 TEAR WARRANTY 

w tHriil FlnoftEbEh* idi upinkan pan *irfu tvtpnfipirajp ■— •'* n* I 
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1Mb pup to 1 Mb.............. „..„,.,.OfS.99 

|Hh pop to. 4 Mb £2S9.99l 

8Mb pop to 8 Mb.. 



SUPRAA500 RAM 



AMIGA REPAIR 
CENTRE 

W( Offer 4 EftEE Quotation on jfoiirAmija or any 
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All work In 
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r ill alio install any upgrade) soft ware or accessory from 
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Deluxe Paint 4 AGA, *»««« -" »■** 

Distant Suns 5 , „„. ,-„.„-.. £35.99 

Personal Paint V4 ™— . «» 

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Technosound Turbo Z ... ..^..£25.99 

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Personal Paint*"' -if ■ i v.yv nn |„ /CO OC 
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SCANNERS 



Alfa Data Affa Scan 

[ hand held Manner with IS* grey scales and up lu 800 | 

Dp ' only £114.99 

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Alfa Data Alfa Colour Scan 

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only £329.99 

Power Scanner V4 £1 19.99 

I With the latest version 4 i'w for bright 4 sharp grey scaJe 
I performinct- Flexible scanned imajedispilj "rlaflrpulltlwi 
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Colour version only £239.99 

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only £564. SO ph.>ehiriietiiis 
|ArtDep*rtmen( fro Scanner SyW,,£ 1 09.9*? 

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MICE&TRACKERBALLS 



Alpha Data Mega Mouse 9t* nting. iw 

\ Dpi £ I ,9 9 Or £ I 2 . 9 9 for 4» Dpi wanlon 

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Zydec Trackball... £29.99 

Aplha Data Trackball. ....£37.99 



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VID! 12 Real Time £ I 34.99 

fttal tlm« colour digitizing frurn any vldetf 
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VIDI 24 Real Time £204.99 

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VIDI 12 AGA £59.99 

Full support for AGA chipset., Colour Imtftt 
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VIDI 12 Sound* Vision AGA 

with built in Me|*ml*Mnt«r £98.99 

TAKE 2 £35.99 

Feature! Include load and uva from D. Paint 
animations and IFF Diet. Support! HAM [raphkf. 

Megamix Master.. £26.99 

1 bit, high IpCC. lampJar. Special affects include 
nchu that can be added In real tlflie, fully rnulrirai king 



ACCELERATORS 



VJPER 48030 TURBO only £ 1 59.99 
eft 010 accelerator running at ZSMhr 

expandlble to • Mb 12 Bk RAM (tee RAM prices) 
Optional SCSI adaptor. 

ADDITIONAL RAM FOR 

VIPER BOARDS 

juit add th* prlte pf th* H.A.M to the Viper 

board to get your configuration price 

1 Mb SI MM .....£39.99 

2 Mb SIMM £95.99 

I 4 M b SIMM. .. NEW LQwmCE'.-.l I 39.99 
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2* M hx , u s es AS D D side pO rt so t here If 

net Internal fitting 

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This high quality ROM thar* r fratores a flexible 

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for keyboard switchable version 



BUSINESS 



IE-UH 




AMITEC 

I mb 3.5" 
drive 

Feature! Antl Click, 
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2 year warranty 

only £58.99 



Miscellaneous Hairrware 



The Serial Link {Adaptor to link CD3 Z/Amiga/PC) 
ORhr£2f.t7 

Fanavnion SX- 1 (COJ1/I ISO emulator. tl I ".991 

JtDS Dauffyer External H*rddrh« lot (64.49 1 

DK a Mega Chip II (2Mb chip SAMS...- ,„.,„tl 69.9? | 

p-*i 1 Mb oT chip memory <in AiefllAISDimiHiri 

ROCHARD DRIVES from (42Hh)a.o-*no(i5i».| 

:MwMrt*rtWi« .^ ■i *d. l.4ptr*t'W*SI IM»SJWhfS. nr. n 



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J39.99I 



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I meg external drive. The b«t ruun* In d»c drives 

A600/ 1200 internal drive... £49 .9 9 

A500 i n tern al dnve v „.......*..< -£49.99 

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GENLOCKS 



hama on demo now. 

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hama292 £269.99 

S-VM*0, and composite compatible 

fta/773290.. ..,.£674.99 

S- Video, and composite mlxiing, plui far mora 

fta/naA-CUT Video Editor 
£ 1 85.99 £ J| 
GVP Genlock onlyt5w.99 

features profei ilonal SVH5 output 

jRocgen Plus only £164,99 

Includes dual control fcrov»r|»y and heyholeeffects, 
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Rendale 8B02 FMC.only £164.99 
Rocgen Rockey ..only C 1 64.99 

For creating ipctial effects In video 
production with genlock!. 



ACCESSORIES 



Real Time AlIDSIlUernsi (lock module... 

MoufnJjovitlck manual purt switcher only £ 1 3,99 

Amiga ASWl'AOflr I Jfln Power Supply...... „i 1 ( 

Amiga SOOi'590 Plus keyboard ..„■ 

AirupSM Flu: MoBicrboard ™^ £29.9* 

Amiga 50J Pluf ClM -„- ....,-..£11.9* 

QUALITlf MOUSE MATS _ — H.t* 

10 CAP AC ITT DISK BOX.. £0. 

20 CAPACITY DISK BOX .,.„„ ...LL19 

*n CAP LOCKABLC DISK BOX __.0. 

10* CAF LOCKABLE DISK BOX., ,...„„.ti4» 

"H CAP STACKABLE BANX BOX. L9.QV 

*ISfl CAP STACKASLE POWO «OK. 

•aaiO.M rWiie-T H punhuiiq jult on* Foiugrtuii buL Nnrmal 
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AMIGA A50P DMST COVER,., Juu .,. »„.£3. 

AMIGA e» COVER,... „ ™.«J.» 

14" MOhUfTQR DUSTCOVER. 16.*» 

NEWi cyboard Membrane Covers. £14,91 

AMIGA TO SCART CABLES,, „.,.<» 

STO I.B METRE AMIGA PRINTER LEAD..,. 

MODEM AND NULL MODEM CABLES rt Y» 

AMIGA CONTROL STATIONS 

ASODor I 2M VERSION_-„^™- O* -»l 

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Branded disks come complete with labels 

D isk Label s. , .. 500 „...„,„,„„,», £6, 9 9 

Disk Labels.. 1 000..., ,..,£9.99 



It-laxiPlan* £24.99 

Mini Oriel U*-99 

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CDROMSOFTWAR 

17 BicCijIltt-nori 

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Sexual F antaiies _. . £34.99 



MISCELLANEOUS 

I Olrtanc Suh S„_ L15.9* 

i XCAD ZMW....... ,„.- -....«7.9* 

MUSIC/SOUND 

| Clarity 1 4 sampler....,.- . flu!.** 

Delu«« Pktak Construction fff"9., mi , .*M» 

| Pro Midi Interface by Mkrodeai — 

TechnoSound Turbo... .-...,-.—.. 

TechrvoSound Turbo 2..„ , 

PROGRAMMING 

Amos Pmfnialonal „-■ -.. 

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Deypsc 1 

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PUBLIC DOMAIN Top 50 

frOfT/l £/.50.'fjnanynwnFlrllr!ilH3ltaW«J 



£47.99 
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jULff 

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I AmfBaieProvl.l...„... .. 

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D-Cupy Vl..,.,..,..„..,.„ . 

EcKvord Pn>V4 

Easy Calc. Plus. ...... 

E-Typ* 2,. „,-„-,„„ . — 

First Mods disk 1... ....,., ,„ 

I Orape¥tn*l7 

Rdokjck I. J _,„,.„„„„ 

Kkjndyk* AGA 

First Wodi disk I ..„.„ 

MindWarpAGADemu.. 

MatdrtHaMivaderf ACA ....... . 

Magic WarhbcnchUdrl 

First Modi difk J... — — 

PC Task Emulator.. 

ReorgV3.l 

Spectrum Emulator version I 

Spectrum Games Di sfc., ..._,.. 

FhCHs 

9 Fingen Rave Demo. . 

Mean CD Machine. 

FitChix 1 „—,— , — r— i- 

The Mini AGA 

CD Wars ..,.,. 

First Mods dWc4 

Andys Workbench 1 Ullls ,. . 
DeaertDneanif Demo, 

Origin Complex. ■■•.■■■«» 

Ray WoHd AGA D«mn 

CLI.'SHELL Help,.,.,, ... 

dpart I - HsieArt 

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Cleart J - MacArt I .. 

Cfa'part 4 . Food-. 

Cllparti - Food 3- 

Perspex Hypnosis....... ...... ..... 

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BenehtnarkTeFt* , 

3 Ways to Stop Smoking 

CUparc 1 pack. 

CD ROM drivers (Ami) 

CD ROM Bonus Utils... 

MegaballAGA,.,,. 

RevelatiDns 5lideihaw. 

DeeJayCrufKher*. 

Find it 

FhrstFontiOrpVl..- 

First Fonts Dis*:Z.„..,-, u . u ■ 

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(PDA»l)idl!kit.SQ 
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UTILITIES 



Olrector* Oput4 

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VIDEO AND GRAPHICS 



Art L>cpartriientPro2.5, 

Art Dr part men c Scanner software,. 
Brilliance II pisnt and animation.. 
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Deluxe Paint 3 

DkIuhc Paint 4 AG A... ....-..„ ., 

Make Path for Virta,- 

Mekon Magic-.—. .„....„..., 

Real 3D Classic... _..-. 

Scenary Animator V4(3(* reqlred) 

Video CreatorforCD32 

Video Director .™-,_ 



....£145.99 
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V.ttaP>o3(4Mbrequirrd> £4S,99 

WORDPROCESSINGroTP 

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Penpal 1 .4 £29.99 

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Pagestream 2.2 U.K. version _ _..£«9.99 

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Pagesetter) £41.99 

Pro Page V4. . „„.. , .(109.99 

Pro Page V44 Pro Draw J„. __ L 1 59.99 

Prote « 4.3 WIF ,_ -,.™.™™™,.i J9.99 

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Wordworth 3 JVErV.' LIMITE.Q OFFEW ..£44.99 



CU AMIGA COVERDISKS 






i.nni] {J.1J m¥i RBF Miuwt, Written ** Bri» Thaw, 



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ti record fttidt. 



_ 




UlAUUftlBTIL 




iltnin.J'2-W 



Compatibility 
across virtually 
any music program 
is now a reality, 
with the amazing 
Amiga Music Fife 
Converter, or 
AMFC for short. 

Arnica Music Fiie Convertor Is a 
utility for converting music files 
to different formats. For exam- 
ple, you might have an OctaMED 
module thai you want to load into 
Music X. The OctaMED and Music X 
lite formats are different, so you can't 
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*r& Prof in i mil YS llr ' (M9 nKiiriH 



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AMFC will read any of the following 
formats; OctaMED MMDO and 



MMD1, Old and new Soundtracker, 
Noisetracker and 
Protfacker,Oktaly2er, Sonix 
fSMUS+-s$) and SlarJrekker, 
Once you've loaded one of these, it 
can he converted to any of Ihe above 
formats, apart from Sonix .ss. You 
can also convert to Music X, 
although you can't convert from 
Music X. There is also a separate 
program to convert files to siandard 
MIDI format. 

HOW IT'S DONE 

AMFC is a very simple program to 
use. See page 15 for instructions on 
decompressing the disk. Boot 
straight from your decompressed 
AMFC disk {put the disk in the inter- 
nal drive and reset the Amiga). 
Double click the AMFC 3. 1 disk icon, 
then double click the AMFC Prepro- 
gram icon. The colour scheme is 
rather dark., so you may need lo turn 
up the brightness control on your 
monitor to read the text properly. 

Once the program has loaded, 
click the mouse and you'll see two 
main windows. The left window is the 
'source' window, the right is the 'des- 
tination' window, 'You should have a 
music tile ready, either on a floppy 
disk, RAM disk or your hard drive. 
Click the left Disk button, and the 
click ihe appropriate device name lo 
select the drive on which your music 
file is stored. Use Ihe Up and Down 
buttons or arrows to move through 
the list if necessary. Locate the lile 
and click on its name. 

Now you have to choose the for- 
mat that you want the file converted 
to. Take your pick tram the buttons 
beneath the text that reads 'Convert 
file to:". If you just want to strip out 
the samples from a song tile, click 
either the IFF or RAW buttons. This 
will take out alt the samples from the 
song, and save them separate files, 
as either IFF or RAW samples Use 



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the gadgets around the right window 
to select a palh for your destination 
file, and enter a name for the con- 
vened file into the box at the bottom 
right corner of the screen. Click the 
button marked 'Do it!', and the file 
will be loaded, converted and saved 
out as you specified. II you are run- 
ning on an Amiga with no hard drive 
and one floppy, convert your files to 
the RAM disk, and then copy them 
onto a floppy disk from (here- 

OPTIONS 

There are a few options that can be 
set before you convert your files. Click 
ihe button marked s S.AIl' to cycle 
through the different sample process- 
ing options. With the default setting, 
all the samples in the song are con- 
verted with the song data. There are " 
three other settings, as follows: 
S Used • All samples and instru 
ments are processed, except 
those which are not actually used 
anywhere in the song, 
9. None - All samples and instru- 
ments are removed, or 
not processed. 
S.Narne - Only the 
sample names are 
processed, not the 
samples themselves. 

Auto is an option 
which can be used it 
you can't be bothered to 
specify a filename for 
your converted file. 
When the Auto button is 
highlighted, the destina- 
tion file will be saved 
with a similar filename 
to the source, with a 
new suffix or prefix on 
the filename. For exam- 
ple, a Protractor module called 
'Mod .Acid' could be converted to an 
SMUS file, in which case Ihe con- 
verted file would be called 
'Acid. SMS'. 

The quit button will close down 
Ihe program, When it asks you il 
you are sure you wani lo quil, click 
either the yes or no burton, or press 
Y gr N on the keyboard. Brian 
Thorn, the program's author, has 
kindly included an OctaMED mod- 
ule, which can be found in the 
Player & Examples directory. 

saw " 

It's inevitable that not all files are 
going to survive the conversion pro- 
cess completely intact. The various 
music programs all support different 

features, so certain aspects of song 
data are not supported in some of 



the file formais, This means that 
some parts ot the song data will 
occasionally be lost during conver- 
sion (this won't affect your original 
source files though), it's likely that a 
bit of tweaking of the tempos and 
nstoimgnt tunings and transpositions 
will be needed in many cases. For 
more detailed descriptions of exactly 
what happens in the conversion pro- 
cess, see the 'How I Work" document 
on the AMFC disk. 

MIDI CONVERSION 

There are two ways you can convert 
your Amiga sample tunes to MIDI 
files. The first is via the Music X 
option. Any of the supported: lormats 
can be converted to Music X files, 
loaded into Music X. and then saved 
out as MIDI files from within Music X. 
Alternatively, you can Iry the MIDI 
Convenor program included on the 
disk. You'll still have to use the Music 
X converter in AMFC, but you won't 
need a copy of the Music X program. 
Boot from Workbench, and using the 
"Show all files' option from the 



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Window menu, open the directory 
called 'Copy contents to your s diif', 
which can be found in the MIDI 
Convenor directory on the AMFC 
disk. Drag this into ihe "S" directory 
ol your Workbench and your AMFC 
disk. You can now load the MIDI 
Convenor program either from 
Workbench or the AMFC disk. 

For full instructions on using the 
MIDI Converter program, see ihe 
documents on the disk. 

HUH* 

You'll see an icon in the AMFC disk 
window entitled 'Copy to LIBS:'. In 
order for this little script to work, 
you'll need lo rename the AMFC disk 
'AMFC Pre/ (without the quotation 
marks). Use the Rename option from 
the Workbench Icons menu. '3' 



12 



COVERDISKS CU AMIGA 



*CU AMIGA EXCLUSIVE 

THE CLUE 

PLAH THE PERFECT CHIME 
I H THIS 
GIG UN 

aoveni 

DEMO 








Could this be one of the most 
original adventures of all time? 
We certainly think so and so will 
you with our exclusive coverdemo. 



io-\ 





Tfin ralner nasty piece of work Is one nf lira mosl important ptOCH* In 1ht g*m». H« Is Ina ona 
who will give you ins leads on all your burglan»s, but il*0 gr#M you up II you rroaa him. 



You may not have heard a lot 
about this new game from Neo 
Software in Germany, the peo- 
ple behind Whale's Voyage, but 
that's not to say that you won't hear a 
lot about it in future. We were shown 
Ft very recently for the first time, and 
were so amazed we just had to get 
the cover demo, so you could see for 
yourself what an exciting and Original 
adventure Th$ ptue is. 

Take your standard crime-based 
adventure, where a detective has. to 
track down a master criminal who is 
terrorising the locals, and then turn it 
on its head, and you have The Clue. 
You are Matt Stuvysunt, a petty thief 
who has come lo London to seek his 
fortune. Well, not his fortune exactly. 
Someone else's fortune, which he 
can then steal from under their noses 
in the middle of the night. 

There's a lol more to being a suc- 
cessful burglar than meels the eye, 
however. II. isn't just a case of finding 
a likely place, breaking a window and 

Musing In the- prttwnc* Ol Mare Smith . 




grabbing what you can. You'll never 
gel rich that way,, nor will you last 
very long in the underworld. To be a 
big time burglar you need skill and 
pan erica., along with a little ingenuity. 
The Clue will test your level of ruth- 
lessness and lack of moral fibre. 

Al the start of our demo, you are 
taken to meet a master criminal 
already working in London during the 
Fifties, where the game is set. Here 
you are introduced lo a couple of 
shady characters and told the sort of 
thing to look out for. You'll also be 
told about a couple ol prime locations 
in London lo slake out, and can pick 
up essential information about top 
targets such as the Bank Of England 
or Kenwood House, After that, you're 
on your own. 

The entire game is controlled with 
the mouse, and all actions are per- 
formed by highlighting the 
appropriate word in the bottom Ihird 
of the screen and clicking on the left 
button. The game has been designed 
to be as easy as possible to play, but 
just to make it that little bit easier, 
here is a quick run down of the vari- 
ous options available to you; 

WALK 

The standard way of moving around 
the game. When you reach a loca- 
tion, there are usually three or four 
different areas in thai location you 
can visit, and clicking on this com- 
mand gives you the full list. Simply 



click on the room you want to go to, 
and you're there! 

WJUT 

Shops and banks are governed by 
time, You can't walk into a bank if it's 
shut, and there aren't many shop- 
keepers who would appreciate being 
burgled in the middle of the day. The 
wait instruction lets you sit lighi for as 
long as you want, until you Feel ready 
to rJo something, 

LOOK 

If you want a more detailed descrip- 
tion of your current location than just 
the name and address, then the Look 
command is the -one that will help 
you cut. When you select it, it gives 
you the chance to look at your sur- 
roundings, or at any people nearby, 

CALL TAXI 

The only real way to travel around 
London is by laxi, as any self 
respecting tourist will tell you, and 
the only way you can physically 
move between locations in the game 
is via cab. Just select this icon, and 
then tell the driver where you want to 
go, and you'll he there in no time at 
all- Jusi remember to sit well back 
in your seal for your own safety 
and comfort- 

THINK 

Think works as a sort of score sheet 
and status screen. When this is 
selected, you can look at any aspect 
of your game So far, and see how 
your own character is progressing. 
This will also show you all the people 
you have met so far and alf the loca- 
tions you have staked out. Definitely 
one of the most useful tools, and a 
logical addition to any adventure, 




Before you can even consider carry- 
ing out a heist, you need to stake out 
the joint to see how secure ihe build- 
ing is, see how often the police check 
the area and what there is to actually 
sleaL This can take a couple of days 
to do, but at the end of it you'll have 
a map and a plan, As you sit and 
wait, you are told exactly when the 
police pass, and when the guards 
change over, along with any other 
interesting happenings. 

Unfortunately in our demo, you 
can't actually carry out ihe robbery 
itself, but just checking out places 
and building up your gang will show 
you what a great game (his is. Have 
fun, and don't get caught! Turn to 
page 15 for detailed instructions on 
how to load this disk.- 1 ^ 

The London Taxi ■ lit* only Way 10 (r»v«i 





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COVERDISKS CU AMIGA 



r- 






r' 







WRITE PROTECT YOUR DI3K1 

Before you do-anything with your 
coverdisk, make sure it's write pro- 
tected. Open the tab in the corner so 
rat you can see through the hole. 

DECOMPRESSING THE DISKS 

Both the main programs on Disk 90 
are compressed in order to fit them 
on a single dish, Before you can run 
e rher AMFC or Dir Work, they need 
to be decompressed onto their own 
separate disks- You'll need two spare 
disks before continuing. 

1 . Boot from your coverdisk (insert 
the disk and reset the Amiga) . 
Double click the CU#9Q disk icon, 

2. Double click the AMFC3.1.dms icon. 

3. A window will appear, asking you 
to insert a blank disk in DFO:. At this 
point, replace the coverdisk with one 
Of your blanks (the blank must be 
write enabled, with the tab in the 
closed posilion). 

4. Press Return, 

5. Replace the coverptfsk (CU#90) 
when asked lo do SO by the computer. 




We Iry to ensure that all our 
coverdisks are completely Iree ol 
viruses. We always have the most 
advanced virus checkers available 

when trie disk is compiled and every 
program goes through rigorous test- 
ing or alt relevant Arnicas, 
However, we cannot accept any 
responsibility for possible damage 
incurred by viruses or faulty disks 
which have escaped our attention. 



6. Mark your first blank disk 'AMFC 
Pro'. This is now your fully working 
AMFC Pro disk, 

7. Repeat from step two. double 
clicking the Dir Work.tims icon this 
lime, using your second blank disk, 
in order lo create your Dir Work disk. 

LOADING THE PROGRAMS 

AMFC Pro is an autobooting disk. Put 
it in trie internal drive and reset the 
Amiga, Double click the AMFC dish 

icon, then double click the AMFC pro- 
gram icon to load the main program. 
To run Dir Works, you must first load 
Workbench, and then load the Dir 
Works program. Double click the Dir 
Works disk icon, then double click the 
DW icon to load the piogram. 

SAMPLES 

There wasn't any room for a tune on 
this month's disk, but we did manage 
to squeeze a few tasty sound sam- 
ples on, You can't run them- straight 
from the coverdisk, but they can be 
loaded into any Amiga program that 
supports IFF samples, such as 
OotaMED, Protracker, MovieSetter, 
AMOS etc. If you use any of the 
looped samples in a tracker, take off 
the Poops from within the sample edi- 
tor section of your tracker. 
We've had an excellent response 
from our request for 'coverdisk 
choons', Thanks to all who have con- 
tributed. Remember, to get onto a 
future coverdisk, your best bet is to 
keep your ditty as small as possible 
(cartainly not more than 200K). Send 
your tracks to : 
Tony Horgan 
Coverdisk Choons 
CU AMIGA 

30-32 Farringdon Lane 
London EC 1R3AU. 



InpT] WOWDED MM TW SEFTBttal * GSIIE OF it, 
] CU AMIGA -SfllTdlS 5 BEST AMIGA MAGUME 



A CU 

TH 

PLAN THE P 
INTHi: 
DVE 




T CRIME 




esanusufftt 



You may not have heard a lot about 
The Clue before this month, but you 
certainly will hear a lot about it after- 
wards, How happy you can now feel 

that you are one oi the privileged 
chosen few who gets to see it 
before everyone else, thanks to our 
exclusive coverdisk. 
We've already shown you how to 
play it, and a little later on in the 
magazine, we show you what the lull 
game is like. All you need to know 
now is how to actually load the thing, 
and that's what we're going to tell 
you here. Just follow these simple 



steps, and you won't goiar wrong: 

1 ) Switch off your mafhige Tbr^at 
least fifteen seconds, to ertsqreThat 
the memory is coinpletely clear of \ 
any viruses thatmight be present. 

...We're not insicruating that you do 
have-viruses/nying arourKJ your 
RAM.Sjut you never know. 

2) Insert rhajjisk in trie internal drive 

and switch ih*hnoachine on. After a 
few clicks the scre^qwiil show an 
Amiga shell screen wTtKdeiaits of the 
demo. Wait a little longeivaqd it will 
show the actual demo itself. 

3} Now start moving ygvir mouse 
around ahd start enjoying the demo. 
There you go! 



\ 



IF YOUR DISK WON'T LOAD 

II your coverdisk doesn't seem to work as i| should, (hen fallow this simple guide. Firstly, 
remove all unnecessary peripherals, such as printers, modems elc. Follow lite instructions 
on these pages la (tie letter, and il. alter itiat. yon find that Hie disk slid doesn't wurk, call 
the DiskKpress helpline on: 0451 BID 7BB bElween the hours ol 10am and 5pm Iram 
Monday to Friday. 

II Ihey advise you lhatthe disk is faulty, fill in your details in ttie form below, and 
send ihis farm, along with Ihe disk and a ?Bp stamped self/addressed envelope to the fol- 
lowing address: 

CU AMIGA DISK RETURNS. DISKXPHESS. UNIT 7, WILLOW COURT. BOURTON INDUS- 
TRIAL PARK, BQURTQNQN-THEWATFR GLOUCESTERSHIRE GL54 ZHQ. 

NAME , 

ADDRESS , 

TYPE OF AMIGA OWNED 

DISK NUMBER,. , 

DESCRIBE EXACTLY WHAT HAPPENS WHEN YOU THY TO LOAD THE DISK. 



15 



CU AMIGA NEWS 




he saga of Commodore and the Amiga's future continues. 
However in addition to the bids from Samsung, reported exclu- 
sively in CU AMIGA June, and Other parties, a new contender 
has recently entered the fray: Commodore UK bosses David 
" asance and Colin Proudfoot have made a bid to purchase 
mmodore International and (he world wide rights to distributing 

mmodore equi p m e nl 

Commodore UK's management team have (he backing ol several 
>r financial institutions and the overall package is being put 
ther by international accounting and consulting firm Coopers & 
irand Commodore International's liquidators, Nassau based 
.lonte & Touch* have approved the UK based bid and Us backers 
now a final decision must be made on which ol the bids submitted 
-. i July 1 Swill succeed. 
M, Mce . j« l*n*M DirecPC 3-jj^-UKJj-nr J*"tt^i 

^erienced Amiga marketing people around - ^ UK is the strongest 
they'also have the manufacturing expertise ol Gary Allison (tomjjv J» Commodore US) 
Sd them, along with o\her Key R&D staff, from the fcrmer_Amer,can wingd the company 

But Commodore UK man* 
Commodore US boss Jim Dionnt, 

5o what would happen if Commodore UK were , to become he ne» ^C^modore nem ^ ^ 



Feasance (left) and Colin rj^gjpol (Hgjf| 



manufacturing would commence here in the UK again 



- towards that end two companies are already willing to start 



would start immediately and new stocks of Amioas sh 

out - which is expected to ba the middle «**^£^££i up me nam , ol Commodore, but also building 
Whilst Commodore UK are doing a f^tas.ic job of n on iy hold mg up me name ^^ oper _ 



well. It's believed that the Italy 



atiens are struggling to survive- This isn't helped by rumoured 
would initially concentrate efforts to supporting the loyal UK us< 
lo tocus resources in its core markel. 

Currently there's little more thai can be said. The «- 
Bahamas where CI {Commodore International) was L 
speculation - watch Hits space! 



■Itti the liquidators and creditors in the 



STAR WARS CD video encoding 



No this isn't a story about a Star Wars based CD32 
game, but technology originally developed tor the 
Star Wars project in America. RSD Connections 
have released a CD cleaning and repair kit tor CD discs 
based on technology first established for the Regan Star 
Wars initiative- The Bundee COT {cool name huh?) kit can 
apparently repair damaged CDs, filling scratches and 
clean ofl marks, finally coating (he CD in a protective film 
to save it from future damage. RSD Connections are on 
0992 SB42Q5, Bundee CDS has a price of £14,35. 



Blittersoft is now selling an Ethernet Zorro II hoard, 
they are also shipping the Picasso Video Encoder, 
called PABLO. The Video Encoder comes with all 
cables, along with MainAclor animation software and has 
a price of £149.95. 

The Ethernet board is priced at £249.95, and otters 
two additional Centronics ports, b compatible with Sana 
II and is supplied with the Commodore licensed Envoy 
software. Blltteraoft are on 0908 220196. 



VIDEO CD- 
LET'S DANCE 

The number of VideoCDs contin- 
ues to expand. At a lavish 
launch PMI. the video arm ot 
EMI records, launched six new 
VideoCD titles. These being Pink 
Floyd's Delicate Sound of Thunder, 
David Bowie's The Video Collection, 
Tina Turner' s Simply the Best, Iron 
Maiden's From Here to Eternity, 
Queen's Greatest Flix 1 &. 2, and 
Kate Bush's The Whole Story ^94. 
Data compression technology 
allows up to 72 minutes Of VHS 
quality or above video to be stoned 
on a 5" CD, with digital sound (far 
better than normal VHS). Using this 
technology films, music videos and 
games can all be stored on CDs - 
and with none of the disadvantages 
of traditional video (tape breakage 
etc), And, yes, the CD32 with its 
FMV upgrade can play these CDs, 

Martin Haxby, MD ol PMI told 
CU AMIGA "The impact of CD tech- 
nology is way ahead of anything 
else around at the moment or in the 
foreseeable future " 

The titles vary in prtce, with the 
Queen CD selling lor £24 99, whilst 
the others are priced more reason- 
ably at £1 9.99. Each title contains at 
least 80 minutes of tilm and sound, 
with Queen, the longest (and most 
expensive) logging 2 hours 17 min- 
utes. The titles will be available from 
music outlets, electronic shops and 
non-music dealers, Turn lo page 51 
for a review of VideoCD, 



16 




. ake Boris Verne, a uniquely ordinary guy... 

^Btt minute he's sitting quietly at his 35-bit Excellence 
mmt home computer; The next he's being transported to 

dimension by his eccentric uncle's Virtual Dimension 
inducer! 

>e riow he feels when he emerges from a rip in Ihe 
space-time continuum into an unknown dimension... 

brainier weird alien worlds and liieir even wterder alien 

• ^habitants! Guide Boris op an action-packed chase across 

lie gulfs of space to find a, fabled lost star. Help him find the 

key to defeating the evil Golden King who rules firs 

UNIVERSE! 




Rotoscoped game character, with real-time 
scaling and over 500 frames of animatio 



Lush, 256-cotour hand-painted scenes 
teeming with background animations,.. 



Feel the sense of total immersion in this 

parallel universe, enhanced by atmospheric, 

mood-responsive music. 




Amigi CD32, PC and PC CD ROM 






MIMBHUE 



iverse © Core Design Limited. All Rights Reserved, 
d Derby DE22 3FS Telephone (0332) 297797 Facsimile (033" 






CU AMIGA NEWS 



» 



n an extremely surprising move. Ocean has announced that it is to con- 
vert no less than five ol Electronic Ws Super Nintendo lilies to the 
J Amiqa This follows on from a deal made recently where Ocean and EA 
were to work together on Super Nintendo sports related titles, including Ihe 
long awaited and heavily acclaimed F!FA Soccer. 

The five titles currently undergoing conversion are Skitchm {Hose! Hasft 
on roller skates) PGA Euro Golf. Stiaq Fu. Mutanl League Hockey (a vio- 
lent hockey title, along the lines ot Millennium's Brutal Sports series) and 
the sequel to the fabulous Desert Strike, Jungle Stnke. which features big- 
get missions, bigger guns and even bigger explosions plus an improved 

control method. . 

■This is a great line-up of products and certainly a good deal tor all exut- 
I ing and new Amiga and CD32 owners", says Oceans sales director Paul 
Patterson of the signing "We believe it is important to send a clear message 
to the Amiga public that we will con- 
tinue lo support them with new and 
exciting products tor so long as the 
market remains active." All live 
games will be available by the end of - t 
October, so expecl loads more news 
on these in Ine next issue. For more 
information now. though, call Ocean 
.onOet B3S3366. 



DPAINT 5 

It's here, the long-awaited upgrade 
ol the Amiga's most popular 
graphics package DPetfff will soon 
be available, in fact it could be on 
sale by the time you read this. 

As exclusively previewed in last 
month's CU AMIGA the new version of 
DPainthas been upgraded and 
enhanced to make it tasler and more 
powerful. It also includes AFiexx, full 
recordable macros, and irregular 
shaped brush handling. 

And best oi all, on next month's 
cov&r disk CU AMIGA has an exclu- 
sive DPaint 5 demo, letting you try 
out these amazing new features for 
yourself, So try out the stunning new 
natural media painting tools, the 
enhanced animations commands, 
faster block handling and more tree 
courtesy of CU AMIGA next month 
On sale September 19th, Contact 
Electronic Arts on 0753 &49 442. 




The Amiga Top lOAames Charts 
compiled by HMV^r. # 

-» iKickOff3 ; "■••.. #b 

-£. 2 Sensible Soccer InternatiohJ 
J^. . 3 World Cup^ear 94. .•••*" • 
-> 4 Beneath A Siee\ Sky 
5 Arcade Pon 



^.S-Skidmarki 

l ** 7 Man United Champion' 
\ 8 Elfmania 1 

"•g.Fcontier-Elite2 
todv Blows A 



PAGESTREAM 3: 
READY AT LAST 

After CU AMIGA'S June issue exclusive preview, PageSlream 3 
appeared to go underground. The truth is that Soft-Logik have sim- 
ply been putting the linal touches to the product that most Amiga 
DTP users will have been waiting for. It's due on s&le in August, so if you 
read the preview and can't wait then call Emerald Creative (081 715 
B866) at the end of the month. Alternatively, we should have a review of 
the full product in the next issue - so you can see what your fave mag 
thinks ol the product, 

More good news from SofrLogik is that their well known font editor 
TypeSmilh2.0 has just been updated to version 2.5, The new version allows 
loading and saving fonts in TrueType as well as existing modes and has the 
additional benefit of an AEmx macro to handle batch conversions. More- 
news soon. 




■FAST AMIGA REPAIRS 



FAULTY TROUBLESOME COMPUTER ?? 

» « Wm TO 1HE HPf RTS FOR FAST REUAOLf MM* 01 TOUR BILOVID AMIGA 500 

FOR ONLY £44.00 INC, 



WE ALSO REPAIR 
A600, 1200, 1500, 
2000, 3000 + 4000 

* FREE QUOTATION * 



COLLECTION SERVICE 

AVAILABLE 

DOOR TO DOOR 

ANVWHERE1NUX. 

£S EACH WAV 



DRIVE OR KEYBOARD REPLACEMENT +£10 

EXCHANGESERVICE L 

MODULATORS £19.50 

PSU. £19.50 

D/DRIVES £25.50 

K/BOARDS ..-.£25.50 



* WE RESERVE TH E RIGHT 10 REUSE ANY MACHINE * 

FAST COMPUTER SERVICES, TOWER BRIDGE, LOHDOH SET 2H0 TEL: 071 2523553 



NEWS CU AMIGA 



PSYGNOSIS CUT 
PRICE GAMES 

Those tads and lasses in Liverpool must have had some very hot and sunny days recently, or at least Itiat would 
explain the touch of summer madness that seems to have overtaken the Psygnosis office. In one foul swoop, the 
company that brought you Microcosm have decided to take some of their best recent games, and stick them on 
the shelves at the knockdown price of £12.99! So when you get that £13 WH Smith's voucher from your slightly 
unusual relative who has yet to understand ihe concept behind decimalisation, you'll be able to get your hands on 

i^m^^^hhhhm^h^^^^^hmh Walker, 

lire* 




places you in an over- 
sized walking robot killing 
machines. Soft's Bad 
Day, the ball game where 
the world rotates instead 
of you, Combat Air Patrol, 
one of the smoothest 
combal sims ever, Wiz ftr" 
1/z.cule platforms rs 
abound, Globdute, one of 
the; messiest platform 
games around or even 
the ever so slightly tricky 
bike racing game Prime 
Mover \i the mood really 
look you. 

I think we should all 
Uiank Psygnosis for being 
so nice to us all. Call 
Ihem on 0S1 709 5755 for 
more information. 



LET THERE BE LIGHT! 

CU AMIGA'S preferred 3D rendering application Lightwave is finally on sale in the UK. The 3D still frame and 
animation creation program is available from most Amiga dealers, including Silica {081-309 1 1ll) and Premier 
Vision (071-721 7049), and is supplied wilh the DPS PAR card from DPS (0252 71&3C0). Priced at £495, the 
program is undoubtedly one of the Amiga's best programs. 

Lightwave has Hound a home on many TV productions in the USA, where it is sold as part of the acclaimed 
VideoToaster system. Babylon 5, seaQuest. Star Trek: The Next Generation, and Robocop the TV series all fealure 
special effects created with the program. 

Turn to page 26 for the full details on just why Lightwave is so popular, 




HAM 17 
DIG IHE 




At! Terrain Racer is the name of 
just one of the new products 
thai Team 17 are currently 
beavering away on, For the uniniti- 
ated, it's a top-down view arcade 
racer along trie lines of everything 
Irom Super Sprint to Micro Machines 
lo Team 17"s Overdrive -a game 
ihat wasn't as well received by the 
public as many people would have 
expected- Quite why il didn't slorm 



in; 




the charts was never really clear, 
but Team 1 7 are quite happy to put 
that behind them and show the 
world that they do know how to turn 
out a good racing game. 

Coded by the same team that did 
Qwak, the emphasis is on a strange 
look and bags of playa&ility and by 




the reactions that Ihe Wakefield boys 

have been getting for their playable 
demos, it looks like they might just 
have got it. We'll have a full preview 
next issue, so until then feast on 
these screenshots. For more, call 
Team 17 on 0924 335 903- 




» 



1« 



■ 



CU AMIGA 



» 



COMMODORE WRITES 

1 yth the news this month that the management of 
Commodore UK has mads a bid for a manage- 
ment buyout of Commgdore International we've 
given David Pteasance, joint managing director of 
Commodore UK, more space to outline his plans than 
usuai - Ed 

As you might have gathered, things have been pretty 
hectic here recently. In case you've beers living on Mars 
for the las! few weeks and haven't heard, Colin Proudfoot 
• and myself are heading up a team busy working on a 
management buy-out of CommodnrE. 

e succeed, and I'm very confident that we will, this 
.s that there will be a new, UK-based team manufac- 
g and selling the Amiga. We'll be independent - ie no 
=rican parent - and we'll be benefiting from investment 
from some of the UK's biggest financial institutions. 
Why am I confident we'll succeed? 
satisfy the liquidators ot Commodore International that we've got tinan- 
id now they've got to make up their minds whether to recommend our bid or 
__'S. But we're pretty Sure they'll go with us, Either way, we should know by the end 



NO REPAIRS BILLS 

Silica has launched a comprehensive extended warranty 
policy, called SilicaCare. The nationwide dealer now 
otters a service plan covering repair and replacement 
of parts for single components or complete Amiga systems, 
for up to five years. The service plan can be tailored to user 
requirements depending on value, and can span two, three 
or five year periods - a £1,500 Amiga system covered for 
two years would cost £38 for example. 

Ken Browning, Silica's Retail Controller, told CU AMIGA 
"It's a logical extension of such services as Silica's dedi- 
cated, telephone helpline." Continuing, "SilicaCare is 
designed to convey to the customers the same confidence 
that Silica has in its products.' 

A colour leaflet detailing Ihe SilicaCare policy and prices 
is available free of charge from Silica. You can contact 
Silica on 061-309 1111, 



ol August. 

Good news so far. But: 

Can we supply Amigas in time for Christmas? 

It will be tight, for sure. But il our bid is successful, we'll be manufacturing in the UK which 
means we can press the butlon immediately we know we've won the bid. And because we 
haven't go to ship product halfway round the world any more, we are conlident in getting prod- 
ucts to the shops just al the right time to take advantage of the expected high level of demand 
thai Christmas promises 

What about software? 

Software publishers never release much at this lime of year which is traditionally quiet for the 
games business, But they've been amazingly supportive of the management buy out {MBO) and 
are even more supportive of the Amiga 1200 and CD32. They know it's a big business. Andy 
they'll be launching plenty of new titles in the run up to Christmas. I expect the first announce- 
ments to be made at the ECTS Irade show in early September, 

What about the high -end Amigas? 

Here the message is 'don't believe everything you hear'. The MBO team is 100 per cent commit- 
ted to the Amiga 4000. it's far and away the best machine for specialist users and knocks spots 
off the competition as a multimedia plalform. PLUS, its a really low-cost development platform ■ 
particularly for CD32 titles. So not only will we be pushing it very hard, we'll be devoting plenty Of 
R&D resource to growing this end of our range. Which brings me on to: 

Future products - will there be any? 

We don't need telling that wilhoul R&D and new products coming downstream there isn't a long- 
term future for the business. Lew Eggebrecht ■ the guy whose been responsible for most of the 
Amiga's recent technological strides - has reconfirmed that a team of experienced Amiga engi- 
neers based in the slates have some wonderful new produels at various stages of development. 
You will not be disappointed. 

Will we have enough money to promote the Amiga range? 

Again, we know (hat all this is no good if no one knows what's going on. So we've ensured that 
we've built a comprehensive marketing budgets into the plans for the new business. That means 
you'll be seeing us at three shows between now and Christmas: Live '94 at Earls Court in 
September. The Motor Show at ihe NEC in Birmingham in October and last, but certainly not 
least, at the European World of Amiga at Wembley in November. Plus, we'll be advertising as 
usual and making sure you've all got plenty of chances to win equipment and software in the 
press and TV 

I hope I've given you a brief look Into what we're planning. Ol course, I really hope that the MBO 
succeeds and that we're around running the new company and making sure the Amiga contin- 
ues to be ihe only choice for right ihinking people everywhere. 

But rest assured. Even in the extremely unlikely event that we don"l pull it off and 
Commodore ceases to exist, the Amiga won't die - especially with people like you lo support it. 
It's bigger than Commodore and bigger than any new company we run. There are a lot ot you 
out there, About five million loyal and devoted fans. And there are a lol of Amiga titles - about 
4.000, And there are a lot of Amiga-specific magazines ■ about 600,000 copies are sold a 
month, And that doesn't Include all the manufacturers of peripherals, the servicing agents and so 



It's a huge industry. And it will go on regardless, 

But you can't get rid of me that easily - I'm confident that I'll be celebrating when 1 write again in 
September. 

Wish us luck! 



20 




AMIGA LIVE! 



T~ he UK's biggest and best consumer electronics 
show is being held from the 20 to 25 September 
at Earls Court. Live '94 covers everything elec- 
tronic: home cinema, television, photography, hi-fi, 
video, satellite, music, in-car systems, home office,, 
computer and console hardware and games. Naturally 
the Amiga will also in there in force. Bringing along all 
this hardware are many of the biggest electronic firms 
in the world including: Sony, Sharp, Canon, 
Panasonic, Toshiba, Apple, Commodore, Microsoft, 
Amstrad, Pioneer, Yamaha, Nikon, Nokia, along with 
Nintendo, Sega, and many of the biggesl names in the 
software business including Electronic Arts, Konami 
and no) forgetting Acclaim. 

Al the show there will a complete games arcade at 
the show,, with the Amiga on lull display, In tact a 
whole day at the show will be devoted to the Amiga- 
The hosts for this games arcade being none other than 
Emap Images- publisher of your favourite two Amiga 
magazines - CU AMIGA and The One for the Amiga. 
Staff from both magazines will be appearing in Ihis 
area lo meet readers and help make the on-sta.ge 
events go with a bang. 

Tickets cost £4,00 to E7.00 and can b* booked in 
advance on 0891 500 103. 




« 



^•i 






-STRICT ED 



| UNDER ITffiBUIFES PAFFWT OR AD1JIT SUPEHVBWN. 

THIS GAME CUHTAIIIS SCENEi W SH MO 
3LWWC VBIENCE NOT SUITARI F FilR VDIJHr. tBIUMfil. 






'© 








s*Kk«, GUn? g* v * * 





"....AWESDME...! 

"....Breath Taking...!" 

"....Heart Stdpping...!" 

R game to die for! 





COMMODORE AMIGA AJ 2 



AL1TY 




EMPIRf WTf HACTIVt fMTERTAIMMENT THE SP1HEJ. BTT HIGH .(IAD. NORTH FINCHUETf. LQNDDN H12 QUA. 
TelephonE: Ml- 343*143 Ht. M1 -Stf T«7 Hwfcm: M1 -343 7557 



a n*m~ 



» 



The SX-1- will It scon 
become lln *Uper SX-1? 




POWER 



If you've read the review of the SX 1 CD32 Upgrade In iriis issue you 
may be interested in future plans for the product. Well don't hold your 
breath but Paravision have plans for a super SX-1, SX-2? 
According to the company they are now looking at "beyond the SX-1". 
The new product, for which no release date or price has been set, will 
apparently feature an acceleration capability, boosting the performance of 
the CD32. This will be "at least a 60030 50MHz" product, making CD32 
games far faster Iban the current $8020 running at 1 4MHz allows. 

~ The product will not be released lor a long time yet, and the company is 
still deciding exactly what capabilities it will have. The SX-1 is available 
from Silica on 061-309 1111, or Indi on 0543 419 999. Price: E195. 



L 






ELSPA STEELS THE SHOW 

Crime busters at Elspa {the European Leisure Software Publishers 
Association), wilh officers from Greater Manchester Police Obscene; 
Publications Department, have seized over 200 CD-ROM discs and 
CD-ROM writing equipment. 

The software, currently being investigated by bolh ELSPA investigators 
and Police (!), is reportedly worth £500,000! The discs allegedly coniain 
obscene computerised images and pirated commercial software. 

In classic police style John Loader, chief investigator of ELSPA's Crime 
Unit said "a man is helping police with their enquiriw 

Detective Sergeant John Ashley of Greater Manchester Police Obscene 
Publications Department said Illegal duplication of CD ROM disks is rapidly 
increasing. The majority contain cracked copyright protected software, how- 
ever we are aware ttiat the pomographers are also using this method of 
distribution for both slill and mowing obscene images" 

ELSPA are appealing to the public to contact them if they have informa- 
tion about illegal software. "Particularly we would like to hear from those who 
come across large quantities of commercial software on CD-ROMs, which 
are easily identifiable by their golden colour." Anyone with information about 
illegal software should contact ELSPA on their crime hotline: 0366 33910. 



CRIKEY IT'S CRICKET 

TIME AGAIN! 

Audiogenic return with another license continuation this month, this time in 
form of the mealy mouthed Graham Goocfr World Class Cricket Test 
Match Special Edition. As the name suggests, this is a continuation ol 
trie original Graham Gooch World Class Cricket -that was so well received last 
year, with the addition of test matches. Bundled with the game comes eight 
saved games recreating crucial moments in lest match cricket, like 1993's 
Australia vs West Indies malch in Adelaide, where trie West Indies won by a 
single run. Also included with the game is a playable demo of Wembley 
International Soccer, and you can get the whole lot for the meagre price of 
£25.99! If you want to find out more, than call Audiogenic on 081 424 2244. 




ROM 

THE NEXUS 

GENERATION 




With A1 2Q0 CD- ROW drives popping up all over the place, Ifi about lime someone 
started providing compilation CDs mat were mora than jusl colk&aions ol games. The 
beauty ol CD is i«s ability lo carry huge chunks of data convenieniiy, which nvaka it 
ideal for reference maierial arm support files, which is obviously what Nexus Pro had in mind 
whan they pieced together the Multimedia Reference Library. 

Ttinrp nr* alraadu dozens ol Ihese type ol CDs available in Ihe PC and Mac markets, coy- „,_,. 

erlng^csT^^orhV al> the jEtough to ft. **. Boeir* 747 Reference Library, but £. «£ J-*-*— ** - » ^ tot*, re « - «» ^'^ 
inera arerVI that many professional reference CDs ava.labte for ihe Amiga - a gap Wat is noiice- "■""«• ry. 
able to all except the people capable of filling it. it would seam. C D compilations are al ready 

taillble foMrte CD32 but most of them Nothing mare than just PD game, compilers, instead o. something a Irtt e more profess^ a med The Murt media Re erence 
Ubrary is a CD from the latter group, aiming itself at users of professional packages such as afflerra. DfttM. St»* MsdftPoinr and so on, bu. as the CD to ISO9660 standard. II 

W ££T£^"™«-*«"*». CC «-» no less lhan 30, H b* backed image, ^SS^SSXISJSSl^m 

mate 300 Compugraphic salable fonts, 100 1 6-bit sound effect samples. Ihe original Nexus Pro range of images fthat's another <M pidurw in both JPEG and 256 colour 

formats) and a ™tiole host of public domain uWtft* covering such areas as graphic conversion, colour bra teal fones and a VT ctock_ 

TheCD is amiable from Videoworid, 8 Ardoch Gardens, Glasgow G72SHB, wtiocar. also provide you with CD-ROM drives tar A4000 and A1H». 

For more informalion, call 041 641 H42 



23 



ALIENS HAVE INVADED YOUR WORLD...GO MAKE 'EM REGRET IT! 









N 



WW 



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L 



A 



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■v V 



m* 



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Take a classic arcade game. Add a whole heap of seasoning In tlie form of stylish, 

state-of-the-art graphics and four MASSIVE levels of up-to-date action, Stir in an 

Alternative Dimension, exquisitefy evil aliens and a heavy-sprinkling of mucho-big 

guns n 1 power- propped planes, Leave to simmer on an incandescent heat and wait for 

the best BLAST in light wars. 



i ■ 



TOP DOWN VERTICALLY SCROLLING VIEW! CHOICE OF 
DIFFICULTY LEVELS! FULLY ROTATING RAY-TRACED ENEMIES! 

Available on: Amiga 1200 and Amiga CD32 















— - 



Banshee © Core Design Limited. All Rights Reserved. 



;PF>I ca »7i »J SvJclM rn£7 mmlvWaVTiaM fr-Wati klHkkfcl 



^ 

White Knight Technology 




.-imLkf pc >>iCrc>Jii 
ar '■ |. i | ill 1. 1 



THE PROFESSIONAL ~» AQQ9 - 71 dR^Q 
AMIGA SPECIALISTS -T* ' 1*7* 

SUPPORTING SERIOUS USERS r AA 10am - 7pm Monday - Friday 

PO BOX 2395, WALTHAM CROSS, HERTS, ENS 7HQ 




HUM 



A J200 ACCELERATORS 

BLIZZARD 1230-11 TURBO 

Two Standard SIMM Slots, flock, Optional 

6KKK2 l-'l'l.: And SCSI Port, No RAM fitted 
WITH 40MHz EC030, No MMU £ 225 

40MHz EC030 & 33MHz FPU £ 275 
40MHz EC030 & 5QMHz FPU £ 325 
50MHz 68030 and MMU £ 289 

50MHz 68030 & 33MHz FPU £ 349 
50MHz 68030 & 50MHz FPU E 399 
BLIZZARD SCSI-1 1 l/F for 1230-11 £ 79 

GVP A1230 Performance Series II 

Two SIMM Slots (GVP's 4 or 16Mb only). 
Clock, Optional 68882 FPU And SCSI Port 
WITH 40MHz EC030,0Mb RAM £225 
40MHz EC030 r 4Mb RAM £ 419 
40MHz EC030,4Mb RAM 

and 40MHz 68882 FPU £ 51 9 

50MHz 030,0Mb RAM £ 295 

50MHz 030,4Mb RAM E 489 

50MHz 030,4Mb RAM 

' and 50MHz 68882 FPU E 589 

GVP A1 291 SCSI l/F for A1 230 II £ 59 




A2000 ACCELERATORS 

GVP G-FORCE 40MHz 68EC030 + 
882, 4MB 32-Bit RAM + SCSI Port £ 685 

GVP G-FORCE 33MHz 68040 + 

4MB RAM. SCSI, Ser & Par Ports £ 979 



A4O00 ACCELERATORS 

BLIZZARD 4030 TURBO 50MHz 68030 + 
MMU, Opt, FPU (For A3000/4000) £ 259 
Available with 50MHz 68882 FPU for £ 369 
CYBERSTORM 040/40MHZ 68040 + 32-Bit 
RAM, Opt. SCSI-1 1 (For A4000 range) £ 899 
GVP G-FORCE 40MHz 68040 + 4Mb 
32Bit RAM (Exp. 128Mb}, Optional SCSI-1 1 
DMA Controller (For A30O0/4O0O) 



WARP ENGINE 28 / 33 / 40MHz 68040 
4 x 72Pin SIMM Slots for upto 128Mb RAM 
Built in FAST SCSI-1 1 DMA Interface 
26MHz Version (With 68040/25) 
33MHz Version (With 68040/33) E 1 099 
40MHz Version (With 68040/40) £ 1 1 99, 



AMIGA 1200HD 



A1200+ 85 MB Hard Drive 
A1200 + 127 MB Hard Drive 
A1 200 + 200 MB Hard Drive 
A1200 + 340 MB Hard Drive 



£445 
£489 
£519 
£689 



AMIGA 



HB^li'SJlJ The EC-030 has no MMU nr FPU 
X^-iMH) ThcLC-OM has an MMU but no FPU 

The 040-Tower has both ait MMU and FPU 
ll has 2 video dots and both SCSMI & II>K 

AU, AMJGA i&OQ MODELS ARE W 

VSftY SHORT SUPPLY - PLE.ASE 

CALL FOR PRJCES AND AVACJBiJTY 



AUDIO PRODUCTS 

SUNRIZE AD516 / STUDIO 16 

& Track Stereo, 16-Bit. Belter than CD Quality - Direct to 
Disk Recording, Editing &. Playback, Can be used in 
conj unction with Bars & Pipes Professional, fhe DPS 
Personal Animation Recorder (PAR) and also the new 

Digital Broadcaster 33 from Digital Micron les. 

now £ 999 inc. vat 

Please Call For A Full Brochure 



NEW PRODUCTS 

LIGHTWAVE 3D 

V3.5 

FROM NEWTEK 

THE OFFICIAL UK PAL VERSION 

( NOT LIGHTR AVF. / LIGHTWAVE BUNDLE 1 
Special introductory Price C k odQ 



CD32 COMPATIBLE CD-ROM 
DRIVE FOR THE AMIGA 1200 

THE "OVERDRIVE CD" RUNS 90%+ OF CD32 
SOFTWARE, DISPLAYS PHOTO CD's AND 
ALSO PLAYS AUDIO CD'S (Fits PCMCIA Slot) 

ONLY £195 



ADD £50 FOR INNOVATIONS PACK 



3.1 UPGRADE KIT 

WORKBENCH & KICKSTART 

Manual set with 6 disks, ROM(s) n and instructions 
A500/500+/1500/2000 £ 89- 95 
A3000/3000T/4000 £ 99-95 



HARD 
DRIVES 

OVERDRIVE 

35 forAuoo 

170Mb - £ 269 
250Mb - £ 289 
340Mb - £ 329 

Bare SCSI I 

290 MB SCSI 3.5 H £ 279 j 

340 MB SCSI 3.5" E 319 

545 MB SCSI2 3.5" £ 449 

1.0GBSCSI2 3.5" £ 689 

2.1 GB SCSI2 3.5" £1179 

9 GBSCSI2 5 25 1 £3649 

A4000 IDE 

340 MB IDE 3.5" £219 

420 MB IDE 3.5" £249 

540 MB IDE 3.5" £319 

1.0 GB IDE 3.5" £649 

HARD DRIVE 
CONTROLLERS 

GVP HC8/A4008 SCSI + 
RAM A2000 & 4000 £129 

FASTLANE Z3 

SCSMI + Upto 256Mb 
32-Bit RAM For the A4QQ0 

Now Only £ 299 

SEAGATE 
BARRACUDA 

The Fastest SCSI-2 

DflVe i 5.8 Mh/s Sustained : 

2.1Gb £1449 
4.3Gb £2149 



MEMORY 
SIMMS 

32MB SlMM-32 £ 1299 

16MB SI MM -32 £ 649 

8MB SIMM-32 £ 325 

4MB SIMM-32 £ 160 

2MB SIMM-32 £ 85 

1MB SIMM-32 £ 29 

GVP SIMM-32's 

4MB E 195 

16MB £ 985 



REMOVABLE DRIVES 

THE BOX 150" BERNOULLI By IOMEGA 
150MB SCSI-2 INTERNAL DRIVE £485 
150MB SCSI-2 EXTERNAL DRIVE £ 555 
150MB REMOVABLE CARTRIDGE £95 



SYQUEST D3JVES AUSO AVAJUAB^ 
MAGNETO OPTICAL DRIVES 

FUJITSU 1 28MB SCSI INTERNAL £ 659 
FUJITSU 128MB SCSI EXTERNAL £799 
FUJITSU 230MB SCSI INTERNAL E 819 
FUJITSU 230MB SCSI EXTERNAL E 959 
BOX OF 5 128MB MO DISKS £149 

BOX OF 5 230MB MO DISKS £ 249 

DAT TAPE BACKUP 

CONNOR SCSI DAT - 2Gb, Ext. £1029 
CONNOR SCSI DAT - 4Gb, Ext. El 109 

CD ROM DRIVES 

TOSHIBA XM4101B SCSI-2 (lnt.),Tw»n 
Speed, Multi-Session (Tray Load) £ 219 

TOSHIBA XM410TB SCSI-2 (Ext),Twin 
Speed, Multi- Session (Tray Load) £ 279 

TOSHIBA XM3401B SCSI-2 T/Speed 
Int., MS, Fast Access (Caddy Load) £ 279 

TOSHIBA XM3401B SCSI-2 T/Speed 



SOFTWARE 



LIGHTWAVE 3D 
REAL 3D V2 New Price 

ART DEPT. PRO. V2.5 
BRILLIANCE 1 To Clear 
BARS & PIPES PRO V2,5 
MEDIA POINT V3.28 

TVPAINT 2 (Picasso / Retina t Harlequin 



(UK PAL V3.5} £449 
£339 
£149 
£ 69 
£215 
£229 
egsjE 179 



SCALA MULTIMEDIA 210 (AGA) £ 145 
SCALA MULTIMEDIA 300 (AGA) £ 299 
SCALA MM 300 + ECHO 100 £ 389 

SCALA ECHO 100 Edit Controller £ 139 
PRO CONTROL (ForADPRO) £ 65 

ASIM CD-ROM FILESYSTEM (V2) £ 55 
GIGAMEM (To Clear) £ 45 

QUARTERBACK TOOLS DELUXE £ 79 
MORPH PLUS £ 149 

Oilier Professional Software Available On Request 



MONrroRS 



PHILIPS CM8833-H 14" PAL RGB, Y/C & 

Composite Input (o.aa dot pitch, stereo) £ 239 

MICROVITEC CUB-SCAN 1438 14" 
(Multi-sync. 0.28 dot pitch, No Sound) £ 295 

MICROVITEC AUTOSCAN 2038 20" 

(Multi-sync, 0.31dot pitch, Digital Memory) £1 1 75 



CPUs & FPUs 



68861 20MHz PGA E 29 68882 25MHz PGA 

68862 33MHz PGA E 89 66882 SOMHz PGA 
6888225MHz PLCC - For A4000/OaQ etc 
68882 33MHz PLCC - For A40OTQ3Q etc 
68882 40MHz PLCC ■ For A40QC/03Q etc, 
6804025MHz ■ For Upgrading A4000-LC04Q 
6803025MHz with MMU (PGA Style) 

5BO30 33MHz with MMU (PGA Style} 
6BO30 50MHz with MMU (PGA Style) 



£ 49 
£119 
£ 69. 
£ 89 J 
£119 
£165 
£ 59 
£ 99 
£123 



VIDEO PRODUCTS 

DIGITAL 
BROADCASTER 32 

This Zorro III card performs the major functions of a 
Broadcast Quality, Qn-Line, Non-Linear, Digital 
Video edit suite [CCIR6Q1 720 x 576 resolution) . It 
provides REAL-TIME, FULL MOTION JPEG (50 
fields / second) Capture & Compression, direct to 
hard disk. The video can then be edited and 
subsequently played back in REAL-TIME, at 50 
fields/sec in upto broadcast quality - direct to video 
tape etc. The board has full LTC and VITC 
timecoding, both read & write (on all connectors - 
Composite, Y/C and YUVJ. It also interfaces wilh 
the AD516 Studio 16, 8 track stereo audio card from 
Sunrize Industries to enable simultaneous audio 
and video editing. It requires an Amiga 4000 or 
4000T with full 6S040 processor, a large SCSI-2 
hard drive, and a fast SCSI-2 hard drive controller, 
Typical System : (Approx £10,000 Inc. VAlj 
Amiga 4000-030 (2 +8 Mb. 1 ,0Gb HDj 
Digital Broadcaster 32 (Zorro III Card) 
McdiaFlcx Producer (Entiling Software) 
Warp Engine 28MH* (WO wilh SCSI-tl 
2.1Gb Fan SCSI-2 3.5" HD {For Video) 
Sunrise AD5 ] 6 / Sludio 16 (Audio Card) 
Cub-Scar 1438 Monitor (For Amiga) 
Sharp 14" TV I Monitor (For Video) 
Image Processing Software (APPRO) 
System Configuration & Testing 
GIVING FULL, BROADCAST (Beta SP) QUALITY. 
ON-LINE, NON-LINEAR, VIDEO EDITING ! 
FOR FURTHER DETAILS, PLEASE CALL. 

Dealers -We are SOLE UK Distributors Lrll 



OPAUVJSJON 

MAIN BOARD (V.2) 
VIDEO PROCESSOR 
VIDEO SUITE 



£ 379 

£ 679 

Due Late 1 994 



GVP TBC PIUS TBC card with 

transcoding PAL/SECAM./NTSC etc. £ 685 
FRAMEBUFFER RAM for GVP TBC+ £ 195 
COMB FILTER for GVP TBC+ £ 59 

GVP SPECTRUM EGS 

24-Bit Zorro II / III EGS Retargettable Graphics Card. 
SPECTRUM With 2Mb VRAM £ 345 

GVP G-LOCh External Composite & 
S-VHS / HiS unit. S/W Controlled £ 265 



HARLEQUIN + ( NEW Lower I 

With 4Mb Vram/double buffered £ 1149 

VLdbY/C Real-time Hi8digit!ser card £ 349 

SVTWflflT/Cfl // Single Frame controller £ 349 



/?£77M4Z3 24Bit Zorro III card, 1 Mb £ 469 
RETINA 23 246« Zorro III card, 4Mb £ 619 

RETINA DISPLAY CARD 2Mb £ 375 

RETINA DISPLAY CARD 4Mb E 485 



PICASSO It RTG Card With 2Mb VRAM 

Wow supplied with TVPaint Jr. E 339 

PICASSO II with Workbench & Kickstart 3.1 
Upgrade (A2G0O} £ 409 (A3000/4000) £ 419 



MUiiiy Other Professional Video Products 
Also Available - Please Call For Details 



EIW CONTROLLER 

KRP TES20 

Amiga Based System Using 

"Burned In" Tirmcode. Controls 
Upto4Machims. RCTC/SMPTE 
Timecode. GPI Trigger. LANC / 
Panasonic / RS232. Stiot Lists. 

Prices From £ 499 
Please Call For Full Details , 



SCANNERS 

EPSON GT-6500 A4, 
24-Bit Colour with ASDG 

Software & Cable £ 699 



MICROBOTICS 

SX-1 

Expansion for CD32 £ 1 95 



SYSTEM 
BUILDING 

WE HAVE THE EXPERTISE 
TO BUILD A COMPLETE 

SYSTEM FOR YOUR 

APPLICATION - PLEASE 

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CU AMIGA 



LEAD FEATURE - 3D SPECIAL REPORT 



» 














You've seen the movies, you've 
worn the stupid cardboard 
glasses, you've heard the jargon a 
million times over. But just what is 
3D? Andy Leaning mulls the 
matter over ... 



A few years ago 3D 
computer generated 
graphics were rarely 
seen, -and when you did 
clap eyes them they were 
relatively poor, polygon 
based, and obviously gen- 
erated on a computer; 
they had no realism. Up 
until recently these graph- 
ics were only possible on 
mega-powerful, cash and 
space hungry supercom- 
puters, the province of 
brown suited, bearded, 
Unix gurus. 

Today, however, things 
have changed, 3D graphics 
can be seen everywhere: 
on games for your Amiga, 
in TV programs and 
adverts, in feature films, 
wedding videos and more. 
Intricate 3D pictures with 
hidden line removal, ray 
traced shadows, and 
detailed texture mapping 
are now common-place 
and ihe Amiga with its com- 
prehensive range of mature 
3D graphics applications is 
leading Ihe way in the mar- 
ket for the creation of such 



images. Over the next few pages 
well be looking at these applications, 
revealing some of the tricks they can 
perform allowing them produce such 
stunning images and reveal how you 
can use 3D images in DPaint anima- 
tions and your own programs. 



M U S F# L 



THIS 



Most Amiga owners will have used a 
2D paint program. 2D means that 
these programs [DPaint, Brilliance 
tor example) work In just two dimen- 
sions-vertical and horizontal. 3D 
images add a third dimension to pic- 
tures, so, nol only are there vertical 
and horizontal planes but also a third 
axis, depth. By adding depth the cre- 
ated images take on a real life look. 

Typically these dimensions are 
known as x, y and z. These provide a 
3D coordinate system allowing the 
manipulation ol objects vertically (y), 
horizontally (x) and in depth (z). See 
the illustration below. 

When creating 3D objects all 
three of these dimensions need to be 
addressed- So, for instance, if you 
were creating a landscape you would 
nol just determine how high and wide 
a mountain is, but also how far away 
from the eye it is. 



Having taken in lo consideration 
these three dimensions you must 
then also address other aspects. 
ones which only become relevant 
when working in 3D, These include 
figuring out where me shadows cast 
by objects should tali, the focus of 
objects further in the distance com- 
pared with those in tront and 
removing the parts of objects you 
shouldn't be able lo see because 
they're hidden behind other objects. 

For the more serious user there 
are even more technicalities that 
need taking into account; the first ot 
these being the surface ot objects. 
Whilst elementary 3D graphics can 
make do with basic textures and 
colours, for any serious use you will 
need to accurately recreate the look 
of real life objects. The surface of an 
orange, with its pitted skin, for 
example, is far different from, that of 
an apple (this is obvious). And these 
surfaces change, not just in physical 
attributes such a$ colour and tex- 
ture, but also how they interact with 
their surroundings. 

Light must react realistically wifri 
Ihe type of surface it meets; a metal- 
lic surface, eg gold or silver, will 
reflect light, in some cases tinted. 



26 



LEAD FEATURE - 3D SPECIAL REPORT 



CU AMIGA 




towards the viewer and on to neigh- 
bouring surfaces, whilst transparent 
surfaces (glass lor example) will 
absorb the light, letting it shine 
-"-rough on objects behind, again per- 

■ ' : " «i Ml a pur: cji;sr liril All ot these 
considerations need 10 be taken 
stock of, which is why 3D rendering 
s'ograms such as UghtWave and 

■ rnagine take so long when creating, 
*hich is also called rendering}, Mieir 
nages - the amount of mathemati- 
cal calculations they are doing is 
^ind-boggling! 

And it can get even more eom- 
oiex! In order to create 3D images 
suitable for use in film, the programs 
*sed must also be able to recreate 
■-e different properties of a wide vari- 
ety of camera lenses, film types, and 
light sources, 

IN A NUTSHELL 

And that, in a nutshell,, is ihe essence 
of creating 3D graphics. But what 
-se is an Amiga? Is it any good at 
creating 3D scenes, can you do it 

self, at home, and what applica- 
tions and programs are available 1o 
create Ihem? 

The Amiga has no shortage of 
tools for creating 3D images, These 



range from power packed, profes- 
sional quality applications designed 
for corporate, TV and film company 
use, to inexpensive, fun and flexible 
programs for home users, 

For home users on a budget there 
are a wide variety of small applica- 
tions that range in capability from 
creating 3D backdrops and textures 
to animated landscapes and logos. 
Adding an animated 3D graphic to a 
demo, or the occasional rendered 
sprite to a game can make all the dif- 
ference, giving your production a 
touch ot professional class. 

If you use DPainl or Brilliance you 
can already create relaiively simple 
3D views quite easily. DPainr, for 
instance, features perspective distor- 
tion commands for brushes and the 
ability to move objects along nol just 
the x and y planes but also the z. 
axis, thus allowing you to add a 
depth effect. Such commands are 
ideal for creating three dimensional 
objects with which you can then com- 
pose a full 3D visia. 

However, whilst DPaint and 
Brilliance do have this ability to gen- 
erate 3D objects, you need to take 
care ot adding the shadows etc, 
yourself. You'll also need to get the 



composition of your pictures right first 
time because, once positioned, 
objects behind graphics you've just 
placed will disappear and 1 can't be 
retrieved! Dedicated 3D programs, 
on the other hand, let you move 
objects around at will. 

SPINNING 

Alternatively, you can use DPaint 
and Brilliance (a create animations 
featuring 3D graphics created etse- 
where, The 3D element and content 



of such animations can be limited to 
just a 3D logo or single object spin- 
ning and rotating or H could form the 
major part of the animation, wilh an 
object Hying over a landscape or 
animated 3D models moving 
around. Either way there are a num- 
ber of programs, ail reasonably 
priced, that can be used to produce 
these 3D images. 

One ol the most popular is Vista 
Lite/Pro. This program creates 
detailed 3D views of landscapes 



» 



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27 



CU AMIGA 



LEAD FEATURE - 3D SPECIAL REPORT 



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then, having buili one, you can fly 
around it and record the view as you 
go - giving the impression ol a low 
level plane flight. The ideal accom- 
paniment to Vista are programs like 
MakePath and TerraForm which let 
you tailor the flight sequences and 
build new landscapes with 
increased ease 

It you're creating demos, anima- 
tions, or possibly even game intros, 
the Vi$ia range of programs are well 
worth having. The capabilities of 
these programs can be seen in many 
demos from PD libraries, or in sev- 
eral commercially available games: 
check out Birds of Prey as one of the 
better examples. Both MakePatb and 
TerraForm are now excel lent value, 
having recently fallen in price to 
£9.95 each, Mail order firm Emerald 
Creative are also selling a Vista pad* 
containing Vfera Pro, MakePatb and 
TerraForm tor just £49-95! 

Another program lhal might occa- 
sionally be useful for creating more 
unusual graphics is PowerWaves 
from Database Direci. This doesn't 
directly generate images that will be 
of any real use by themselves, it sim- 
ply creates 3D grids that can be 
made to roll and act like water. We 
reviewed WgveTools in the June 
issue, and for messing around and 
creating unusual effects in anima- 
tions it's good value at £1 7.95. 



IT'S ALL A 

Moving on Irom creating animations 
and demos, the next use of 3D 
graphics is in spicing up games with 
rendered sprites and backdrops. 

Nothing enhances a game more than 
attractive, detailed graphics and look- 
ing back over the success stories Of 
the last year's game releases, it's 
obvious that 3D rendered iniro 
sequences and sprites are now 
becoming the standard for commer- 
cial games. 

The best thing about this aspect 



of 3D graphics use is that it doesn't 
require a great deal in terms of 
hardware. Sure, if you want 
Aferoeosm-style intro sequences 
you could do with some very hetty 
hardware and software, but for si m 
ply creating individual sprites and 
backdrops you won't need much 
RAM or hard drive space- 
All you need to do is create a 3D 
image, save the resulting graphic file 
as an IFF and then either use it as a 
backdrop to the game itself or con- 
vert it to a sprite for use in your 
games. Programs such as Personal 
Paint (now supplied with all Amigas) 
can save liles out in sprite formats. 
You'll be very surprised at the differ- 
ence a couple of rendered ships or 
objects will make lo your games, 
Later on in this report we talk to 
some ol the games software bouses 
about the products they use and the 
wo* being done with rendered 
images in their titles. 



The next, and perhaps best known 
use ot 3D techniques is for special 
effects and graphics, typically used 

Forge — lets ycfti easily g«n«ale your awn stunning 3D tMiures. 



in science fiction movies 
and TV programs. Come 
on, you didn't think those 
dinosaurs in Jurassic 
Park were real, did you? 
Anyone who has seen 
Babylon 5 Or seaOuest 
DSV will have seen what 
Amiga programs and 
equipment are capable of 
when used by profes- 
sionals- The space ships 
and underwater effects in 
these programs shown 
are all created with 
Lightwave, backed up by 
some suitably powerful 
Amiga hardware. This is 
the high end of Amiga 
graphics, and really 
shows what can be 
achieved with a little work 
(scratch that... a lot of 
work!). We've covered 
this aroa in previous 
issues so I won't dwell on 
it too long. Suffice to say 
thai although the results you see on 
TV are done by professionals, using 
Amigas that are more like a Cray 
supercomputer than the models we 
know and love, you can now buy the 
same products and, given time, 
should be able to come up with simi- 
lar results on a modified home 
system that needn't require a second 
mortgage to set up. 

To create any decent 3D image 
you'll need one of the heavyweight 
3D programs on the Amiga, either 
LigblWave or Imagine. Unfortunately, 
this is where things start getting a. lit- 
tle expensive - normally both of 
these programs are priced at around 
or over £5001 

FORGE AHEAD! 

No matter what purpose you are cre- 
ating 3D graphics lor you will need 
textures, and the more textures you 
have the better. You can add to these 
effects by using one of the many 3D 
textures available, or create your own 
textures by scanning natural life mate- 
rial, Alternatively you can buy a 
program lhat will create textures for 
you. The easiest of these choices is to 




JARGON BUSTER 



FAYT RACING: For realistic etlect il's vital 
lhal the elicits of hglit in a 3D scene are 
correctly reproduced. RayUating is the 
process of correctly ensuring every ray ol 
light is correctly displayed, this means 
that Ihe program calculated what hep- 
pens to every beam al light as il h ounces 
nil obiecls. passes through them etc, 

TEXTURE MAPPING: To give ynur 3D mod- 
els are realistic look they nousl have 
realistic surfaces. Any good 30 program 
will have the ability lo wrap a graphic file 
around an object, and typically this 
graphic l note like a required texture. 

OBJECT: In a 3D picture the various ele- 
ments that make up a picture are called 
objects. These are olleo built up ol 
smaller ubjecls, surfaces and polygons. 
3D programs can move these objects 
around, resize them, rotate Ihem and add 
textures la them. 



buy a 3D texture collection on disk or 
CD. One of the best such collections 
is called Alternative 3D Textures Irom 
Soft Image (and is reviewed on page 
1 19 of this issue). This provides you 
with a colleciion of different surfaces 
wtiich you can wrap around shapes in 
a 3D modeller. 

Alternatively, you can buy Essence 
and Forge, which will be reviewed 
next month, Essence is a collection of 
high quality 3D textures, specifically 
designed for Imagine, whilst Forge 
tots you change these textures and 
save them out as an IFF file for use in 
any rendering program. Trie power ol 
Forge is the ease with which it lets 
you alter the Essence textures. 
Because all textures are defined as 
mathematical formulas you can 
change them by simply altering the 
parameters of the formula. It al&O lets 
you layer textures on top ol one 
another and combine ihem, giving an 
almost infinite number ot highly 
detailed and dean surfaces. 

And best of all, because these 
textures can be saved out as an IFF 
file you can use them in any Amiga 
program ... which means you can 
even add realistic surfaces to 
DPatntZO images! 

CONTACTS 

Lightwave - available from: 

PrsmierVision071721 7049 
Silica OB1-309 11 11 
and DPS 025? 718 300 

PowerWaves - available from: 

Fu repress Sufi ware 
D51 3571275 

Imagine 3. Vlsia Pro, Vista Lite, 
TerraForm , MakePalh, Essence and 
Forge available from: 

Emerald Creative 

081 715 8866 



Dpainl IV 



available Irom: 
All Amiga dealers 



28 



^-^mmm 



Mfty&r -— *- « 



— - 



LEAD FEATURE - 3D SPECIAL REPORT 



CU AMIGA 



i 




FF 



«t 




Light Wave \s the Amiga's most 
popular 3D modelling and ren- 
dering software title, and in 
conjunction with the VideoToaster 
the video peripheral with which it is 
sold in America) it has been has 
been used on many, if not all, of the 
science fiction TV programs currently 
being broadcast. 

Regular readers will know that as 
yet we haven't actually reviewed 
Lightwave. There is a very good 



reason for this - 
it has only just 
been released in 
the UK. In fact 
the first official 
copies have only 
just entered the 
country and the 
version we have 
here is subtly dif- 
ferent from 
previous ones 
We could have 
taken an early 
version and 
rushed a review 
through, but 
Lightwave is so 
powerful we 
couldn't have hoped to cover all its 
aspects in a tew days (or even 
weeks). I (Andy) solemnly promise 
to give you a full review of 
Lightwave as soon as I have cre- 
ated the sort of masterpiece 
necessary to explore the product 
fully. And not a moment before. 

If you read last month's 
Lightwave preview (and exclusive 
interview with Newtek's MD) you'll 
have realised that it offers a mass of 
features, giving practically every tool 



an effect), and non- linear fog. It 

would be fair to say that rendering in 
Light Wav& brings a new meaning to 
that old movie gem 'Lights, Camera, 
Action 1 ' 

Lightwave is also now a modular 
design program, this means third 
parties can add expansions to the 
program to give it more versatility 
and power -we should start to see 
some interesting new capabilities 
appearing before Christmas. » 



you could want tor professional 3D 
graphics creation. It's big rival, 
Imagine 3D, can admittedly do some 
things better, but Lightwave has won 
acclaim thanks to its easy-to-use 
front end and overall flexibility. 

Lightwave has, over the years, 
been expanded and enhanced, 
through consuliation with some of the 
most talented and demanding video 
users around. Because ot this, in the 
words of Tim Jenison, NewTek presi- 
dent, "every user of 
Lightwave has the 
same capabilities 
that Stephen 
Speilberg has." 

Among these 
features are the 
ability to create the 
effeci of a glow 
when lights are 
positioned behind 
other objects, easy 
creation of fading 
lens flares over a 
distance, a limited 
region facility to 
help development 
limes (ie render 
only a sample area 

In Lightwave almost every element 01 the camera and 1ilm can be set. 
Of a picture tO try OUt "mis picture shows lhe requester caver rng Corners options In aclfem. 




29 



CU AM1CA 



LEAD FEATURE - 3D SPECIAL REPORT 



» 



11 



1 





-h^> 




I 




Andy Leaning and Tony Dillon talk 
to some of the UK's leading games 
developers to find out what they 
use when creating 3D game graph- 
ics and why. 




Team 1 7 are well known 
for producing great 
games, but they are 
about to become well known 
for another reason. Marcus 
Dyson of Team 17 explained: 
"We use a number of M000 
040s running LightWave. 
Very soon we hope to have a 
Raptor- the first in Europe* 
The Raptor is a NewTek 
accelerator for Lightwave 
and boosts ihe performance 
of the Amiga beyond any- 
thing imaginable - it should 
do, it costs 514,000! 

Team 17 use- LightWave 
"because it's extremely easy 
to use and can do things 
nothing else can do. Imagine 
can do some more things, 
but Lightwave has the best 
balance between features 
and ease ol use " 

The results of the huge 
investment Team 17 is 
making in 3D graphics 
will be seen shortly. 
"Arcade Pool on CD 
will be the first title, it 
has a fully rendered 
intro sequence. After 
that will be Tower 
Assault, a 3D exlrava- 
garvzer." 

For the future 
Marcus says 3D graph- 
ics "will become a part 
of every CO product 
they do. II sells 
machines, makes plat- 
forms more popular 
and sells games, From 
now on Team 1 7 



games will have the solid game play 
people expect of Team 17 games, 
but will now have rock solid game 
intro sequences " 



HSU 



Banshee has to be one of the best- 
looking arcade games to ever hit the 
Amiga, and Danish graphic artist 
Jacob Andersen has managed to get 
the game looking so good by (a) 
making excellent use of the AG A 
palette and (b) making good use of 
rendered images in the game itself. 
Jacob realised quite early on that he 
wanted this to be the most attractive 
and realistic looking shoot em up 
ever, and soon after that discovered 
that he would need a helping hand in 
a few places. "We rendered the rocks 
in Imagine 2, simply because it's 
easy to use', explained Jacob. "I only 
used it to do rough renders, though. 
You can't really use imagine'^ full 



renders in a game like this because 
all the colours need to be retouched 
when put into the game," 

The renders are used in quite a 
tew points during the game, but most 
noticeably on level 3, when the 
player is flying through a canyon and 
an avalanche of rocks rolls over their 
aircraft. When asked why he had 
rendered the rocks, he replied: "It is 
quite hand to animate a 
tumbling rock by hand and 
keep it realistic It is easier 
and quicker to render it." 

gROSks 

Kevin Bulmer has been 
responsible for some very 
impressive 3D graphics in 
his time - you only have to 
look at something like 
Legends Of Valour to see 
what we mean, Kevin is also 
a long lime Amiga fanatic, 
and renders pretty much 
everything on his A4000 
with a copy of imagine 3. 
"We're running it on Amiga 
and PC now*, relayed Kev 
one rainy afternoon. "Its 
very good, but ... and I think 
(hat's the only thing I can 
say. We ordered our copy 
back in August, and there were a few 
features that were promised then that 
didn't appear in the finished package, 
which was a little disappointing. I 
wouldn't recommend the manual to 
anyone, though, lis only because we 
all knew Imagine so well that we 
could ligure out all the new features." 
Kevin may sound a little negative 
about the package, but he actually 
loves it to bile: "The actual renders 
Irom it are brilliant, The stuff we have 
been doing on it, everyone who has 
seen it has thought il was from 
Silicon Graphic machines." It ail goes 
to show, there's no reason at all to 
shell out for huge rendering 
machines when you've got an Amiga! 
And there you have it. the world ot 
3D graphics from a games point ot 
view. Core Design, Synthetic 
Designs and Team 17 are all using 
the Amiga to create stunning game 
visuals and making a name lor them- 
selves in the process, 




TffliFw 






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CU AMIGA 



LEAD 



FEATURE 





Now we reach the Third Dimension - actually moving around 

within the 3D world. ICE and VictorMaxx are 
bringing VR to the Amiga. Tony Dillon investigates. 



V 



Irtual 

Reality on 
the Amiga. 
It s a bit of a bold 
statement you 
must agree. Thai 
said,, VR is finally 
here, and it's lock- 
ing a lot better than 
most people would 
expect. We carried a 
news story a couple of 
issues ago about the 
VictorMaxx Technologies 
prototype ol CyberMaxx - 
an inexpensive and 
lightweight Head Mounted 
Display (HMD), capable of 
showing stereoscopic video 
images and playing stereo 
sound. The unit also carries 
full motion tracking sensors, 
which allow the player to turn 
their head in a real 3D space 
and have then actions carried 
over into the virtual game world. 
Sounds all too good to be true? 
Then read on.,, 



VS88M 




VictorMaxx Technologies are a small 
but dedicated hardware firm based in 
Illinois, USA. Made up ol no more 
than thirteen staff, the company was 
started by entrepreneur Kevin Koy 
after he saw the tremendous success 
of Virtual Reality games in arcades. 
He, like many companies, saw that 
there was a real market for a home 
Virtual Reality system, and hired a 
group ot technicians to build the 
hardware to carry it ofl. The end 
result is the CyberMaxx HMD, the 
lirst real VR helmet for the Amiga. 

In (he words of Kevin Koy, Virtual 
Reality is "an artificial workl created 
by stimulation ol the senses. The 
CyberMaxx allows the user to interact 
within this computer generated, 3D 
war 10. The CyberMaxx immerses the 
user into the Virtual Reality environ- 
merit, The user can experience and 
interact with the 3D, stereoscopic, 
computer generated images displayed 
in a compelling manner in the 
CyberMaxx HMD." In layman's terms, 
what ihis means is that two slightly dif- 
ferent 3D polygon images are 
displayed on screens positioned 
directly in front of the user's eyes. The 
differences are calculated so thai the 
brain is fooled into thinking that it can 
see a teal' three dimensional shape. 



Motion sensors check the orientation 
of your head through full pitch and 
yaw, and alter the 'view' on the 
screens accordingly. The end result 
is something like being stuck inside a 
computer game, where you can't turn 
away Irom the monitor and walk 
away, Everywhere you look, you are 
faced with another part ol the game 
world. Spooky huh? 

THE BASICS 

OK, enough ot the hype, What you 
really want to know is the basic hand- 
ware breakdown ol the machine, 
Retailing at £499.99, Ine light 16oz 
headsel features two T active 
matrix liquid crystal displays, offering 
over 120,000 pixel resolution and full 
VGA (256 colour) compatibility. Both 
screens are lully adjustable to the 
user's interpupillary point {aligning 
both screens so thai the user gets a 
seamless three dimensional image) 
and with independent eye tocus 
adjustment to give the player the 
sharpest image possible. Twin head- 
phone speakers supply the stereo 
audio, which combined with the 
stereo visuals should provide a con- 
vinci ngly authentic panorama. 

The headset is originally designed 
to run on PC and Macintosh 
platforms - not surprising really as it 
was built in iJhe US. and they are the 
two largest markets over there- 



^— ^— 




LEAD FEATURE 



CU AMIGA 




VIRTUALLY 
YOURS 

II there is one company thai have really 
i \ - raised the prattle of Virtual Reality, il has the 
he the Vinuality Croup, round Ed by Dr. 
Jonathan Waldern and 1hree others in 1987. 
Dr. Waldern had already developed a Virtual 
Flea lily system at Uuflhoorouoh University in 
the mid- 198IK auri oi»rsonally wowed the 
world in 1964 try showing the first Ufl prototype 
machine en TV's Tomorrow's World'. II was 
quite clear early an thai he had identified Ihls 
eiciling new markel. W Industries was horn, and 
work began on ih? first f ommereiai VR machines. 
'*'-'?> "**-** 1988 saw W Industries win the "Best New Business' 

award from the British Technology group. By which point they 
were utilising their expertise in Ihe development ol Virtual Reality leisure equipment to pra- 
. : e design a nd tonsil Itanrry se rviees . Specifics I ly . Vrrtua I ity. as iti ey we re sour to be 
known, developed a computer system and games software for Leading Leisure pic far use in 
cade simulator. 

Come 1990, however, and Virtual ity were developing their own arcade syslem -the 
Series 1 000, and ga me softwa re to go with if . I n 1 99 1 the seri es 1 00 was unveiled In Ihe 
world, and bask polygon games like Dactyl Nigntmar? and Exqwx soon captivated Ihe pub- 
lic, in places like Funland and Laser Bowl, the enormous arcades In the Trocadera. 
Piccadilly Circus in Ihe heart ol London. Over a million people a year wander through and 
try their luck on one of Ihe twelve machines currently running, paying 12 tor a pa me lasting 
between three and four minutes. 

Both Rutland and Laser Bowl are supplied machines by Family Leisure, the UK's largest 
operator ol Virtual Reality games and long lime supporters of Jon waldern's work. At the 
moment, they inly have Series 1000 machines in stock, and it has yetlo be decided if they 
will late on any of the Series 2DOD machines thai have recently been unveiled at the ATEI 
Show in London, 

Luukmg at the Series 2DO0 units, which are built around custom hardware, it isn't 
hard la see where a lot of the work of the last two years has gone. Texture mapping and a 
fir higher polygon update have been brought into the new cabinets, and the result is a far 
more convincing 3D world. Obviously yeu arenT going to reach anything as real as the 
Amiga's Lightwave in real time, hut you have to agree that the scree nshgts dotted around 
these pages an fairly stunning I 



However, a Utile modification has 
Heart that the headsel can run on 
just about anything from a SEGA 
Maga Drive to an Atari Jaguar, 
including the Amiga somewhere in 
the middle. 

Unfortunately the speed of Ihe 
machine restricts it to monosccpic 
vision and stereo sound on these 
machines, meaning that both screens 
show the same image, but lhat isn't too 
much of a problem when you consider 
that all the motion tracking is fully func- 
tional, giving a whole new life to games 
nke Legends Of Valour and Frontier. 



!iSKH 



One of Ihe most interesting things 
about ihe headset is the simple way 

Qmcfyl tiigttlmtre - dcib ol the first VR 
arcade maeWnft*. 




in which it connects to your machine, 
There is no need for huge boxes or 
expansions to get it io run. In fact, 

you won't have to modify your 
machine at all- The feed for the twin 

LCD screens comes directly from the 
video output on the back of your 
Amiga - the same socket you plug 
your monitor into, and a second 
cable from the headset runs into the 
serial port of the computer, to give 
the software all the information it 
needs from the motion trackers on 
the headset 

Apparently, games can be con- 
verted to run on the CyberMaxx 
headset with little modification, as 
DCD's Kevin Bulmer. the man behind 
games like Legends Of Valour, is 
only too aware of. DCD are just one 
of the companies currently writing 
software tor the CyberMaxx, and 
therefore already has a Pot of experi- 
ence with the system. 'Cm very 
impressed with whal we've seen of 
it", says Kevin from his 
Wolverhampton hideaway. "The 
motion tracking is very consistent. 
Very stable, very solid with a negligi- 
ble error frequency on them, which is 
good. All in all, our impressions are 
very favourable." 

On the subject of the amount of 
work that has to go 'into converting a 
game to the headset, Kevin mused, 
"It depends on |he type of software 
and exactly how much of CyberMaxx 
you wanted Io support. Basically 




what you'd end up doing is generat- 
ing two screens of data instead of 
one; one for the left eye and one for 
the right one. H's as simple as that. 
That's assuming you want Io do a 
slereo display, which I think you 
should do if you're going to 
support this kind of display to give 
the lull effect." 

VERT CONSIDERATE 

Kevin comes from a background of 
standard single screen games, and 
has found one of the more interesting 
points of developing for 
VR is the design consid 
erations that have to be 
made. "When you 
watch a film, you have 
a number of formal 
expectations as to what is 
going to happen, based on 
your past experience- 
People bring the same sort of 
thing to VR based on previous 
computer game experi- 
ence, What we've 
found is when 
you are walk- 
ing around a 
room you 
have 
two 



The future of Amiga 
fl»m»s"7 -CyberMaxx. 



co-ordinate systems. One is for your 
body, which is where you are going. 
On top of thai you have where you 
are looking, because your head is an 
independent thing. When you put 
that in VR, you need something io 
com no I the direction in which you are 
moving. Obviously you can't walk 
around because you'd end up pulling 
the computer off the table, so you 
end up with some sort ol hand con- 
troller, and you can use the headset 
to look over your shoulder. II all 
makes perfect sense, until about litty 
percent ol Ihe population put it on," 
"What they are used to is playing 
computer games', Kev continues, 

"Where 




» 



33 



- 



CU AMIGA 



LEAD FEATURE 



» 



THE US ALTERNATIVE 

In the US the CyoerMau isn ( the only way to view 3D images m3C- Anulher US com- 
oarw MeqaoeM are marketing a producl hy Ihe name ol Amitffl. which is aclually a pair 
ol kiquid crystal shutter glasses, rather lean an actual VR h«dul. This works by covering 
one eve and owning the drier thirty limes a second, while Nickering the image on screen 

back and forth - & syslem 
lhal actually works 
incredibly well, as any- 
one who ever played the 
arcade machine 
Continental Circus will 
lell you. 

At S300 il weighs in 
al over hall the price ol 
the Cyberhflaii. bul 111 en 
you are still restricted lo 
looking directly at a mon- 
itor rather than being 
able to swing your head 
about. We'll have a lull 
review ol the he ads el iusI 
as soon as we can get our 
bands on one! 




the way you are looking is the way 
you are moving, so if you press a 
button you'll head in that direction,. It 
raises a number ol design issues 
about how to implement molion." 

With that in mind, men, what sort 
of games are besi suited for the VR 
market? I take it that Sensible Soccer 
VR wouldn't be the best idea in Ihe 
world. "When you're sitting down and 
just looking around with the headset 
on, il's very real if it's programmed 
well. You make this illusion with this 
headset far better than most people 
are useVJ to seeing with VR headsets. 
But as soon as you want to walk 
around, the illusion is shattered 
because you, ol course, are still sit- 
ting down. You're not walking 
anywhere. So the sort ol things that 
work best at this point in time are 



games where you are sitting hi a car 
of a plane - games where you are 
actually sitting down so as far as you 
are aware, you are actually sitting in 
a car." 

THE FUTURE? 

At Ihe momenl it is unclear exactly 
how many Amiga games are being 
coded or receded to run with the 
headset, but since the PC and Mac 
versions ol trie CyberMaxx come 
complete with six. games, there is no 
reason to assume thai the Amiga will 
come with any loss. 

It remains [o be seen if the 
CyberMaxx headset will make any 
huge impression on the Amiga, or il 
the Amiga is yet ready for Virtual 
Reality, but it's going to oe a lot of 
fun finding oull'CTf 



VHHiallly-B ntw Sfirlea 2000 machine* are i marteS lmpra*BihiM1l on the bloefcy P^vamia « 'W- 

YES, BUT IS IT SAFE? 

How lhal hnrne VR seems likely on Ihe Amiga, il's only natural thai Ihe concerned parents of 
Ihe world will start crawling mil ol Ihe woodwork, Since Ihe dawn ol VR. mere have been a 
number ol voiced concerns repeatedly appearing, if headsets like Cybermaxx reach us, il s 
guaranteed lhal they will appear more and more. The biggest lear that most people have Is 
one of health After all. there are a hundred and one lales of blurred vision, tunnel vision, 
headaches, motion sickness and a dozen more sight related side elteels. II Ihe 3D imaging 
is worked out correctly, mere is np reason al all as to why Ihe user should end upwilh 
headaches or any temporary vision impairment. Molion sickness is som Billing completely 
dillerenl however Unfortunately there slill aren't home machines last enough lu respond In 
the minute movements of Ihe head and eyes, and Ihe small lime lao between moving your 
head and Ihe on -screen image changing on he a liltle disorienting at first, bet you do gel 
used lo it Even so, spending ton long on a VH system wilhout taking a break can qmle eas- 
ily cause molion sickness, in much Ihe same way as spending, loo long in a E20 million 
military High! simulator can. 

The olher mosl earmnon cause of concern Is lhal of socialisation. II s already quite wor- 
rying lor parents to seelheir son or daughter spend hours otlhaif days playing games and 
nol communicating wilh Hie culsid* w«ld or olher people. To Ihose parents, giving the user 
3 whole new world lo live in can only mean a full withdrawal from real life and an escape 
into reclusively. At the moment, Ihere is no real way that could happen, simply because VR 
IusI isn't good enough. Visions at it playing tike Red Dwarfs Tolal Immersion Videogame 
Better Than Lite will only lead lo disappointment Virtual Reality Isn't a totally new world by 
a long stretch, but more a new way nt playing polygon based games. 

Virtual Reality is the start of the nexl generalion at computer entertainment, and should 
he viewed as exactly that: entertainment. 




n describ 



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LEAD FEATURE - 3D SPECIAL REPORT 



CU AMIGA 



I I 



What can we expect from VR Amiga and how will the Amiga 
survive against the onslaught of the PC? Tony Dillon and 
Andy Leaning give their views on what the future holds for 
VR and 3D graphics. 



21V 



I 





w 



fith programs like LtghtWavB, and to a lesser extent Imagine 3, the 
Amiga kicks the over priced PC and SGI workstations in to touch for 
creating 3D images and film sequences. In doing so it has almost era- 
a ted a whole niche market on its own - that of desktop 3D graphics. Whilst 
earlier systems would physically fit on a desktop the price of the hardware put 
them beyond users working from a desk and in to the market torihose w#i 
entire studios at their disposal! 

The competition is starting to catch up however, 3D Studio on the PC does 
offer many of the facilities found in the Amiga range of mature 30 programs but 
thankfully Lightwave can still create effects more easily. In fact, it is the delicate 
balance of ease of use and the ability to produce effects that visual effects pro- 
ducers need that has made Lightwave so popular. And until programs on oiher 
systems catch up with this carefully crafted blend of power and interface design 
the Amiga will keep Its lead. 

So as I write this and for a while yet at least 3D graphics join with video 
titling (a la Scala and genlocks) to keep our lavounie computer at the forefront 
of computer video. But for how long? 

As I write this NewTek are about to announce that Lightwave will be 
released on the PC format. This will undoubtedly be a blow for the Amiga as a 
platform, but it's important to remember that LightWave is only one of the reasons why the Amiga is so popular for 
3D graphics. 

The architecture of the Amiga makes it ideal for manipulating video and graphical daia, something PCs don't have, 
meaning that only the most powerful of PCs will be able to match the speed of programs like Lightwave on the Amiga. 
And better these super powered PCs have prices much higher than the Amiga, PC software is also more expensive ■ 
30 Studio on PCs costs £2500 for instance! 

And building on tfie low cost approach of I he Amiga are the huge number of companion 30 utilities available . 
Consider for instance the number of PD textures available, or the sub £&0 price of Vista. All-in-all the PC has a long way 
to go before it starts, to threaten the Amigas dominance in 3D and the same can be said for every other competing 
format - Mac etc. And better still, with games programmers getting better all the time it won't be to long before we start 
seeing these stunning 3D images in VR style games - we are after all already seeing rendered images in existing 
games. For 3D graphics there is simply no better machine man the Amiga, and thankluNy it's likely to stay that way for 
quite a while yet! 

Andy Leaning 
Technical Editor 




TJ 
1 
1 



Ihe other day, I played 3D Starstrike on a ZX Spectrum Emulator. 

Immediately alterward I played Geoff Crammond's Grand Prix and had a 
flick through some of Andy Leaning's Imagines and Lightwave images. 
The difference was quite astonishing, especially when you look at how long it 
took to gel from Starstrike to Grand Prix when compared to the gap between 
Grand Prix and Babylon 5. Coders are getting very clever, and are only now 
really learning how to squeeze the best graphics out of Amigas. Ray tracing and 
texture mapping techniques have been around for ages, but only now are they 
being used to their full effect. 

Just in time for the Virtual Reality explosion, as well, OK, so perhaps explo- 
sion isn't the nght word. While slower Amigas like Ihe ASOO and A&00 are still in 
majority use, no-one will fully exploit the Amiga's VR capabilities. To calculate 
two separate polygon screens in a frame really isn't within the slower Amiga's 
capabilities unless you are using very simple screens, which seems a bit of a 
waste When you use such sophisticated visual hardware. 

As graphic techniques improve, and people start to use the VR hardware as 
well as they are using the standard Amiga video hardware now, we are going to 
see some very exciting things happen. Imagine Babylon 5 style spacecraft zip- 
ping around you as you pilot your lone ship through outer space, glancing over 
your shoulder to try and shake off the enemy craft that's on your tail. It could happen, but we are going to need 
machines far faster than the A500 to pull it off. 

What I'm saying is don'l expect too much too soon. Virtual Reality as a Held is still in it's infancy, and Amiga VR 
especially so. Even the long time experts like Jonathan Waldern are still a few years off creating a fuU virtual 
reality Things are improving in leaps and bounds, though, and doubtlessly software authors will teed from the experi- 
ences of companies like Virtuaiity, in the same way Core Design took feeds Irom various arcade machines for games 
like Banshee. Hang on to your seats, folks, the next few years are going to be ven/ interesting indeed. 



Tony Dillon 
Games Editor 






D 1 MOSA U 






INSIGHT-DINOSAURS is the second title in the INSIGHT series, a lavish! 
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be visually stunning and technically correct as the title is being produced in 
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whole family, produced in a concise, easy to read style which allows it to be 
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A comprehensive A-Z section gives in depth information on the best known 
dinosaurs from Allosaurus to VelociraptoiB 
Life of the Dinosaurs covers Anatomy, Attack And Defense, Herbivores, 
Carnivores, Climate, Pack Hunters, Lone Hunters, Herds, Scavengers, 

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World of the Dinosaurs covers Death Of The Dinosaurs, Shifting Continents 

Family Tree, Fossil Hunters and Hunting and much more. 









DINO SAW is a Chinese jigsaw with 25 different dinosaur puzzles 

DINO PAINT is a simple to use children's colouring book with 25 pages for you 

to colour. 



DINO QUIZ is a multimedia quiz for one or two players with qu 

aspects of Dinosaurs. 




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PHOTOS & ILLUSTRATIONS - Stunning photos and illustrations from the 
Natural History Museum and its comprehensive photo library. 

GRAPHICS AMD ANIMATIONS - Computer generated 2D and 3D animations 

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NARRATIONS - Hear the story of the Dinosaurs. 

MOTION VIDEO - Video clips hrmg to life this lost world! 

A comprehensive cross reference index and online glossary give you quick and 
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CD32 ZONE CU AMIGA 





As the industry sits back and wails 10 see what will happen with Ihe 
Amiga, it's nice to see that most people are still behind (he CD32, 
despite the lac-t that sales of software have become a little, shall 
we say, 'unpredictable' lately. It's a little disheartening to note that some 
of the games that would do really well on this fine platform, such as 
Cyberwaf and The Lover's Guide are being held to one Sid's while the 

relevant companies sit back and 
wait for the market to settle, but 
that's more than made up tor by 
companies like Team 17 and 21st 
Century falling over themselves 
to develop specifically for the 
CD32, with all the costly bells and 
whistles, Don't wony though, il 
sales of CD-ROM drives for the 
A12QG go through the roof (as 
expected by our tech lads), this 
will leave a very large and very 
hungry market. Who could resist 
developing for such a keen bunch 
of people? No-one, that's who. 
Tony Dillon 
Games Editor 



CHEAP GAMES 
FROM TEAM 1 7 

Team 17 are continuing 1o show their seemingly neverending support tor the 
Amiga and CD32 this month by announcing two more releases for the CD con- 
sole. First up is the non-CD enhanced platformer Syperifog. The game hasn't 
oeen altered at all for the CD market, but then again there is no real reason 
why it should have been. As Team 17a Marcus Dyson says: "How can you 
m prove the unimprovable?" Widely regarded as one of the mosl addictive and 
playable platform games the Amiga has ever seen, Superfrog sees the player 
35. well, a frog in a superman outfit, out to rescue his girlfriend in a Mario 
Tveets Sonic world that shows the consoles exactly how it's done?. The nicest 
ihing about it all is the price - merely £14.99! Can you believe your luck? 

Next up on the list is the fantastic Arcade Pool, one of ihe most popular bud- 
get games ever. This game was looked forward to for quite some lime, and when 
t appeared, it received 
rave reviews Irom every 
magazine that was fortu- 
nate enough to be in a 
position to cover it. The 
CD32 version Features 
Tiore sounds, more 
options and a tar improved 
control method. Once 
again, it will be available 
nght now for the measly 
pnce of £14,99, How can 
Such an important group of 
people be so nice to you 
a I? Contact Team 17 on 
0924 385 903. 




SCIENCE ON CD? 
THAT'S WEIRD! 

How many of you have an Amiga and a CD32? How many of you are looking 
for a cheap and easy way of connecting ihe two machines, so that the Amiga 
can read CD32 discs? Weil, you might be interested to know that Weird 
Science have created a 
little pack that can do jusl 
lhai. Called CD Network, 
it gives you everything 
you need lo create a 
Sernet link between the 
two machines, and is 
available at the special 
price of £29.95 until the 
end of September. When 
you buy the pack,, you'll 
also receive a free CD- 
ROM that gives you a full 
file management system 
for your CD32, so that you 
can send the files along 
the link, along with over 
500 256 colour images tor your own 
use. For more information, call Weird 
Science on 0533 340682. 




■Mil mi ii ii 



— tt — nm ' w "h i p u p p i i v m-^wr - i'wt i U xwmwmWiW 



THE -OFFICIAL- 



PDJ.IBRARY 






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ax Mil — 0O4- 



AM0S CD BONANZA 

News jusl ml The entire AMOS PD 
Library, as run by AMOS experts 
Ann and Len Tucker is about to 
appeal an a single CD. Yes, over 
BOO disks worth of the best AMOS 
public domain software around will 
soon be on your local stockist's 
shelves, for the bargain basement 
price of £15.99! Not only do you get 
the entire library to play with, which 
should keep you indoors for the 
best part of a season, you also 
receive the first six issues ol the 
AMOS club disk magazine. Totally 
AMOS absolutely free! 
For more information, call Weird 
Science on 0533 340S82. 



CD KICKAB0UT 



At the moment, the final design specs are being pieced together by Empire 
Software and Graftgold for the soon to be spectacular CD32 conversion of 
Empire Soccer, which you'll remember was particularly well received a cou- 
ple ot issues ago by the handsome young man at the lop of this page. 
Looking a lot more along the lines of Microprose Soccer lhan Sensible 
Soccer, the name features big sprites, bags of animation, loads of character 
and cameo appearances from just about everyone sat on the side lines. It 
has yet to be confirmed as to what will appear in the C032 version, or what 
enhancements will definitely be made, but chances are it will have the over- 
head kick that was present in the PC version, plus sprite shearing, more on- 
screen colours, improved sound and everything else you could hope for. For 
more information , call Empire Software on 081 343 7337, 




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Plugs into the PCMCIA Slot of the Amiga 600 
& 1 200 the Smart Stor Plus has it's own 1 2V 
supply -and is ready to go. Excellent build quality 

at an *n»Tifflj pric e. 1 2 Months Wa rrant; 

FREE Amiga Challenge Software Pack 

» Imematkinal Sports ChJense * Paradroid M 

»CwJCra:T\riM*lndian*pplii500 



130Mb 

170Mb 



£249.99 

£274.99 



250Mb 
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Zappo External Floppy Drive 



You've seaft alt the reviews on this popular and 

affordable second Amiga drive. Compatible with 

all AmigasQuallty 9 out of 10. Exceptional value 

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Buy Today Pay In 

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the Zappa Drive can handle it. 
Amiga Format 

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NEW 



ZAPPO AMIGA \m 
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A must for A J 200 Owners 

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The Zappo Smart Drive itnpky slots Into the Amiga 
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world of CD 

* Double Speed, Multi Session CD ROM 

* Photo CD Compatible * Plays CD + G 
music CDs and Graphics CD's * Mix CD a 
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* 1 2 Months Warranty 





The New Zappo Smart S»r provide* games 
and data portability never before available to 
the Amiga 600 and 1 20Q owfier. Simply slip 
into the PCMCIA Slot on your Amiga and you 
have access to 20Mb of Smart Storage Want 
to run your Stored Gaines or Data or, a friends 
Amiga, no problem, simply unplug the Smart 
Stor and you have Total Portability. 

Fully configured * Superfast Access 
* 12 Months Warranty 

*20 Mb 




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£139.99 £169.99 



", for its (m*nasiive price tog and the *J"*r 

convenience of toing aUt to piuginc^S go. the 

Smart Stor deserves tt <fo «T *«" '5 d «<*' _„__ , vU , m 

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EXPANSION MODULE 

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At the afreet) dare you cheese whether to 
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Black Keyioard £ 3 9,00 
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"Indi reeammd die use <rf »n attdltlon- 
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expaMlon cpttoni an andclpited 



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£189.99 



• Fast Printing Speeds 1 91 CP5 draft. 64 CPS LQ and 31 5LQ. 

7 Colour palette (blue, red, green, yellow, violet 
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Super quint 43.5-46 dfii sound level (most mwrix 
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* 

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• for total pea.ee of mind 



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i 



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KX - P4400 & KX - P44<M 






.'W-W0U^-Comp<iai£Dft^ft»ieer,tH*j>nn6erthaTft3 
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e» trays) At under 6.5 kg this prlntre travels with you. They also 
totfure energy efficient power save. 

Pawe Pr dard Specification WAS 

£ pages per minute of laser quality output 
JO sheet, rnulti purpose paper tray 
iter, legal and executive} 
Mb Ram expandable to 5 Mb 
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' i Year On Site Warranty 

: spec for KX - P4400 
* 28 Bitmapped fonts * HP Laserjet 



£449.99 



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KX-P440I 



P44QI LED Page printer also available. 

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KX - P2023 




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Quiet printing 46.5 dBa standard rnqdfc 43,5 

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Fast Printing Sp«cds 1 92 CPS draft, 64 CPS LQ 
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I year Warranty for total peace of mind 

FREE Autocut Sheecfecdcr whilst stocks last 
Recently reviewed by Am(ga Format "A fine 24-pin det 
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Printer Accessories 




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dust cover for che 
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in nous Paper 

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Printer Cable 
94 used when connecting Ami ja lq 

ra.KM.9 

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isonic Black Ribbon 

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KX-PII50 



This quality 

9-pin mono dot 
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represents 
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' 9 - pin mmj* carriage 

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Panasonic KX-P4430 Laser Printing 




: 8 scalable fonts. 28 bitmap fonts 
Optional 2nd input bin {total printer capacity 
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Optional memory expansion to 
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SPECIFICATION 

* Satinprint 

{optimum resolution technology) 
5 pages per minute 
HP laserjet III emulation, PCL 5 



£649.99 



on-site 
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WORDWORTH SOFTWARE 
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P 44130 



Indi Direct Mail Customer Charter 



DIRECT MAIL 15 •.■j'-.£.nal and very Mating. Before you buy mail order ye« must first be 

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order purchase from INDI is a safe and secure decision and hire's why. Indi 14 a wholly owned 
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pomes complete with 
Amiga 1 200 * Frontier Elite N 
Batman Returns 
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Print Manager 
Personal Paint V4 
Day by Day 
Total Carnage 
Brian the Lion 
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Hard nrive Options 



£3 1 9.99 



80 Mb Hard Drive Pack £489.99 
1 20 Mb Hard Drive Pack £5 1 9,99 170 Mb Hard Drive Pack £579.99 

l2MonthsAtHomeVVaiTantyfromlCL 



I 



Trapdoor upgrade for the Amiga 600. 5 I 2K. 
INDI PRICE £19.99 



2 Mb Smarccmrd 



The original and Still 
the only fully PCMCIA compatible memory card for 
the A600 and A 1 200. Comes with lifetime guarantee 
Beware of cheap irnrnitatiofis, 

INDI PRICE £99.99 



4 Mb Smartcard 



| Same as above but maximum 4Mb. 
INDI PRICE £155,99 



YEAR ENU STOCK CLEARANCE 



End and our warehouse spring clean means unrentable bargms 
strictly whilst stocks last 

M 1230 Ac celerator Boards 



HardDnves 



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£299.99 



1 ' £84.99 

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: Graphics Palm Package " In arms of design and sheer! speclficadorft _ I 
Digital Creations really seem to have done everything right. Effectless... 99%. I really an t 
fault the end results" - CU Amiga Review 
INDI PRICE £99,99 -*WfW 

Final Writer The most powerful word processor to grace the Amiga .90% - CU Amiga 
INDI PRICE £99,9? JJftT& . 

Final C'upV 2 "About as close to being a desktop publisher as a word processor dare go - 
CU Amiga INDI PRICE £62.99 -*W*9 

I YoX'si^Mkhael Jackson's video, you've seen the e^ ^^™^^ hlKI « hnh ?« 5 
1 in morphing, now you can create the same results but at a fraction ol the cost 

INDI PRICE £99.99 

■trf Dep&iimCftt Pmfesfiiotial V2.S 

The ultimate Ni image pnxessor. With ADPro you car .read. « and convert between most 

common image We formats with unmatched ftexibarty . INCH PRICE £ 1 1 t+V v 

b fibred 3D animation modeling and rendering program. INDI PRICE £299.99 



Indi a now offer top quality 2-5" "™™l H»rd Drives for theAmiga 6MJ and 1 2M « unbcaHlS 
prices. All dn**S tome tsmptete with «We and irt*eul»non software. 

80Mb IS' Internal HD% £1 69,99 
I20M> 15" Internal HD , s£2t499 
1 70Mbl5" htemd HD's£249.99 



A 1 200 Software 



Ryder Cup Gulf 
Star Trek 25th 

Anniversary 
Sorccer Kid 
Simon the Sorcerer 
Brutal Football 
James Pond 3 
Kick Off 3 



-eW^f £16.99 



JM&T 



AOI Educational Software From £12.99 



Amiga Replacement 
Floppy Drives 



Amiga 500 / 500+ 
600 and 1200 

£34.99 



I 



Rom bo Audio Visual Products 



1 



Lav, cost, hi spec (fcjM effects cartridge plugs into ihe i^rxxtrftr* Ai^Alows 
ssn^amplrgfrom almost anymuskal worm INDI PRICE C2A.99 

Take Two. Animation package is a must for computer artists and enthusiasts of all age*. 
As used in Rolf Harris Cartoon Club- INDI PRICE £34.99 

Vidi Amiga 1 2. The ultimate low cost colour digitiser for the Amiga, "the best value fuii 
colour digltiser on the market".- Amiga Format, 
INDI PRICE £69,99 

FUarriboVTtf Amiga 12 (RT) „ . 

Based on the besfselling Vidi Amiga 1 2, This all new version offers real ^"dourHp- 

ture Irom any video source. Full AGA chipset support as standard for all AI200VA4OQg. 

INDI PRICE £129.99 

Rot nbo Vidi Amiga 24 (RT) Plus FREE Power Supply 

For the more lerlOUJ user, [hi! 24 - bit version will again capture from any video source 

with true photo realistic images! A staggering i 6.8 million colours can be utilised with 

incredible results. Full AGA chipset support. 

INDI PRICE £219.99 




&& 



The Opal Vision mainboard includes Opal Paint, Opal Animate, Opal | 
Presents and Opal Hotkey. 
FREE Montage 24 

F or a lifted period fro m 1 April until JO June we will b. jMng away » FREE copy f MonQpr 3 
worth 300 US Dollars. Montage 24 features Real Tim* font scaling, embossing and ihadowng, 
colour treads and transparency effects with an effective resolution of I nanortcandjis man, -ini 
£x*« ng capability iXk wUlucenCy blendina i««< competing and belled ta^NawJ 
^a^ioyX benefits of the ultimate hi b*fr qmHty 24 - bit titling lor OpafVlsson and the Ami* 

includes FREE 
Montage 24 



Limited Offer 



rtiiriatc hi h^i quality 24 ■ b 

£349.99 



AuAScam • Plvis 



This Superb A4 Amiga Scanner voted "Amiga Shopper Best Buy", arrives complete with 
Merge IT and Micrograph OCR- Software. Merge IT allows the simple, quick merging of 
two on-screen images and Micrograph OCR turns your Amiga into an efficient te*t 
reading system.Amiga 500/500 plus /AMO /A 1 200 /A 1 500 /2000 /3000 rtOOO 

• Minimum 1Mb memory Minimum 2Mb memory ft a Hard Disk to run OCR option. 

* Kickstart, Workbench VI.2 or higher. * . *q £ T7Q 99 

AJphi Still PfcuWidi OCR software Alptia Cc*xr With OCR software 



PACE MODEMS The No. I m Tuleeoms 




Opal Vision Video processor 



e received confirmation that 
the OpalVisioft Video Processor with 
Roaster Chip and The Opatvision Video 
Suite sarnies will he with us within 
weeks and volume iupph/ wil arrive 
eariy summer. 
Video Processor Module 



£659.99 



Video Suite 



£899.99 £899.99 



Amiga CD 



Trte MICROLIN FX. 

Everything you need in a Fa* 
| Modem. 

Simple to set up and use 
Unwer&aHy compatible 
100% accurate data and _ ■ #jj 
Image Transmission £ | 07*99 



TheMlCROLINFX32PLUS 

The high powered performer. High Speed 

Group 3 1 4400 bps and 9600 bps fax facility 
transferring an A4 page in seconds. ' V.42 / 

V.42his error correction and data compression, 
a great money save when you have volumes of 
data to transmit. /7rVQoQ 



Once arain Indi brine you the best deal in town with a lull £70 off the fabulous 
SPECTACULARCD32 Voyage Pack Why so generous? Its simple. The more 
CD32 we sell the more software you will buy and at Indi Prices who could blame you. 

Amiea CD32 Comes widi2 Gtttt GAr Microcosm and Chaos Engine and 
S stocks t° Oscar. Diggers and Wing Commander. CD32 w.ll play your 

[favourite Music CD's 



£229.99 



Commodore Ust Price 



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CU AMIGA DIARY OF A GAME 




Like they always 
say, if a job's worth 
doing, it's worth 
doing in north 
west Wales. Come 
run through the 
valleys with Dave 
Rowe of the Stellar 
Genesis Agency. 



enough elements of the game for 
John to be able to begin any work at 
all. 11 was felt thai the minimum 
requirements for this would be: level 
one of the first building, one charac- 
ter standing in each of trie eight 
views, the basic laptop, all doors, 
puzzles and switches in place for 
level one, consistent with the model 
for that level." 

So fhe work began on level one. 
Tell us Dave-, how did you 90 about 
it? 'Level one was produced by 
making a sheets of brushes lo rep- 
resent the various features in each 
room, low walls, balconies, floors, 
doorways and so on. Each room 




With John complaining ot 
writer's cramp and dream- 
ing on and on about his 
Florida holiday, (he says thai Dave 

couldn't come, because, apparently, 
people over there scoff at folks who 
wear jumpers) it gave Dave a 
chance to go over the way that the 
Stellar Gentssis Agency have been 
putting all the graphics together for 
Space Academy. 

Dave has really been out of the 
limelight In the last lew months, 
choosing lo work as hard as possi- 
ble on the visuals for ihis CD treat. 

"With such a formidable amount of 
graphics to produce for the game, it 
was obvious thai we had to produce 



was painstakingly constructed by 

following the design of the level one 
model. Whilst this provided John 
with the necessary basics to begin 
designing the mat" engine lor the 
program, it soon became very 
apparent that this was not a good 
way to proceed with producing the 
other $50 or so room locations it we 
were to get the game out this 
millennium." Dave gives a dry wry 
chuckle before continuing. 

"Each ol the planes of the first 
rooms had to be cleaned up and 
flooded with colour before having 
the texture put in place and it was 
taking an age, A new strategy was 
essential so I decided that I should 



assign a bright Hat colour to each 
plane and produce a basic room 
template with no features. This room 
blank could then have balconies, 
doors, alcoves and other flat 
coloured brushes added quickly and 
easily and could even be flipped in 
its entirety to produce entirely differ- 
ent rooms." 

"We decided thai we wanted 
each floor in building one lo have a 
different feel to it which meant 
coming up with different wall and 
floor textures lor each level. Rather 
than doing Ihis by drawing blocks, 
which can look knitted or repetitive, I 
decided thai I would use real 
grabbed wall textures and adapt 
l hem to suit my requirements." 

The big question is, where to get 
the textures Irom? It's pretty 
straightforward if all you want are 
wool and cotton textures, as Dave's 
wardrobe is full of chunky, manly 
sweaters. But walls? 

"There is a wealth of material 
around the village of Llanddewi 
Brefi, where I live, so I went out and 
about with a camcorder, recording 
snatches of stone walls, walls cov- 
ered in mould, lichen, peeling paint, 
ferns and so on, These short clips 
are my main resource for the wall 
textures in the first building of the 
Space Academy: 

"In order to convert the video 





44 



DIARY OF A GA 



U AMIGA 



i to us*ab*e graphics. 1 1 

Mtoo on one mortilor and when- 

- an Titeresting texture 

I switched to the Amiga 
i and hit the grab button on 
m* Amiga RT." 

Dave seams suitably pleased 
■M himself tor creating this graphic 
system: "The digitised images then 
iave their palette replaced by the 
Space A cademy palette for the rele- 

■ evei and are remapped to the 
grey scale within that palette. This 
r=„ ts in a degradation of definition, 
3cl it's welcome since a too 'photo- 
ivahstic background would make 
tie cartoon sprites look disembod- 
■I nd Dutof place 
But back to the mechanics of it 

•The nest step is to pick up the 
D*ge as a brush and using SHEAR ■ 
If adjust the image to fit the isomet- 

'id and then stamp it down 




With the textures created, Dave 
then sets about applying them to the 
game. "Once all the textures have 
been prepared in this way they can 
be used to complete the finished 




enough times to fill (he screen. 

'Any seams left showing are then 
concealed by picking up irregular- 
snaped brushes and stamping them 
down over the joins. This process is 
'epeaied lor the different walls in 
«ew at any one time, that is, lit and 
Shadow walls in the main room and 
ihe background rooms.' 

-The grey-scale walls have to be 
coloured to match the appropriate 
location and this is done in a hit and 
miss way by applying translucent 
Sbd rectangles and varying the per- 

■ nge until it looks right. 

Then by applying thin translu- 
cent rectangles of red, blue and 
green it is possible to simulate full 
colour in a limited way." 



room. This is done by loading each 
lexture in turn into buffers in 

Brilliance and then loading a room 
template. II is then possible to right- 
click on the colour that is to be 
replaced by the next buffer's wall 
texture, pick up the page as a brush, 
move to the next buffer and then 
stamp it down. This process can 
then be repeated for all the planes 
on the template and a finished room 
shell produced in very short time." 

The secret to the extremely fast 
development time is Ihe way the 
game has been structured, as Dav© 
is only too keen to point out. 

"At this stage the glass lift shafts 
arid windows are left as Colour zero as 
we are hoping to include ray-traced 



views of the surrounding oily appro- 
priate to each window and to each 
level. This shouldn't pose too much 
of a problem as one of the continu- 
ous background jobs that I am 
working on at the moment Is an 
aerial view of the entire location, 
including the whole city and mono- 
rail connecting to the Space 



in place it is necessary to follow this 
through by giving ihese values to 
the animated sprites too.The illusion 
would be destroyed if a character 
could wafk in and out of a shadow 
without changing shade to 'match, 
By the same token a sprite that 
walks behind a glass panel should 
become tinted in that portion which 
is behind the glass." 

Each room is individualised by 
a riding wall hangings, framed pic- 
tures, ported plants, ornaments, 
glass and plain panels and, of 
course, any of the game elemenis 
required in that room for puzzles, 
feeding, re-arming and so on. The 
pictures are produced from black 
and white grabs which are then 
coloured by the translucent colour 
overlays described above. 

Just before he leaves us for 
another month, Dave squares his 
shoulders and prepares for the 
struggle ahead. 

'Now begins the Slog Of working 
through each level, room by room, 




Academy buildings, which is 
required for our intra section." 

With the adoption of this new 
technique, the remaining rooms in 
levels two through 10 eight have 
been completed in less time than it 
took to do the rough rooms in level 
one alone. 

"I can now concentrate on ren- 
dering the finished rooms and 
adding shadows and lighting effects 
that, hopefully, will make the whole 
environment 
come to life. In 
order to achieve 
this effect quickly 
It has been 
necessary lo 
make a sheet ot 
templates of 
standard shadow 
areas which are 
stamped in place 
With 40% translu- 
cency and a 
sheet ot lighting 

templates which include gradient 
filled 'cones' which can be stamped 
at near transparent translueeney 
above the light fittings to give a dif- 
fused light effect." 

"Wiih shadow and lighting effects 



adding the finishing touches while 
John is away sunning himself in 
Florida and I am left here, high up 
on a Welsh mountain, with a feeling 
of paranoia." Why the paranoia? 
"Well, If the only other photograph of 
myself that I can find where I am not 
wearing a jumper shows me wearing 
an anorak then I must be developing 
a severe attitude problem." 

Readers; Don't worry about Dave, 
hell be all right. More next month.'SJi 




CD AMIGA 



HflH^B 







They've been a little quiet of late, but 
21 st Century are gearing up for a 
spectacular Autumn on the CD32. 
Tony Dillon breathes a sigh of relief for 
his favourite machine and takes a look 
at two original games that should raise 
the profile of said shiny disk spinner in 
the run up to Christmas. 





It's an unusual tills 
for a game, but Marvin's 
Marvellous 
Adventure is a fairly 
unusual game any- 
way, il only because 
it can confidently 
claim to be the 
world's first CD32- 
only platform game. 
Designed exclusively 
for the Commodore 
wonder-console, this 
'jump and run 7 game 
(as the Germans 
describe it} features 
no less than ninety 
main game levels 
and countless sub 
levels and bonus 
screens. Big is defi- 
nitely the watch word 



here, and as the game has to 
fill a complete compact disc, it 
needs to be, 

MASSIVE GAME 

The original concept behind 
Marvin, from German duo 
Toby and Florian, was to 
reproduce one of the 'classic' 
platform tilles, the kind of 
game that had the player con- 
centrating far more on the 
running and jumping aspects 
of gameplay - a la the original 
Super Mario Brothers, or 
even Hunchback before that - 
rather than more modem 
style, which has involved a lol 
more in the way of 
shooting than anything else. 
Says designer Florian ol the 
game, "We love to play Jump 
and Runs (platform games to 
you and I) on different 
machines, therefore we 
started 10 do one, You know 
there is not a lot of space for 
different concepts, so we just 
wanted the graphics ar>d 
sound to be cool and not to 
torgel the gameptay. This is very 
hard to implement. Also, we tried to 

- 




J. 



46 



wmmm^mm 



CD ZONE CU AMIGA 



ncove the things that we didn't like 
« <Xher platform games." 

TINY GUY 

:■:- "J at the screenshots on these 
page-: you wdl notice that the game 
: wery small sprites indeed, giving 
■■ payer a lot of room to move 
around while still giving them plenty 
of scope lo see what's around them. 
As a result, the game only scrolls 
■wizonially, leaving vertical 
scrolling to less traditional games 
fk& Sonic The Hedgehog. 

The graphics were made so 
small so that the programmer could 
d<spJay more sprites and bobs on 
screen. According to Florian, "It cre- 
ates more eel ions and there is more 
space for platlorms and all 
global overview does 
not suffer at all. 



"Probably the most 

interesting thing about 

the Marvin is that it 

is only being 

released on the 

CD32, and not 

l he Amiga. 

"The CD32 is a 

good 

machine", 

commented 

Florian. "It 

needs very 

good software 

now and 

neither old 

Amiga 

conversions 

nor games 




like Microcosm which is 
VERY annoying to play 
(it would surely be 
better to say 
'watch'). 
Consoles like 
the SNES are 
much easier to 
program, but 
the things you 
can create are 
also limited. 
Anylhing 
which is not 
directly sup- 
ported by the 
special hardware 
can't be done. 
There are a 



lot of obstacles in using a multitask- 
ing OS in a games machine, 
however there are also a lot of 
advaniages, like networking games, 
lots of experienced programmers, a 
fast CD-ROM drive, 2Mb RAM, the 
very cool AG A chipset (you can't 
scroll in 1/4 pixels on any other 
machine}, and of course the 
MCeSQ20. But these are things only 
programmers would worry about, 
not players." 

Marvin's Marvellous Adventure 
should be available around the end 
of the Autumn, but bear in mind that 
the game has been in development 
on and off for the last three years, 
so don't hold eilher us or 21st 
Century to that! 

We'll try to get a review onto 

these very pages as soon 

as possible. 




One of the biggest selling 
CD 32 titles so far has 
been 21 si Century's 
Pinbali Fantasies. That was released 
before last Christmas, and since then 
trie Swedish team Digital Illusions 
nave been banging away on what 
they think will be even better. Just 
looking at a couple of early tables. 
■B feel inclined: in agree very 
strongly indeed. But first leis take a 
look at what's been going on in the 
last year. 



Lilt, the original coder responsible for 
the amazingly realistic ball routines 
has left, and a new graphic artist has 
oeen added. After finishing Pinbat! 
Fantasies in late 1992, the team 



decided lo go and work qn some- 
thing completely different, coming up 
wi(h games like Benefactor tor 
Psygnosis. New ideas on howto 
improve the Pinbali series were con 
stantly floating around, so it was 
inevitable that they wens going, to 
work on a new Pir\ball game, if only 
as a means to putting an end to the 
constant How of ideas. Needless to 
say, Ihey didn't take my idea of 
Drunk Pinbali, in which your eyes 
take hall a second to follow l he ball 
very seriously. 

They had decided by this point to 
scrap all the old Fantasies code, as ft 
was far too limiting and wouldn't allow 
them to incorporate all the new fea- 
tures ihey wanted to include. One 
condition was agreed by the whole 



team, however, and that was that if 
they Couldn't simulate a multiple ball 
feature with ihe same precise bait 
movements as Pinbali Fantasies, 
then they wouldn't do Pinbali Illusions 
at all. By the end of February,, the 
mullibali feature was warning, and 
enthusiasm was upped a notch. 



Since then, the work has been fairly 
intensive, but the results are stagger- 
ing. Visually, the game is looking 
incredible, as the screenshots on 
these pages will show you. The ball 
is far more chromed looking now, 
and fhe entire palette has been dark- 
ened to make it look more like a 
realistic pinbali table, as well as giv- 
ing extra luminescence to the lights 



on ihe table. 
Indeed, the graphic set for each 
table has been set up so that when 
a light on the table Hashes, it illumi- 
nates the area around it, plus any 
other areas on the table il would 
actually light up. The move from a 32 
colour table enhanced to 256-colour 
to actually drawing directly in 256- 
colour mode has given graphic artists 
Markus Nystrom and Patrik Bergdahl 
a new lease of life. 

At the moment, only a single table 
is actually finished, but I can tell you 
now that It plays every bit as fast and 
authentically as the previous two 
games, and the improved graphics 
and enhanced features make it even 
better. We're really excited about it 
here, and can't wait to gel our grubby 
paws on it. <%*) 



4T 




IAN FOWLER 



C-= Commodore 






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CU AMIGA 




One 
of the 
most loved games 
of all time is 
Robocod. One of 
the most loved 
reviewers of all 
time is Tony Dillon. 
(Says who? - Ed) 
Now James Pond 
is back, we just 
couldn't bear to 
keep them apart. 



If we have one thing to thank the 
consoles for in Amiga-land, it has 
to be the James Pond series of 
games, I was never really a fan of the 
anginal James Pond, but then that 
*as before Ma™ fever reaily gripped 
the nation. Its successor, Robocod, 
was such a well 'borrowed' version, 
~at it completely reshaped the 
ATi>ga platform game scene. Now we 



CHEESE 

In the last game of the Pond series, 
the infamous Doctor Maybe had kid- 
napped Santa Claus, and was 
threatening lo take over the world 
with an army of killer toys. Since then 
he's been incredibly quiet, which is 
something ihal's been making the 
world very nervous indeed, until one 
day a stolen space shuttle was seen 
taking off from the middle of the 
desert and heading for the moon. 
The secret was out- Doctor Maybe 
had taken all the rodents of the world 
to the place with more cheese than 
Switzerland, from which position he 
was going to try and take Over the 
world again. Only one person could 
successfully get to the moon and 
stop Doctor Maybe in his tracks, and 
as you can probably guess, thai per- 
son isn't Leonard Cohen. 




As you can probably tell from the 
screen shots, Operation Starfish is a 
platform game, but it's a lot more 
besides. Admittedly, it has all the 
usual traits of a platform game - you 
slart at one end of the level and 
have to find your way to the other 
end, avoiding contact with other 
characters. Trie one thing thai 
Pond 3 has that a lot ot other 
games don't have, however 
»s a real puzzle element. 
It isn't enough to sim^ 
ply get to the end of 
the level - there are a 
couple of tasks you 
need to do first. 

Initially, your big 
concern is to find the 
transmitting device for the 
level and destroy it with a 
single Pond punch. 
However, there is no 




point destroying it until it has been 
activated, and to turn it on, you need 
to collect teacups. When you have 
enough, a number that is never dis- 
closed, the transmitter will start 
emitting signals. It you blow it up 
before it has started! to send, then 
you will be thrown back to the start of 
the level again. 

Actually getting lo the transmitter 
is quite easy. You always start on the 
left of the level and the transmitter is 
always on the right. That said, the 
levels are enormous, easily the 
biggest seen in an Amiga platform 
game, and the teacups are dotted all 
over the place. There are more 
secret areas and hard-to-reach 
places in this game than there are in 
Super Mario Worlds on the SNES, 
and lhat's saying somethingl 

There is a logic to it all though, 
and this becomes apparent after you 
have solved a couple of levels, 
Although it might look like you have 
reached a dead end, or there is noth- 
ing more you can do on a level, 
chances are you just haven't looked 
closely enough. There is a reason for 
most things being where they are, 
and sometimes a lucky jump off a 
seemingly meaningless bump can 
uncover a previously invisible block, 
which will lead to something else, 
and so on. 

KNIVES! 

The game is more or less identical to 

the A120Q version released a couple 
of months ago, with ali the same 
sound effects and speech as the disk 
version. There is the obligatory Pond 
cartoon at the beginning of (he 
game, as seen in Robocod, 




and that's really all that CD32 owners 
get in the way on enhancements. But 

then again, this is a great game, so 
there's no real reason to look for 
things to improve. Easily one of the 
best arcade games ever released, '© 




-WrW^Y>Vr*r^WrWr>Tl 



MILLENNIUM £29.99 



CD 32 ONLY 

MILLENNIUM INTERACTIVE, QUERN 
HOUSE, MILL COURT, GREAT 
SHELFORO, CAMBRIDGE CB2 5LD 
TEL: 0223 844694 



RELEASE DATE: 


OUT NOW 


GENRE: 


PLATFORM 


TEAM. 


IN HOUSE 


CONTROLS: 


JOYPAD 


NUMBER OF PLAYERS; 


1 




GRAPHICS +♦♦♦+♦#♦♦♦85% 

SOUND ♦♦♦♦♦+♦♦+♦86% 

LASTABILITY ♦#♦♦+♦+♦♦♦94% 

PLAYABILITY +♦♦♦+♦♦♦♦•96% 



A stunning plattormer, but 
& tittle more sound 
would have mads It m 
even better. 7 



OVERALL 91% 



49 



CU AMIGA 







"My old head master used to tell me that 
there was nothing like a good RPG. I 
often wondered what he meant. But now 
l' ve S een the light, with a little help from 
Gremlin". (Tony Dillon, 6th August 1994). 



games with them. The original 
Heroquest, while being simple and a 
little too easy, was still a superb 
introduction to Role Playing Games 
(RPGs) for the masses, and I waited 
for this sequel with some anticipa- 
tion. Sure, there was a sequel ot 
sorts in the form of a data disk, but 
that was nothing more than an 
extension ol the original.WHh Legacy 
Of Soracil, Gremlin really went to 
town, taking note of all trie good and 
bad points of the original, and build- 
ing on them. 

Instead of a series 
ot small adventures 
which can be played 
in any sequence (a la 
Heroquest), Saratit 
has nine large adven- 
ture which form part of 
a single campaign. 
Your eventual aim is to free your 



There are companies that sign 
up huge licenses and make 
OK games with them. There 
are other companies that sign up 
less big licenses and make abso- 
lutely dire games with them. And 
then there are companies like 
Gremlin, who sign up small licenses 
like Space Crusade and Heroquest. 
and make some really blinding 







I 



- „ 






' SS 233 


1 


|aag j 



homeland ol Rhia from the evil that 
binds it, but your short term aims are 
forever changing. 

IT'S MY PARTY ... 

At the start ol the game you have to 
create your party of lour characters 

from a list of eight, ranging from the 
standard Wizards and Barbarians to 
less standard characters such as 
Rangers and Mystics- As usual, all 
have their own strengths and weak- 
nesses, and finding the right balance 
of characters comes mainly from 
your own gaming style more than 
anything else. Stilt, once you have 
the set-up you are after, you can 
walk into the first adventure. 

Like Space Crusade and the orig- 
inal Heroquest, the game is played 
out in turns, with each human 
controlled character being allotted a 
certain amount of 'action points', and 
the computer controlling everything 
else. This gives you plenty of time to 
think and work out your moves. 

As an adventure, though, 
Heroqoesl is still very simple. The 
woefully small amount of icons at the 
bottom of the screen only allow you 
to light, cast a spell . search for trea- 
sures or traps, check the map, check 
your inventory or open/close a door^,. 
I'm ail for simple control methods, 
but when there is this little you can 
do, essentially the puzzles that 
accompany it have to be quite sim- 
ple as well. On the one hand, you 
can get into the game with no (rou- 
ble at all, but on the other hand, you 
shouldn't really have alt that much 
trouble completing it. 

It looks OK. Cut the non-AGA 
graphics show up quite badly on a ■ 
machine mat can easily handle 256 
colour displays. Sure, some of the 
locations are atmospheric enough, 
and most of the sprites are dear and 
easily recognisable, but it would 
have been nice to have seen a bit 
more in the way ot animation, mm 
Practically all animations are limited 
to three or four frames, which is 
really unacceptable when you look 
at (he yJze of the machine and the 



storage capacity of the medium- 

MARS BARS 

Sound has been used extremely 
well, with a rich atmospheric 
soundtrack and excellent use of 
voices for the spell chants whenever 
you casi a spell, Sadly though, even 
this can't save what, while being a 
good adventure and perfect tor 
beginners and intermediate RPG 
lans, just isn't deep or wholesome 
enough to fully satisfy. / £& 




GREMLIN £29.09 



CD32 ONLY 

GREMLIN GRAPHICS, CARVER HOUSE, 
2-4 CARVER STREET. SHEFFIELD S1 
*FS.TEL:C7«7534Z3 



RELEASE DATE: 


OUT NOW 


6ENRE: 


RPG 


TEAM: 


IN HOUSE 


CONTROLS: 


JOYPAD 


NUMBER OF PLAYERS: 


1 


HARD DISK INSTALLABLE; 


NO 


MEMORY: 


1Mb 



GRAPHICS ♦♦♦♦+m**7»?i 

SOUND **++*#+#**88^ 

LA5TABILITY ♦♦****+*«82% 

PLAYABILITY ♦♦♦♦t*#*M*3% 



.-:, 



< 



A fair RPG. which could _ 
have been much, 
much tetter if made 
more difficult. 






OVERALL 80% 



so 



— — 



^■•w^- a-n- 



Consign your animation 
tape problems to history 



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} 




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When used in combination with the AD- 3000 the 
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Studio 16 is your digital 
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Digital FVoreHding Systems Ltd. Riverside Business Park, Unit 2,, Dogflud Way, Famham, Surrey, GU9 7SS UK Phone: (0252) 71H300 Fax.: (02E2) 718400 



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DSDD-1MEG 
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Cruiser Mulli - 3 Way Control 
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More Joysticks - To Order 






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SUCH AS BANK TRANSFER 



ANY OTHER METHOD OF CLEARED FUNDS 
T.T.- LETTER OF CREDIT -ETC 



CD32 



ZONE CU 



AMIGA 



;r 




Guns and death come to the CD32 like 
never before as Core Design muster all 
the firepower they can manage for 
Banshee. Tony Dillon works off his pent- 
up aggression. 



rnagine a planet that has never had 
any world wars. One where- tech- 
nology hadn't really evolved at any 




i mess planes away lor soma power-ups. 

speed, simply because it didn't need 
to. A world where peace rules, and 
the most threatening thing that could 
ever happen would be lor someone 
to invent the Microwave Oven. Now 
into this world bring an alien 
invader, one who has more tech- 
nology than 
you could 



ever imag- 
ine, One who sees this 
other Earth as an easy target. 
Once you've managed lo get this 
picture into your head f then intro- 
duce the element of the one man 
army. A man whose tether was 
murdered by the invading force 
many years ago tor refusing to 
invent the Microwave Oven. The 
only man with (he know-how to 
put together a flying combat 
machine -otherwise known as an 
airplane, and take on the might of the 
invading force- 
There you have the plol to one of 
the best shoot 'em ups ever seen on 
the Amiga. 



STOP AND STARE 

Designed and coded by the two new 

Danish faces at Core Design (Sorer 
Hannibal and Jacob Andersen), 
Banshee is a return to the clas- 
sic values of computer games. 
Almost everyone who has 
stopped and spent half a day 
playing it, which is basically 
everyone in the office, has 
remarked at how similar 
Banshee is to the classic 
arcade game J 942. This is no 
bad thing though, as that game 
was so playable and addictive 
that you couWnf wish for a 
better rote model. 

If you haven't collected your 
free bus pass, then you might 
not know what f 942 actually is. 
Essentially, it's a vertically 
scrolling shoot 'em up, set in the air, 
with a bi-plane, or pair of bi 
planes in two player mode 
fighting everything 
that the world has to 
throw against (hem. 
Much like Banshee 
where attacks can come 
from all directions, both 
from lhe air and the 
ground, from man and 
machine, and you have to 
try and avoid it all. There 
aren't many things lhat can't be 
obliterated by your incessant fire- 
power, bul then again there aren't 
many things thai won't fire back at you 
given half the chance. 

When you hegin lhe game, you 
have a rather weedy little plane, with 



Th» panel to lh» itH *hows yeurtnargy levels and how many Uvea and toops (handy ihlngs which 
make you invincible for a shod while) you have ler|. 






ft J ™ i 





» -. 


m 


S&\ 


•TaJala' 


'3® 


t% ® r 



a single pathetic cannon to defend 
yourself. In the tradition of all lhe 
great shoot 'em: ups, though, power 
ups are never far away. Simply 
destroy a couple of waves of attack- 
ing enemies, and a small tile will 
appear before you, slowly drift- 
ing towards the bottom of the 
screen. Shoot this a coupJe of 
limes lo change it to lhe 
weapon you want most, 
and then collect it. In no 
time at all, you'll be fir- 
ing powerful shells in 
up to eight directions, 
while letting loose bombs 
and homing missiles, and gen- 
erally wiping out everything in sight 
with the minimum of effort, 

BLUMMIN' HARD 

That isn't to say lhat Banshee is par- 
ticularly easy. Far from it. This is 
probably one ol the toughest Shoot 
"em ups I have ever come across. 
There is just so much going on at 
any one time that you're going to find 
it hard to get to the end of 
even the First (long) level, 
let alone anywhere near 
the end of the fourth and 
final one. There can be 
over twenty objects 
firing al you al anyone 
time, which allows very 
little room for manoeuvre. 
This is the real reason 
why Banshee is so addic- 
tive- it really is a test of 
skill rather than a test of 



luck. If you're fast with a jeypad and 
your visual reflexes are good 
enough, then theoretically you should 
be able lo get through the game, as 
there's not a single point, on any 
level, where you die through bad 
design, Mind you, you'd have to be 
pretty damn good to do it. 

Banshee looks superb, the graph- 
ics are incredibly detailed and 
include some gory touches such as 
bloodied soldiers running in panic 
from destroyed tanks, it sounds great 
and it plays great, Let's face it, 
Banshee is blummin' great! ^J) 



CORE DESIGN £29.99 



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CORE DESIGN, TRADEWINDS HOUSE, 
69/71 ASH BO URMEROAO. DERBY, 
0122 3FS. TEL: 0322 297797 

RELEASE DATE: OUTNDw 

GENRE: SHOOT EH UP 

TEAM: S. HANNIBAL. J. ANDERSEN 
CONTROLS: JOYPAD, HOUSE 

NUMBER OF PLAYERS: Z 



GRAPHICS ♦♦♦♦♦♦♦♦♦*82% 

SOUND ♦♦♦**m#*7ix 

LA5TABILITY ♦♦•♦#m**64% 

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One of the all-time 
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032 ZONE CU AMIGA 




>ur resident 
film/movie critic 
Andy Leaning 
spends an evening 
watching some of 
the greatest music 
artists strut their 
stuff and calls 
it 'working'. 

tegular readers of inis err, 
"irregular, column will know 
kabout the stunning quality that 
Video CO movies bring to the small 
screen. Now, EMI have pined the 
ruck and its Piciure Music 
international division (PMI) has 
released live of its new Video CDs, 
The live new CDs are Queen's 
Greatest Flbc, Kale Bush's The 
Whole Story '94, Tina Turner's 
Simply the Best '94, Pink Floyd's In 
Concert, and David Bowie's The 
Video Collection. They are all double 
CD packs and contain a large num- 
ber of tracks. The Queen CD lor 
example features an impressive 33 
songs. The others with, the exception 
of the Bowie CD all have over £0 



R f 



»MPJ 



tracks. Whilst ai £15.99- each they 
are more expensive than normal CDs 
you get a bigger selection than nor- 
mal audio versions. 

CONFUSION 

It's important to note that Video CDs 
cannot be played on normal audio 
CD players, and whilst ihis isn't such 
a major problem for iilms, it will 
obviously be a problem with music- 
based Video CDs. Without clear 
labelling there are bound to be 
numerous cases where audio CD 
owners buy a Video CD thinking they 
can play them, 

PMI, aware of the potential tor 
confusion, have taken a si rang, user 
friendly, position on labelling Video 
CDs, Some companies mark their 
CD oases with vague references to 
CD-i and only hint at the incompati- 
bility problems with statements such 
as 'CD-i players require a Digital 
Video cartridge'. PMI, however, 
make sure thai there is little room for 
confusion. There are four references 
to Video CD and Digital Video on the 
front of the CD cases, and further 
references on the back and sides, it 
is also slated that, These discs will 
not play on a standard audio CD 
player' and These discs can only be 
used on players with Video 
CD/MPEG capability 1 . Full marks to 
PMI for taking such a customer- 
friendly approach. 



FIT FOR ROYALITY 

But what about quality? The video 

quality on all five CDs is superb. The 
MPEG encoding is well up to scratch. 
However, there are a few problems 
such as on the Queen track It's A 






Hard Life' there is the odd jump 
across frames, whilst "Breakthru' on 
the same CD and Nutbush Cily 
Limits on Tina Turners' CD sutler 
from pixeiisation (break up picture in 
to fine squares) during moments of 
intense horizontal activity. Bui these 
are minor niggles and overall PMI 
have done a grand job. 

There isn't any loss of detail, or 
colour and, in most cases, the MPEG 
encoding handles the rapid move- 
ment on screen that's normally 
present in all videos. 

SOUNDS ODD 

However, ihere are few notable 
glitches on the audio side. On the 
Tina Turner CD the audio signal is 
often out of sync with the video, not by 
much, but out jusl the same, and in 
the Queen CDs a very disconcerting 
sharp sound could be heard several 
times during playback, It may be that 
the particular copy I listened to had 
scratches or it was a one-off fault, but 
still ,,. Also, several tracks started a Ut- 
ile way into the first notes of a song, 
ie, on playing a track you hear the tail 
end ot a previous nole as the video 
starts - this is disconcerting! 

DISCOGRAPHY 

Many of these CDs have a discogra- 
phy of the artists' work at the end of 
the second disk. Nothing wrong with 
this idea, il's a perfectly good lorrm of 
promoting the music CDs 
in EM I's catalogue. What is 
wrong with i|, however, is 
the quality of production. 
These discographies look 
like they've been produced 
using eld fashioned stop 
motion animation tech- 
niques ... you see the CO 
move into frame and then 
move off in a series of 
small jumps, as ihe con- 
tents scroll, very badly, up 
the screen. This is a real shame 
because they letdown the otherwise 
impressive production values on 
these CDs. 

In conclusion, PMll's musk; video 
CDs are, barring a few minor com- 
plaints about the sound quality, fine 




examples of whal Video CD titles are 
capable of, and worth a place in any 
CD32 FMV owners collection. If you 
just happen to be a Queen, Tina 
Turner, David Bowie, Pink Floyd or 
Kale Bush Fan, well, there's no ques- 
tion about it ... get down to the shops 
now! All are recommended. 

The PMI CDs are available from 
music stockists and many HiFi and 
computer dealers. Apart from the 
Queen Greatest Flix CD they are all 
priced at £15.99. Qiteen's CD is 
£1 9.99 (includes a 1 6-page booklet 
and more tracks than ihe others). <2J* 




ss 



SCREENSCENI 




Bumper, jam packed, stuffed to the gills, overflowing, running over and padded 
beyond all reasonable barriers. Those are just some of the ways to describe this 
month's Screen Scene, and even then it would be an understatement. We weren't 
even sure if we were going to be able to get all these games in without making the 
magazine twice the size, but we did it in the end. So just sit back and start enjoying! 




iFHWAPRESSIONS 

Another bumper bundle of early glances at tomorrow's hit sensa- 
:;ong. ThFs issue we check out Little Divilimm Gremlin , Apache 
Software's Death Masque and Dawn Patrol from Empire. 



7 Ancci 

^Kr ■ cere's a new socce 



H^v There's whole lot t 
^^Kr moment, as Black 
I 

6 



I of programming talent in Croatia at the 
momSnf. as Black Legend have discovered. Let us show you 
the sights and sounds of Croatian software. 



JBwEB 



Are you ready for the world's first adult adventure game? Can 
you stand to r,<?e rock stars with groupies? Will you stomach 
Diane Underwood' Lisa Collins finds out. 



;er-the manager 

l^new soccer management game in lown, and The 

Software Business are behind it. Let Keith Wad hams show you 
how to really be a tactical manager. 



GALORE 




Jute! Or so Tony Dillon 
iks. Paul Davis from NMS thinks 
he^relg wimp though. 



COMPO 





Literally dozens of Pinkie prizes to give away in Ihis exclusive 
compafflwiwith Millennium including T-shirts, records, games 
andevenaCD32! 




Core Design have done the unthinkable and come up with an 
AGA game that you don't need an AGA machine to run ! Alan 
Dykes is very impressed indeed. 




OS 

Ocean are out to take the platlorm game market by storm Willi a 
gameihat. is perhaps |usl a little like a certain game with a 
hedgehog in il. Andy Nutlall is on the case. 




itt Broughton has thrown down his 
bibfaof body building tricks and gone 
to war in D-Day. Find out how he did, 






It's here at last, and according to Gal Jones it's been worth 
every minute of the wait. Make people sick, throw them around 
the place and send them home with a smile on their (ace. 



HT 

iix in some Space Invaders, and you might just 
come ctese to Millennium's unusual puzzler, or so says Tony 
Dillon. An enigmatic reviewer tor an enigmatic game? 




7T^EuE 
You've seen our 
nnavative and or 
Austrians at Neo. 



You've seen our coverdisk. now take a look at one of the most 
nnavative and original adventures lo date, from those wacky 

Austrians at Nso. 



treats this month in the shape of three huge compi- 
lations Pfus all sorts ol Other exciting things lhal won't leave 
hole$ in your wallet. 



0! 

<m^ tt 

9 



LA SOLUTION 

Valhalla is a Very tough game indeed. Thai's why, 
help of Lisa Tunnah from Vulcan Software, we're 
ine oorflRe solution, starting with levet one in th 



with the 
giving away 
is issue, 




More smut, innuendo and 
-irtventure game hints ;and 
tips frgrn Vampyra. 




F ick to page 99 to see if 
one of youT questions has 
been rep I ed to this month. 



A CU Semen Star it lot 
games sccrinq 45%- 
92%. 11 « gsme sets nne 
of (he jr. nil be of test- 
ing quality and! you can 
lest assured lhal, if fOV 
decide tn purchase It, 
you won't b» wasllng 
your msmay 



if^tok 



SUPER STAR 





"JiiiU'H 



ilJ^anaa 
game's worth 1 
Kuper&tar W* 
hardly IhrOW 
them ground . 
bul It a flame 
gets on* ll'll be 
completely oul- 
alandlng. 



56 



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CU AMIGA 



FIRST IMPRESSIONS 



Did you know that 'they' think 
'they' have found the exact crater 
where the meteor that killed the 
dinosaurs struck the Earth? It's true! 
There's this huge dip in the desert, 
which I suppose you could call a 
First Impression. Ta-da! 



DEATH 

MASQUE 

Apache Software 

THE GAMEPLAY: Death Masque is 
a first person perspective shoot 'em 
up, with all the blood and gore you 
would usually find associated with 
such a game. The screen <s split 




A CtM* shol nf (wo completely different hall- 
ways, as seen by (hi- two player mode. 

down the middle to accommodate 
simultaneous two-player action. If you 
can't tell from the sereenshots, this 
game is essentially (and unofficially) 



Doom on the Amiga, with Full texture 
mapping on AGA machines, 

BEHIND THE SCENES: Apache are 

the learn who broug ht us . 
Super- Methane Brothers, 
and are a gang of lour 
made up ol the lalents of 
Patricia Sorrell, Michael 
Ryan, Uoyd Murphy and 
Mark Page. 

WHAT'S NEW: 
Everyone has been wait- 
ing lor a version ot 

Doom on the Amiga for 
quite some time. It's very 
fast on all machines, 
thanks to a hierarchical 
system of graph its - 
slower machines don't 
get much delail on the 
floor and ceiling, to keep 
the frame rate up. The 
two-player idea $hould 
work well too. 

FIRST IMPRESSIONS; It looks really 
good. Naturally the prospect of all the 
inherent first-person violence is going 
to get mosl gamesplayers drooling, 
and one that allows you to go one- 
on-one with a friend will have people 




in an even worse state. If remains to 
be seen 'if it has all the gratuitous vio- 
lence of the PC game it's based on, 
but our full preview in the next couple 
ol issues should clear that up. 




Things can gel really hect.lt up ln*re wtiare the 
air Is Cl**r, with up Id 16 plants al once! 

DAWN 

PATROL 

Empire Software 

THE GAMEPLAY: It's a combat flight 
simulation, like so many that 
MicroPros© or Rowan have put out 
before, only this time it's based upon 



Ihe first, world war, where air 
power was extremely limited, and 
all you had to play with was a bi- 
plane, a single cannon and 
perhaps the odd bomb- None of 
your homing missile* and infra 
red Sidewinders here! 

BEHIND THE SCENES: The 

entire thing has been designed, 
conceived and coded, by Rowan 
Software, who have churned out 
many a decent f tight simulator, 

including the up and coming Overlord 

for Virgin Software. 

WHAT'S NEW: At this early stage it's 
hard to say where the game will 
improve over earlier attempts at 
biplane flight simulators, particularly 

the fantastic Knights Of The Sky from 
Microprose, which has 10 be one of 
Ihe most enjoyable (light simulators 
ever written, 

FIRST IMPRESSIONS: Rod Hyde 
from Rowan Software wants Dawn 

Patrol to be perceived as a collection' 



*f* 




A 3creen.&hol wHh run (fixture mapping show- 
ing Just bow much effort Rowan Havfe put inlo 
making the gams look realltftle- 

of stories from the war rather than a 
traditional campaign based game. 
This in itself is quite an original way 
of tackling a flight slm, and must 
make it worth while scanning the 
horizon for.. The screenshots here are 
converted directly from the PC, and ft 
hasn't been decided how much will 
be lost when it goes to the non-AGA 
machines. More news soon! 



58 








GAMEPLAY: Litit Divil 
MA Charged with a 
a quest to travel 
the mazes of the 
lo ooJieci a 
and return it to the 
Council in the 
of the 

To do this he 
♦a 'md all the 
rooms in the 
eveis of the 

, solve the var- 
puzzles, collect all 
:c sets you can and 
uly stay out of th e 
&a off the traps that 
tne corridors. 

- VO THE SCENES v This CD32- 
-teractive cartoon has been in 
Nopment at Gremlin's Sheffield 
^quarters for quile same years now 
ict. four successive PR teams have 
■m !he game off and each have 
^«d it to be imminent! 

ATS NEW: It's a full CD interactive 
son, along the lines of what the 
- 5 Lair series should have 
A lo! of the last few years has 
spent on character animation 
sound, and the end resuit is something very 
'o watching a cartoon. The control method 
m seen designed to be as intuitive as possible, 
wr only a couple of ihe buttons on the CD32 
r. : -id actually being used. 

WD IMPRESSIONS: I hon- 
t> couldn't tell you what our first 
ression was, as it was so long 

but in these enlightened days 
i game looks incredible, Silky 
br-ation, bags of character and 

1 -ingeniously worked-out puz- 

-ave marts the game a 

5ft hit on PC CD-ROM, and 

?aiiy canl see any reason 
1 that isn't going to happen on 
: 332. Look for a full review 

ssue. 





any limes has this happened U you? Yau'W wWidarina. 
- a cavern when you suddenly com* *cro*t a bUKOtn 

I H#d to Ihe floor? Lltll Dkvll? Lucky Civil mora like! 



mileJM CTfJII 



Once there were sitfps, 
but now there *s... 

JETSTRIKE 



Amiga - available now, 
CD32 - June 1994, 
Amiga AGA - July 1994. 

About £20 each 



**■ - «"' li 



Jetstrike is the flight game 
for your computer -with 
over 130 levels and a 
cboice of 40-piairpg,s aad 
weapons systems (more 
in the CO versions)... all 
.this and a two-player 
option makes this a game 
that wilt keep you flying 
for months. 

Take to the skies 
and defeat the 
forces of SPUDD! 








qi ii 



Amiga Computing - 90% / GAMER GOLD, 
The One Amiga - 84%, Amiga World - Grade "A". 

C10CKWISER.... 

time is running out... 



Amiga and Amiga 
AGA - available 
May 1 994 
(£19.95), 

CD32-June 1994 
(£24.95), 



LEUEL '•f-IHI- CHWWtHti Of FRUSTRATION 




'§ 1* 






■MW 



. .. , 4 I 



j > y j j si 



% 9 mm m r 



una 



t 9 ma ffi T 



Clockwiser is an 
infuriating, addictive, 

un- put-down-able 
puzzler with over 
100 levels of mind- 
bending fun. It 
comes complete 
with a puzzle editor - 
it's a package which 
realfy lets you 
get your own back! 



Move 'em around, beam 'em up, blow 'em up (carefully 
does it!) t cope with self-generating diamonds and much 



more. 



RASPUTIN 



Rasputin Software, 39^40 High Street. Green Street Green, 

Orpington, Kent BR6 6BJ. Phone: 0689 - 850770 



TJHOB 
NW (AAMAGtMEKT 

VliAiS HOT CHARGED 

UNTIL MY Of 

DISPATCH 




77^ 



T 

V 



OEPT CU09SC Unit 3, Cross Keys Shopping Mall, St Neota, Cambridgeshire PE19 2i. 
TELEPHONE ORDER LINE: 0908 3 T 95 50 FAX: 27 7X 



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WIP 



CU AMIGA 




Europe is developing games at an 
incredible rate, with new software 
houses appearing faster than rainbows 
on an oil slick. Tony Dillon takes a look 
at what Black Legend's new arm in 
Croatia are up to. 



EVIL'S DOOM 

Another very early look, this hme at a Dungeon Master style role playing 
game. Wilh Doom causing such a slir on Ihcr PC markel, Croteam have 
decided that the one thing the Amiga reaWy needs is a full screen 3D, ftrsl 
person perspective adventure game so here it is. Don't get too exofad 
though, as this isn'l Doom on the Amiga. As I ve c >md. this is a Dut 
Master styfe game, where the vhjw ftp'., ralrter than scrolls between 
lions. There isn't an awful lot of game in thenr yr;l. but rest assured that wt 
will brm-] you a full preview as soon as possibte. 




■ you to lake a look at one of the smoothest and 
, „ight Sims around, fmovyois simply taking the simplicity of 
a shoot "em up. and then applying it to a flight simulator. You. as always, 

Ihe lone pilot in a war situation, and have to take your futuristic aircraft 
to the skies in an effort lo destroy just about everything in sight. 

• stilt early days for this game, but already its extremely payable. You 
can 'I see irom the screenshots just how fast the game runs, but oi^i art 
AT 200 it rarely drops a frame, regardless ol the number o( on screen 
objects. The map has yet to be laid out properly, Out the populated areas 
look very convincing indeed. The aim behind the game js to make it as 
exciting and intuitive as possible, and it realty looks like they can pull it off. 
We'll have a full review in the next couple of issues 



-I- -J^ii 



lr — 



CHE t If IG 5 F (:0fl I E * D Mi at T 5 

r. FlOflfcClltL. IT'S n 3{i«i:EP[i[ 




There is a lot of raw programming talent around the 
world, bul unfortunately in many countries the soft- 
ware markel isn't developed enough, or the 
programmers themselves don't have the access to the 
sales and marketing power needed to push their product, 
Now software companies are waking up to this glut of 
programming talent. Black Legend is one such company 
and when they visited Croatia, they struck geld with a company called Croteam 
whom they have now signed up, 

ft you think back a couple of issues, you may remember that we ran a First 
Impression on a game called Embryo, from new signings Croteam. Here's a 
quick taster of the games you can expect from this new name. 



W I P 




FOOTBALL 
GLORY 

The one thing that Croteam, and just about everyone who has seen it is get- 
ting really excited about is the tentatively named Football Glory, At first 
glance, it looks like little more than Sensible Soccer, but to be honest, ft 
even ends up better, Croteam have taken all the good points of Sensi- the 
view, the speed, (he simple gameplay and advanced controls, and added all 
sorts ol small touches and improvements. For example, when me players 
perform a sliding tackle, they dig up the pitch leaving a small brown stripe, 
which. ,ust like Skidmarks stays on the pitch for the duration of the game. 
After a while the grass gets into a right state I 

There are all sorts of other new touches currently being added, like the 
fact that the ball never moves of its own accord. If the ball is kicked out of 
play, a player will go and get it, rather than just appear on the touchiine with 
it. Likewise with free kicks, the ball is kicked to the player taking the kick. A 

lot ot time is also 
being spent on 
various anima- 
tions for football 
trivia like streak- 
ers, men with 
stretchers and 
pFayers running 
out onto the pitch 
with the FA Cup. 
It looks great, 
and plays even 
better at the 
moment, We'll 
have a full review 
very soon! 







±r 



Lasl, but by no means 

least we have Spherical 

Worlds, a top-view maze 

based shoot 'em up. that 

comes across as the 

resulting offspring ol 

Paracto/o 1 and Gauntlet 

with Uncle Alien Breed 

being present for the 

Christening. The 

unusual tille is only a 

working one. so don't hold out too much hope on seeing a game with (his 

name. It may look small and simple, but then that's the whole idea. It's 

extremely last, incredibly smooth and has more bullets on screen al any 

one lime than most shoot em ups could come close to handling. At the 

mpment all there is are a couple ol very playable levels, and Ihe game 

shows a lot of promise. Still shots aren't really going to do the game any 

justice, but you just wait until you see it move! 



61 



CU AMIGA 



WIP 








A 



re you ever afraid 

to go sleep al 
.night in case 
some evil being will 
appear and whisk you away to a 
horrible, pungent world full of the 
walking dead? Yes? Weil leave this 
page now. and never look back 
because Empire's forthcoming RPG 
release, Dreamweb, is the stuff 
nightmares are made of, If. how- 
ever, you are fan of great graphics, 
involving gameplay and raunchy 
adult entertainment, read on. 

Set in a future world, the 
Dreamweb is the omnipotent power. 
It's a sort-of virtual world of dreams 
which is made up ol the collective 
subconscious where good and evil 
battle it out to gain control ol a City, 
However, evil is gaining the upper 
hand so the guardians of the web 
have summoned one person to break 
evil's control and get good back on 
top again. You control the chosen 
person - Ryan- in his battle against 
the dark forces. 

That, in a nutshell, is the plot, 
Quite a simple one really, consider- 
ing the complex nature ol the game. 
Your mission is to kill seven evil 
guardians in the correct order and 
free the Dreamweb. The Dreamweb's 



keeper will tell you which guardian's 
number is up and you then have to 
use your own devices to track down 
him/her and kill them. 

Does this all sound simple? It 
isn't, as Dreamweb is a linear game, 
you must solve all the puzzles and 
collect the correct items in the right 
order, otherwise you cannot con- 
tinue the game 

WHO IS BEHIND 

Drea/nw&bvt&s. developed by 
Creative Reality, a two-man opera- 
tion made up of Neil Dodwell (coding) 





Sex and violence feature heavily in 
Empire's new 'ADULT ONLY' adventure, 
and of course Lisa Collins just loves 
that sort of thing. 




and Dave Dew (Graphics} based in 
Southampton. Although the company 
was formed just lour years ago. they 
have already worked on a variety of 
games including Myth, Nemesis the 
Warlock and Sfcrme trann 2000 AD ; 
plus Last Action Hero. They say lhal 
they have crafted Dreamweb in simi- 
lar style to Bladerunner and Akira 
and have been developing 
Dreamweb for two years. So why 
has it taken so long? 

Well, programming any adventure 
is a mammoth task and Dreamweb 
hasn't been without teething prob- 
lems. Neil Dodwell explains: "After 
the editor was written Dave began 
work on some sample graphics. After 
coding some of the game we discov- 
ered there were things we bad 
forgotten or needed to change, so 
the editor was updated. This went on 
tor some time and the 
whole thing was a logisti- 
cal nightmare, Eventually. 
we decided, somewhat 
rashly, to stop what we 
were doing, rethink it and 
start again. We re -wrote 
the adventure system 
from scratch and salvaged 
about five locations from 
our previous efforts- The 
result was basically lhe 
system we have today. 

"From then on our 
work involved the design 
and drawing of each 
room on the editor and 
then the programming of 



this into the game. To our amaze- 
ment nearly every puzzle we've come 
up with has slotted into out system 
with no changes needed. We had ere* 
ated, by trial and error, an 'extremely 
versatile adventure which could adapt 
to almost any storyline. " 

It has been two years well spent 
as the game looks superb. A lot of 
work has gone into the detail of each 
object in this immense game. All are 
clearly identifiable and no matter how 
many there are in a particular room, 
each object has large amounts of 
explanatory text. This is something 
that Creative Reality are quite 
pleased about; "The game revolves 
around intricate Object manipulation. 
We are proud ol the fad that every 
object can be examined in minute 
detail - every pixel is detected per- 
fectly. Objects can hold many other 



62 




WIP 



CU AMIGA 





smaller objects which can be 
r«&irsed- Every single object has a 
a'ge amount of ol text to describe it: 
even though there may be hundreds 
:' items in a single location." 

GRAPHICS 

lie graphics really are superb. 
There are over4.00Ci hand-drawn 
frames Of animation and a couple of 
scenes are so realistic they're actu- 
ary disturbing. For example, there's 
; ; icene where one of the evil 
guardians - Diane Underwood - has 
naif her body Shot off and is crawling 
ax>ng the lloor begging to be shot. 
This scene looks extremely realistic - 
t s scary (not that We ever seen any- 
t ng like it in real life!). 

SEX AND VIOLENCE 

V>w we get to the bit that you've 
" all waiting lor. Dresmweb is an 



adult adventure and there is a lot of 
violence in it. Welf r the whole game is 
based around violence, really - your 
ultimate airn throughout the game is 
track people down and kill them. Now 
this is not all that unusual for a com- 
puter game, however, what some 
people might find disturbing are the 
lifelike elements involved in the act of 
killing someone. The characters seam 
real and there is one unsettling scene 
where One of your 'target' pleads for 
his life before you gun him down in a 
pool of blood. 

What about the sen inen? The 
American version of the game covers 
the modesty of the characters. The 
English version, on the other hand, 
(eaves nothing lo the imagination. 
However, as the sprites are quite 
small, it's hard to tell Which sex ihey 
are. let alone whether they have 
clothes on or not. An amusing sex 
scene is when Ryan has to kill a rock 
star called Crane, When Ryan enters 
Crane's apartment, the rockstar is, er, 
well, coitus inflagrante with a groupie. 
As Breamweb is an overhead" view, 
you have a bird's eye view of Ihe cou- 
ple's gyrations. Amusing stulf. What a 
pity you have to kill him. 

If you have a. strong stomach, then 
this game will be 
right up your street. 
We'll have a full 
review next issue. 
For more information 
call Empire Software 
on 091 434 7337. 3> 




-*-e we have II - the l#m« v * pfclure of Crane (bnltom) and his. (censured) lrl«nrj ruling a good 
< o1 ll. Oh look! f here's Ryan In. Ihe top righl corner, about lo end II all. 




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CI AMIGA 



GAME REVIEW 







AMIGA 

V SCREEN STAR 



ill 




L 



Life on Earth is one big adventure for 
Alan Dykes so he seemed (ike the right 
person to explore a whole Universe. 



■^* P**at 




H 




y mother will disown rr»e 
Js oul: Core 

_ Design's Univ 'nade 

St and a liar out oi me and, worst 
of ail. I'm proud of It 01 course 
advenlure games, have always 
encouraged Ihis ^nii :ji iinrir; re 
trom (tie very beginning of time when 
lex! quests Igid you you are i 
dusty plain there is nothing I 
so you wandered oit nortt, 
and if still told you " ... you are on a 
^j^y plain ihant is nothing to see . 
finally, fingers worn to the bone and 
having knackered your M S F. W 

la rind behold you " are on a 
dusty pJai! • ■ ■ ere is a 

troll sleet ■■■'./ a camp lire in front of 
you". And what d»d you do? You 
examined lurn. found out he had a 
sword and some mun^y and [hen. 
without r o much ma 6/ ^jr ifj,;ij*.- 



you stole them. What sort ol example 
\% thta tor the people, young and old. 

Of this Country? 

Anyway, Mary Whitehouse mode 

over, pis time to return to the present 
rlayarrd //r?, w .-.,. „> >,' - b y r,< -. 
anything but an old fashioned text 
adventure, with beautiful 256 loIoui' 
inted backdrops 
elaifed sprite; - even on an 
„„. the ba&ic scenario is bog 
standard, involving a youthful adven- 
lurer, space, decaying worlds an I 
sirancie aliens, but it"' 



Irt that caft naybe II t*t yw in for * 
second. But don't think I'n. join* to let ny 
4w*rd dowi for one nonenr! first show ne 
sone identification 



Gf«l Btjril gels lp ct|»l up lor? «y lootiiiig lril«r[|ij|jv.1ic bai 






I-J. P 1LH J | JIIJl"illl 



at your real mission is and 'with- 
out giving loo much away) you end 
up tackling some of the most power 
ful liguras m the univer$e. 

■ You start off controlling an earth - 
ling named Boris Verne. {16. of 
Ashby-de-ia-Zouchj who has been 



into a parallel universe 
ng around with an >■ 

tromc pod m ms uncle s back yard 
Well, the young scallywag should 
known better As the game 
begins you find Bon* on a little a! 
oid m (be middle of a mucn bigger 
ast&rowl field with (he primary objec- 
tive of getting back home again 



bei«" ■ irn misses him. And this 

ta where the p r ;k menu 



tem comes i 

LE MENU 

fii%'e are very few auv 
have managed !o really simplily Iheir 
menu system to an ideal level Game 
designers seem to have a morbid 



Oh yeah, and wtor lechnlqi* might Ihai h* lh*n' For you lo Ural oul dear reader. 



■ -in ihoppintj, flambU n] *fid dnnkmg pr«iciei of Wheelvrarld. Lowly place! 




T» 



GAME REVIEW 



tear of placing too many tasks under 

j!e heading, something to do 
with 'making things too easy', but if 
tie game and storyline- are in them- 
selves complex and good enough 
tfien surely simplifying the controls 
could only add to the enjoyment. 
UnivQr$&$ hidden menu becomes 
available by clicking on the right 

jse button, while selections are 
made by clicking on the left button. 
There are seven mam icons, the 
following six of which control direct. 
self explanatory actions: Pick Up, 

9, Look. Speak. Attack and Check 
inventory. The seventh is an Options 
con which contains another eight 
deverly hidden action buttons and a 
question mark on Ihe far right, 
* ~ift whidi lies the save,- load 
! function, some coo/right infor- 
tion and an Info requester that 
rely seems to repeat the introduc- 
tory message from whatever section 
of the game you are in 

The eight icons under the Options 
menu are: Insert Push/Pull. Eat, 
Wear, Throw, Come ne Objects,. 
Open Objects and Jump. Of these. 
Jump, should in my opinion have 
been included in the .nitial menu 
becauEie you end up using it quite a 
"he other frustrating problem I 
:oncerned the distinction 
between Use (in the initial menu) and 
Insert (in the options menu). 

Having a bank account and cash 
machine card, like most people in 
this country, I am used to 'inserting' it 
mto machines to get money out. in 
Universe you can op t to Insert, lor 
instance, an ID card mto something, 
which would seern logica land suits 
the description ot Insa-I .n the man- 
ual), only lo find thai it does- < work 1 
in fact you have to Use the card with 
—e, machine, One of the few 

;ce& where Insert was any use 
n prising off a panel with a ... 
well, that would be giving too much 
away. My point is that they may as 
well have combined these two icons, 
't have made Universe 
■ier.ju si less frustrating, 
ivergl I though, using Universe?* 
-".. :: - Fis easy as pie and almost 
as tasty. 

In Universe, like Other games in 
the genre, the mouse cursor is 



shaped like a hand with a pointing 
forefinger, however, when you select 
an Option, like Jump., this changes to 
a (ittle jumping man with a pointer 
and so on. If you do something right 
the cursor changes to a thumbs up 
sign, if you are not allowed to do 
something you will get a 'thumbs 
down' sign. This range of hand sig- 
nals was very useful and, admittedly. 
could have been taken a lot further 
by a cheekier programmer. 

INTERACTION 

There are plenty of characters, good 
and bad. helpful and unhelpful to 
interact with. Boris wilf tell you 
whether you can or cannot speak to 
someone, and along the way you 
may find that some of the aliens 
look suspiciously familiar, especially 
the very helpful hermit-in-the-hut on 
the planet Jor-Slev 4. And ju" ln 
case you don't get the joke 
log your memory with statement 
like, 'hey. haven't I seen you some- 
:.efore?" (in Star Wars etc). 
As usual, proper interaction with 
characters will Obtain valuable infpr 
malion and objects to help you 
further your auest. Quite a lol of the 
time Sot is speaks to aliens with pre- 
determined stale ments and replies. 
although you are also given multiple 
choice answers, The multiple choice 
answers aren t ternbly tunny though, 
and so. being a serious sort of chap I 
went for the mosl sensible answer 
each time. However, if you are well 
known as a frivolous japes(er make 



TIM main conuol pan«l «1 your new car'. In lact N'* Calk-d a PTV or Perscna! 

Transport Vehicle. 






PTV SERIES 7: 

HA V -Can ACTIVATED' 

PLEASE SELECT FUNCTION 

Haui^ate course 
descend T4 pl^et 

ctect Ouadr-arvr 
Ascend frori Marie t 



sure to save regularly; there is one 
particularly hairy moment towards 
the beginning of the game where a 

Cm-art rdi->1<arlr luill Mup umi hJQwn QLjt 

On the subject of saving, if you 
read only one page of Universe's 
manual let it be me one entitled 
Loading And Saving Your Game'. 
There are several sequences in 
Universe that suddenly become very 
desperate with the risk of certain 
death or capture by the imper a I 
forces imminent, and, at (hat moment 
you find that the save option is either 
of no use or unavailable. Top tip: reg- 
ular trips to the save disk will relieve 
you of a lot ol head and heartache. 

Once you've picked up an object, 
or traded for something, it gels 
placed in Boris' cavernous 



These aliens are nol only vandalising your PTV, Ihsy're insulting yauloo. 



I wonder ho* h*> can see without jnv 
eyes? Uiit # nimuie, is he Ijujhuu et 
ne? No nore questions, THIS MEANS 
WArH! 







inventory. If you are the sort of per- 
son who sends their character all 
over the shop picking up even/thing 
in sigh! it's worth mentioning that 
Boris can'1 put anything down unless 
hg uses it. Thus, like your mum's 
handbag, the inventory will qu ckly fill 
up with rubbish. God, J was carrying 
so much useless junk around 
towards ihe end of the game You 
Can combine objects in the inventory 



not ari 




Thr arcade sequences art FMHy 
904(1 Pun arid provide a ahoir bu1 
unenpedMl break Irom the standard 
adventure gamejjLay 



GAME REVIEW 




travelling Hn1 class in deep t|»«. So where S I he bar? 



(using an icon in the Options menu) 
lo create added functionality, though 
lhis doesn't happen very often 

5PR1TELY? 

Up dose the main sprite is detailed 
and its movements have, Core assure 
me. been "rotoscoped', a process 
whereby a real person is filmed mov- 
ing and (hen digitised. This involves 
over 500 frames of animation and 
really adds to (he aimosphere ot the 
game, as does Ihe leeling of perspec- 
tive , where Boris and oiher sprites 
disappear into the distances until, in 
some sequences, they become but a 
pinprick of light on Ihe screen. 

Controlling (he lad is simplicity 
itself, pomt in the direction you want 
him to 90, press the left mouse bnl 
ton. and he Follows your guidance 
Double dick the same button and he 
runs there, This movemeni is smooth 
on (he tionzental piano, hut there are 
a tew instances when running rji ago- 
nal ly where Boris eft 
break-dancing and jerking around 
like .1 maniac, he also goes through 
1 1 1 1 ! l ii 1 1 1 w. 1 1 1 n r Rofid object, but over- 
all the quality is still fjxcsllent. 

A*; mentioned narliei in this review 
ii i' painted backdrops, many with 



added animations, are gorgeous 
There are always ships or hovercraft 
flying by in the background and 
Wheelworld, a space station you'll 
encounter sooner or later, really does 
rotate for gravity's sake, making 
Boris feel "quite diuy" whenever he 
looks up at the siars. Core have also 
created a musical score lo match the 
graphical extravaganza. Wilh intros. 
separate atmospheric tunes for each 
area and chase music this is yet 
another game best appreciated 
through a decenl sel of ampiiiieol 
stereo speakers. It's all a bit 
'Chariots Of Fire ; inspired but I left it 
on (qurte loud tooj (h rough most of 
the game, much to the annoyance < 
everyone else. 

SAD END 

When all was -viid :■-' rJ done 'I was 
bath deliqhKrrj and sorry to finish 
Universe I ■" 'iir|l iiiifi because ( had tri 
umphed. sorry because I didn't really 
want it to end The story Iwists and 
turns quite lantalisingly and ttKjre is 
aiwuy- ■.oii'i.tliing new on the horizon. 
That's nui 10 say (hat I didn't have any 
problems along if- ■ 
not a (erribly diffK 
IherH are a fr?w ::.f*irs that will have 



Hifidv wrxsr-conputer 
built into the arn of 
wur utility suit 



the iiwsntwy allows yau 
ta clwek oul any item In 
your pusjesaritHi. 



* 1 


f ^ 













CiifituTer 



111 'iJliLKiTthTrtJiiiliKiMiJlli 



T,ihim|«iM tram u Win 



inia Imidinq *or». beneath Ihe ■stikf* you arrived on. 



nking for a while. There are 
also some occasions where the inter- 
face demands more precise comm- 
ands than you re uaed la giving and 
il's only after you've 1ried several 
dplions, or (lie same one over and 
over again, that you gel things rig hi. 
But these IfusiraUons are infrequent 

Experienced adventurers will en^oy 
Universe's r>' ot - Ir| d planning bul ulti- 
mately won'l find it much ol a 
challenge la finish. Newcomers to "" 
.irivrrrilure fold may find (lie initial 1 
of plol and direction demQlivalinn 

(remembei the lull story only unioWs 





UDHuH 



as ihe game goes on) but It's still a 
good introduction, not least because 
ot thy quality of (he sound and graph- 
ics and ihe addition of arcade 
rseguences. It rrtay nol gu4e as visu- 
ally stunning or superficially innovate 
.• i ler&ath A Steel Sky. but it is a 
stonkingiy cjuoo bp;ice.''futu re world 
advenr-- 

CORE DESIGN £34.99 



A5flfj 9 A500- 9 ABOrj 51 AUIH)5i 
imiuRl ft?onn W A moihi 51 A A BOO W A 

CORE DESIGN , TRAOEWIN DS HOUSE, 
69/71 ASHBOURNE ROAD, DERBY, 
DE22 3FS. TEL: 0332 297797 



RELEASE DATE: 


OUT NOW 


GENRE: 


ADVENTURE 


TEAM: 


IN HOUSE 


CONTROLS: 


MOUSE 


NUMBER OF 0ISKS: 


6 


NUMBER OF PLAYERS: 


1 


HARD DISK INSTALLABLE: NO 


MEMORY: 


1Mb 



GRAPHICS ♦♦♦♦♦♦#♦♦♦?<)% 

SOUND ♦♦♦♦+♦♦*♦♦«% 

LASTABILITY ♦♦♦♦♦♦♦♦♦♦•9% 

PLAYABILITY ♦+♦♦♦♦*+««% 



I 



A very involving and worth- 
while adventure. _ 



OVERALL 87% 



OUT NOW!! 



i 



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CU AMIGA 



GAME REVIEW 





THE BEGINNING OF THE 



"Who do you think you are kidding 
Mister Hitler?" sings Matt Broughton in 
his best Captain Mainwaring voice. 







Atihe end of 1941, the Third 
Reich was at the peak of its 
powers. Hitler's greatest tear, 
though, was thai a second front 
would be opened in Western Europe 
before he could completely subjugate 
the Russians, To prevent this he 
announced that he would be fortify- 
ing ail 2,400 miles of the western 
coastline. And fortify he most cer- 
tainly did, in fact we're talking 
fortification on an almost fortilicaisous 
scale. [GET ON WITH IT! -Ed). 

Anyway, Hitler used slave labour 
consisting of conscript Frenchmen, 
and workers shipped: in from every 
conquered nation to build pillboxes, 
guns of every size, millions of mines, 
and a stunning array of beach obsta 
des including small children, ice 
cream vans, and drawing pins (are 
you sure about that last one ?- Ed,} 

This Atlantic Wall presented 
defiance to any who might think to 
challenge she Reich from [he sea, bul 



["— T r«inti -tap 



[p-i 



A quirt rook *1 Irrt ituutHi «re*n 
reveal* 1 ha!,, yes, Germany arc win- 

nlng by a FUhror's whisker- Pon 'I 
worry, though, because irtjuel a tew 
moments I II be shoving another tank 
Ihalr way, 



two and a half years later, the mighti- 
est military force ever assembled for 
a single operation would do so, It 

was called Operation Overlord, it 
happened in a place called 

Normandy, and it was fuelled by 
millions ol cans of Spam. 

And that's what this game is all 
about: you Ve got an entire Allied army 
with infantry, Sanding craft, artillery, 
tanks, and you can put them jus) about 
wherever you hlummin' well fancy! 

DEAD TREES 

Okay, first things first, let's just take a 
quick wade through the 'impressive' 
packaging that we've become accus- 
tomed to with strategy games such 
as D-Day .-, 

We're not talking one manual, 
we're not talking two, we're not even 
talking three manuals ladies and 
gentlemen - we are, in fact, looking 
at some four manuals, each between 
44 and 57 pages each, covering 
Technical Supplement and Tutorial, 
Micro-Miniatures Battles, 
Campaigns, not to mention a paltry 
49-pager giving a complete historical 
lesson on the real Operation 
Overlord. In fact, reading these 
manuals should be called Operation 
Overload - most potential D-Day 
players will feel as though they've 
just re-sat their A levels! 

HAD ENOUGH? 

Said manuals are actually very well 
written and quite Interesting, but if 

you're a lazy so-and-so like myself, 
a read ot the quick 
start guide and a 
scan through the resl 
will soon leave you 
fit and ready to take 
on the evil Fijhrer. 
The game plays in 
one of two ways; 
with you either acting 
purely as a cam- 
paign manager, 
directing your forces 
from above and 



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CitP: LOffet 

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(•■sua ST*Ti n* SMC«HODLM aa* June tl 11M» 

en.. lm iR Afdnc - hnm 'n-r i -i, : tafn^r F.., t 

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1 



□ 



■LIST DIVISION 



m UM SMC**fji«<**.,j:«U iW Army 
* IIP DMIinri 1st PfiE ir — v 
■ Wt Snir dMxh, 1st PHf Arw 
a l ut» htpir Oi«n,«n, ■ ir f Fit Arm 



rr F**w 

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Get used to this sore-en, because you're going to spend a 1air amount ol time 
looking at if or a near relation. Pretly, er ... exciting etrf Yeah, thought you might 
Ihink ed. 



there's nothing more frustrating than 
coming out of a long battle, looking at 
the map and forgetting what strategy 
you were about to employ. Most ol the 
play in O-Day is based around you 
making the best use of your given 
forces, and it doesn't take long to get 
the hang of things, but I can'i pretend 
I was ever on the edge ol my seat. 
So what can I say in summary? 
Well, it's very clever and no mistakin', 
but whether It'll have you up all hours 
imagining the sound of panzer tracks 
in the still night air, I don 'I know.'© 



never get- 
ting your 
hands 

dirty, or 
you can 
make use 
of the 
aforemen- 
tioned 
Micro- 
Mi matures 

system, actually moving individual 
units around the battle zones and 
taking part in each battle, Should 
you choose to let the computer play 
the batlles. you just watch while 
Captain Amiga calculates the losses 
based upon the available statistics, 

The game is played in a number 
of lurms, wilh you programming the 
moves and actions required, and 
then setting the game into action, sit- 
ting back and watching the outcome. 

As is the norm: in strategy games 
of the 'board' variety, each unit has a 
number of ifnovement points, as well 
as a morale rating, which must be 
taken into consideration when issu- 
ing orders if you expect compliance. 
Further difficulty levels within the 
game include Such elements as com- 
mander personalities affecting 
whether your generals tallow their 
own plans instead of yours, as well 
as turning supplies and certain, infor- 
mation on or off. 

The semi-window driven interface 
does its job quite nicely, and though 
not exactly ottering the most attrac- 
tive displays ever, certainly delivers 
the goods as far as statistical infor- 
mation goes. The speed of the 
game can be altered lo suit your 
needs, but to be honest, after the 
first hour or so, you don't really 
appear to be making much 
progress. It's not thai you're doing 
badly, it's just that you always seem 
to be about level with the Hun until 
something dramatic happens, 

This is also the sort of game 
where you need to be able to 
remember where all of your units are, 
and why you've put them there, 



- 1 r. 



Etij«if 6 
Air-, r1 
Miaefnu 



Repair 



IHSafOTce End fun 



IMPRESSIONS £29.99 



A5B0 W A *500* 51 AE00 W A *1 ?D» W A 

AISflflRl A2000 Q| A JOB* W A * 4 MO W d 

IMPRESSIONS SOFTWARE. INC. 222 
THIRD STREET, SUITE 0234. CAM- 
BRIDGE MA 021 42. TEL: D71 351 Z133 



RELEASE DATE: 
GENRE: 
TEAM: 
CONTROLS: 



OUT NOW 

STRATEGY 

IN HOUSE 

MOUSE/KEYBOARD 



NUMBER OF DISKS: 2 

NUMBER OF PLAYERS: 1 

HARD DISK INSTALLABLE: YES 

MEMORY: 1Mb 



GRAPHICS 
S0UN0 



♦♦♦♦♦♦***♦ 59% 



INSTABILITY ♦♦♦♦t#**M49% 

PLAYABILITY ♦♦♦♦♦♦♦♦«70% 



i 



Not exactly Virtual Reality, 

but pretty good tor _ 

strategy heads. J 



OVERALL 74% 



68 



■b^^HB^*-^^— 



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h 



ORET- 

TROMIC 



CU AMIGA 



GAME REVIEW 







It's all the fun of the fair with Bullfrog's 
amazing theme park simulator. Cal 'the 
clown' Jones overcomes motion 
sickness to take the ride of a lifetime. 



After the floods, lightning 
strikes and plagues of 
Populous, the wars of 
Powermonger and (tie flame-thrower 
carnage of Syndicate, Bulllrog's latest 
creation might seem a bit (amp 
Theme Park is very much a family 
game - it's not unlike Sim City, except 
that instead of fire stations and stadi- 
ums you're building roller coasters 
and burger bars, and ticket prices 
replace taxes as a source of income. 
Violence doesn't seem to enter into it 
at all, unless you counl people being 
sick, thugs who break into the park 
and beat up your entertainers and 
rides which explode, hurling the unfor- 
tunate customers into orbit, Still, what 
it lacks in violence it more than makes 
up for in Ihe entertainment depart- 
ment. Theme Park is good fun, and 
don't let anyone tell you otherwise. 

The game is based on a relatively 
simple idea: using money left to you 
by an eccentric aunt (which varies 
from $50,000 lo $150,000 according 
to the level of difficulty) you have to 
build the ultimate theme park. It isn't 



just a case of slapping down round- 
abouts willy nilly - you also have to 
provide paths to walk on, lood 
stands, gifl shops and, of course, toi- 
lets. You'll also need to employ 
people to take care of il. Mechanics 
are a necessity, il you tail to keep 
your atlractions in good working 
order. I hey explode, rendering both 
the ride and the ground it's built on 
unusable, Handymen are also a 
must, because without them your 
park will start to disappear beneaih a 
sea ol burger boxes, coke tins and 
vomit. And then you need a security 
guard or two lo evict troublemakers 
from your park. Finally, the kids need 
lo be entertained, and who betlerfo 
do this than a bunch of second-rate, 
out of work actors dressed in various 
animal costumes? 

LEVEL HEADED 

You can play the game on three dif- 
ferent levels. The most basic, the 
sandbox game, is suitable lor 
younger players and those who are 
new lo the game and dont want to 



YOu can design rides such as Ihe rubfc*r lulling (seen here), raw car rido, Wg dipper and roller 
coastsr yourself by laying die track and, 11 necessary, adjusting Ihe heighl 




Hades need regular malnlHitnee, and il you negtecl On* r« t« long. It'll catch lire. II this hap- 
pens, gel e mechanic ovor Inere Immediately - rt could ftxplodt any minute. 



dive in at the deep end. At this level, 
all you have to do is make sure that 
the money you spend on building 
rides and shops is balanced by the 
money you make Irom admission 
prices and shop goods. New attrac- 
tions become available each year, 
and if you can afford to buy them, 
you can build them straight away. 

The intermediate level is known 
as the sim game. You have to do 
everything you would in the sandbox 
game, but you also need to research 
almost everything which goes in the 
park because it doesn't just get 
handed to you automatically any 
more. This is where it starts to get 
tricky. Research costs a lot of 
money, (you can alter the amount 
from slightly pricey to horrendously 
expensive) and whilst it's tempting to 
get all the Flashy rides as soon as 
possible, you could find yourself slip- 
ping heavily into the red if you spend 
too much. 

Research money can be pumped 
into different areas. You can invent 
new rides or improve the ones you've 
already got, develop new shops and 
sideshows, make the park a even 
nicer place by creating better toilets. 



plants and fountains, pump money 
into staff training or boost the size of 
the buses which bring the punters to 
the park. 

It's up to you whether you con- 
centrate your research money inio 
one area or spread il across sev- 
eral, but don't forget thai the shiny 
new roller coaster you just built is of 
little consotaiion lo the person who 
is forced to go to the toilet in a 
awfully cramped, dirty and smelly 
wooden outhouse. 

In addition to research, you'll also 
have to negotiate pay rises and 
increases in the price of stock for 
your shops. Every so Often, the 
negotiation screen pops up, and you 
have to reach a deal with the union 
representative before the pile of bis- 
cuits in the centre of the table run 
Out Vou can raise and lower your 
offer, but if you fail to come to a com- 
promise within the time allowed, bad 
things happen- If it's a pay dispute, 
all your staff will stage a mass walk 
out and if your rides go up in smoke, 
there's no-one there to fix them. If it's 
a goods negotiation, the company 
supplying the goods will simply stop 
sending them. And that's bad. 



The punters are very demonstrative aboul how [hey tool . LOnfl queues, high prices and litter will 
annoy tnem, bul oicttlng flfJM and plenly uf entertainer* k«p 1Heni sweet. 

nnrnin 



t'F KltSI.* 4 







art ntiftail 

Mi 



3 1 idinri 



umsfiiii ri< it in 

THE r«GD XS HH 
SAVXSF'JXXifi CI 

THE »*f 




«S 



70 




GAME REVIEW 



CU AMIGA 





In iff* 5hn and Business games, you negul*rly find yourself InvoKmi In pay negotiation. You must 
shafc* hinds with I tie union rap before Ihe Wscults gel ealen, 



aortic roes 




\\\s 



yhfrlfrl?,-' 



i 



~ 



^k 



hc Tint races 



As well as rjifes, you need to ki:np ihe punters H*i und watered. II you make the Irles s»J|y. ttie 
thirsty cualomeis will rush nestf door to the cola aland, Big pf otMs all round. 



J 



a :.:iw 



because hungry punters who can't 
find anythirvg to eat will take the next 
bus home. 

IT'S THE BUSINESS 

The hardest level is the business 
game, and this features all of the 
above and more besides. On this 
level you have to order stocks tor the 
shops in your park (and these always 
run out quickly), and you will also be 
ante (o make money buying and sell- 
ing shares on the stock market. 
Whichever level you choose to play 
al, there will be rival theme parks 
which are always trying to take away 
your customers, and on business 
level they can buy shares In your park 
or you could buy shares in theirs, 

ThBwe Park has a lot goir»g for it 
- it's colourful, addictive and fun. 
Unlike Sim City, you don't have to 
stop after you've completed your 
park; instead you put it up for auc- 
tion , take Ihe money and start up a 
new one somewhere else in the 
worid, There are 22 different loca- 
tions to conquer - Britain is the only 
one you can afford at the start of the 
game - and each has its own advan- 
tages and disadvantages. The 
American parks are pretty straightfor- 
ward because the weather is good 
and the population is rich, but try 
building one in Antarctica if you want 
a real challenge. 



I haven't enjoyed a game this 

much for ages - in fad, it has become 
something of an obsession with me. 
Whether you're young and eager or 
old and jaded, Theme Par* will keep 
you going into the wee small hours ol 
the morning. Buy it. *S& 



ELECTRONIC ARTS £34.99 



ASM 9 A Sim, 9 ABM 'A AUflfl W A 
*15l)ll!5i A2DWJ W A MODS 9 ".40011 W A 

ELECTRONIC ARTS. 90 HERON DRIVE 
LANGLEY, BERKSHIRE SL3 BXP 
TEL: 0753 549442 



RELEASE DATE; 

GENRE: 

1LAM: 

CONTROLS: 

NUMBER OF DISKS; 



OUT NOW 

SIMULATION 

BULLFROG 

MOUSE 

4 



NUMBER OF PLAYERS: 

HARD DISK INSTALLABLE: YES 

MEMORY: 1Mb 



GRAPHICS ♦♦♦♦++t***B5% 

SOUND +*♦+♦+♦♦♦♦$ 8% 

LASTABILITY ♦♦♦♦♦♦♦♦♦♦95% 

PLAYABILITY *»*+m+*»95K 



Incredibly addictive 
it'll keep you up 
aft night. 



J 



OVERALL 93% 



T1 








— 31 



AMINE T 3 
CDROM 

J £!"■.¥? uriJfJfl.W faf itt-cunpL-i 
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* PKfc OftCER Vol 4 bdijir ik n.-lr.nr 
fer ill ■« i .mi,!.. I .-ii .hn. ill i-.-lr.isr 

which is dunns rWJ*" H 1 ^* 



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Kmuliitor v2.0 

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CQI l FHTINd DISKS 

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■Ml 



GAME REVIEW 



CU AMIGA 




Jj 



Puzzle games might seem old hat to some people, but 
Tony Dillon sure was surprised when Millennium came 
out with the puzzler for the nineties. 




To begin with, moat OP I he blocks ;jm' I he: s;irrn? colnur anyway, bu( then small blocks, wllh wings 
stHrt buzzing around Ida screen |ust 1o make things a I nil i- less ca-ty. 



It you were to take l he best bits 
Irom The Chaos Engine, Tetris 
and Space invaders, and then 
itnix them all together, what do you 
link you would end up with? Not 
what you would expect really, as 
VHm Light quite dearly demon 
strains, On a very basic level, it's a 
impte nuzzle game, but the pre sen- 

io good that it rises lar 
sbo^e the norm - so far in fact that I 

i quite happy to state that il is 
«wre addictive than Tetris. A bold 
jiatapjfent? Well that's just the kind of 
guy fan !. 

The game doesn't have a plot of 
sorts kiit don'i let that get in your 



way. The end result is that you have 
to -control a small paint gun that con- 
tains five different coloured paints, 
and destroy blocks that are falling 
toward you by making them all the 
same colour. Incredibly simple, but 
ttien Bhe best games usually are. 

HUNT THE TOWN 

Your paint gun is on a roller at the 
bottom ot tne screen, and horizontal! 
strips of coloured blocks tail from the 
top of the screen at varying speeds. 
Holding down the fire button and 
pushing left or right changes the cur- 
rently-selected colour, and 
sometimes you only just have 



enough time to get the right 

colour be-fore the- blocks smash 
into you As the blocks tall at 
varying speeds, there are times 

when an avalanche is set plf by a 
slow block being hit by a taster 
moving block above it. This is a 
game that gets very, very frantic. 

The secret 10 any good puzzle 
game is the tactical element, and 
I his is one thing that has been 
thought out very, very cleverly in 
Vital Light. There is a definite 
learning curve, which means that 
beginners will have no problem a! 
all getting through the first 10 ot 
the SO levels in the game, 

For the first couple of levels, the 
horizontal strips are never more 
than about six blocks long, and are 
mostly the same colour, so it's very 
easy to work oul which is the best 
colour to use. 

As the levels progress, the 
blocks become more and more 
mixed, until you have to almost 
completely paint a strip of a dozen 
or so blocks before they disappear. 

LOOKS GREAT 

As SVe already said, the presentation 
is phenomenal. There is a real shine 




to the game that 
most just don't have 
these days, from the 
glorious metallic 
backdrops to the silky 
smooth animation in the game. For 
example, on either side of the roller 
that your paint gun is mounted on, 
there is a face, which blows or sucks 
depending on which direction you are 
moving, it's a small thing, and it 
doesn't add a lot to the game ilself - 
in fact, when playing the game you 
probably wouldn't notice il. After all, 
it's not as if you have lime to admire 
the scenery! 

Vital Light \% a very unusual 
product, and although it seems to 
have borrowed bits and pieces from 
a lot of other games, it's a very 
original game. Whether you like 
puzzle games or not, Vital Light \s 
one game that will grip you and 
keep you playing for weeks. 




EASTENDERS? miuinnwm fis.w 



^ 



Qrie dI the si range si aspecls nl the 
game has In be the mini soap opera 
thai is played oul between groups of 
levels. A small horizontal strip appears on 
screen, and lour very well animated faces 
appear and act put small scenes, which 
seem ig have little or no relevance to the 
rest pi the fame. After level seven, lor 
example, you get ID see two of the charac- 
ters bane a bubble- gum blowing 
com petition while the oilier two place bets. 
OK, so it has nothing Io do with the game, 
but it adds a lot of character to an already 
enticing pro duel. 



GRAPHICS ♦♦+♦♦++♦♦♦86% 

SOUND +*♦ ♦♦♦♦♦++$ 5T. 

INSTABILITY ♦♦♦#♦♦♦♦♦♦82% 

PLAYABILITY ♦♦♦♦#♦♦♦♦♦88% 




A509 51 *5ftBt- 9 AEOO. ?A AlZOfl W A 
*150I)R( A300D 9 I39D0 fA MDDuU 

MILLENNIUM, QUERN MOUSE. MILL 
COURT, GREAT SHELFORO CAM- 
BRIDGE CB2 5LD. TEL: 0223 844894 



RELEASE DATE: 


OUT NOW 


LiLNRL: 


PUZZLE 


TEAM: EFFECTG CAQS 


CONTROLS: 


JOYSTICK 


NUMBER OF DISKS: 


2 


NUMBER OF PLAYERS: 


2 


HARD DISK INSTALLABLE- 


NO 


MEMORY: 


1Mb 







1A. 



i 




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ARexx support ■ over 50 commands 

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NAME: ■ ■■ 

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EXPIRY DATE: ■ 

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CI AMIGA 



GAME REVIEW 



II 






L 



IGA 



SCREEN STAR 



Sim Crime hits the Amiga and political correctness is 
thrown out the window. 'Ronnie' Dillon learns that crime 
doesn't pay, even if you are wearing a duffel coat. 



*RRKER 









WALRUS 

Ck the yellow shades 



.111 



(HI 



l"*i 



ool: 



B 



urglary is a very complicated 
thing, lar more so than you 
would expect. It isn't just a case 
of smashing a window, running 
around turning furniture over and 
grabbing whatever you can. There's 
a hug© amount of planning involved, 
as I once discovered in a newsagent 
somewhere in Islington. Don's worry, 
though, it was a long time ago. To 
give you some idea of how long ago 




n >n *|1 1 , Mt .-ill ■ K WW 

ciai* *»ei unt >:- 

l«kr !*■ UmJk4 fir a ftv 

tartfm. 







Cnr*. * Km*, HrlliiK)Lmi RacM QSilB.lWJ 
During corw*r*ajlon* wllh o1tt«r tharaelers, a small 
photo of lliEm appears in In* top «'IWf of ln» *er«ri 



76 



,P,lftM 
TOtiBV [ 

L IVE 

4*31. rin 



it was, I had unbuttoned the middle 
fastener on my duffle coal, and was 
using the opening to stuff as many 
rubber dinosaurs inside as possible, 
Needless to say I was deservedly 
caught the moment I tried to leave, 
but that's another story altogether. 

POOR SKILLS 

In The Clue, you are a poor traveller 
with certain skills, who has managed 
to find their way to London in the 
1 350s. You already know that one of 
the best ways to get rich quick is 
through enrne, and London of 
the 50s is a good a place as any 
to start indulging in a little bur- 
glary. From this modest starting 
oint you have to collect your for- 
tune, from ripping off small 
' corner shops and newspaper 
kiosks to robbing the Bank 
of England, the grave of Karl 
Mar* and eventually going 
for the big one - the Crown 
Jewels themselves. OK : so 
that might seem a little 
adventurous for an inexpe- 
rienced thief witfi no money 
and no possessions, bu| 
[hen aren't challenges the 
things thai games are 
made of? 

So you start in Victoria 
Station, with only a little 
cash and no idea where to 
go, On entering a cab, you 



are tokj that you are the one millionth 
customer of the company, and are ^M 
issued with a pass for 
free cab journeys for 

a whole year, Then 
you are dumped in 
Holland Street and left* 
lo your own devices. On 
ihe comer stands a 
strange looking Soulh 
American, smoking a 
cigarette and looking 
your way. You walk over 
and talk to him, and find 
out that his speciality is 
as a lookout man, and 
should you ever have 
any work to push his 
way. he's happy to 
accept. With your head 
spinning, you walk into 
a local bar, where you 
find ihree more unusual 
types, including an 
attractive young house- 
wife who is bored with 
her humdrum life, fan- 
cies something a little 
more exciting, and has a better than 
average knowledge of cars. You've 
done it, you've already been intro- 
duced to Ihe fringes of the London 
Criminal underworld 



<BJBl 



entirety of the game, Here you can 
plan your robberies, call any accom- 
plices you may need to contact and, 
of course, stash the loot. On entering 
the room, however, you receive a 
phone call. A friend of a friend has a 
job for you. and wants to meet you In 
the pub across the road in fifteen min- 
utes. You walk over and meet him, 
and he tells you about a kiosk he 
wanis you to hit. That's it - you're on 
your way! 

Sound exciting? It really is that 
good, and it jusi gets better and bet- 
ter, The Ctue is more than your 
average adventure game, taking a 
very interesting plot, and then spicing 



it up with loads 






.'iini ;. 



tit Em, 



twlH 



Tc«i ta.K.mit 



The «n|y w»y to Uavtl i* by cab and you've go! a tree pass. 



UGLY DOGS? 

Popping across the road, you book 
into the Ugley Dog Hotel. Realising 
you have no money, you give a take 
address al reception, and are shown 
to your room, which you know is to 
be your base of operations tor the 



of humour and some real intensity. 

After spending a couple of days stak- 
ing out an old people's home, another 
couple of days finding the right group 
of people to join you, and then 
another day working out the plan 
itseif, right down to who is in what 
position at any given moment, you 
end up on the edge of your seat 
watching the robbery unfold, and then 
lall off your seat as you watch the 

Should you gel DHugfil. you spend Ihe rest ol 
your life In a monastery. 




GAME REVIEW 



CU AMIGA 




police investigation into the robbery, 
where you find out just how garele&s 
you may have been in any of the 
planning stages. 



It's a very easy game- to play, as you 
will have found out if you've played 
our exclusive coverdisk this issue. A 
row of commands althe bottom of the 
screen show you exactly what you 
can do at any given time, and am inter- 
active and dynamic database shows 
you everything you've seen and heard 
so far. Although you start with nothing. 
In no time at all you have a wealth of 
information to work with, from building 
layouts and notes on the times when 
the police are likely to be abound to 
full character profiles and access to 
the personal thoughts ol the character 
you are playing. 

The game looks fantastic, as you 
can see from these screenshots. 
Coming from Austria, the game 
doesn't paint an accurate picture of 
London, but more a stylised image, 
which lite the rest of the game per- 
fectly- That said, you will still 



recognise most of the major land- 
marks enough fur their to be a real 
atmosphere to the game, and that's 

what will really keep you playing. 

In a way, The Clue is a simulation 
of being a master criminal. I know that 
sounds like a strange idea, but it's one 
thai is so original thai you just can't 
help getting sucked into the game. As 
an adventure, it throws a lot more at 
you than just mere puzzle solving. It 
can all seem a little daunting at first, 
but once you learn the game' systems, 
it becomes art extremely involving and 
enjoyable experience. -jH) 




NEO UK £35,99 




A50J W A ASM* 9 
II 



MOD 31 A12C0 51 

5 CD Hi AZDOO HI A380D Hi A4000 W A 

NEO UK, FULLING MILL BAHN, 
FULLING MILL LANE WELWYN, HERTS 
AL6 9NP. TEL: 0438 84Q OEM 
RELEASE DATE: ' OUTNGW 

GENRE: ADVENTURE 



TEAM: 


NEO 


CONTROLS: 


MOUSE 


NUMBER OF DISKS: 


5 


NLMBEiR OF PLAYERS: 


1 


HARD DiSK INSTALLABLE: 


YES 


MEMORY: 


1Mb 



GRAPHICS ♦m***m*9% 

SOUND ♦♦♦♦♦*m*77% 

LASTABILITY ♦♦♦♦♦♦♦♦♦♦&5% 

PLACABILITY ♦♦♦++♦♦♦+#86% 



One of the most 

unusual and original 

games released. 



9 



OVERALL 86% 



77 





IS0CCER 
□PERT 

Football Forecast Generator 

The New Version 

This outstanding football result predictor program 

gives you the intelligent way to win - predictions are 

generated from user entered values, 

The stored information: of the software can be combined 

with additional learn and fixture information from your 

own sources (e.g. newspapers, tips, latest results 

etc..) to give you maximum flexibility. 

You decide how the predictions are calculated 

by applying your own choice of 'weights' (e.g. 

Home advantage. Currant form etc.), 

pg SOPHISTICATED, COMPREHENSIVE FEATURES 
G THE INTELLIGENT PREDICTION SYSTEM 
EKI FOR FIXED ODDS & POOLS 
.'] LEAGUE TABLES & STATISTICS 
EQ CLEAR MENU OPTIONS 
\fi POINT AND CUCK USER INTERFACE 
n FIXTURES AND RESULTS EASILY ENTERED 
D PRINTING OPTION INCLUDED 

Lj "/ used the program for the first time on Saturday. I put four 
lines on a fixed-odds coupon, ail predictions taken directly 
from the program. The success rate was as follows; 

9 carreer out of IS {60%} 7 correct out of 10 (70%) 
3 correct Out o(4 {7B%| 7 correct out at 7 (100%) 

You have one very satisfied customer-looking forward to 
next season! " 

M. O'Brian. Linlithgow, Edinborough . 

Q3 "Simply the most comprehensive and easiest to use. 
Delighted to receive ii within days of sending my order!" 

QJ Kondnck, LftiC**l«r. 

W "Seven out of ten results predicted correctly. One of the 
most accurate prediction programs around. Using a 
complicated system of weights and measures, it takes the 
current performances of ail the teams In all the leagues to 
predict trie likely outcome of a match. A Class Product " 
CU Amiga Accuracy Tesl - March 1994 

A NOIfc «0M VOPIMIA Pln;i:;i- m?to fat Pf> pntdiflion prog^rc) B guiranlBce In malw yqu 

mcney The Soccer Expert is desired to interact wilt* and enhance your own knowledge oHno 
span. Hays tun. 

£32-95 inc. p&p ysuMfl 



i — — ' —~ n 

Hu*h m* • copy ol 'Th* Soc«r EKp*t 9*95' Ct th« prie# OT CW-95 AS-AP 
Price includBS postage, packaging, disk and instructions, :August Ralease.) 

■,*ml: . ....... 

ADDFES3S, . „....- „.„ „.....„.. .„.„.„.„ 

.h.™ .POSTCDBEr.. ............ 

P|**f« mih» ChM)u*t/pO*tll orten p*y*b* to VOITH1A, CW*r* d**p*tch*{l promptly 
I I 

Send correspondence to: VOITHIA SOFTWARE (CUA Dept,}, 
32 HIGH STREET, WELSHPOOL, POWYS, ST21 7JP U.K. 



It's Crucial,, 



1 




ZAPPO CD DRIVE 

Launches the Amiga 1 200 Into che world of CD 

Technology. Utilising a double speed multi-session 

CD ROM Drive, the Zappo Drive will play CD 32, 

CDTV and Audio Software, 
"The ievet of software MmpoelMWy that has been 
achieved a very impnsan.... Whatever vour CD ROM needs 
the Zappo Drive ccrn fondle k" Amiga Format 
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does tfo }ob welt aid has no map faults... Mart stunning than a bhater gun m 
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£199.99 



i 



...Am/gG iGeaTn 



ZAPPO SMART 
STOR PLUS 




Flu neatly alongside your A6Q0 or A 1 200 che 
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version of the Smart Star that makes use of the targes 
15" )&l dnves that are often used by PC compaub)es...the 
fact that it uses the forger J.5 inch JOE drive meant that it 
can offer higher capacity versions cf the Smart Star Pint at 
the fewest possible pnces" Amiga Format 
I 30Mb— £249.99 1 70Mb -£269.99 

2S0Mb-ft294.99 340Mb-£329.99 





ZAPPO SMART STOR 

Brings full data portability to the Amisp Market 
Small enough to fit: in your pocket the Smart 
^^^^^B Stor simply connects to the PCMCIA sloe of 

your Amiga 600 or 1 200 and is ready to go. 
"The SrfKHt Stor d«erves to do very wetl /indeed, 
if your hard drive need* aren't that demanding 
then the Smart Stor is a genuine Godsend... very 
good value indeed" Amiga Format 

20Mb— £139.99 30Mb— £169,99 



ZAPPO 3.5" EXTERNAL 
FLOPPY DRIVE 

This bast selling Drive has an enviable reputation 
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.«■ 



ftAMF RFUIFW 



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JVJ J\ M Q£ 




Football, football, football. That's 
all I've heard about for the last 
couple of months, what with the 
d cup and all. However, this was 
IM game thai I had waited a long 
:me so see and I wasn't disappointed. 

Ctub Soccer- The Manager is a 
-ague soccer management game 
wtiere you, as always, have to a take 
a fourth division team, train them up, 
■niprove them beyond recognition 
and hopefully find your way lo the top 
of Hie tree as quickly as possible. But 
Tiere is one big difference: you are 
playing this game purely for your own 
Denefit as a manager, and not for any 
one team. The idea is to leap from 
contracl to contract, taking huge pay 
increases and gaining all the recogni- 
tion you can from both 
the Football Association 
and the fans them- 
selves. But before 
any of that can hap- 
pen, you have to 
sfart with the taasics. 



It's interesting to note that with the recent flood of soccer 
games, there haven't really been that many managerial 
games. Tony Dillon wears an anorak and sits in a dugout, but 
he doesn't like to talk about it. 



VK 6 / 



BUS 



You begin the game at age 
35, wflh a set retirement 
age of 65, giving you thirty 
years to make the most of yourself. 
You are offered a small number of 
contracts, and from here have to 
choose the team that are going lo 
send you on your way to stardom. 
None of the teams are particularly 
■good, although you might find one or 
two decent players in there, and of 
course you don't have all the money 
in the world to spend on brand new, 
star strikers, so you really are up 
against it. 

Mosl management games have 



the same options, so there's no sur- 
prises here. You can buy and sell 
players, improve the grounds, irain up 
people, hire and fire scouts and 
coaches, play friendlies and cup 
matches and all the other things a 
manager does. The other area that this 
game differs from the rest though is in 
its use of tactics and the strong use of 
characters within ihe game. 

Let's look at tactics first. Before 
each match you have to decide on 
your squad and the way they are 
going to play within the match. Squad 
selection is fairly standard, each 
player is called up on screen with all 
their statistics (ie passing, shooting 
skills etc). If you like the look of them, 
you drop them into place, Then you 
are shown a diagram of the pitch with 
your players in place, and a red box 
around each player showing their 
'footprint' - the area of the pitch ihey 
Operate in. By clicking on the player's 
icons, you can move them around the 
pitch and create your own formations, 
and by moving the boundaries of iheir 
footprint, you can tell Ihem where to 
move around. You need to be careful 
when settJrtg the range, however, as 
giving them too large an area will 
wear them out, whereas giving them 
areas which are loo small wilt leave 
huge holes in your defence. 

LOOK AND LEARN 

Another side of the game thai has 
been very well thought out indeed is 




the interaction 
between players and 
Other members of 
the team. Take the 

coaches for exam- 
pie. When signing up 

a coach, you are 
shown the statistics 
thai give you his 
range of talents - 
whether his special- 
ity lies in stamina or 
Shooting, that sort of 
thing. What it 
doesn't tell you is 
how good he is at 
leaching that infor- 
mation, or how effective he will be in 
training, in much the same way as 
you have no way of telling how Intel- 
ligent your players are, or if they will 
soak up any of the information. The 
only way you can tell whether a 
player is really talented is by watch- 
ing his performance over a series of 
games as he buiids up his charac- 
ter. With this system, designer Keith 
Wadhams has managed to create 
'intelligent' players - the people 
whose physical statistics might not 
be all that great, bul who are 
sponges for informal ion, and can 
therefore play their abilities far bel- 
ter than someone who might be a 
lantastic striker, but only shoots 
when they are in the penalty area. 
There's a fair bit in Ctub Soccer 
that's been seen before, but ihen 
that's a common problem with soccer 
management games. However, there 
are enough new ideas to make it 
seem fresh and interesting, and the 
detailed tactics system get you a lot 
more involved in the match side of the 
game than most games, and that has- 
te be the biggest selling point ot them 
all. Club Soccer look over a year to 
design, and i| really shows 



b IUKfc.U 

T£**IT4*|fS 




IEH TCfiF.ITC'Filtl 





IMAGINE £25.99 



A50U *A A5EHh 9 Afidfl 9 A179D 9 
A IhUllRl AZDDd 9 A3fl0fl W A MD99 W A 

THE SOFTWARE BUSINESS, BROOK- 
LANDS, NEW RQAD, ST, IVES, 
HUNTINGDON CAMBRIDGESHIRE PE17 
4BG. TEL: 0480 496497 

RELEASE DATE; OUT NOW 

GENRE: MANAGEMENT 

TEAM: KEITH WAD HAMS 

CONTROLS: MOUSE 

NUMBER OF DISKS; 1 

NUMBER OF PLAYERS: 1 

HARD DJSK INSTALLABLE; YES 

MEMORY: 1Mb 



GRAPHICS ♦♦♦+♦♦♦♦#♦84% 

SOUND +*<HM++mlO% 

LASTABILITY IK 

PLAYABIUTY *********+9VA 



i 



A strong contender tor man- _ 
agement game of the year. J 



OVERALL 90% 



7B 



CU AMIGA 



GAME REVIEW 





If you look at some of the most 
successful games of all time, a lot 
of their prosperity can only be 
attributed to their star character. 
Would Nintendo have made such a 
name for themselves were ■! not for 
the charm ol a certain short Italian 
plumber? Would Gremlin have led the 
CD32 market if their Space Ninja 
from the N'th Dimension hadn't been 
quite as zippy. Millennium themselves 



know the value of a good character, 
as their James Pond series of games 
has quite dearly proved. This should 
give some indication to Ihe point 
behind Pinkie -^e short pathetic 
alien with a big heart who could prove 
to be the cutest sprite ever to emerge 
from a copy of Deluxe Paint fV. 

CHARGE CARD 

Pinkie is a. sweet little alien who has 
been charged by his king to travel 
around the galaxy, righting wrongs as 
he goes and collecting intergalaclic 
space chickens, as yet unhatched, 
along the way. This unusual plot leads 
into an interesting blend of pu^le and 
platform games, which mighl seem a 
little too sweet and cuddly for most 
older readers, but the younger contin- 
gent will doubtlessly be hooked. 

Looking at the scree nshots dot- 
led around this page, you could be 
mistaken for thinking lhat Pinkie was 
just another platform game. What a 
still screenshot, or even a short 
demo can't show you is the overall 
puzzle element ot the game. As I've 
already said, the aim for each level 
is to collect the eggs that are placed 
around. There are three on each 
level, but you can usually get away 
with only collecting two of them, 
although as the game goes on you 
will be called upon to collect more 
and more. The eggs aire placed in 
the strangest of positions, and 
most of the problems posed by 
the game are based around 
actually finding your way to 
the eggs and then finding 





Last issue we introduced you to a 
superstar, with more market 
ing behind him than Levi's. 
Tony Dillon is fairly famous, 
so who better to play with 
Millennium's Pinkie? 



true 





Don 'I worry, lite rocks are completely harmless. They just sliiru *1 y»u without actually doing 
enylfikrifl, wtibch Is just as well really. 



your way back to the Pinkie pod, 
The levels are absolutely huge, 
and you are often called to trek all 
the way around them to pick up the 
final egg. If that wasn't enough, there 
are more than enough nasties crawl- 
ing around the worlds to really slow 



you down in your tracks. Most of the 
monsters such as the Trumpet 
Monster -which is a strange dumpy 
thing, not completely dissimilar to an 
onion r with a trumpet hom sticking 
from the top of its body - are short- 
sighted or stupid, because they tend 




GAME REVIEW 



CU AMIGA 



LOW FAT SPREAD 

Like James Pond J arid Super Mario 
Worlds before, the lour worlds ol Pinkie 
all contain a dynamic map. that grows as 
fan progress through ihe ~ 
start ol each level, all yo 
eat See is Ihe en Ira— 
:rie shop and the pa 
the first level. 

When van comp 
the first level and n 
to ihe map. up to ID 
omer levels will appear. 
die paths lo them unveil I 
the msE Ives in an erirjlds 
This continues all Ihe w 
to rough the world until v 
lind your way back 1 
end-ol-level guard is 
himself. 

A Is v lite James Pn 
Ihere are many dille 

ays to work your 
through a level, so if you 
come across a screen you 
jusl can't seem lo gel Ihmugli. 
is always another way around. 



to meander around following iheir 
own paths and generally leaving you 
alone. Some are far more malign , 
however, such as the faces that peer 
''om the walls- in the Alien World. 
which suddenly leap out at Pinkie 
and chase him all ewer the level until 
you manage lo lose them. Let's lace 
L Pinkie' 5 got it all against him. 

USELESS THING 

The strangest thing, however, is ihe 
fad that Pinkie is almost compleiely 
defenceless. He doesn't carry any 
weapons, can'! move particularly 
fast, is very easily hurl and tires 
very quickly (something you'll spot if 
you run him for more than a few 
seconds, and watch him pant heav- 
ily afterward). In fact, when a writer 
from sister magazine NMS, who just 
happened to be walking by while I 
was playing the game, spotted 
Pinkie being chased by a small blob 
of green jelly, ali he could say was; 
"That's Ihe most pathetic superhero 
i have ever seen." 




But you see, the whole attraction of 
Pinkie as a character is that he is so 
very, very vulnerable. You don't want 
to send him into battle. You want to 
take him home and cuddle him to 
sleep. According to Millennium's PR 
guy Keith Smith, that is. In away he 
has a point, Pinkie is very sweet, and 
to watch him racing off with grim 
determination, or the pleased look on 
his face when he chucks an egg into 
ihe Pinkie pod is hilarious to watch. 

But what is this Pinkie Pod I keep 
talking about? Do you really want to 
know? Well, the Pinkie Pod is ihe 
Strange contraption that Pinkie travels 
around in most of the time, He can 
drive around in it at high speed, ele- 
vate the passenger bit to enormous 
heights, a la James Pond'm Robocod, 
pressing the fire button makes a fist 
shoot from the front of the pod and he 
can also use it to keep his eggs in. It 
grows flippers if it's underwater and is 
completely invincible. It surely has to 
be one of the mosi versatile vehicles 
ever seen in a computer game, bu| 




AAAH! 

Pinkie is a marvellous look 1 
Jng game. Just these 
screenshots should be 
ertough to make you go 
"Aaahr", and you haven't 
seen him move yet! A long lime 
and a lot ot effort has been 
spent on creating the ultimate 
lovable cartoon character, and I 
really think thai Millennium might 
have pulled it off. Some people 
might find the amounl of 
cuteness rather sickening, but ihe 
little guy is perfect for the age range 
that ha's being pitched al (and not a 
year older!}. 

On the sonic front, things couldn't 
be more different Take a cute game. 
and what do you think you should add 
to it in the way of sound? How about a 
thumping techno track from Station 2 
Station. OK r so the idea might not fit 
particularly comfortably, but when you 
put it al! together, it works! 

Pinkie is a very young game, and 
anyone over the age of about fifteen 
will probably get very bored with it 
quite quickly. Platform game fanatics 
will find it too slow to be fully enjoy- 
able, and would be better spending 
Sheir money on something like Pond 
3. It isn't a bad game al all, and in 
places it is extremely original, but Ihe 
young age range limits the overall 
appeal. For kids. 
Pinkie is a great 
game. Older readers 
might want to look 
<H so where. *3 



MIUfNNIUM £25.99 



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MILLENNIUM INTERACTIVE. QUERN 
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GENRE: PLATFORM 

TEAM: DOS 

CONTROLS: JOYSTICK 

NUMBER. OF DISKS: 3 

NUMBER OF PLAYERS: 1 

HARD DISK INSTALLABLE; NO 



MEMORY: 



1Mb 



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LASTABILITY ♦♦♦♦♦♦****7n 

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I - f you ever need to raise a smile, 
then Pinkie is the guy who is on 
the case. This cute little alien with 
the huge heart and the warm smile is 
finally on the scene, hawing been 
waylaid recently making singles and 
TV shows, before finally appearing in 
a computer game of his very, very 
own. What's more, he's really happy 
about the tact, as you can probably 
tell by his enormous beaming smile! 

Millennium Interactive are just as 
happy about the fact that Pinkie, the 
game, is about to hit the shelves. So 
much so that they've rustled up a 
Pinkie giveaway lor CU AMIGA'S 
readers. The first prize is a superb 
CD32, PLUS a copy Ol the world's 
first Interactive CD Single, PLUS an 
exclusive Pflkie T-Shirt PLUS a copy 
of the game itself I There are also 50 
runner-up prizes to be had, made up 
ol no less than 10 copies of l he 
game, 2D Pinkie T-Shirts and 20 
copies of I he Pinkie Interactive single! 1 

So whal do you have to do to win 
one? The answer to that, my friends, 
could not be simpler. Just answer the 
following three questions, 

1 Who has Pinkie just recorded a 
single with? 

2 What is the name of Pinkie's 
futuristic vehicle? 

3 Name the film that Molly 
Ringwald was pretty In? 

Got all that? Then jot it all down on 
the back of a postcard and send the 
lot to: *l Want A Pinkie," CU AMIGA, 
Priory Court, 30-32 Farringdon Lane, 
London EC 1 Ft 3 AU. 
Good luck, you daring devils! 



vmi CAI\I TELL A REAL 





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beneath our tough polycarbonate coating 

so it won't mark, scratch or fade and wipes clean 

at the touch of a cloth. 
In fact it will last a lifetime, just like your support 
"Footie Mats". Only from The Logic Shop. 





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CHESHUNT HERTS 

ENS 8LF 0992 625323 



CU AMIGA 



GAME REVIE1 




With a blinding flash, Mr Ocean's magic 
wand comes down and the once wild Kid 
Vicious suddenly becomes ... Kid Chaosl 
Saviour of the Amiga platf ormer! Andy 
Nuttall follows his story ... 



o Sonic can't be done on the 
Amiga, eh? Since Sortie 
appeared an the Mega Drive 
it's been the bone ol contention for 

Amiga kids v jeered at in school play- 
grounds by smug Mega Drive-owning 
peers. And seemingly every time an 
Amiga is mentioned in a Mega Drive 
magazine It's described as an 'older 
person's' machine, with a great line 
in HPGs and flight sims, but no great 
shakes in the platform stakes, 

THE PLOT 

Kid Chaos, from Lotus creators 
Magnetic Fields, wields a pretty hefty 
club in the direction ol these 
doubters. Technically superior to any 
other platform game [Sonic included) 
Kid combines last, smooth scrolling, 
an incredible number of parallax lay- 
ers, and colours and sounds so 
vibrant it makes you wonder what the 
hell the other platform creators have 
been doing for the last few years. 

Like all good arcade games there 
is a plot, or at least some cobbled 
together gufl which passes for one. It 
seems mat a young, carefree, happy- 
go-lucky caveman was out hunting 
dinosaurs when POW! A pair of 
crazy scientists (from the future, nat- 
urally) whip him, and his club, lo a 



modern day 

garden suburb 

Quite why they 

did this is 

unknown and, 

quite frankly, as 

immaterial as the whole story, but it's 

made even more ccnlu&ing by the 

additional wardrobe of trousers., 

jacket and trainers that accompanied 

the quantum leap through time. 

Kid, still armed with his dinosaur- 
braining club, sets out to find the time 
machine which could return him to 
his prehistoric home and, along the 
way, collect enough energy to actu- 
ally power the thing. Sadly, the 
'energy' in this case is stored in vari- 
ous disguises: flowers, stone 
monuments and lamp shades,, lo 
name but three, which must be 
destroyed in order to gather their 
electrical content. There's a cer- 
tain amount which must be 
collected in each level before 
moving on to the next, so it's 
not just a case of racing 
through to the finishing post — 
you have to work to make 
that exit door open. 

Okay, so the sto 
ryline stinks, 



That established, we can now con- 
centrate on Ihe game which is, 
thankfully, much better. Five worlds 
lie between Kid and his goal: Secret 
Garden. Toxic Wasteland, Toy 
Factory, Techno Fortress and Ruined 
City, In terms of running, jumping, 
bashing and collecting they're very 
similar, but each world is both dilfer- 
ent and remarkable in its graphical 
style. The Secret Garden, for exam- 
ple, is packed with colourful flowers, 
beautiful greenery and wildlife, but no 
concession has been made to the 
last pace and smoothness of the 
game. Not since Thai ion's Lionhean 
have we been treated to so many 
layers of parallax, but that game was 
pedestrian in comparison — when 
the Kid gels going he really moves. 
From the beginning it's clear that 
Kid Chaos has been written with the 



player in mind. The controls can be 
changed, a throwback from the old 
Commodore &4 and Spectrum 
games which is all too ofien lost on 
the Amiga. Now you can either push 
the button or move the joystick up to 
jump, both ol which suit different 
people and if you're controlling it with 
a joypad (CD32, for example) 'up to 
jump' strikes dread into the heart of 
players who, like me, put payability 
above everything else. But Magnetic 
Fields are veterans now, having pro- 
duced some of the better games in 
recent times: KickStan on the C64, 
Super Sprint on the ST and, more 
recently, the Lotus Turbo trilogy for 
Gremlin. So perhaps they should 
know best, "'JLi. 

When you complete a level you're" 
given a complete run-down of your 
achievements. The amount of energy 



j£ 



'»'! ' 'I 9t r ' 



•999 









.i^_. 



■^r 



' * — kJAr j- I 



*— U*V 



^ 



-»«w**i^*p 




iAME REVIEW 



GU AMIGA 



AlihJ UP -till ±\$s\ttlj 

Back in the days of Space Invaders, Breakout and all the other early 
Eighties' coin-ops, Magnetic Fields were already formulating plans to 
include them in a game they'd be producing in (en years' lime ... probably. 






SECRET GARDEN 

Breakouts the theme in the 

Garden. Using your club 

instead ol a bal, you can 

SCOOp up the three balls and 

whack them up at the bricks 

to knock them out. 





TOXIC 
WASTELAND 

Er ... not quite a coin-op, but a 

shoot 'em up nonetheless. As 
the rocks lall, shoot them, and 
destroy all the barrels of toxic 
waste as well but they speed 
up, so watch out. 



TOY FACTORY 

Shoot a teddy, and a duck 
replaces it. Shoot the duck, 

and the teddy reappears. So, 

the aim is to kill all the teddies 

(shame), and leave the ducks 

well alone, 





TECHNO 
FORTRESS 

Space invaders, Chaos- style, 
We're talking real arcade stuff 
here, and it's even got all the 
sound effects and everything! 



RUINED CITY 

Just like Toxic Wasteland. 

this isn't based on a coin -op 

either. Never mind, shod the 

pillars and posts until they 

crumble and fall. 





Kid Chaos is such a wild and crazy guy, he eve n ivalhs- upside down. 




collected and baddies clubbed are 
highlighted, Chaos Engine-style, as 
small horizontal tubes which form a 
kind or bar graph Charting your 
progress. So, if you've missed a few 
nasties, or you think you could have 
done better in the energy depart- 
ment, then yoiF can always 
go back and try again, it's 
this kind of attention-to- ^ 
detail which makes Kid 
Chaos a game you'll 
keep coming back to. 

And, of course, a platform' ■ 
game wouldn't be complete without 
its pickups. Apples, sweets, rocks, 
whatever, each one collected adds 
to your hil points {the number of 
times you can be hit by a baddie 
without losing a life). Each succes- 
sive revel has baddies with greater 
hit points, so while on World One 
Level One you might lose, say, 30 
hit points, by the time you get to 
World Three Level Three you'll prob- 
ably lose 50. And since you start the 
game with 50, make it a priority to 
acquire those pickups as soon as 
you can. 



THE , 

Thankfully, as you've probably gath- 
ered by now, the slunning 
technicalities don't overshadow the 
gameplay. It makes no claim to be 
original; indeed, it copies (parodies?) 
many olher platform games like Zoo! 
and Sonic. The Toy factory, say, 
could be taken directly Irom Zool (or 
any one o) a number of other platform 
games), while the underground roller- 
coasler tubes and 45" springs which 
cannon ycu into the air are classic 
Sonic features. 

There is something wrong with 
Kid Chaos, though, believe it or not. 
This one real tlaw is in the weight of 
the main sprite - he carries far loo 
much momentum, which makes it 
very difficult lo stop on some of the 
smaller platforms. And inertia plays 
havoc with the Kid when you're try- 
ing to move him up a hill; he really 
drags and grates his way up, which 
means it's a good second or so 
before you can make ii to top speed, 



Because the worlds in Chaos are 
particularly hilly and packed with liny 
ittle platforms, il seems ludicrous 
that the designers evpect you to 
judge pinpoint distances with a con- 
trol system thai feels like lumpy 
porridge. Like I said, when he gets 
going, though, he really moves - 
and its this exhilarating speed that 
really makes up tor the 
lack of control in the 
tighter areas. 
It stands, then, as a slightly- 
flawed gemsione. A 
pick-up-and-play game which 
doesn't get too difficult too quickly, 
which looks and sounds brilliant, 
which poses a decent challenge to 
those who have already killed off 
Zool and the others, hul which is 
slightly frustrating because of the mas- 
sive momentum of the main sprite. 
Compared with ihe scale of the game 
this is perhaps being picky, but I really 
feel that Kid Chaos could have been 
one of the greatest platf ormers ever if 
the Kid himself was just a wee bit 
more manoeuvrable. ^ 



OCEAN £25.99 



Aaan 51 «■■+ S acoo 9 Airoo 5i 

mSOfl 9 A2u0rj 9 A3000 SI M99Q 9 

OCEAN, 6 CENTRAL STREET, MANCH- 
ESTER, M2 5NS. TIL: Ml 832 6633 






RELEASE DATE: 
GENRE: 
TEAM: 
CONTROLS: 



JULY 

PLATFORM 

MAGNETIC FIELDS 

JOYSTICK 



NUMBER OF DISKS: 4 

NUMBER OF PLAYERS: 1 

HARD DISK INSTALLABLE: YES 

MEMORY: 1Mb 



GRAPHICS ♦+♦♦♦♦++♦♦83% 

SOUND ♦♦♦♦♦♦♦+♦♦86% 

LASTABlLITY ♦♦♦♦#♦♦♦♦♦8734 

PLAYABIUTY ♦♦+♦♦♦♦+♦♦88% 



i 



At last, the Amiga has a 
piatformer to compete 
with the consoles. I 



OVERALL 87% 



ST 







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f».(jn 



VIP4-2. VI RUS KILLERS 




11 you're in to beaf '4m 
ops, hewe"a a Iras). Fighl 
ng^'.^sG numerous 
opponents in Iho last 
action beat 'em up, 
foaturoa enhanced sound 
an 2 drive Anitas 
OnfyEBtK? 



BI)hf>-3. RODGER KOMBAT 






USB5-1.MIH 



Who naeds Sonic or M*no 
when you can play 
fanlaslic games like (his 
on your Amiga. Fast, 
smooth scrolling platform 
game. Excellent slutf. 
Only £5.00 

LBACKl 




No* Ihe summer's hire, 
ifstme to dk) the garden, 
and this is ■ good reason 
nol lo, because you'll be 
too busy designing It. 



GRWM. 3D GARDE N DESIGNER 




A >'■•" disk collodion oi 
various Scale background 
laxlures. Wood, paper, 
elc. Gives your Scuki 
production a more 
professional finish. 
On,y £0 00 



r SCA6-2. SCALA TEXTURES I U£HT9-5. lOOQiiAME 



i!- r *n -'" 

• ■ 

-- 



Make your Own hardware 

and save EECs. Sound 
ssmplera, memory 
expansions, Bridgeboards 
are all here. Includes 
complete diagrams 
Only £3.00 




This is Mm most powerful 
I Amiga Osv. duplicator 
available In fan me authors 

cny Ihnl H ygu ftfln'l OOpy 
scmeEhing they'll give you 
your money back 

Onw«cwf3f*5 

XCOPY PRO. 



Frfty slurwtang AGA images, 
in 25B colours. All of wtirch 
will blow your mind. All run 
as a slideshow locate of 
viewing 

OfllfHtSM 



QfiRLlSdO. BATHINiLBABES. 




The cornplele RSI demo 
maker, featuring font 
| editor, vector editor, 
graphic tamplates, en|r;i 
music 'onts ete And a 
complete- Moos!. 

All for only £15 00 



HRSM15-5 . RSI DEMQMAMIL 




Features ell you need to 
ciuncti, archive & 
decrunch any File or tfesk. 
Includes DMS the Disk 
masher, Powarpacker 
LHAetc. 

Only £5.00 

l£RM5-2. CRUNCH MANIA 



GAME CHEATS 



Over 1 Q00 Top Amiga 
game cheats on fr»e disks. 
Includes A« popular Irtlas 
Ifcra Miy*ey Island, 
Project X elc, elc. 

Onry £9 00 



HWP3-I. HARDWAR E PROJECTS 




Forty lop quality 
tompugjuihie wrt» fw 
uso with wfizij., 
F-'.iijHSiream. Wordwolh, 
[1 Paint 4 etc, etc. 

GnryfT'.fW 



PSF7-i ( OMJIGRAFHIOMSl 




: !:■:■ all I me classic board 
games Scrabble, Cluadc. 
Snakes and Ladders, and 
Monopoly. Great 1un tor *■ 
the Family. 

AflrorchTjryftaKJ 



n BDG10-4. BOARD GAMES 




Over 70 top quaMy hnagine 
objects k:r USD in any version 

:■/ Imagine. Subjects include: 
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Dinosaurs, Eiar Woes and 
L-jUs more. 



OntytlS.OO 



KH>15-ltt.IMA< 



OPTIONS 



$ 



I 



IT 



Murvtrads nl general 
knowledge questions. 
Subsets include: Spori, 
Films, Music Science. 
Geography Fait your 

knnwlndgn witri Ihis duOallent 
Trivia game. 

OrtyttQO 



QUZ5-L QUIZ MASTER 




Run PCXT software- on your 
I Amiga. Very easy to use and 

■~j suppDns VGA graphics on a 
■ humble- At Sou. A supe* 
,J package. Makes used hard 
I (Uvea elc 

■ Chry£9ft« 

PCT40 -L PCTAS K+BOOT I 



All Titles Advertised on these pages should work on any Amiga unless stated 



|B miPIMHUK 



r 



Ativedisk s*1<Jl owrflS 
top quality loi'ts lor use 
wiltt Wurdwom 2 or 3. 
fiirrifily nstall them and 
they're ready to use 

OnfyflO.M 



WWFlll-5. WO RHWORTH FO NTS 




A complete Wonl 
proc*SSins package. 
Includes. Spell checker & 
gi an-imar checker. A very 
easy lo use paefcag*. 
■ Onfy£4,00 




A selaclion of loote tor 
degrading your A1200 
down to a SCO. Very ejisy 
to use, but extr^moly 
elfedive «ay a\ runn^tg 
old <jiin-*s etc 






On^- £4.00 

^JiMDEG RADEESJ 

A good selection ot games 
demos, music, graphics and 
toote lor use only on Hie 
A1200or AitHXS A gm.il 

■nay lo inslamty tioiki your 
A-GA soflware colleoliwi. 

SIS.0B 






">* 



WPR4-1. WORD PROCESSING 



FREE! ! ! 

FREE BOX OF TEN BLANK 

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Pent lorait b ask tar tnti 






i'.:.:Vi- K W 




Get yourfinancei incfder 
*lth mis etcelkinl padraga. 
Take a deser look at your 
banhaccDi^its. lun) out 
where all your money gee* 
every monlh. 

Only £7.00 



in FIN7-3. FINANCE 




13 A two disk set ol ettra 
n backgrounds. Icons etc. tar 
(A use with Magic 
Workbench. Requires 



Qnfy£S00 

MWE5-2. MAG IC WB EXTRA S 



im»1 lUr.CIHJWIttHOMLME. 



n WTP5-2. WORD F INDER FRO, 




The most professional 

word searcn, crossword 
soh^er available on thB 
Amiga, Includes a 
dictionary oi over 58.000 
wtjids, arid you can add 
your rtwii 

Oniy ira,utj 




A12nflSTlJF j; 

Hiur quaMy box of ten 
blank disks, in a choice cl 
pfe-rormalted or 
unformatted media. 100'-. 
error free guarm ill -i-:i 

Onfy £*.$£ 

E QLANK disks; 

If you wart to Ce a Sunktinj 
Ian Beale or Floyd Bnen THE 
QOUFBJET COOK BOOK -s 
a g:x:\i way io gel etaned, 
over 50 reciptas included. 

Qrr/y eaaj 

H E COOK BOOK 

Double the space 
available on your hard 
disk. II you have in 
flOmeg drive this will give 
vim ii'.ijr ISumegol 
avalable smc». Run.-, 
silently n the background. 
OnryfS.dD 

)ISK PQUBLER 

Learning lo type can be a 
difficult (ask . but not wtwi 
you get a copy oi our 
dasaic typ-ig tutors. 
Includes fhrse games 1o 
help you team 10 type. 

Only £3.00 

[VPING T UTORS 

'■V'liolhei ycu went to Ir* 
two Amigas together, or 2 
PCs or Amiga to PC, Ihas 
this package will suit you 
Easy lo inslalt. 





«o>»IUJl»fc< 



liiiiMniiarr—i 



II yoii'rn nnvi Id Ihu Arnga 
man ycu may be having 
proolams «dh mssing 
I irrntiat; an your workbench 
trial are needed lo run 

pn-rutar ^ollwarc Qrdtr INS 
now and sotva these 
problems 

OJOO 



1 FJB2-LFSSENTIAL FflK BEGINNERS 



Onfy £8 00 



n COM 8-3. NET1 




Bnliance 2 is lh» bosl A&* 
firiir.l £ anr'naiion package 
available on me Amigi 
Supports an avfl>lar>e 
grapnics modes. Chegk 
tsteet magazines for rem 
Only £83. 95 



OKDKRFORM 


©iraOcBfr WsiUao® 


Td ,.„.„„ Amigi ,.„ 

Credit card No , ™... — .Kip.- 


rjimranMI I'l'MV.f- 

xx}(l♦■^P4CKT^^■F■ 

mwwHiin 


QTY 


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Other Items 




= £ 


• i. .i 1- vuJuc 


= £ 


1 : i'M.r .■ JIl P.u t ilr. 


FLipll. It* L'k. 
= £ 


Amount cntlui^iJ 


m£ 



Easy- cortrieclton to your CDS 
Allows you to run all CDPD disks, 
and all gamos on LOCK'n'LOAO elc 
ONLV E37.S5 + £7.50 Delivery 



□ BRT90-1. BRILLIA NCE 2 



CD 32 LINKUP 

C*ninecl your CD3£ to your >?rrrrga 
for easy transfer of ALL CO Rom disks. 
Complale wilh leads + CD Rom boof soflwars 
CDL3S-1 . Only G34.9S - E1 ,00 PSP 



OVERSEAS ORDERS 

C0'.,;l^l.■.l^ lOh'h .ir. V..' .■■Mil - . I'tl I'k'II^L - in.i.1 25p 

id Eaih illit ordered. * £1 .00 19 c^h Fa^k 
nnfcrrd, u minimum nr 5 duki appl) AHO^rr^.l 1 - 
o(*fi art- sum b>' U\ chis Mr Mail. 

COLLECTINCJDISJCS 

Ymi arc wtfcorwlOCOllKI jnurerdw.Jial jtiuare 
jdvi-,L',l ii> |ili..niL ii ibiuusti prior io {Alkciim, 

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ORDERING BV POST 

Simply vml }i^urankr in <ni all A-l } l it'V. tilling ihr nuniher^ you re 
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inles yaa -wn-.il io' order, fill in your nam* fir, unri scnil their pi; 
EPIC MAKKKTINIi. Fira Fbof Offiwi. Viuroria Centre, l.'S-U 
VilIlxij Rl Swindon. Wi||*J-ire. SHI 3S€. 

ORDFR1NC HV PHONE 

CjII any knif tcluttli SI.3Ham it S. JOpm Monday In Salimljy inlh ; 
kTfdii caid dciails an] Nil Ji-,ki ;.uu swxilj likf u> onfer. 



" 



Epic Marketing First Floor Offices, Victoria Centre, 138-139 Victoria Rd, Swindon, Wills, SNI 3BU. Tel: 0793 490988 1 




Order hotline: 0793 490988 Fax: 514187 ^ 




Megaban V4 is mast 
definitely the best ever 
'Break-out" game 
available. Supe* AGA 
graphics, music and 
ga-nepay make this art all 
time class* 

Only £3.00 

MGB3-1.MKGABALLAGA 



GG10-4. 101 GAMES 




Qvar 1 00 all time classic 
games including 
Breakoul. Pacwi*ri, Space 

Invadfrrs, Snakes, loads of 
puzzjf games, and mare 
Only £10.00 



World Cup FsvAr is twre 
Ipnssibly) arxl sn are 
FkAuII Hw Replace your 
dd drat iwrkfcflnrh icons 
with piese snazzy full colour 
foltsali team icons. 



FOOTBALL ICONS 



is 



I A collection of tools 'or lhe 
printer user. Printer 
drivers, label maker tine) 
other useful ui 'Mies ar* 
included in If- :; great 

| gelling started p#ek 

RINTER TOOLS 

Whether yrx* run 4 smal 
t : 1. 1 - ; 1 1 HI Of |usl need to 
go coimputerisea men trtrs 
superb easy to use 
integrated package is wti*1 
you wand 

£7 00 

1FC7-3. LITT LE OFFICE 

This is trie roosa impresses 
AGA damorislralhy 
available. If you want to 
impress scrneona. then mis 
is. Mhal will do it Fealurcs » 

brill BJoig Kpunrflrnck 

Only f 4.00 

BTS41 BIG TIME SENSUALITY 

I Hundreds ut quality Kenu'es 
1 1or use hi Imagine. Render 
I your objects m a varsty of 
I shades, colours and 
I tutUnM, Compalibks wilti all 
I Amiga!;. 

Qnlydl.OQ 



m • • 
• • • 



£L 



11X12-7. IMAGINE TEXTLLRESJ 






A .::i:rri|nl,llluri of very 

ijiiwfirtul disk copiers, 
iT.iik* backups of your 
software collection wih 
bbsb. 

Onfy£S.OO 



CPY5-2. DISK COPIERS 





Seventy bilmap lunls lui u-it 
in ;i h, n:»;l any p.diiruyL- 

induding Defo** Paini. flton 

iih.in:- a I ml. is:i ■.: '-;:ul 
Etitofflpr iJt*±.<jnir<| >:x 
r.Li:;i , ™Tis:ng ycur uwn Funis-, 









FNT7-3. FONTS & EDITOR 




Tnlris i:; llm -ic-il .iddurliv* 
gti'nd 111 lh<? world, And 
luff a (ML This is a 

compilation of f ve of lhe 
best. Bast graphics, best 
eound end best pUyabiMy. 
Only £9.00 



TET9-5.TET KJS MAYHEM 



Inside Engines is a 
compilation of in depth 
anmafion sequences 
showing you the workings 
of all lhe mos! popular 
Wigjtna types. 

Onfy£S.Q0 

ENG9-5. INSIDE ENGINES 





' TOT*. W TEX HEHS 



Hundreds cf high quaaty 
crnlnssinnnl cl{:nrt rragos 
SubfSHS nUude Transport, 
People, Computers-. Xmas 
and loads more. A much 
wider scope. 

Only CI3.00 



nCFX13-1ftPROCLIPART 




Psmob»r rho gwxl eld days 
ol computing"' Wall now you 
can run classic Spectrum 
UJimcs cri any Anilgih with 
ease. You can even load 
your oames Iron cassette 

and save lhi;rr lb disk. 
£5.00 




The compM* system 
iritttywr Test your drives 
memory, keyboard, 
mouse, expansions and al 
your custom chips etc. 
Only £3 00 




Thousands or until tools, 
demos, games and Draphics 
on wen. da*. CnH tn'r details. 



EUHQNEt DEMOS 
firjomsg el hi w iKiSI 
0n*nps muEKanagraphc: 

CDCD1. 

CBS] ! 

CEPO :i 



cum 

LiS'jy 

ins 



ENK3-L ENGINEER'S KIT CDPD COLLECTIONS 



SAM7-S. Ill SAMPLES 



dn-dii r;1 in:;li :]iiiili",. 

Manfiai, inctudlng 

is guitars, base, 

ocals and beats. Perfect 

r Music X, Med or any 

HCkar elOr'Hj. 

CmtyZr.QC 



CM T*a Frad Fa* eahaion. 
' ; Oimi -KKO uMites incudes 
H in ^t"«s set. ranging Imm 
1 w:^dpicut;asiig 10 
B^Bj fools, music and hundrcite ul 
«5; tfiw -■■ ngt 
CWy TJ9. SVi 

"! FRED FISH CD 1-1000 



SPE5-J. SPECa KMILATOR 



A sokiclion i;A printer Jrivers 
irciudinp a> popular printers 
such as' Hewlett Packard, 
Star, Panasonic, Epson. 
ism. OKI, Sekosfts. 
Prescript He. 

DRV3-1. PRINTER DRIVERS 

i;«n*"iiv.-.' lawacmwa •=: *rmw v- :< lamxna 





tQOO an time cJasse Amipa 
pames Pwites. Adventums, 
RPG. SJiool'om lips. 
PlaHonThars Wnnks an BhS 
flDTV. CDS3 :>■ any ailier 
Amiga CO RDM drive. 



LOCK N' LOAD CD 



P A AC104. ARCADE CLASSICS 



Fhiubs 4 s. iiik ctatm men I tfd veelona al Facmw. 5c«* I - ***!! . 
A^hy 30^ awl (jjtuans Pamtmlnf aw ffKd c*l frjrc tor no* Crty P3-JQQ. | 




Contains a selecUorn al 
VKtM litlorS, Video wipes 
A Imckdrops. Griealfoc 
creating professional 
home movies. All you 
need. 

Only £ IS. 00 



Amiga 



If you've just purchased 
your Amiga you may b# a 
bit boggled how to use it 
properly. Well this five disk 
set fakes you sfep by step 
through every basic ming 
iokraw, 

i-3.,1fJ 




An essential fool for 
retailing, workbench on 
your new *wd disk Eaiy 
lo us« eithe* on lhe AGOO 
or Aiaoo. 

Only £7 00 



Thousands of archived 
tools including: patches, 
Dir fools, muaic, graphics. 
AGA tools, workbench 
tools. It'll lake you months 
to aifl lirough mis lot. 
Onry£JSr.gg 



AMINE I II CI) ROM 




IDEO SHIM AHD7-1 HARD DISK INSTAUKR 



■ t/mi aiwpI ■». 



n ABG9-5. BEGINNER'S GLIDE 




Organise your 
entertainment media with 
Ih'S set of cataloguing 
loots Video. CD ar>d disks 
an? all catered] lor, 

Only £3.00 



CTG5-3. CATALOGERS 



Mi KM 

mam 



I A cotteetion of Amiga card 
games iriclmlin:) Poker 
Ct&pS. Selitaire etc Crest 
rVan for all the family 

Only £10.06 



II CRP10-4. CA RD GAMES V CLFIS^K. COLOUR FONTS 




Hundrvds of coaur dip fcinls, 
lor use in any Paint piuADO*. 

Ail sizes Iroro B vf; fo *•■>-. fl 
colours up to 31^ colours, 
great for video wc<k or for 
|usl msking demos. 

f>irj/rrsOP 




"■ ■■ ■ nan, -< ■ '\ ■ - ..■•. 



Over ?00 WorktHjiich ? or 
3- ulilrlies/IOQls. arkAiding 
(«Hl «dit«irs . virus killers, 
■li'.k m: Hi:-. • : ••: r. 

graptiic tools and toads 
more. 
Mm{ta , Only £3.00 



TTU3-la^LLL!Tll HIFS 




^l::-if1ikn £tia rjrd gaine 
RMtunM Linbiilicrvabfea 256 
ra^lQur h rnn grapt'iics. Alau 
^vulahln now nrn- laui new 
1-1*1.-. riisk^ k)v\vrviq 4 nan 



;. mE&4 tup* frfid mts n iia a 



H KLDfi-3. KLONDIKE AGA 



rcy 




Tlis psrfatf coinpariiM for al 
smal busnesaea. Three 
txisinoss Trt:du^:K incljdinjj 
Castrfkwv. Invoicing' Sates 
ledger, VAT repods nnri 
stock corrtrol. 

Only £79.95 




This is the most 
impressive RAVE demo 
available en the Amiga, 
features an amazing 
Eoundlrack S wicked 
visuals, don't miss tnis. 
Only £4.00 



"1 SBL4-2 . NINE 




FtirfMM 



Ounr J.uuO Adoba and 
oompugrapr»c structured 
(cribs, great tor Desktop 
Pijhlishinrj. CcinipalibJe w.lli 
Amipg * PC: CD Rdti All 
ready to use on any 
machine. 

CIS.98 



PRO. FONTS CD ROM 




Play Poker with some ol 
the most lovely ladles in 
fhe world Includes superb 
graphics and digHised 
speech, 

Oily C1I-00 



HKT'-Mli IT MthCMNXM] 



DSPI2-L DELU XE STRIP POKER I 




An all Urne cass-c 1 Fea«um 

innli.jrln 7 sk*l Kiv/ils lull 
iDBgue tables, ID luulbftl 
qruLnd, rrkariaoana) ratings, 
injury problems, promotion i 
relegation. 

Order /mw anfy FJ. 00 



FBM3-1. FOOTBALL MAHAGEB. 



JdKWEiTiriiiiiiiieiiirji 



VVhfltrier yau're a complatfl 
bagimar al chess or a 
champion, Jl CHESS has 
something lor you. Superb 
p/aphes and speed meko 
this a great software nila 
amy £4.qq 



JIT4-1. CHESS & TUTOR 




Williams Fl Imagine- 
object. If requires 4 meg 
but as you can s#* H 
Amazing Requirbs a 
verSK)ri ol Irriagrrte to 
render ft 

Only £4.00 

1 WIQ4-L WILLIAMS Fl 



A collecficr ol great fun 
educational games fo> 
children .Kfi?a 7 k Mains, 
•ptMng, speed, etc. are al 
included in this excellent 
compilelion. 

Only £9.00 

I 1)1 l >-4, EDUCATIONAL 



fl STEWM. SYSTEM 3 ENHAN CED 




PU>S OKfiT tj*h 'rawHomwui 



Another great puzzle 
game for adults. A pail or 
lhe besl. a packet of 
peanuts and >i ;|i:':': 'i.nii'i 
ol Cenlroloid squares 
"Wnal a litef 

Only £ <0. 00 



CFSHI-L C ENTREFOLD SQUA RES 




Slop other people frum 
I-:, i :..sir^ yOUr floppy M 

hard 'disks, by putting a 
CuSlomised password on 
your disk. Also contains 
file- encryption tools. 
Only £10.00 



PSWIO-4. PASSWORD 



Epic Marketing, First Floor Offices, Victoria Centre, 1 38-139 Victoria Rd, Swindon, Wills. SN1 3BU. Tel: 0793 490988 



CU AMIGA BUDGET GAMES 





BUDGET 



We're on the bus to compila- 
tion city in this month's VFM. 
You can get even more 
goods to the pound with this 
little lot. 



HITS FOR 6 - VOLUME SIX 

PRISM LEISURE OUT NOW £25.99 

Bui before I start throwing opin- 
ions about, why dont I tell you 
what is in each of the compila- 
tions. Hits For 6 - Volume Six 
leads off with the wonderful 
Microprose submarine simulation 
Silent Service 2, regarded by 
many as Microprose's finest hour, 
closely followed by the once bril- 
liant yet now dated Stormlord, a 
platlorm game with some back- 
ground objects of dubious 

content. Although, it looks very nice, when compared to something like 
Bubble 'N' Squeak, it is just too slow and far too jerky to be playable, After 
that, well, you've got Maya - a strange graphic adventure from Silmarils, 
World Cricket- one ot the dullest managerial games I have ever come 
across. 3D World Tennis (an unusual tennis game from Simulmondo that 



Y~ ou may notice looking at this pages that Prism Leisure are the company 
who are really servicing the needs of the pocket money purchasers this 
month, with no less than three huge compilations for the measly price 
of £25.99 eachl All contain six different games from Microprose. Hewson and 
Silmarils. with titles ranging from such classic greats as Railroad Tycoon and 
Silent Service 2 to almost completely forgotten 'classics' like Big Game 
Fishing and Windsuri Willy, Most compilations are hit and miss, but to be hon- 
est these are far more miss than anything else, if only because most of the 
games are so old. 





Maya a bizarre jrspNt advento 




moves Ihe court around the player 
rather than the player around the 
court) and Graeme Souness Soccer 
Manager, l he management game 
with a moustache. 

This isn't the greatest compilation 
in the world, and to bn honesi the 
only game worth having on it is Silent 
Service 2, which you can buy on its 
own for less than £18 anyway- 



Tony Dillon 



Sltenl Service 2- prob 

the only game worth having 

an this compilation. 



VOLUME SEVEN 

PRISM LEISURE OUT NOW £25.99 

Moving on to Volume Seven, again leading off with a Microprose title, this time The Sabre 
Team-like small scale strategy title Special Forces, where you take a crack platoon into 
close combat situations, A great game, but not the most popular Mtcroprose title ever. After 
that things start to slide downhill very quickly indeed. Nebulus was a superb puzzle game 
when it first appeared, combining a cute main character with a novel control system 

whereby the character walked 
around a rotating column, 
ducking through doors and 
simply trying to get to the top, 
but again looks incredibly 
dated now. Some would even 
go as far as to say that it 
looks like a C64 title! Blade 
Warrior, an attempt at an 
atmospheric scrolling beat 
'em up, was a bit of a flop 
when it first appeared, 
despite the best efforts of 





BlatSe Warrior wasn 1 very successful Ihe first lime around. 

Mirrorsoft to promote it as the game lhat everyone must have, and 3D World Boring seems 
to have very tittle to do with 3D apart from the fact that the ring is drawn with a forced 3D 
perspective. A very bland collection of games, and to be honest there is very litUe in this 
group thai you would load mora than once. 

Tony Dillon 



• 






90 



BUDGET GAMES CU AMIGA 



Uailftctos Wttkty 



5 °™t* 



RailRoad formed: 
.OOO shares of 
to local Inves 




srturte in Railroad Tycoon and, ah .,. make 
and, er ... wtitstle Ihal eld Sam Cooke hit 
: Watch out lor that Jimmy Knupp 



Vjnan. The problem with body building is that, 
Mew look good in lha righl light you end up with a 
■ muscle lhal slows you down Targhmn is in the 
Mr. Universe, though. 




HITS FOR 6 - VOLUME EIGHT 

PRISM LEISURE OUT NOW £35.99 

Finally, we have Volume Eight, which contains no less lhan (wo -really gieat title* and four that are just not 
worth bothering with. Railroad Tycoon you will have read about haft a dozen times in previous VFM sections 
(but just in case you haven't, it's a superb simulation of building a railroad network - which is actually a lot 
more fun than it sounds'), and 
International Tennis from 
Ubisoft is easily the most 
playable tennis game we've 
ever come across, with a sim- 
ple and responsive control 
method and a ball that you 
can actually return with skJIFI That 
aside., games like Big Game Fishing, 
Football Manager and Targhan (a 
slow flip screen beat 'em up in the 
mould of Fsygnosis' Barbarian} 
aren't really worth spending the time 
on, let alone the money, 

Once again both of the two 
games mentioned as worthwhile are 
available for 
under a 
tenner each, 
so why till up 
your disk 




boxes with the rest and pay tor the privilege? 
Tony Dillon 



The world can be your oyster with ftmircao tycoon. 



£fpi 





When the rel Is on the ground In European Football Chump, you can 
cheat away lo your heart's content, 



C*tl - (n«'* an* W6KI W»l uintrri handled much Ab04il al the recent Italy V Brazil match (sob,. 

EUROPEAN FOOTBALL CHAMP 

HIT SQUAD OUT NOW £12.99 

After soccer games started to get really popular on home machines, it seemed inevitable 

they would become 

just as popular in the 

arcades, and Football 

Champ was one of 

the most successful 

of its lihie. Dorrwk 

were first to the post 

when it came to 

signing, up Taito's 

money spinner. 
The arcade machine was fast and playable, with one of the most simple soccer 
control methods ever. For some reason, though, the payability just hasn't come 
across on this Amiga version European Football Champ . It's a reasonable fool- 
ball simulation with average graphics and straightforward gameplay. However, 
the game is marred by a sluggish control system. By the time you've managed to 
wrestle with the controls to get your player into position, the opposition have 
stolen the ball and scored. Also, it appears that irrespective of whal position 
you've held the joystick in. your player flies forward jamming his knee into the 
opposition's groin, resulting in a red card- 

A nice touch, however, is that when the referee is on the ground, where he 
seems to be quite a lot lor no apparent reason, you can cheat and foul and gel 

away with it. This feature would have been even better if the controls were okay, but unfortunately European Football Champ is let down by 
these tricky directionals. Which is a pity because, considering the success of the coin-op. it could have been such a good game. 

Lisa Collins 




The tension mounts as (he nppos iltnn prepare lo take a free hick. 



91 







ADVERTISEME 



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"w 




interesting. 



idea' 



programming 



r m< « J JJ 



are 



"~*»ZZ Tier him 



Uo* ! 



revising. 

back to that one! 



Peter 



Park, 



thW tougher than 
"HI have to 



We* to partfeip;*-^' 

- j« I never use the 
rve gat no i^^ii se e." 



Mike 



with some 



> tries to 








interact 





'"All* B,..* —'"J 




,, uni* e *'' 



SW^JS"*^': 






THE 



jEHfl** 



vet 



ii3-i 



i arid* 



Please note: detail* are correct at time at going to press. 
Especially the bit about the cover. Arid the d«mot. Obviously 



All this plus more great 
stuff in the September 
issue of The One for 
Amiga Games, on-sale 
August 28th. It'll 
render all other 
i periodicals containing 
articles aimed at 
specific readers 
L completely and 
utterly useless. 
^ Or something. 



CU AMIGA 



COMPLETE SOLUTION 





J 



/ 




AiMi; JslA LVliU Os JAIyJAIJ-J 1 / 



PART 



It's one of the most tricky 
adventures ever released, 
U according to the number of 

phone calls we've had in the 

| past month. Vulcan's Lisa 

Tunnah is here to make your life easier 
as she takes you through the first level 



of Valhalla. 



Pick up the door key, operate the 
floor tile in the bottom left-hand 
corner ol the room and (hen 
pick up the map you find there. Come 
out of the room and take the firsl left, 
pick yp the gold coin half way along 
the corridor. Go back to the main cor- 
ridor and walk down the long and 
narrow room, Pick up the silver key 
from a stool, and the Talisman of 
Light from the altar. Walk up and 
right again, and the first door you 
come to on your left can be opened 
with the first key you found. Inside, 
take another gold door key. 

Come out of the room and back 
Ihe way you came. Find Ihe door 
which can be opened with the key 
you have just found. In this room 
operate the floor tile in the boitom 
right and pick up the map 1hat was 
beneath H. 

Leave the room and lum right. 
Pull (he lever that opens the door 
nexi lo it. The room beyond this door 



is booby trapped so watch your step, 
You now have the map lo the room 
but ihe floor is marked so you might 
not need it. Pick up the small chest 
key r (this fits a chest in another room 
where a withered rose is hiding) the 
grey crystal and a( the bottom right- 
hand comer of the room there is a 
lever you should pull. 

Leave this room, walk up. turn 
right and go into the room you have 
opened by puffing the lever. Put the 
gold coin in the wishing well and take 
the red gem. Take the stick and oper- 
ate the Itoor tile that the stick was 
lying on, This reveals a ring belong- 
ing to the Prince's father. Take it and 
travel back to the room where you 
began the level. 

Put the ring on the Identify stone, 
and it is exchanged for your 
Birthright, which should be placed on 
the Altar of Justice - this is in the 
other trapped room. You should now 
have the Scales of Justice in your 



possession. Give this to the skull lhal 

asks 'What is your quest?' He will 
allow you passage into another room. 

CROWN JEWELS 

In here there are two crowns. Leave 
the jewelled crown where it is or you 
will come a cropper. Take the other 
crown instead. Pick up the strength 
notion and the chest Key, then pull 
the lever. In Ihe next room, drop the 
red gem on the portcullis that comes 
up behind you to get rid of it. Leave 
the poison but pick up Ihe plank. Put 
the withered rose in the water of life 
and; take ihe fresh rose, 



Go back to the trapped room 
where you found the grey crystal and 
open the chest. Take the Cold 
Prelection potion and another chest 
key. Find the door that is opened with 
the silver key and put the plank 
across the chasm lo get to the chest, 
which contains a chalice and a gem 

Travel to Ihe room where ihe skull 
asks, 'Do you love me?' Give him the 
rose and he opens a door. Ignore the 
first portcullis that appears behind you 
and conlinue through the corridor. 
Pull the lever in (he corridor lo open 
the door. Inside the next room is the 
guardian with blue eyes. Pull the lever 
in this room, take the gold symbol and 
then leave the room and lurn left. 
Another portcullis appears in front of 
you, so just drop the gem on it to get 
past. Travel through the door you 
have opened by pulling the lever and 
head back into the room where the 
skull is that asks, ; Oo you love me?'. 
Put the crown on Meredith's Throne 
and take the Warrior's Shield that 
appears in its place, Fill the chalice 
with waier Ircm the tap in the same 




94 



COMPLETE SOLUTION 



CU AMIGA 




room and then go arid 
rind Ihe Miracle Stone. 

Put the chalice full of water on 
ihe Miracle Stone to lum it into 
wine, and then present this to the 
relevant skull who rewards you 
with Rubber Soles potion. Travel 
to ihe boulder in the south west 
which has so far blocked your Jt 
passage and drink the Strength >, 
potion. Pick up the boulder and put v 
il in the comer of the room, When 
the Strength potion has run out, drink 
the Rubber Soles potion. 

The corridor beyond is filled with M 
the Warrior's electrocution devices, ^f 
The Rubber Soles potion wiJI protect I 
you but time is short. When you 
reach Ihe end of the corridor, insert 
the stick in the hole in the wall to 
make a lever, which you have to pull 
to open the door below 

ORBS AND ALTARS ^ 

Trjke the Warrior's Sword and then 
put the Warrior's Shield on the 
Warrior's Tomb to disarm the pas- 
sageway. Pull the lever which opens 
Ihe door opposite. Before entering 
this room, make sure you have tound 
Ihe gem in ihe U-Bend of the pas- 
sageway so you can disarm the 
portcullis. In this room place the gold 
symbol on the engraved altar then 
travel back the way you came and 
put tJie Warrior's Sword on the 
Bloodstone, This action covers the 
sword in blood and is the perfect gift 
for the skull who asks you for blood. 
Give it to him, and he will open the 
door to Ihe next room. Inside you'll 
find the guardian with the red eyes. 
Take ihe chest key. 

Open the relevant chest in which 
you find a door key and an unlit can- 
dle. The key opens the door at the 
end of the now-disarmed passage- 
way. Inside tour skulls will ask you 
for the Talisman of Light. Give it to 
the skull in the bottom left ol the 
room and he allows you passage into 
the nejti room. All the others witl 
send you screaming to your death. 

Next door is the guardian with the 
green eyes. Put the gray crystal on 
the Stone of Two Colours which 




FOR CENTURIES THE SHRMEM"^ 
HAD LIVED AS NOMftDS UN!! 
THE Wftft CHAN&ED THE W- 

THE LORXi OF INFI £4 

THEM SANCTUARY WITHIN THE 
CASTLE IN RETURN FOR THEIR 
SECRETS IN MAGIC 

USING MR&IC HE TF; 

THEM ft**© TURNED THEM 
STONE AND THEIR MIND 
ONES 

*t INSULT HE MftDC 
THEM TECTC F THE 

Rir APE 




-■■•- - -' ■•-• . 



in ir 



J L 



Ttw boohs you find within *e game are Mar elly (trtppii^g with clues and hints hb to wtist Id lack 
out fur, so make a not e of what they say. Although son** ol the messages might seem little cryp- 
tic arKl tMntlintt* downright irrelevant, there Is a point to all of it. 



turns it into a yellow crystal. Take the 
credit card oft the floor and hurry 
back to the room where the Warrior's 
Tomb is located. Insert Ihe credit 
card in Ihe electrical machine to open 
yet another door. 

In here, take the chest key and 
place the cold protection potion onto 
the altar decorated with a black and 
white circle. Take the Fire Protection 
potion that appears in its place and 
take the rock off ihe stool. Drink the 
potion and take the Eye of the 
Beholder from the hot coals in the 
room opposite. Put the Eye in the 
Water of Beauty and then take the 
green crystal. 

Re: urn to the Guardian with the 
green eyes, face it and insert the 
green crystal, You can now lake the 
first of the four orbs which you place 
on the relevant altar in the large 
room where (he four altars are found. 

Your chest key fits the chest in 
the first trapped room. Take the Jug 
of Infinity and the piece of coal, (ravel 
down to the second trapped room 
and put the coal on the crystal flame, 
then take the black crystal that 
appears in its place. Fill the Jug of 
Infinity with water from the tap then 



travel back down the passageway to 

the room where the Warrior's Tomb 
is situated. Insert the black crystal in 
the Guardian's eye. 

You now have access to a small 
room. Pull the lever which opens the 
door across the chasm and put the 
unlit candle on the fire stone to light 
it. The skull in here asks you for 
the password, Pick up the lit 
candle and return to the 
chasm room. 

Put the lit candle 
opposite the other 
candle and the 
chest will open 
Take the red 
crystal, insert 
this in the rele- 
vant guardian 
to glean the 
second oft. 
Cross Ihe 
Chasm and 
don't forget to 
pick up the 
plank as inside 
the next room 
another chasm 
open up behind you. 

Take the second 



"gold symbol and a 
gnm. Put the symbol on the 
second engraved altar in ihe room 
where the Infinity stone is found. 
— , Put the Jug of Infinity on here 
land take the Gem of Infinity. 
Operate the floor tile in the 
Top right-hand corner of the room 
and take the dagger. 

Go and find the skull that 
asked you tof the password, face 
him then look at the Gem of Infinity. 
He allows you to enter a room where 
you find a slick and an altar with 

World War' engraved onto it. Put 
the dagger on here and take the 
poppy. Give this to the skill that asks 
for remembrance, and he rewards 
you with a parchment. This is full of 
dues to help you, so read it carefully. 

Put the stick in the hole m the 
room where you found the eye and 
operate it. This opens the other 
door behind which is very little 
apart from a stool, Place the rock on 
here to gain access to the room 
where the guardian with yellow eyes 
is furking. Insert the yellow crystal 
and take the third orb, 

Put the parchment on Ihe altar of 
sadness which is near the blood- 
stone and take the tears of loyally. 
Place these in the water of hope in 
the second trapped room and take 
the blue crystal. Go find the Guardian 
with blue eyes and grab his orb. 

You have now found all four orbs 
and if you haven't already, place 
them on their appropriate altars in 
the large room in the north east cor- 
ner of the map. The portcullis in front 
of the last guardian descends so you 
can insert the gem ol infinity, your 
last task in level one! More next 
month so keep tuned. "2) 




ADVENTURE HELPLINE 





VAMP 
She may look 
'batty 1 , but 
Vampyra knows 
where the bodies 
are buried. If you 
don't believe us, 
check out her 
advice to the 
bewildered 
this month. 



Goodness I am tired \ 
although I must con- 
fess goodness had 
nothing to do with it! 
If I had known I was 
going to be around 
for this long I would 
have taken better 
care of myself before 
I died. What J need 
now is to get back 
into my tomb and get 
a good day's sleep; so 
let's get this show on 
the road. 



ihw 1 

1 have been playing Bloodwych with 
my brother on my Amiga 1200 and 
we have now moved on lo the Data 
Disk 1 . We have picked up the 
Chaos Crystal and got into the tower 
where we are now looking tor a 
Chromatic Key. Wb are in an area 
where there are rooms with green 
pads in ihem which transport you 
around, We have been everywhere, 
and even backtracked but we don't 
know where to go ne*L We desper- 
ately need your help. 
Jalll Purtow, St. Albans. 

ffiuv men m desperate need of my 
1 help, thats the sort of thing I tike to 
hear when I settle down to do this col- 
umn, it givts me 6 mom tinglyjeeitng 
nil aver. 

Anyway back to the game. I think you 
are talking about the rotfffl Ml ill? 
Serpent Tower thai is full <>f green pads, 
and has a passage lending off la the lift. 
Go to the top right-hand corner oj this 
room first end collect the items from ike 
alcove, then gel oat oj the mom and real. 
In a two-player game ill? best tactic is tn 
lei fine player go across the squares, let- 
ting alt the monsters loose. Meanwhile, 
the other plow blocks the arc bolts by 
either forming a watt up the passage 
that tiny route dawn, or by standing 
then a ilk Anttmagem, 

To find the Chromatic hex, leave the 
Parting runm, go outside and hilt lite 
mil ii rind the crab. Free the two men 
locked in the end room, then run tn 
behind them and shut the door. Pick up 

the etfinjitiaUl mill ■■ti'rji in llir bf.l. 
When wii wake tip, d Ww dragon will 
■'.<, ..-.'.■ i\, : .iV the dmii. 

Kit! the two men and this wilt give 
vni the hey you seek. It's a dog eat dog 
life in the old dungeon isn't it? 

POLICE QUEST II 

I'm stuck in Police' Quest It, I went to 
the jail alter 1 was told that Jessie 
Bains had escaped. I then went to 
Cotton Cove where a young girl saw 
a dead body. I walked left, followed 
by Keith, bul I kept getting shot by 
Bains. My gunshots, however, kept 
missing him all the time. Please can 
you help me? 
Alex Hall, Burnley. 

/seem to gel nsked the some qtustimi 
again mid again. Although those 
questions have nothing to do with 
,i><\ ensures. To those questions I usually 
reftly: "Not unless sou- wrap a £10 note 
around it" and "Mot white the Haiti is in 
the station" 

in this case you must do the follow- 
ing: viilk to iiigget, talk to jogger, ask 



jogger, listen lo what jogger says, F6 
{Ijsad Gun), FS(Raise gun} and exit 
screen left at bottom of big bush. Then, 
move up the screen a little, just before 
(he end of the bush. Futility, fire at 
Bairn when he appears. 



KINGS QUEST II 

I have come to a complete standstill 
because every time I try to cross the 
h ridge over the chasm I fall through 
the bridge. I have the golden key to 
open the second door. Can you 
help? What do 1 need to do to get 
across the bridge? 
E, Roberts. Clwd. 

~T\td you enjoy playing the game up to 
J^rthis point? Good, 'cos you're going 
to have to start again. Don't worry 
though, just fettiem/ii >■■ ■•■i"' things are 
even Mure enjoyable the second time 
around. Each ii)i» you cross over the 
bridge the game adds one to a counter. 
The game will only allow you to rmss (he 
bridge so many times, (three round trips) 
and then it collapses. All your tears and 
ail your sorrow will not fix the silly thing 
once it has reached ike liml. There is 
milking [or it my dear, you must gi> back 
to the beginning. 

EOB is driving me madl Finishing 
the game is not my problem, what I 
am trying to do is work out the spe- 
cial quesls. 1 have managed to do 
the first ten levels but I'm completely 
at a loss tor what to do on levels 1 1 
and 12. Please assist this partially- 
insane dungeoneer. 
Brett Taylor, Lincoln. 

/know how you feel dearie, Fve plenty 
of things driving me mud at the 
moment. You hum the sort oj thing - 
bats getting tangled in my haw, not 
being obit to find a tasty morsel after 
midnight olid such tike. 

FOB is an old one isn't it? Still, 
there is main a good tune played on an 
old fiddle the official guide to the game 
gives the fallowing clue for Level 11: 
"Those second from the end must differ 
front the rest." I matt thai this rejer\ In 
a room with twitches on the wall. If you 
set the switches correctly you will solve 
the pittite. I fear I tan't recall any spe- 
cial quest on Level 12 apart from kilting 
the monster which waits for you there. 



& f dH e h 

I am stuck in a room in the Silver 
Tower which has six mouths and 
each of the mouths has a riddle. 
Two oi the mouths have got me 
beat. The riddles are; 



"Nature's beauty is my meal. 
Tiny and red, tis such a treat," 

The second riddle says; 
"From the fiends from below, 
Find the item with the hidden glow, 
Find in is thing, lind it for me, 
For only then shall I set you free 
Please tell me what objects 1 need 
and I shall be forever in your debt. 
Johns than Burns, Manchester- 

Forevwr in my debt eh ? Do you know 
wlmt you'd Iff. taking on? Ftl mull it 
over mid help you in the meantime. 
Diamonds may be a girl's best friend, tun 
gti>e me blood-red mbm every time, A 
rutty is tiny, red and quite a treat fn> n 
poor girt who never gets any presents. 

If you don 't know where to find the 
ruby, I suggest you search in the south- 
west section of this level. 

The second item you seek is the glow 
ing Mantis Idol. You'll find this little 
knick-knack in the far wall of the room 
jilted wilh eggs on the level below. 



Now please 

remember boys: 

"If at first you don't 

succeed, don't worry 

- that's about 
average for a man!" 






' /rite dirwn your little problem 
' and send it in a plain tm*- 

tope to: Thar Vampyra'' 

CU AMIGA, Priory Court, 

39-32 Farritigdon Lane, 

Loudon KC1R3AU. 



WORLD CLASS 

~GVP AMIGA PERIPHERALS 



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HELPLINE 



CU AMIGA 



ENQUIRIES 

Bi : I have recently picked up a copy 
3* Valhalla ar>d The Lord of Infinity 
and have besn working through it 
•arty steadily for the past couple of 
meks. I have now reached Hie tNfd 
evel. but am finding it impossible to 

mywhere. I have looked every- 
where, but can'l seem to find 

:hmg at all, What am I missing? 
Can someone please help me? 
Mike Alison, Sutton. 

E 2 : 1 have heard that there is a spe- 
cial cheatmode tor the excellent Core 
snoot 'em up Banshee. A friend of 
mine says that you can shoot Polar 
oear& and the woman wilh the pram 
.■ Ihe sfjcnnd level. Is this true? Arid 
• so. whal do J have to do to get the 
cleat mode working. Also, is there a 
way of skipping levels, as the game 
s just far too hard. 
David Kinney, Ayrshire, 

B3: 1 read in a magazine recently that 

I is possible for you to cheat on 
3-ametek's Frontier Elite 2 by trying 
": sell your ship when you have pas- 
sengers on board. I tried this and just 
couldn't get it to work at all, and 
when i contacted Gametek, they told 
nve that it was a bug that has since 
been feed. Does anyone know any 
-iore cheals lor ihis game? 
Mary McDonald, London. 

B4: I've just got hold of Team 17's 
Aptdya and I have to' admit that I'm 
completely useless at it- The thing is, 
want to see whal ihe laier levels 
took like, and I was wondering if 




k arte I ink? chappy in Vaihafia. 

:nere is anyway I can gel lo later lev- 
els of the game either by having 
ifiniie lives or by jumping levels. I'm 
tearing my hair out al ihe moment, 
and I don't want to feel that I've 
wasted my money on a game that I 
'ndfar too hard. 
W. Haynes, Salisbury. 

B5: In Heimdalt Z, right near the siart, 
mere is a man lying in a pool of bod- 
es, who when I talk to him tells me to 
meet him in the half world- Can you 
nee tell me which island that's on, 
of how I gel to it before I bin this 




Another month passes, and a whole bunch of you go out and 
buy games. Then you take the games home and get stuck on 
them. Then you contact us for help, by writing to: CU AMIGA 
HELPLINE, The Floor Of Doom, Priory Court, 30-32 Farringdon 
Lane, London EC1R 3AU. 




tin viking crazy In Heimdail 2. 



wonderful but frustrating adventure, 
Andy McVittie. Aberdeen. 

B6; Is there anybody out there who 
can tell me how to complele the last 
Spoils level in Lemmings 2- the 
Tribes?? I have completed all the other 
levels and just need this one to collect 
Ihe last segment of the talisman. 
Steve Pare, Essex. 



RESPONSES 

X1 : For anyone having trouWe On 
Gremlin's Zoo! 2, you might ju si be 
interested to note that a couple of 
cheals have come to lighl for the 
floppy version of this hyper plalform 
extravaganza. If you type 
TQUGHGUY on the title screen, 
you'll become invincible, alihough 




Cheat* (jelaro in loot!. 



landing on spikes will still hurt you. If 
you don't want that much help then 
typing CREMOLA on the title screen 
will start you off with ton lives. 

X2: Premiere was Core's attempt at a 
new kind of platform game, and one 
that Ihey pulled off with relative ease. 
Now lhat il's been released on budget 
on their own Corkers label, now really 
seems ihe time to end those 'finding 
the cans of film blues' with a little 
cheat that allows, you to jump levels. 
Just type SPARKPLUGS on the title 
page, and you'll be able lo step from 
level to level by just pressing the V 
key on Ihe numeric keypad. <S5 




Writing to the €D AMIGA Helpline could n's 
lie easier, Jusl pop your enquiry nr 
solution in an envelope, keening your let- 
ters nice and short if possible, and then 
nun die it of! to CU Helpline, CU AMIGA. 
Priory Court, 30-32 Fairinijdon Lane. 
London EC1R3AU. 

Please indicate on lire back nl the 
envelope whether yon are sending an 
enquiry or a response. 



99 



W^M 



Smarty Paints 

The new MONSTER Amiga art package for beginners 




CHROMA COMPUTER IMAGES 

DEPTCU 153 HOLT ROAD FAKENHAM NORFOLK NR21 WF 
1 Mb required Enauirlos Q32S 8625 93 (SUP * 5.30) 



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as* of computer entertainment with the Trojan Li^htpri^r. Unktth you 
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CU AMIGA 




The weather has been so hot our Amigas have packed in ... but not before we 
tested this littie Jot of goodies. Welcome to Tech Central, home of information. 



f WALNUT CREEK 
II astral travelling is yourw 
Walnut frnot it- nno fTl-D 



CREEK 

If astral ^availing is your weakness, than look no further. 
Walnut Creek is one CD-ROM disk that has it all, as John 'Into 

the Mystic' Kennedy discovers. 



f HEALTH 
II you get too i 




I' you get too excited when playing Amiga games, or having your 
8833 monitor volume up too loud whilst playing OctaMED sam- 
ples then turn to page t 1 7 now. It might do you some good. 



This baby appes 



IANGE VOLUME 1 

ipears to be bursting at the seams with all 
sorts of goodies: games, fonts and sounds., to mention 
but a lew, Lisa Collins scans the disk. 




'Alternative' image? Well, Andy Leaning has his 
own special one, bul we won't go into that, Instead, lurn to page 
1 19 to see a new labulous range of 3D images. 




/ 



if 




t 



CU's Art team have been forced 
to wear dark glasses this month. 



MOVIEFONTS 

Do you want good quality fonts at an atfordaWe price? Yes? 
wall Andre Digard has a disk ot gems for you. You don't have to 
spend wads of cash to improve your video creations- 



BRILLIANCE 

it's here, the upgrade of the Amiga's besl art package. It's been 
top dog for quite a while, but can the best get any better? Tony 
Horgan finds out. 



3DRXTURE 

Ever wanted an 'Aiterr 

I 
I 




Al, 

Fngage warp engines. We take the A1200 where no A120Q has 
gone before with a round-up of panl burning accelerators. Tony 
Horgan feels the heat, 



EPSON PRINTER 

Andre Digard surrounds himself 

in glorious technicolourwiih this 
excellent printer. 



fPD SCENE 
Tony Morgan is so happen i 
the 'scene 1 - PD scene th; 




Tony Horgan is so happening, man, I mean he's always on 
the 'scene 1 - PD seenfi that is, This monlh he's written it 
sitting on an elephant with one hand tied behind his back. 



VM 



Turn your CD3E into an 
At 200 and gnt the best of 
both worlds. 

f IMAGINE 3 
At last. IwaameSis here in 





handy and useful things from the public domain 
world, Andre Digard is your guide in this month's wonderful 
•,<.'.-.) ''d of PD. 



I 




I 



At last. Imagine 3 is here rn all its multi-coloured glory. Simon 
Smith opens up his mind to explore its new features and 
delights in the outcome. 



G-FORCE ACCELERATOR 

It's f/te upgrade for the A4000. Get your seat belts on and pop a 
couple of boiled sweets in your mouth as you prepare for take 

Off with this new accelerator. 



ARTGAI 

AH this art nonsense has gone to Lisa's head 1 : She's started wear- 
ing Van Gogh sandals and referring to everyone in the office as 
iuwvies ordarrrrlings. Yes, more arts and crap this month. 




;'nn 



The CU AMIGA top rated accolade lor non-games prod- 
ucts scoring 90% and over. They Mill definitely he 
worth the money and are likely lo act as a benchmark 

fur IntuiR releases. 



101 



» 



CU AMIGA GET SERIOUS 







r&HJUUiJ 



It's a real mixed bag this 
month folks. (Snappy eh?) 



Elk: J}*il ]H UIIV BJOCKI >«ll 



^ah ran 



LM 



Wind,,. U* 




COMPUTER OPTICS ANTI GLARE 

Antiglare Glasses 

I was impressed by these glasses' ability to cul oui 
glare whilst keying in copy. However, they didn't 
do such a good job if you needed to check the 
accuracy of colours on screen, Colour definition is 
vital when designing pages or doing artwork and flhe 
glasses' blue tint meant thai I kepi having to remove 
them every five minutes to check the on-screen 
colours, and this was annoying. For anyone doing 
colour-intensive work I would re-commend hourly 
screenbreaks instead of these glasses. However, for 
word processing, database or financial work they're 
fine. Also, they are available as clip-on s for people 
who wear glasses on prescription. 
Castas Michalts 

Available from GEPRO Co , FREEPOST (dept 
77) MB 1927 Keston, Kent BR2 6BA. 
Tel: 06B9 851206. Price: £32,98 
Cllpons: £29,39 plus £199 P+P. 



WALNUT CREEK 
CD-ROM 

Space and Astronomy 

T — his disk is designed to be used by many differ 
ent computers so, unfortunately, you'll find lots 
of files which will be of absolutely no use to you. 
However, there are plenty of lovely pictures. Over a 
thousand in tact, all ot which are stored in GIF for- 
mat (a 256 colour format invented by CompuServe), 
There is a good all-round viewer called ViewTech 
supplied on the disk and a Pew extra-fast (albeit 
monochrome) dedicated GIF viewers. The images 
are mostly from NASA, which means they are freely 
distributable and you tan do with them what you will. 
Generally, the quality of the images is good and on 
an AGA Amiga with a suitable monitor, the 640 by 
450 display is superb 

Although the title of the disk is 'Space and 
Astronomy' , there isn't a great deal in the way of 
Astronomy here because Ihe night-sky simulation 
programs are PC only. The text tiles are a good 
source of facts as they are mostly made up of press 
releases from both NASA's Jet Propulsion 
Laboratory and USENET feeds from the Internet 
(worid-wide electronic mail conversations related to 
astronomy), although (hey lend to concentrate on 
NASA's exploits, more than anything else, If you 
have Internet access, you'll find many sites to 
explore, For example, I discovered that ihe Space 
Shuttle took shots of my home area,, so next time I'm 
on-line I'll start hunting for them. 

I can see this CD appealing to Sysops wanting 
to offer lots of on-line material on their Bulletin 
Boards. The widely accepted GIF standard means 
everyone can took at the pictures, and apart from 
the rather misleading name, this is an excellent 
disk to use with a new Amiga CD-ROM drive. 
John Kennedy 

Available from 17 Bit Software 1st floor office 
28 Market Street, Wakefield, West 





Yorkshire WF1 1DH. Tel: 
386982 Price £19,93 



0924 



' ^ft 



CD EXCHANGE 
VOLUME 1 

CD-ROM Drive 

CD Exchange Volume 1 is a jam-packed disk, 
crammed full of utilities which will work on 
both a CD32 and an A1 20/0 with a CD-ROM 
drive. The utilities on the disk include music mod- 
ules, shareware games and utilities, demos, 
animations, clipart, fonts and AGA pictures. 
Loading time is painfully slow but once it's up and 
running everything on the disk is accessed fairly 
easily via workbench or the CD's main menu. 



tt's all laid out in a very user-friendly way too. 
The main menu calls up a lis! of ail the main cate- 
gories on the disk i$: Quiz, Game Selection, Sounc 
Selection, Font Viewer, Pic Viewer, Animations ami 
Clipart. All you have to do is click on the question 
mark beside each category and you're off. Quiz is i 
general knowledge quiz which plays loud raucous 
laiughter if you get a question wrong and cheers if 
you get it right. The only annoying thing about Ihe 
quiz section was that if you got a question wrong, 
you have to go back to Ihe start and answer the 
same questions all over again. 

The game selection is pretty nifty. A scrolling 
menu lists hundreds of PD games accompanied by 



102 










all the relevant details, The games them selves are a mixture, some are very 
good, some stink a bit. The sounds selection twasts a selection of sound 
samples. These, however, are not so hot. The Font Viewer also calls up a 
MSI selection of fonts which you can copy across to your hard drive for fur- 
ther use. The Pic Viewer boasts tons of pictures ranging from the usual 
selection of naughty underclad women lo 3D sci-fi stuff. The animations are, 
m my opinion, the best part of the disk -there are some superb examples 
from Tobias Richter and Eric Schwartz, These animations alone would be 
worth buying the disk tor. 
Lisa Collins 

Aval labile from CD Exchange, Unit D5, Hi-Tech House, 10 
Blackf fiats Street Norwich, Norfolk IMR3 1SF. Tel: 0603 6B6 fTftr 
202, Pri ee : £1 9, 99 \Qjjp 



MOVIEFONTS 

Animated Video Fonts 



Amateur video producers are almost always soared to death by the price 
of animated fonts - many packs can cost well into Iriple figures, 
Moviefonts were designed vwilh these people in mind. They are cheap, 
reasonably easy-to-use and effective on screen, though they are definitely for 
the home user. The fonts themselves are far from professional but that 
doesn't really matter loo much. 

There are a whole series of these lonls which cover a broad range ol 
styles from rotating letters through balloons being blown up to neon light-type 
tubes. The pack supplied for review contained live fonts, afl of which are in a 
DPaint Animbrush format. The files are easily accessible, sensibly laid out 
ind coma with examp e d ctures, Thara if even a catalogue disk w-ich shows 
all of the various typestyles available in the series, 

The overall look of the fonts are highly variable, some border on profes- 
sional whilst others have a definite amateurish appearance, The 'Marble 
Line' font even managed both at the same time, looking great for the first 12 
frames then transforming itself into something almost horrific over the next 
12 frames. The palettes used are also a little rough around the edges, often 
providing too much contrast. Worst crime of all is the 'manual', a sheet of 
A4, which although it contains all of the necessary information is hardly writ- 
ten for the beginner. 

These are mostly niggles though, 'Marble Line' could be very usable if you 
only use (he first" 12 frames or play with the palette to get it looking smoother 
tor all 24 (as in the screenshot below). The palettes in general can easily be 
manipulated to make all of the fonts more pleasant to the eye, which is a very 
subjective thing. The manual may be lax but even a real novice will under- 
stand how to use the fonts fairly quickly. 

The true saving grace of this pack is the price, the font designers them- 
selves being fed up of paying inflaled prices and receiving products seldom 
worth the money. Moviefonts don't quile have that prptessional polish yet, but 
you can shine them up quite well with a little effort and there's even a test 
card and countdown clock included. Overall it's a well put together package, 
one which I look forward to seeing more of in the future. 
Andre Digard 

Dlskotech, Melin-Y-Garth, Buillh Wells. Powys LD4 4AW. 
Tel: 05912 242, Price: £15.00 



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As Deluxe Paint 5 limbers up for an Autumn release, 
Brilliance 2 has already been unleashed and is selling 
for less than £45. Tony Horgan gets visual... 



DPainfs Move requester) has had a few minor 
additions and adjustments. There are now buttons 
to switch or copy the start and end settings, and 
the anti-aliasing during tweening is also improved, 

A 'flip book' mode has been included, which 
aHows you to set up a range of frames in an ani- 
mation, and play just those. This, could be handy il 



and loyally DPaint has built up over the last nine 
years, Brilliance t\as actually done a pretty good 
job of denting its monopoly. Electronic Arts plan to 



of Brilliance is already on thn 

is set for another colossal battle of the giants. 

NEW STUFF 

Before we dive into the in-depth analysis, here s a 
quick run-down of what has changed since the 
original release. The first thing any Brilliance 1.0 
user will notice is thai Brilliance 2 doesn't have a 
dongle. The original program had adongle (a little 



the middle or near the end. Now you can view 



less piece of software, Fortunately that's no longer 

an issue. 

The magnify function now has a new TrueView 
option in the TrueCotour (HAM and 24 -bit) ver- 
sion ol Ihe program, This allows you to view the 

... • . . i_ ,» _-■-.. tl ..,:ih«..t 4h» UIAM 



fringing that puts a blurred outline around con- 
trasting colours, 

A new elf eel has been added to the drawing 
modes: rub through. This lets you rub through the 
to picture on the spare screen, as if you were wip- 
ing of I the graphics from the main screen to reveal 
what's behind. When used in conjunction with Ihe 
opacity setting, the image from the spare screen is 



as a copy protection dwh^Tand would only work The tweening section (the equivalent of 



Previously you would have had problems load- 
ing a HAM or 1 5/24-bit picture into the non-true 
colour version qI Brilliance. Now the program will 



the best palette to convey the picture. You can 
also choose to have the image dithered or not, in 
order to mask the reduction of colours, 

The lasl of the main new features is the anlma- 



mode. all the menus, brushes and pointers are 

n-.i__ __ .,.■_;_■-. :LI -■« — -*—--■ +hiA. fire-ft 

lOiTVeil LTii 1 1 n= -afiji era i i . "iiiup- *-»■■ — -f"»; — -— ----- 

frame of the animation until you tell it to advance. 



RODUCT TEST CU AMIGA 



BRUSH MANIPULATION 

The powerfui brush rnanipulatian features are one of lite mosl exciting aspects nf Brilliance?. Any pari of the screen can lie 
picked up and used as a brush, either by delimnu a rectangular area, or manually {lilting qui an irregular shape with the 
mouse. Unlike DPaint which can only remember two brush bs. here you can keep dp to sigh) brushes in memory at once. 
When you cul out a brush, it can be stared in its own spat on liie brush palette, Item where il can he picked up and used 

later. These are some of the possibilities thrown up by the brush functions 



CLR QBJ ^pSXI^dQli^^ 

■»-^rJ MS ft a n !\l;>Jo|fL SJ 



SAVE 

eftusH 




DELETE 



HANDLE PflhlETTE: 

-BldfiEJ 
_B G + FGj 
CENTER EQ++-FG 

ADJUST BG+Tl 



AUTO BG| 
TILE CUT 



You can now set the animation playing by pressing 
any key. The animation plays through once {either 
forwards or backwards as dictated by a previous 
key-press), and wNI wait on the last frame or the 
sequencer once it's played through. The menus 
and other bits will only pop back up when you 
press a key again. 

This is a very useful feature, especially as you 
might want to us* Brilliance to play back anima- 
tions that you've created with, for example. DPaint. 
Let's face it, you've only one pair of hands, and it 
can bo a hell of a job to siart your video recorder 
rolling at exactly the right point, whilst trying not to 
record those annoying menus and pointers at the 
beginning and end of your films. 

While we're on the subject of animation play- 
back. I should mention that Brilliance outscores the 
currently available versions of DPaint by playing 
sequences at up to 50 frames per second (or 60 
on NT5C displays) for completely smooth anima- 
tion. This does, of course, depend on the 
complexity of (he animation, the screen resolution 
and number of colours used, DPaint never man- 
ages anything over 30 frames per second, no 
matter how simple your animation. So even if you 
prefer to use DPaint, or any other IFF animation 
package for actually creating your animations, you 
could load them into Brilliance, and record them 
with a superior frame rate. 



Morphing one brush inrtu another is very similar to the same option in QPainL Unlike dedicated morphing pron/ams, in which 
you decide which parts of (tie first image will become which parts ol Ihe second, all you need to do here is select Ihe two 
brushes, tell il how many frames you want the transform alien to use. and hit start. The results are almost identical to those 
you would gel from DPatni, and lake the same length of time to render. At the end of Ihe process you are left with an 
Anim brush that starts with Ihe first brush image, and changes to Ihe second. The mare to lours and frames you have available 
the hetter - otherwise they lend to disintegrate into a mass of random particles and Ihen relprm into Ihe destination Image. 



Another cffecl offered by morphing 
programs is warping. Warping is 
when certain parts ol the im,nge jre 
stretched or shrunk. Certain types 
of iva rp scan be emulated! by 
selecting a tilled drawing tool (say 
a solid circle, or a freehand filled 
line), and telling it la fill the shape 
with the brush. The results can be 
very strange, 






Wrapping brushes onto spherical objects is a doddle with the Stretch option. Alternatively, you can get a fish-eye lens 
effect with the similar-but-dillerent Shape option. Both ol Ihese can be combined wilh any ol Ihe other drawing tools for 
even more effects. 



Brilliance 2 is much, much faster than DPainH. 
Although some operations are almost identical in 
terms of speed (morphing brushes lor example |, 
overall Brilliance leaves it standing. It's the general 
operations that make so much difference. For 
example, cutting out the little frog from ihe demo 
picture (left), and moving it around the screen with 
the mouse in DPainl, Ihe frog goes into Star Trek 
transporter mode, turning strange colours, disap- 
pearing, and then re -appearing somewhere else 
on the screen in a futile attempt to keep up wilh the 
mouse. The same lask in Brilliance is handled with 
extreme ease - our little green friend slides around 
the screen without any delay. A good turn ol speed 
isn't so important when using low-res 32 colour 
screens, but once you get up to 256 colours and 
above, especially in high resolutions, it's essenlial 
if you want to keep any Plow in your work. The last 
thing you want is to be held up by a slow, cumber- 
some piece of software, and Brilliance does its 
best to avokJ this, 

MEMORY USAGE 

The system requirements state that a minimum of 
2Mbs of RAM is needed, and recommends 4Mb. 
But even with 6Mbs, it can run out of memory sur- 
prisingly quickly. To make full use ol the program's 
more powerful features, you'll really need a hard 
drive {bear in mind that this will usually eat around 
0.5Mb of RAM too) and at least 4MbS of RAM, but 
I'd recommend as much as you can aflord if you 
want to use all the Double Pal HAM 8 modes of Ihe 
AG A machines. Still, if you only need to operate in 
low-resolution, an expanded A500/A&UO or a stock 
A12Q0 would be sufficient, In general, our lests 
revealed that identical Operations required slightly 
more memory for Brilliance than DPaint. 

THE ESSENTIALS AND MORE 

There's not enough room to cover all the features 
ol Brilliance 2 in ihis review, but you can assume 
that just about anything DPaint 4 does, Brilliance 
can do too. There are some exceptions, but not 
many. However, even though I rate Brilliance 
higher than DPaint, I wouldn't like to have to ditch 
the old laithlui altogether. In fact, ihere are still 
many operations that I'd prefer to use DPaint for, 



SttSftKr 



I ••.".:.•-:■- , Oil . 






SPECIAL EFFECTS 



rub through. Here are some examples of the more interesting affects. 

NEGATIVE This turns all selected pfe* Ml Wei* negative RUB THROUGH. This is like eletiirig through «« man «'"m 

o -*p rait " coZrs . B.acliuecomes *hile, olue "Mom* to the sparest. There are p ent> ■ Jl 'seneu « 

nl KenES purple, as if the sudors on « BGB this, as -ell as all Me possibilities it throws op lor creating 

colour controls toe been mirrored around a central ails. abstract pastiches ard other weird Images. 



yipptef i 



MIXTA 





i: 



vifke* it's. WW's 

HXXTAPtv!!!! 




DRMATS 



Willi hi ros2*-bi1 images, Qr any other larg*?imagB, the 
JPEG lilefnirwt is usually tlie most effective lor storage, as 
il compresse* picture tiles la a traction nl their original SH6- 
BtMatfE z cannot load or sane JPEGs. This is a big oner- 
s Igwt, at you caul d qu its eas i ly create an image with 
Brilliance thai would be tno big to lit™ la a HiPM nisk- it 
you're a professional Amiga a nisi, you ire certainly going 
to need in transfer images unlit dirfer«rrl machines now and 
then. II you caul aelualryget your images oil your hard 
drive and onto a Hoppy, you'll pronarjly have So (ark nut lot 
in expensive storage system such as a SyQuest drive. 

It you really do need JPEG compatibility, the best 
■option is to use a JPEG loader patch program, Hist tan 
give ifmosl any graphics program JPEG loading and sav- 
ing support, such as Pegger which was reviewed In CU 
AMIGA July 1994 issoe. page 117 (£99 Ironi Meridian 
Distribution, lei: Oat 543 3500)- 

Altematively. you can convert your IFF images into 
JPEG format wilh an image processor such as Art 
Department PrtfessionsHtoWM also from Meridian 
Distribution see above paragraph lor telephone number). 



iGHTEN'DAftKEN Obviously this either makes Ihe COLOUR I SE. Cofeunse gives the Impression ol viewing the 

£A» Sfci before. The effect is selected area through a coloured sheet of glass, utsti 

Sim. SSm the brightness knob on a TV. All you have leaves some o< Ihe original colour showing through. Tint is 

Ic do is fiddle about until you are satisfied a similar hut stronger process. 



mainly due to differences in Che way the two pro- 
grams work. One thing I'll definitely still use DPaint 
for is its wonderful symmetry functions, which 
Brilliance touches on, but doesn't come near, 

NIGGLES 

Anyone who has used Brilliance f .0 may be a bit 
disappointed by the lack ol major new features in 
this update. Most of the changes will make life 
easier, but not give much more in the- way of new 
creative options. The lack of JPEG support is 

I surprising, Also, it would have been nice to see an 
integrated grabbing section, which could be used 
with VIDI or any other popular video digitiser to grab 
image* Irom within the program. Combined digitising 
and editing soltware has been around in the music 
sector for years - isn't it time the visual side got in 
on the act? 

CONCLUSION 

Brilliance was a supenb program in its original ver- 
sion 1 .0, and the current changes have made it an 
even hotter property. Feature-tor-feature, it beats 
DPaint 4 with ease, which makes il the best graphics 
arwd animation package you can. buy (or your Amiga. 
And, as if you needed any more excuses to buy it. 
although the RRP is £99.00 it's available to CU 
AMIGA readers for the crazy knock-down price of 
lust E43.40! (though stocks are limited). At this price, 
it's an absolute steal, and anyone who passes it up 
needs thei r head examini ng . 9 



FEATURES 



The new features incorporated into Brlllfansv z which were 
not present in Brilliance J, are as follows: 

• NO MORE D0NGLE! The anti -piracy dongle is no longer 
needed. In fad, the program is now completely tree ol 

copyprotection. ^_ ,^_ 

# MAGNIFY WITH TRUE VIEW aPTItJEiliminatflf fringing 
when examining HAM images in magnify mode. V 

• RUB THOUGH, ft new effect Hut allows you to irt k 
through Ihe main image to reveal the spare image, M 

* TWEENING INTERFACE jiTERATlQNS. The layout of *e 

twe en ing section has beO|angBi]^^ke>roiirn lor (he 
load and save gadge^ldnween sellings 

* FLIP BOOK- This lets you view specified sedtoiis of the 
animation. Instead ol the whole thing Irom start to linish. 

• COLOUR CONVERSION ON LOADING, You can now load 

pictures with more colours than Hie current screen 
mode, without changing screen mode. Foreiimple, 
you could luffd a HAM picture inlo a M-colour screen, 
and the colours would be re-mapped automatically, 
with optional dithering. 

• ANIMATION PRESENTATION MODE. Anaflirnallon play- 
back mode designed specifically Tor those hen fling- 
animations to video is now included, making the suing 
process much mure Sriemlly, ■ . mpjn 

* CUSTOM SCREEN SUES- Custom screen sip* now need 
not he in multiples ol 16. 




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EASE OF USE ♦♦♦♦♦♦♦♦♦♦•OX 

Ho pud-down menus, but tire custom interface is i/ser- 
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t An essential buy for anyone m 

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Epson GT650O Scanner Controller Software £99.95 

Sharp J XI DO Driver £99.95 

Sharp JX3W Driver £359.00 

Abekas Driver ....EIIS-W 

Lasergrap-hics LFR Driirer I 






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IMAGE PROCESSIIMG/graphics 

Art Department Proleaslonal v2.S £139.00 

Art Dept Pre Conversion. Kit 

uwdttann IW lo-mais in Ait Departrnenl Picflessonal 
Art Expression*)-.. E13S.0O 

Callgarl 24 PAl . ,£94.S» 

Callgan Brcadcssl v 3.1 

Clarissa £5995 

Doug s Pro Control for Art Dtpt £50 ,95 

■;f.,-i3 trail and tar AD Pro and Mnrph Plus 
Imagine 3 (Nnally the new versmni 
ItorfM PfcHi T*«. dtfton, men L'129D0 

Pegger J'LQ iiaae c<mipreM«3n.(HEW( . E78-9S 

Pmil 3D PfO iwaie 30 urdgnfl en Horn ?n jcijw!. £59.00 

Pruresskunal Draw v3.0 . £S 7.95 

Rail 3D Classic Cut mfestwe 3D r«ixMnng. my mcing . ..£69.95 

Raal 3D V2.4 ur.-a, po*^Li arateiKji'* 3D WKHnng E3SS.95 

Vldao Dir»clO» Vdn I ciiir-r £ I I 5.96 

X-CAD 2000 13995 

K-CAO 3M0 . £1 79.95 



FINANCE MANAGEMENT 

Arena Accounts Pul nnraLms packaja tar ire *m*i EHS.-9S 

Caahbouk Combo E59-99 

Day By Day Diarrand p«^onai wfiBirw»r ..£24.99 

Horn* Accounts 3 |. Money Matters) „ £34.99 

p#rWntl Finance Manager Flu* E23.9S 

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System 3E Malum tar caar*» hme incgnr aiKk uHttiSM 99 



WE ABE MEVER KNOWINGLY UNDERSOLD 

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EDUCATIONAL 

Any Fun School i £1 5.99 

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Any olhar ADI Maths, E nflllsh, or French ... .£1 6.39 

ADJJunlor Reading or COunllng £15.99 

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Noddy's Playtime £16.99 

Noddy's Big Adventure Clfi.SS 

1,CL (la GCSE, MlCrO English, or Micro French, or Micro 1 
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PAINT 

Brilliance? 

Deluxe Paint 4,5 ASA ?59 9S 

Deluxe Paint 4.1 Std NOr> AC, A £5999 

Professional Draw v3.0 £67 95 

TV PAINT v2 £169.90 






SOFTWARE DEVELOPMENT 

Amos Profeaslonal . . , , ., .£32,95 

Atn«* Professional Compiler £24.95 

Blitz B**IC *Z £49-00 

CanDoV2.S E8§-8S 

Cygnuo Ed Professional vS.S ES9.9S 

DevPac 3 K51 X ' 

Hlsoll BASIC 2 £54 99 

PUCBl E79 95 



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BarsSPipcs Professional vi.S £199.95 | 

The mat pcwafli.1 sequwiMr you muld eier wlan Vk- 

Creativity Kit .E29.M I 

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Power Toola Kit ..£35 99 

Pro Studio. Kll £32 95 

Rules lor Tool* £29.99 

Ona-Slop Mu*ie Shop {LOWER PRICE) . , , £479.99 

EMU P'oluus DSP no a C*T * Meg cf. wr--alitl6i S iamplrjs on ROM 

PatchMei*!« £79.96 | 

:Paidl liDfanan tv MIDI, drhmra 1M many SOdnfl n-DdjIns Syim dumoa 

SuperJAM I v1 ,1 -i-The Mcy *ay ir* nuke ipusm! t?4.45 I 

SyncPro Synchmniaa mwi *n runmntla S151.9E 

Triple Play Plus £15995 

Wriu tiri 3-out Mttl irtarfacd, tnvt j(i *) *3 cr^nrd MIDI cnfipUiliurii 
Pro Midi Interface Tnrj pnH.poi«airnance r«r> iwrapn ....£19.95 

MegalosounrJ Sampler C23 9S 

Ctekjii: Music Conalruclion Kit vZ £69 95 

Technotound Turbo 2 £25.95 



VIDEO HARDWARE 



EdUmate 

. ,.■: Ir<jrn A-Tiiga, addsQuffd vialhemiiingtianrd Cab*4ftnda7W 
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Video Back-up System with Phono cabfas £54 .95 

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Vldl Amhjt I? f!74 95 

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Vldl 24 Real Time near i.™ £4 on irnino oralaHr 

R*nd*lB 8BD2 FMC Genlock E158 95 



WP + DTP 

Final Copy £48.00 I 

Firm! Writer £88.00 

Pen Pol £29.00 

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Personal Font Msk^r C40.00 | 



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Distant Suns vS-0 natnnoaiy (HEW lower PRICE) £27.95 

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Vista Lite (only zmb needed) (NEW> £29 95 

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mmmmmmmm^m 



■mm 



PRODUCT TEST CU AMIGA 




The fabled SX-1 CD32 
expansion is now 
available, albeit in very, 
very limited supply. Andy 
Leaning and Tony Dillon 
take a look at one of the 
first CD32 expansion units 
in the UK. 

It's been a long time coming. The Microbotios SX- 
1 has been rumoured since the CD32 was lirst 
announced, now it's finally here and, blimey, it 
works. The SX-l promises CD32 owners all the 
capabilities of a full A12QQ without sacnlicing any of 
the functionality of the CD32 - ie you can now do 
almost everything you can with an A1 200 and play 
CD32 games and plug in an FMV" module. 

LOOKING GOOD 

Installation is easy. The SX-i plugs into the 
CD32's expansion port al the rear. (The port thai 
was previously only used by the FMV module). At 
the back of unit there are interfaces for an IDE 
hard drive and a Parallel printer- On the left-hand 
side there is the Parallel printer interface cousin - 
the Serial link, a floppy drive interface and AT key- 
board port on either side of it and a small sound 
port. On the right-hand side there is a connector 
for a RGB monitor. 

Once the SX-1 was up and running, everything 
went smoothly. Software booted and loaded from 
floppy, and the CD32"s CD-ROM drive, klentitied as 
CDO, was easily accessed from Amiga software, 
We tried all manner of normal A 1200 titles and 
didn't have any incompatibility problems We also 
iried the Ami net CD and the files ungrchived to 
floppy perfeeily. A nice touch is that the SX-1 pre- 
vents the CD32 from resetting when you open the 
Hiptop lid, and allows you to change CDs easily 
without rebooting between changes. CD32 games 
ran without a hitch. 





here It i$, (he Intern*!* ol |h* much lilh*4-ab«ut SX-1 CP32 
expansion. Nole In* large ctnlral SIMM txpaittlon. 



TTi* SX-1 »n *m&fllli*h yaur CD3S with al must 
capabilities qtpnfllJW, 



RIPPED APART 

Having passed initial tests, we then went a stage lur- 
fher. Four small screws (two on each side) were 
begging lo be undone and the case opened, so 
unscrew ihem we did. Lifting the lid from the case 
revealed a com pad. densely populated, circuit board 
packed full of goodies such as a single SIMM socket 
for RAM expansion to 4 or 6Mb and a secondary 
internal IDE port allowing for further hard drive stor- 
age. Incidentally,, on the back of the cases is a hole 
which could, in iheory, be used to connect external 
IDE devices to this internal port -but no further 
details were available at the time of writing, 

SX-1 also has a bank of four jumpers which 
can $e( | he amount of RAM present and delay 
power up for 10 seconds (which is handy with 
hard drives that require a warm up period?). The 
underside of the circuit board, however, did look 
as if some last minute changes had been made, 
but as it was one of the first production units this 
could be expected. 

CONCLUSION 

The SX-1 is technically a good product, it does 
what it sets out lo and does il well. With the SX-1 
you can effectively turn your CD32 into an A12O0, 
have a CD-ROM drive and FMV capability as well. 
The addition of PCMCIA slots, better boxing and 
a trapdoor slot would have made this a definile musl- 
have expansion. However, it's a good product and 
very useful for CD32 owners who want more. ^ 

HMMMM ... 

It has recently been reported to CU AMIGA that 
the CD32 ROM, the controlling software inside 
the console, has several bugs, However, 
whether you are playing CD32 games, watching 

FMV movies or listening to CD audio discs these 
problems won't cause any problems^ in fact you 
won't even know they exist. 

They are reportedly in the Amiga ROM and 
internal circuitry of the CD32 and won't show up 
in normal CD32 activity. However, if you use the 
CD32 for more than playing games or watching 
movies, they may, if they really 'do exist, cause 
problems afier prolonged usage. 

CU AMIGA is Currently investigating this sce- 
nario to find out if they do actually exisl, and H 
they do. Just how serious a problem they will 
present. We will be bringing you the full results of 
these investigations in the very near future - 
watch this space. 



THE EXPANSIONS IN FULL 

The SX-1 provides the full complement ot A1200 
external interfaces and some extra goodies as 
well such as: 

• An RGB monitor interface. 

• Parallel printer and Serial (via a 9-pin D 
socket)ports. 

• An AT keyboard interface. 

• A standard Amiga (loppy disk drive interface. 

• Internal and external IDE hard drive connec- 
tors. The external connector being a 37 

pin D type. 

• A single 72 pin SIMM socket to hold 2 or 4Mb 
ol extra RAM. 

• A battery backed up clock. 

• A din Audio connector. 



SX-1 INDI £195 



CD32 ONLY 



INDI, 1 RING WAY INDUSTRIAL ESTATE, 
EASTERN AVENUE, LICHFIELD, STAFFS 
WS13 7SF. TEL; 0543 419 999 



EASE OF USE ♦♦♦♦♦♦♦♦♦♦87% 

Plug in and go - but there weren't any manuals to - 

explain trie various features. 

VALUE FOR MONEY ♦♦♦♦♦♦♦♦♦♦65% 

Pretty good, but not outstanding. 

EFFECTIVENESS ♦♦♦♦♦♦♦♦♦♦85% 

it's not bad, but what snout PCMCIA? 

FLEXIBILITY ♦♦♦♦♦♦♦♦♦♦87% 

Good, but really stmiitthaw PCMCIA and tne trapdoor 

for lull compatibility. 

INNOVATION ♦♦♦♦♦♦♦♦♦♦92% 

Excellent. although over <ioe. the SX- f Is an important 
development for the CD32. 



C Alongside the FMV module, it's 

the best expansion for _ 

the CD32. J 



OVERALL 



89% 



109 



CU AMIGA PRODUCT TEST 



TWa Km UK* o*M S*van hours to r*fi*ar In Ray TracB 
mode or* »n Amio* *lh " 25MHI &64KIO *id 68BB2. S«* il yo« 

can spfli Ihe datlbtrata rnlstak-t- 




At last Imagine 3 is 
on the shelves. Simon 
Smith looks for new 
features, finds a new 
price and, er ... renders. 

It has taken a long time to get here, but the way 
in which the Imagine 3 works from previous ver- 
sions has not been altered in the slightest- You 
still create objects in the Forms editor, add textures 
in ttie Detail editor, arrange them in the Stage edi- 
tor, add movements and special effects in the 
Action editor and finally render the images in the 
Project editor. 

A new editor has been added for creating 
Splines (smooth curves}, although it will probably 
get most use as a tent editor. PostScript type 1 
lonts can be loaded and converted into proper, 
solid Imagine objects. Tests have shown that not 



all fonts are compatible, but those that do work 
render beautiMly - very smooth and exiremely 
•professional looking. 

ALL CHANGE 

It is when creating objects that the other improve- 
ments made to release 3 become apparent, As 
soon as you start dabbling with the Slage or 
Detail editors, the changes to the perspective 
view window in the top right are pretty obvious. 
Objects can now be rotated and views zoom in 
and out as you twiddle with the mouse. It's very 
intuitive, and surprisingly nippy. The ability to 
examine objects from a variety ol angles makes 
designing complicated scenes a lot easier, as 
does the option of putting different objects in dif- 
ferent 'layers' so you can. choose what is visible 
and what is hidden. For example, in a scene fea- 
turing a road and some cars, I he detailed cars 
can be hidden whilst you work on the road. Mot 
drawing the detailed car objects will make screen 
refreshes a lot faster. Camera lines will also 
appear on-screen, which will make il easier to 



predict the view that will eventually be rendered. 

Still in the Detail editor, the way in which 
brushes and textures are handled has been 
improved markedly, and now you can have as 
many of both as as you please. The number of 
predefined textures provided has also increased 
markedly with soma simply stunning additions, My 
favourite is the Gas Giant; wrap it around a sphere, 
and use a FireBall light object to recreate a 
Shoemaker- Levy animalion. 

There are plenty ot other new features too: the 
shape of an object can be quickly altered using 
various tools for bending and rippling, but per- 
haps the most important new concept is that of 
'states'. Each Imagine object can have a different 
colour, texture, shape and position. These are all 
grouped together as a state, and in an animation 
an object can have a different state for each 
frame, For example, in frame one Ihe object could 
be a blue sphere, but in frame 1 Ihe object is 
now a red cube. Imagine will calculate the in- 
between frames and this will create some terrific 
morphing possibilities. 



110 






PRODUCT TEST CU AMIGA 



'a W A r A W d W A W A W A *A\ ** W d r d V d 

'a r A r A r A w A f A r 4 w A w A r A r A r A 




Z™n In 
Zoom Hit 
S#t Zom 
Re-Center 
■S Uilr* 
So I .. 
Shaded 



ht I h i,«- -. 
Quick St* a-pe 
HI u tng 

Sp<?<- i f v LiVtri 
Od-d Liveris) 
Renove L~' 
Set jfono 
( l«ir Zone 



F J T A W A T A T A W A W J^ A ^ A ^ A Td r A 

r A r A r A r A r A w A r d w A r A w A w A r s 

The lattice 1oqI er«*led the background from a sim.pl e plane, 
and a new feature r>cW«l 4 touch of class 1o the text. 

The bones feature is a new additign which, 
when -combined with states, provides ihe would-be 
film maker with some amazing tools. Using bones 
objects can realistically move- and change shape 
as the object's 'skin' moves and sir-etches realisti- 
cally. Bones are by mo means a tool for the 
beginner, but anyone upgrading from Imagine 2 
will love them. A particle option has also been 
added, and this will cause the facets that make up 
an object 1o be move individually for weird water or 
smoke elf sets. 

EXTRA SPECIAL EFFECTS 

Imagine can apply an effect to each object, for 
example rotate or explode. There are now two global 
effects which can be added to the entire scene. The 
iirst is lens flare, which adds a realistic flash of light 
lo a scene around each light source, The second is 
Haze, which adds a great distance effect Both add a 
near-photographic effect to high resolution renders. 
Effects can now be applied to light sources as well 
as for quite Venetian bJind shadows, 

There are slifl a few bugs still lurking inside 
Imagine Occasionally sising information sel in the 
Stage editor gets 'lost and needs to be fed in by 
hand into the Action editor. Also, Imagine'?, 
bespoke stars have slopped moving depending on 
which direction you look at them. This means for 

Just wme ol the new textures, al I ap pi led I u :i PostScript foitl 
with *omt Ions flare lor a finishing touch. 




f VHHHLBH 

Al last 1he Perspective window gains a real-time manipulation option. 



SPECIAL OFFER 

You can now upgrade to imagine 3 f rom any 
3D package for just £89,95 plus C3.5Q post and 
packaging. Make sure you mention CLF AMIGA 
when you place your order. 



space animations ycu will need to create your own 
star-fields rather than rely on imagines. 

Perhaps the most important thing to remember 
when considering an upgrade from previous ver- 
sions is that you will need a beely Amiga. There is 
no point getting Imagines if you have an unex- 
panrJed A1 200. as not only will you not have 
enough memory to load it, tat you will grow old if 
you stan experimenting with the new features. 
Several times I have set up a complicated render 
to happen overnight, ar>d come back the next 
morning to find it 30% complete. 

Simple logos are OK, but if you are thinking of 
redoing Babylon 5 a 25MHz 6B030 and 6BB82 is 
not fast enough, even with a 50MHz 68882/maths 
co-processor system rime will pass estremely 



slowly. An ideal system would consist of an 
A400D stuffed with RAM and one of the new 
68040 accelerators. It's only with this sort of pro- 
cessor power lhat you'll be able to afford the time 
lo experiment with all the new features, and even 
begin to do this program justice. 

Imaging is fast becoming an Amiga classic, and 
the release of imagine 3 brings some very exciting 
new features to experiment with. It will be 
extremely interesting to see how it measures up 
against the monster Lightwave program, which 
creators NewTec have recently announced will be 
available as a stand-alone package. <%[) 



EMERALD £599 

see 





H£i 



A50G 71 A500+ ^ AGOO ?!a120u B 
A 1500 B A 2 000 B A3 000 9 A4000 B 

Requires 3Mb (GMb&commBiMisdl, Hard drive, 68038 
and FPU processor fecummended. 
EMERALD CREATIVE TECHNOLOGY, 
RAPID HOUSXE, 54 WAMDLE BANK LON- 
DON SW19 1DW. TEL: tJBI 715 8866 



EASE OF USE ♦♦♦♦♦♦♦ + ♦♦90% 

Tbe excellent new manual really makes a difference 
VALUE FOR MONEY ♦♦♦♦♦♦♦♦♦♦85% 
Iftfl fIRP is pricey, but trie on-tne-slmt pricing is a id! 



EFFECTIVENESS ♦ ♦♦♦♦♦♦♦♦♦«« 

Superb - renters look realty great, especially with lire 

new effects. 

FLEXIBILITY ♦♦♦♦♦♦♦♦♦♦94tt 

So many tools, options and features It wilt keep you 

experimenting tor years to come. 

INNOVATION ♦♦♦♦♦#♦♦♦♦90% 

Many fjsw feofoms not seen before ma package ibis 

affordable (if you mop around for Ine best price'!!'!} 



4* The best reason to get an m 
' A4000 040 yet. * 



OVERALL 



90% 



in 



CU AMIGA PRODUCT TES 



The A4C00 is the most powerful model in trie 
Amiga range. And yel for many users eve-n all 
the raw power thai its Motorola SB030 or 
6OT40 GPU delivers jusl isn't good enough. 
Anyone who has tried rendering a complex 3D 
image, or any other other power- hungry graphics 
applications on the Amiga will testify to this- 

For this reason A4000 owners have been erymg 
out for a way of boosting their computers for a long 
time. Now, Great Valley Products, have come up 
with the goods and released an aptly named accel- 
erator card for power-hungry users. 

GVP GFORCE 

The GVP GForce 040, code name T-Rexa,, is, as 
its name implies, a SStMO 40MHz based card. It 
will work on both A4000 systems, the A400D 030 
or 040 models, and the A3000. Other features 
include two standard 32-bil SIMM sockets lor 
adding RAM and Iwo expansion sockets. 
Unfortunately, the SIMM sockets can only take 
4Mb or 16Mb modules and, even more sneakily, 
will only accept cuslom GVP SIMMs. 

The lirst of the expansion slots, running parallel 

SPEED TRIALS 

A4000 A4000 040 
MO WITH GFORCE 



TEH 



Apply Sharpen 
operalicin In 

imageFX 

'Hanoi (15 rings) 
LighlWwe Render 

'iAIBB Sieve 
@AIBB SAVAGE 
©Sysinlp MIPS 
ffSfsinfa MA-DPS 



J5se£ 

29.6372S6C 
3.20 set 

10.54 
14.71 

1S.11 



15,1765 as 

14.37 set 
1.39 sec 

26.12 
26.75 
30-53 

7.14 



* Hanoi: an antienl puele where a numher of rings ol 
growing diimeierart moved from one pole to anolher 
an d Ihen lo a third pole, but at no point must a larger n ng 
be on top ot a smallEr one. The Hanoi program sokes Hie 
problem, giving an indication ot howfasl the computer 
can Ihinh — Itie more rings the mora tomplex. 
Q denotes tests where a higher lipre means faster 
performance {no! in seconds). 





ACCELERATOR 

It's here, the upgrade every A4000 owner has been 
waiting for. Andy Leaning checks out one of 
the first A4000 accelerators and turns his 
Amiga into the fastest Amiga available. 



to the SIMM sockels, is an additional RAM card 
connector. Having only two SIMM sockets on 
board limits maximum RAM to 32Mb (two 16Mb 
SIMMs), but using this connector you can add up 
to 128Mb Ol RAM. This is done via another card, 
{can be either 4Mb or 1 6Mb populated) which 
plugs into the connector, this card has an addi- 
tional six SIMM sockets, that when populated with 
RAM give 95Mb (six X 16Mb). When you add this 
to the 32Mb on-board RAM you get whopping 
tSaMbsof RAM. 

The second expansion slot is exciting. Ufa a full 
DMA port, allowing GVP lo develop a series of fur- 
ther expansion cards that are connected directly lo 
the processor and high-speed RAM, rather than 
indirectly going through the system BUS like other 
expansions. This approach also means that a pre- 
cious Zorro slol isn't used. Sockets of this nature 
are commonly available on PCs, and are known as 
Local BUS sockets, Having a Local BUS connector 
for the Amiga is a major development for the- future 
expansion potential of the A4000, and GVP can 
only be applauded in taking such a step. Currently, 
GVP have only announced one product for this 

REPLACEMENT 68040 
PROCESSOR & COOLING FAN 






ADDITIONAL RAM 
BOARD CONNECTOR 





connector, a SCSI-2 

interface, but they 
should easily be able 
lo develop Ethernet, 
graphics accelerators 
and other enhancement 
boards for it. 

At present, the GForce card comes with 4Mb ol 
60ns RAM and a 40MHz 68882 maths co-proces- 
sor pre- installed. I ran all my favourite Amiga 
applications and they all worked flawlessly. All ot 
them also benefited tremendously from staggering 
increases in speed. Full results of various speed 
tests can be found in the panel 'speed trials' 
(far left). 

Overall, the GForce card improved most opera- 
tions, slashing processing times by almost half. For 
example, one operation in ImagsFX took just 
15.1 765 seconds compared to over 29 seconds on a 
normal A400Q' How's lhat for speed? && 



SILICA £999 



asodH ASDD+Ki AMnH ai2DoF3 

A1500K1 A2000.F3 WOOD W A A4U00 W A 

SILICA SYSTEMS, 1-4 THE MEWS, 
HATMERIY ROAD, SIDCUP, KENT, DA1 4 
4DX. TEL: OQ1 309 1111 



EASE OF USE ♦♦♦♦♦♦♦♦♦♦«*% 

Htm is a ntghtnm, but this isn't realty GVP's fetrtf. 
Slmltf definitely be fitted by an engines it you're no! 
experienced. Once ffiffltf, you'll "WW have my problems. 
VALUE FOR MONEY ♦♦♦♦♦♦♦♦♦•SIX 
Seriously expensive compared to IBM/Mas accelerators. 
Iv for Me power V delivers lo Amiga users it's *ftfW ft 
EFFECTIVENESS ♦♦♦♦♦♦♦♦♦♦95% 

Feet your Amga straining at the leash with ait the power 
FLEXIBILITY ♦♦♦♦♦♦♦♦♦♦S7% 

G^v but watch out for further expansions 
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Keeping up the GVP reputation for power, performance 
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ARE PRODUCTS 



HEART 
TRACK 

Throw away your stop- 
watches, Andre Digard 
checks out the latest 
Heart Rate Monitor. 

If you exercise frequently you will appreciate 
the usefulness of knowing exactly how your 
heart is performing. The fitter you are, the 
less your heart rate changes wrlh exertion. So 
lor all you fitness fanatics. Healthcare 
Technology Lid have launched Heart Track - a 
simple little heart- monitoring device which you 
strap onlo your chest, it comes with a separate 
receiver which connects to Ihe serial port of the 
Amiga and a disk containing the monitoring 
software. Once you have loaded it up and 
strapped il on. it's ready to go. 

Heart Track shows a large display ol your 
heart rate and a graph with your comparative 
heart trace ever a period of time. So, for exam- 
ple, you could use it to keep track of your heart 
rate during training sessions and then plot a 
graph to compare your heart rale with earlier 
training sessions. 



H&art Track doesn't just measure your heart 
whilst you are exercising, drinking a cup of cof- 
fee has an interesting effect for example. That's 
where it ends though, and I was mightily sur- 
prised for several reasons, Firstly, why was the 
transmitter box designed to strap onto your 
chest? Anyone who is familiar with cardiovas- 
cular technology will know that a reliable 
reading should he taken from the wrist and it is 
more comfortable for the user. 

The transmitter is also overly large - as a 
comparison Casio produce an EGG monitor 
which fits inside a watch. 

Also, there is no facility to read blood pres- 
sure which is something that normally goes hand 
in hand with this type of product. The addition ol 
blood pressure readings would turn it into a 
superb laboratory system for schools and oof- 
leges. More facilities for improved accurate 

Kwp. in »y# or, when and how your heart skips ■•> b<hftl- Isn I love 

Heart Rate Monitor screen 



distinctions would be useful for using the 
machine lor serious study. 

Also, The option ol wiring it to the receiver 
would make it far more versatile in range. The 
transmitter range is very small, limiting Heart 
Track to a single exercise machine. 

However, the excellent quality of construc- 
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receiver. The presentation is what yOu would 
expect for the price, the manual is very brief 
and clear. 

My fitness trainer was fascinated. I'm still 
not convinced though. 

Healthcare Technology Ltd., York House, 
City Fields Business Park, Tangmere, Nr 
Chichester, West Sussex PO20 6FR. 
Tel: 0243 528800 Price: £94.95 

wonderful? 



£ffi> 




COCHLEAR 
CONSCIOUSNESS 




Tony Horgan sits up 
straight and pins back 
his ears as he boots up a 
new ear training system. 

If you ever wanted to tone a piano, but 
couldn't recognise a pure note, Cochlear 
Consciousness is just what you need. It's 
designed to teach the ear to recognise chords, 
chord progressions, 'jusl tuning', temperament 
tuning and absolute pitch. It does this with a 
collection of six independent programs, all of 



which revolve around a similar basic sound 
generator system. 

The main display is pretty much the same tor 
all the programs. The top section has a piano 
keyboard arrangement with the black notes in 
between the white notes, as opposed to being 
offset above and to the side as they appear on a 
real keyboard. You can pfay the keyboard by 
clicking on any of the keys. Holding the mouse 
button and moving the mouse away from the 
key will sustain the note, allowing you to click 
more notes to make chords. 

Prodding the keys isn't going to get you far, 

The chord section plays you t ctfbclbon o1 noles, and asks 
yau 1o click on tru- Ktys 1o recreate Hie same chord, 



■USB 



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Each ol the atx parts at Ihe lyKltm tin Da loaded separately, 
which keeps RAM requirements ID a hare m Inlmum . 

so there's a quiz option included to test your 
chord and pitch recognition skills. It works in 
much the same way tor each program. A note 
or chord is played by the computer, and you 
have to play it back by selecting the right notes 
or harmonics. 

in order to keep the sounds 'pure , not com- 
plicated by unnecessary harmonics, a simple 
synthesised wave is used for all the notes. 
Unfortunately., this sounds like the last moments 
of a demented wasp, and really starts to grate 
after as little as a few seconds. This might seem 
a small niggling point, but it's not when it drives 
you crackers and forces you to qui! the program 
just to give your ears a rest. The overall look 
and (eel is rather amateurish. However, if for any 
reason you feel the need to train your ears in this 
fashion, then Cochlear Consciousness is defi- 
nitely worth a look, if only because there seems 
to be nothing else like it available, 
Available from: Piercepton. 375 N. Quince 
Street, Salt Lake City, UT &4lQ3-164t. 
Tel: 801 521 7215 Price; $150 



117 




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Looking for a collection of 
decent 3D textures lor 
Scala, Imagine or 
Lightwave? Look no 
further. Andy Leaning 
is here with the latest 
volume of 3D Textures 
from Alternative Image. 

It you use your Amiga for graphics you'H need a 
source of high qua lily images. No matter what 
sort ol work you do, he it 3D Tj&ndering, video 
"titHng, or preservations, decent backgrounds and 
textures are a must. 

In fact, a good surface on a 3D model' or back- 
drop for a presentation will completely change the 
quality of your work. Whilsl you may get away with 
using a low-cost scan from one or Ihe many clipart 
books available your worK just won') stand out. 

DO IT YOURSELF? ^-^m 

But where can you gel decent artwork that you can 
isb without incurring charges? There are plenty of 
photo library books available, bul these normally 
nave a copyright so in order to use them you will 
have io pay a feu; id Ihe copyright holder, You 
rould try making your own illustrations, by either 
painling your own backgrounds or photographing 
natural environments and then scanning them, but 
both of these require you to have some artistic skill 
and expensive scanners if your pictures will be ot 
any quality. kswj 

High resolution, AA or 24-hil clipart is another 
solution, These are files where someone else has 
done (he hard work for you and created Amiga com- 
patible grapnics files. Alternative Image Creative 
Presentations are now selling a 1 2-disk set, 
Alternative 3D Textures, of such images, each disk 
being packed with different pictures. Previously, 
(hey released similar disk sets, but these were 
nade up of multiple versions of each *ile. each >n 
different formats. 

The latest set, volume 3 uses just one lile tor- 
mat {JPEG) which has a better compression ratio, 
enabling Alternative Image to cram more images 
on each disk. Programs which read JPEG files 
are commonly available such as Image f-X, AdPro, 
Paggerelc. 

It you're heavily into Amiga graphics you 
should already have a pro-gram capable of read- 
ing JPEG tiles, if not you can't be that serious! 

PICTURES GALORE 

There are Over 120 different pictures supplied 
across the 12 disks. These span practically every 
area you could want, including pictures of the 
A 12.00 circuit board, rippled water surfaces, plants 
and vegetation, skylines, sunsets, coastal views, 
maps of the USA, UK, Europe, and the world, as 
well as a variety of 3D rendered images. I've tried 



ALTERNATIVE 

UU 7 *J<7 JJ JlHjJ 



to capture the diversity ol the pictures supplied in 
the samples shown on this page- 
So what does it look like like? The picture qual- 
ity s supert), though there i& a_ certain loss ot detail 
in some images, Ihe At 200 circuit board for exam- 
ple. Given thai Alternative Image, the creators, are 
promoting these pictures as textures to use in 3D 
rendering thlg toss of detail isn't as serious as it 
would be if they were being sold as DTP cNpart 
where line deiail would be needed. Several 
images, particularly those of people, also suffer 
irom pixeliSation around the edges, this I suspect, 
is a result of using JPEG compression, which is a 
shame-as ihey are otherw se very good. 

CONCLUSION 

For users whose principal Amiga activity is creat- 
ing presentations, 3D rendering or painting I have 
no hesitation in recommending this pack. The 
quality of trie images are superb, the qu amity gyp- 
plied is amazing and the price for such a large 
number of impressive pictures is a bargain! Oi^n 





ALTERNATIVE £50 (inc VAT) 



AsrjQ W A A5004 Qi A&OO ^i A12D0 W A 
At 500 W A A20UO r d A3DO0 *Sl A4O00 W A 

ALTERNATIVE IMAGE, 6 L0THAIR 
ROAD, LEICESTER LE2 7QB. 
TEL: 0533 440041 



EASE OF USE ♦♦♦♦♦♦♦♦♦♦85% 

Iff file format would ha ve. been easier, bul anyone sen 
ous about Amiga graphics will own a program capable 
ot loading JPEG tiles Anyway 
VALUE FOR MflHEf ♦♦♦♦♦♦♦♦♦♦91% 
Superb, nvet 100 images lot under £'50> 
EFFECTIVENESS ♦♦♦♦♦♦♦♦♦♦91% 

Them's a picltite here lor practically every use. 
FLEXIBILITY ♦♦♦♦♦♦♦♦♦♦♦«% 

Backdrops tot Scab, textures for Imagine/iigbtWaw. 
background objects lor animations - what more could 




INNOVATION ♦♦♦♦♦♦♦♦♦♦«% 

mining outstanding tes, but then again what can you 
do with clipart? 



i 



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, BEI 




Everyone wants 

extra speed and 

more memory. Now — 

there are even more options than ever. Tony 

Horgart dissects the main players for the A1 200. 



The original Blizzard 1204 RAM beard $ still 
available for those who need the exlra RAM. 
without the expense of an accelerator. The 

1204 comes in two configurations, one with a 
PLCC 33MH7 68882 FPU, and one without. 

Both hoards have 4Mb Of RAM installed, along 
with a dock- Unlike most of (he other boards, the 
Blizzard 1204 only extends naifway down the 
length of the trapdoor slot, which makes it much 
easier to install than most o! ils competitors. The 
RAM is in the form ot permanently surface- 
mounted chips. There are no SIMM sockets for 
further RAM additions. 

If all you want is some extra RAM- and you 
think an extra 4Mos is going to be enough, then 
""is is definitely one of your best options. Bear in 
mind that if, in future, you need to add more 
RAM, you'll have to gel a whole new board, or get 
a 16-bit PCMCIA RAM card. 

Even though there isnt a processor on the 
board,, your A1200 will benefit from the addition of 
fast RAM, which will speed up many applications 
and certain games, although not as much as an 
accelerated processor would. Sysinfo decked il 
at 2,69 MIPS, 

Available from: Gordon Harwood Computers, 
New Street, Alfreton, Derbyshire DE55 7BP. 
Tel: 0773 B637B1. 
Prices: £169.95, £249.90 (with 33 
MHz FPU), 




(^ 




The "sequel' to the 1204 looks 
almost identical, except for the 
addition of a 28MHz 66020 
processor which is perma- 
nently mounted on the board. 
Il comes on ihe same halt- 
size circuit board, with a clock 
and an optional PLCC 33MHz 
6888?. Its trump card 1$ ils 
speed increase, which is 
(according to Sysinfo) nearly 
three and a hall limes (aster 
than a straight 2Mb- A 1200, 
clocking up 4.60 MIPS. 
Considering the price, this is 
quite an achievement. The 
best budget RAM and accel- 
erator combination, 
Available from: Gordon 
Harwood Computers, New 
Street. Alfreton, Derbyshire 
DE55 7BP. 
Tel: 0773 863781, 
Prices: £219.95, 
£299.90 [With 22 MHz FPU) 

At the other end of the scale from the basic 
Blizzard RAM boards, the 1230-II is a monster. It 
has two SIMM sockets for your 
own choice ol portable RAM and 
has sockets, for both PLCC and 
PGA type FPUs, It also has an 
acceleraled processor on board. 
This can be either a 4QMHz 
6SEC030, or a 50MHz fiflOSO. The 
50MHz version has a built-in MMU. 
There are also two expansion 
busses, One of these can be con- 
nected to a SCSI 2 inierfaee 
(available Irom Harwoods for 
£89,95), The other is reserved for 
"future expansion'. So far nothing 
has yet been developed to plug 
into this second expansion slot, 
and nothing has been promised, 
but we are told that extras are 
planned if the demand is there. 

The board we lested was pow- 
ered by a 50MHz 68030, which had 
the computer running at amazing 
speeds, visibly out-running a 25MHz 
A400Q/G40 in some situations! It 
clocked up 7,6 MIPS with Sysinfo, 



and m terms of sheer speed, turned in the best per- 
formance of any A1200 accelerator we have seen. 
I should mention that one or two programs did 
crash oul with this installed (the stunning Brain 
State in a Box demo, for example), although this 
may be due to non -standard memory addressing 
by Ihe software . Whatever the reason, it seems to 
be completely stable with all OS- legal applications. 
Apart from that, it's a superb bit of kit, something 
for every A1200 owner to lusl after and if hadnl 
crashed it would have been a clear winner. 
Available from: Gordon Harwood Computers, 
New Street, Alfreton, Derbyshire DES97BP. 
Tel; 0773 863781. 

Pnces: Basic 40 MHz 68EC030 board (no RAM 
nor FPU) £244,96. Basic board with 50 MHz 
68030 £329.95. Additions: 1 Mb RAM 
£49,95. 4 Mb RAM £149.95, 33 MHz 
FPU £79.95. 

VIPER TURBO MK II 

Power Computing's Viper has grabbed the atten- 
tion of ju&l about every serious A1200 owner. 
Offering RAM and acceleration at a relatively low 
price. It's been teetering on the brink of release for 
a while, and now it's finally arrived. The basic 
board comes with a 2BMHz 68030 with a built-in 



» 



t21 



CU AMIGA BUYERS 1 GUIDE 



» MMU. and a dock. There are sockets for both PGA 
and PLCC type FPUs, and a single standard SIMM 
slot. You can buy the bare board, with just Ihe 
6fiQ30\ or you can go for a number gf options. 
Power Compullntj can supply Hie Viper with 2, 4 or 
BMbs of RAM. and you can also choose from 2Q r 
33, 40 or 50 MHz FPUs. The combination of RAM 
and (he accelerator gives an increase of around 
tour to five times that ot a straight 2Mb A 1200. 

It you want a good all-rounder, with flexibility to 
expand when you need to, the Viper is a very good 
option, and is priced very competitively, It's also 
the cheapest way to add an MMU to your 1200. 
For mid- range acceleration and RAM expansion, 
it's hard to beat. 

Available from: Power Computing, 44 a.b 
Stanley Street, Bedford MK41 7RW. 
Tet: 0234 273000- 

Prices: Basic 2S MHz 68030 board (no FPU or 
RAM) E1 59, Viper with 2Mb C239, 4Mb £309. 
8Mb £479. Additional FPUs: 20MHz E25, f^Jfc 
33MHz £60, 40 MHz £80, 50 MHz £1 20- <^£fP 

GVP A 1230-11 

This is Ihe original 'megaboard', released at the 
start of the year, Until the recent arrivals of the new 




Blizzard 1230-11 and Power 
Computing's Viper, this was the onSy 
option tor a major A1200 power-up. It's 
available in a variety of configurations- 
There are two processor options: a 
40MHz SBEC030 or a SOW Hz 68030 
wilh built-in MMU- Vou can also add 
RAM to the two standard SIMM slots, 
and a PGA type FPU, In addition to this, 
there's a connector that can be hooked 
up lo a SCSI 2 interface. Further 
peripherals were initially planned (a 16- 
bit sound sampler was on the cards), 
but so far nothing has materialised- 



With fast RAM and the 40MHz processor on 
board:, the A1 200 is accelerated to aroynd six or 
seven times its original speed, The 50MHz 68030 
takes it up to eight or nine limes the normal speed. 
This is just about on par with |be Blizzard A1230-IL 
In fact, the differences in these two similariynamed 
boards are very slight. The Blizzard has an extra 
feature connector, and can take both types ol FPU. 

When prices of ihe GVP and Blizzard 1230-11 
boards are compared, the Blizzard comes out on 
lop. For example, a GVP 1230-11 with a 40MHz 
$0ECO3O, 4Mb of RAM and no FPU checks oul at 
£429. A Blizzard 1230-11 with the sama specs wiH 
only set you back £394.90. The gap grows as the 



MME 


BUZZAM 1204 


BUZZARD 1220/4 


BUZZARD 1230/11 


VIPER TURBO MK II 


GVP A 12030,11 


HAWK 


MANUFACTURER 


Blizzard 


Blizzard 


Blizzard 


Power Computing 


GVP 


Amttek 


MM 

IYPE 


Surface-mounted 
32 -bit Fast RAM 


Surface-mounted 
32-bit Fast RAM 


Standard 32-bit 
SIMMs (2 slats} 


Standard 32-bit 
SIMMs {single slot) 


GVP 32 bit 
SIMMSs (2 slots) 


Standard 32-bit 
SIMMs (2 slots) 


RAM OPTIONS 


4Mb only 


4 or 8Mb 


1,4, 8,16,32, 64Mb 


1,4, 8Mb 


1,4,16Mb 


1, 2, 4, 6Mb 


PROCESSOR 
OPTIONS 


none 


28MHz 6802D 
only 


40MHz 68EC040 or 50 
MHz GS030 with MMU 


28MHz 68810 
with MMU only 


48MHz 6BEC040 or 50 
MHz &B040 with MMU 


none 


FPU 
OPTIONS 


33MHz6B882 


Up to 40 MHz 
68881 or 68882 


Up to SO MHz 
68882 


20MHz, 33MHz 
40MHz or 50 MHz 


40 MHz Or 
5(JMHz 88882 


33MHz or 40 
MHz 68682 


MMU 


no 


M 


optional 


m 


optional 


no 


CLOCK 


ye* 


*es 


yes 


m 


|M 


yes 


PERIPHERAL 
CONNECTORS 


1 


1 


2 


i 


1 


none 


EXISTING 
PERIPHERALS 


none 


none 


SCSI interface 


SCSI interface 


SCSI interface 


none 




H 69 -95 -£249.90 


£219,95- £299.90 


£244.95 -£709-80 
(50MHz 08048 with 
MNU, 33MHz FPU, 
8Mb RAM) 


£159 -£599 (6Mb 
HAM 50 MHz FPUj 


£229 -£699 (50 
MHz 60030 with 
MMU, 8Mb RAM) 


£99 - £499 (8Mb 
RAM, 40 MHz FPU) 



122 



r 



BUYERS' G 



CU AMIGA 



IS 



specs get higher: a GVP 1 230- 1 1 with a 50MHz SG030, 8Mb of RAM and no FPU 
costs £699, while the equivalent Blizzard 1230-11 is available for £639,95. 
In the defence of Ihe QVP board, it was completely stable in our tests, 
whereas the Blizzard did trip up on occasion. Pricing aside, the GVP 1230- 
still the top A1200 expansion, sharing the crown with ihe Blizzard. 
Available from: Silica Systems, 1-4 The Mews, Hatherly Road, Sidcup 
Kent DA14 4DX. Tel: 081 309 1111. 

Prices: 40MHz board: £229 {0Mb RAM), £249 {1Mb), £429 (4Mb), £529 (4Mb 
+ FPU), £629 (8Mb), 5Q MHz with MMU: £299 (0Mb), £329 (1Mb), 
£499 (4Mb), £599 (4Mb + FPU) £699 (8Mb). 



tfpi 



AMITE K HAWK 

Although the Hawk is primarily sold as a "RAM board accelerator" it is a RAM 
board. Although it will speed up your A1 200, it doesn't have an accelerated pro- 
cessor, It has a single SIMM slot on ihe back of the board, which can take up to 
8 Mb, There's also a clock, and a slot for a PLCC FPU. 

The main advantage the Hawk has over other RAM boards is that it uses 
SIMMs for its memory, instead of custom chips that are permanently soldered 
onto the board. This gives you more flexibility should you want lo use the RAM 
m another system at some time, and gives you the option of buying RAM from a 
cheaper source if you can find one. If RAM is your main requirement, the Hawk 
is well worth considering. 

Available from: Silica Systems. 1-4 The Mews, Hatherly Road, Sidcup, 
Kent DA14 4DX, Tel: 081 309 1 1 1 1 . 

Prices: £99 (1Mb) £139 (2Mb) £1 99 (4Mb) £399 (8Mb). Add £60 for 
a 33 MHz FPU and £100 for a 40 MHz FPU. 



(Jpi 



Be toe you buy an sccslsralor check if its CPU lias ten clocked. This is i process where 
Ihe accelerator is loid lo run faster than it has been safely tested at by Motorola. ie tak- 
ing a 2GMH.£ 6302D and running il at 28MHz. Doing so rtiay lead to the CPU burning ou1 
earlier than would bft expected, leaving you wilh a cosily repair bill. The reasens lor litis 
practice aie iM Motorola chips are priced according lo Iheir speed;, Ihus a 25MHz 630213 
is cheaper than a 30MH; version. By buying 3 slower, and Ihus cheaper CPU, and speed- 
ing il up manufacturers cart market taster accelerators for less cash (which has 
advantages lor them and you). For Ihe record, according to Motorola they only sell the 
fnllnwirtg chips at these speeds, olhers are not olllcial speeds. The 68020 Is sold in 1 6. 
20. 25 and 30MHz versions, Ihe 030 is available running at speeds at 20. 25. 33. 40 and 
SDMHi. and ihe 040 can be found at 25, 33 and 4DMHr 

Power Computing said thai they've encountered no problems since they started sell- 
ing their clocked accelerator (Viper). Giles Karwood al Gordon Harwood said that mas! 
current Blizzard boards operate at Motorola standard speeds, only ihe 1220 Is, clocked, 
well within the tolerances ol the chip design. GVP's boards use unaltered Motorola chips. 



JARGON BUSTERS 



RAM • Random Access Memory. 

CPU - Central Processing Unit. The CPU is the heart ol the computer, Ihe hit that lells all 

the other ch i ps what ta i n . 

I PU ■ Floating Point Unit. An FPU Is a kind ol processor that deals Willi certain types of 
mains operations often used by ray-tracing and fractal generation programs. 

MHi - Mega Hertz means Thousands ol limes per second" so a 50 MHz processor cycles 
50,000 limes every second. 

SIMM - Single In-line Memory Module, This is a standard type ol HAM Dial comes 
mounted on a thin strip ol circuit board. SIMMs ol identical size can hold up lo 12BMhs. 

MMU - Memory Management Unit. This checks Ihe movement ol data a round Ihe memory. 

An MMU is essential lor Ihe debugging utility Enforcer, and is also required by the virtual 
memory software GigaMEM. 

PGA Pin Gate Array. There are two types ol FPUs commonly used. The PGA type has a 
pins on ils underside lhal plug into a square block on the board, 

PLCt - Plastic Leadless Chip Carrier, This Is Ihe other type ol FPJ, which has metal 
contacts around ils sides, and sits in a cup-shaped socket on ihe board. 



. 



INSTALLATION 

Installing these boards should be a simple mailer of plugging litem into the expansion slot 
on ihe underside of the A12D0 However, many call lor great leals of manual deilehty 
before they'll fit properly. Occasionally, bad construction means lhal a board is just toe big 
Id lit loFten due In a crystal lhal sits up too high from Ihe circuit board). The hall-lenglh 
Blizzard boards are Ihe easiest to fit, while the big Amite* and GVP boards can he a bit 
troublesome. Great care should be taken when fitting any of these boards, as it's very easy 
In damage Ihe Amiga's expansion porl or the board itself, especially If you're having a bit 
of hassle getting it in. Be patient or get your dealer lo do il lor you. 



123 



MIDWAY COMPUTCR MMNTCNANCC 

Mail Order Performance Parts 

Amiga & PC Repairs/Upgrades Phone: 0e34^8£6£l 1 Fax: 0234-824681 



Rmigcis 



R 1200 Zero HD ..,..,£285 



2.5 
8GMG....6440 
170M8..£S00 
250MB ..,£535 



3.5 
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3.5" ID€ Drives 
21 2MB, l2ms,l28K,....£175 

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2.5" IDE Drives 

85MB, 16ms, 32K £145 

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GVP 



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FPU prkes, please call 



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Epson dot malrix printers have long been held 
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You will, I'm sure, have come across several 
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PAPER NEWS 

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matic feed which can cope with most weights of 
paper. Loading the printer could hardly be easier. 
Gel a wad of paper, lift the catch tray and slot it in. 
No fuss, no bother, it doesn't even mind the paper 
going in slightly askew, the printer seems to 
straighten it out all by itself up to a certain point. 

Epson recommend a maximum of 90 gsm 
i grammes per metre 8 ) paper and, though a tittle 
on the flimsy side, I his should be perfectly ade- 
quate for most people. I've tried it with paper up to 
1 20 gsm and the printer seemed to cope with con- 
summate ease, so I can only assume the 
maximum is to prevent possible paper jams. 

If the printer should jam then there is a really 



After featuring in last month's news section the 
new Epson Stylus Colour is put through its paces 
by Andre Digard. 



wonderful solution, there is a paper leed knob 
built onto the Side. You must switch the printer off 
to use it but, if you have ever suffered a paper 
jam on a Deskjet or BJ. you will certainly realise 
just how useful this inclusion is. 

If you or your company are interested in doing 
presentation work then you will be pleased lo know 
thai the Stylus can quite happily print onto trans- 
parencies for use in overhead projectors. These 
days large companies consider this to be a must 
and clients are almost always impressed by it. 

Epson even include some really useful tips in 
the manual as to how to get the biggest wows 
from your work. A deft Uick of a couple of 
switches and the feeder can also handle 
envelopes. Again these should be up to a maxi- 
mum of 90 gsm, though this lime you should stick 
to thai limit, thicker envelopes lend to get extra- 
neous ink marks on them. 

Epson produce a range of special Inkjet paper 
and transparencies for those exlia glossy prints. 
Also,, some sample sheets of the paper are supplied 



with the printer and these give absolutely stun- 
ning results. This paper has been designed 
specifically for the Stylus and conforms to its ink 
dot sizes. Two versions are available, one for 
printing at 360 DPI, the Olher for 720 DPI, Be 
warned though, I was unable to get a price on 
this paper but the equivalent Hewlet Packard 
paper cosls around £1 per sheet (gulp!), 

NEWSPAPERS 

One of the main reasons for buying a colour 
Inkjet has to oe if you want to print your own 
brochures and illustrative material. When Hewlet 
Packard released their colour Deskjets everyone 
cooed, ahhed and began to buy them. 

They didn't produce the most wonderful prints 
but they beat the hell out of everything else. Then 
Canon released a colour Bubblejet to great 
fanfare only a shod while ago and even more 
people started to consider colour as an option. 
Colour Bubble Jets produce slightly higher quality 
output than the Deskjet and they look much 




» 



129 



CU AMIGA PRODUCT TEST 



» prettier loo, It is also one step Closer to having 
your own printing press. 

Now the Stylus is available it really is the 
closest thing to having a colour laser on your 
desk. The resolution is so high that only dye sub- 
limation or phase change printers can beat it. A 
colour laser will only produce better quality prints 
if it is capable of higher resolution - and most ol 
the reasonably priced ones aren't. 

This machine is easily capable of producing 
decent artwork. Even digitised pictures, the bane 
of inkjets, can be reproduced with respectable 
accuracy. I wouldn't want to use the prints as linal 
artwork, but for one-off presentation or as a 
highly accurate prooling machine this printer is 
the absolute business. 

NOW YOU HAVE 
TOTAL CONTROL 

Here lies a problem (thankfully I have the solution 
to hand as well). The majority of the controls lor 
the Epson are supplied as two PC programs. The 
first program calibrates the printer, ie. it tests for 
banding where (he ink runs together making dark 
lines in your output and for whiting where the ink 
runs apart leaving white lines ot paper showing 
through. This stage is very important and you 
should insist that it is done by your dealer unless 
you have access to a PC. 

The other program is the main primer driver. 
This wouldn't be a problem but for the fact that I 
cannot find a 720DPI printer driver for the Amiga, 
It's hardly surprising really, this Is the very first 
Inkjet printer capable ol that high a resolution- 
Canon Studio (as reviewed in August L 94 PO 
Utilities section) does an excellent job ot produc- 
ing output at 360DPI, including some re ally good 
colour correction. 

No doubt some enterprising soul will write a 
full driver for the Stylus soon, perhaps even 
Epson themselves if they are pushed by enough 
buyers. The actual control panel on the front ot 
the printer is Kepi to a minimal six buttons, one 
being the on/off switch. 

All of the major functions are immediately 




JU3t took ai the supert quality si 1Ms printout, you c&UW 
almost reattt out and l»h* one, 



obvious with the more obscure functions utilising 
a combination of button presses. 

There is a very good selection ot fonts, seven 
of them being available from the panel, they 
include standard Roman, Sans Serif, proportional 
Roman and the ubiquitous Script 

Unlike most other printers you can also stop 
everything and flush the buffer without switching 
off. This is a wonderful feature for me, there have 
been many occasions where an extra piece of 
good -quality paper has been wasted because an 
old printer refused to stop once it had started. 

With the price oi specially coated infcjet paper 
this feature is an absolute blessing which is 
missed out far too many other manufacturers, 

THE ECONOMY OF 
COOL PRINTING 

One of the best features of the Stylus is its piezo 
print head. This cunning little device is based 
around the idea of using piezo electric crystals to 
control the flow of ink, It dramatically reduces the 
size of the necessary electronics to spray the ink. 
Many advantages come from this, not least of 
which is a reduction in size of the dots the printer 
is capable of making, leading to much finer qual- 
ity of printing and hence the absolutely amazing 
720 DPI resolution. 

That isn't the end of it either - these crystals 
stay cool whilst in operation loo, which leads to 
the Epson being more accurate and economical 
with the ink than any other Inkjet on the market, 
No ink gets evaporated and It dries much laster 
than comparable inkjets. 

II you have used a Canon or Hewlel Packard 
you'll know that every time you replace the ink 
cartridge you are throwing away the print head 
This is because they rapidly wear out due to 
fatigue from constant heating and cooling, 

Not SO I he Epson. The print head stays with 
the printer, which in turn leads to far cheaper ink 
cartridges and far lower printing costs. These ink 
cartridges are absolute monsters in comparison 
with most that are available. They hold at least 
twice as much ink as their equivalents in other 
printers. They are really easy to install, press a 
couple of buttons and the printer presents the 
print head for you, 

Drop the cartridges in, lock them in place and 
off you go. Unlike the Canon or HP cartridges, 
once installed they should nol be removed unless 
they are to be replaced which some people may 
find annoying, 

There are only really two competitors for this 
printer, Canon's BJC600 and Hew let Packard's 
Deskjet 560C both of which are fantastic prod- 
ucts. The Stylus shoots them both down in flames 
though. It has far better resolution than the HP 
which can only manage 300 DPI when printing 
colour, it costs less than the BJCS00 and it's 
more economical to run than either of them. If you 
already have either the Canon or the HP, sell up 
as soon as a decent printer driver Is available, At 
720'DPI the print quality is stunningly better than 
either of them. It is the printer that you hoped 
they would be 

This printer is likely to have the market to itself 
for a long time to come. The printing systems 
used by both Canon and HP just aren't capable ot 
being built to this resolution. Even if they were the 
Epson would still be cheaper to run. 

CONCLUSION 

With a street price of less than £500 this printer is 
undoubtedly the best of its kind. There are many 



cheap (i.e. £2,500+) colour lasers that can't pro- 
duce this kind ol quality. 

The only reasonably priced colour printer 
which can beat it on graphics is the Fargo 
Primera but it falls down on word processing or 
text applications and costs a small defence bud- 
get to run. As with any high resolution printer, 
especially as this is colour, you will need to have 
plenty Of memory available, I would recommend 

at least 4Mb, 

If you use a large program like Final Wnt$f 
then think 6Mb minimum. When a 720 DPI 
driver becomes available, even that may not be 
enough memory. 

The build quality is high, the speed is high, the 
specifications are high, the output is superlative 
and the running costs are low- 

Whether it is for home or office use the Stylus 
is the best printer in, its class by a considerable 
margin. If you want a good all round colour printer 
buy one of these Epsons. 'iD 




Mo need 19 bury yW> head In ^*ur hHnds, the Epson, produces 
HCflMfti black unri while priMotltt 



EPSON £639+VAT (RRPj) 



asijo W A asao + W A aboo w A auod r J 

A1 500*51 A20O0 W A A3U00 W A A4000 W A 

EPSON [UKJ LTD, CAMPUS 100, MAY- 
LANDS AVENUE, MEMEL HEMPSTEAD, 
HERTS. HP2 7TJ- TEL: <080O] 2A96Z2 



EASE OF USE ♦♦♦♦♦♦♦♦♦♦90% 

No printat (inffswM hut simplicity to/amah to run 
VALUE FOR HOMEY ♦♦♦♦♦♦♦♦♦♦«% 

Jjfte nearest competitor is much more expensive fa: s tai 

iows< specification. 

EFFECTIVENESS ♦♦♦♦♦♦♦♦♦♦«% 

Puts iantasitc colour on the page, prints crisp text and 

handles paper »»"■ 

FLEXIBILITY ♦♦♦♦♦♦♦♦♦♦*3% 

A true ail ratmflfcr, ideal tor home or business, tight or 
heavy duly, built in apple serial interlace for rwtii-cam- 

BlitBf SC! UfIS 

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The excellent cool print technology mt the first 720DPI 

ccfotif inkjet 



C So good / ve decided to 
buy one. 



3 



OVERALL 



*8% 



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r iiniir \ :i . -i III k-4 : i-j--. k i-4il rm f Tjlocur CBBBJk 



PUBLIC DOMAIN PRICE LIST 

PRICE PER PD DISK £1.00 

CATALOGUE DISK VOL.1 . £0 75 

CATALOGUE DISK VOL.? ... £0.75 

POSTAGE & PACKING £0.75 

Overseas ordars. Use the above prices, than 

add 20% of that local, to cover Ihe extra 

postage costs. Thank you. 

PLEASE HAKE fiLL CHEQUES/ POSTAL 

OfiL-taS IN £TEJ>LI*j fAtftftLB TO 

GROLNl>/KROSOnAV.\RK 



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a2W/Wia?SMART STOR 

A n-Hsnvcnicni jmrlarslp mini harrJilrivc 
iIut rslujii into rJic PCMCIA ilot on uTil i 
AUu aaii] A I 31H). }.c(|uirL a .s nil r-iUTTLiI 
posirCT supply. Pliorpf for funlitr DJiaik. 

20 M6 VERSWiif - £ MP.99 
30 MB PWtSfOAf - 1. 1?999 



At200 ONLY 






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I'lno. |-'iro, Mlino. and r.'nng nrrtn IndHra. 
HW1 iy >3kS:-«SKTC* GUIDE >0 MUSIC 

■ E=s*r.rriin(J yfly avr^ rauillKI /ElU knrjar dEWUl 

tuarvtr. T*.ac. ■-. .•■SKI' 
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F?4 10TAL CONCERTS - s^iWaVWaRS - 41 

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L-'C FRENCH SYOHO TEETTEH Tirta-mma 

apooHF-lo. rTjfll. . 

7 UNITS ■ 3l*H4rJ. DinrJ.-rJWrjrrl. S544o1h. aTr.01 

^oroa, donar^, voium* hAaaisvnarsani ce . w a ai. swsa. 
3C 5TEAJH ENOjME ^--nsi sacion anmaion al 
44 altsB" rrntfie Sefl rcw 1*s#y ararK.wth labelt 
ES7 FTJUH STPrOKE PCTRO. ENCIHE ■ CrMi 
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Eas OBJ TWkhHt ErrSlNI* - Crrna hcLot am. 
maiisr* ol *ri eld end mo«f lurbne al una-rins 
<-. Tii BTIRLIND ENCUNE ■ Cpoai IBeaM 
anvtHoora al rip Sadna angna. 
L*i' |3 LUSKjSI AMERICAN FOOTBALL 
ni.:ii.unilitfis..si ik.s|.alBd iulebooS.3' r-s soo'i. 
FAa KIDS DBK 3 . rUarrii 1A1M Bvtll S L «il5. 
y-saxM'io'. EvduLamsarr aamu. 
fMCOMMUWrCAit 1 M*« tmi Man* oode 

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tbf DESERT E.TRQM HTPERBLTClK Uiin 111*1 u 
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BBfifl 

01SS Ciarj HKSK6) FAD TUlE ECNSUALrrY Van. 
Bit? SEQUENTIAL Avaolorrolltv loai-ar ikdal 
E>lH CRASH T£*T ■ So jtJ ar>d IkTss-ng. 
a:m WiAl. - 4i.:n,'..rj |-..Tjissi|ri sol.* sMssJnrnl 
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"■fl.-, FULL MOON I OH 1 ' .nil:'. 

■ i it •:; SKS QHIGIM P00.1U1 dam... 
'-tOSlS- A tf. .« d-n Sialeilt Tia Arrdama. 
r:(Kl TUCHNOTPUfCKSa ■ qansdump 
CMC 19 |3 DISKS! HAY WORLD . Amitrlj SMlut! wond 

l: I 'JS NOT AGAIN! Wour .irn Mnaulii. 
111 t..mi. 111 L ;LP- i-.-i... 1.-:, rri.n-j 
El ■ fi? EXPLICIT 3 - 0*sl OnDi - *! dtwvj 
D I Bo EiBFTY HEAD . PmiliiriHl Hi 1«5 Bp «X>f>a OliJUlja, 
D 1 72 D I '3 |2 DISKS! OHIDIN (Tna IP ir^K»9l yiv non 
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ausi 

Q.T!J MEQABALL AOA 5..l*& diUBTftdldoii* 1-1 ZM 

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Up S3- AGA DcnipukTS. 

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Mud rjama. F*h (*ej jjiij«i t a rJHtiBiTl H4 coour 

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4J33B HAD FluVHTE«S '3b Oaal am jo 

LinFjjHnmn 



NIGEL MAK3ELL AGA SllDESHMl 
S-5S SfJ7 |? DISKS; SHED TEARS 
1 amass" in 
W OSSl Si > DIEXSl WOflLC OP 

ua.NGA 
Si (sB.gioa .;? nisKF., fit Cr*» 1 

S.110.S111 a DISKS! FTT CHU 3 
&' 12 31 SJ .'3 UISKSi FIT CHS 3 
Sua BODY SHOAS III 
S1 1 551 1* (S DLSKSj B13I5V SHOP IV 
S117B1I»(J niSKF.. ROCS' SHOP V 




MmeoAMtovs 



I 3D ALIENS CONFIDENTIAL ie-Msai ;iiu«'| 

l-r^ Bipircl re ofcorj. or Aio-nand UFOs. 

EBS-fflh i? -:i?.k-.. TARRO UASTiR ■ *jm ran) tifT.r» 

»sk and Tjamol 

E 'II ■fOMrlrraBsB' - ft*vr>*5 pour rnnnrri^ Lwrtsyirv-'i sdrarL 

■ - .' iMUQPaEUSi . Cu.^1 ) W .r, : ji>-« r 3 . psmri. 

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AmSpa ask magaara. '.'*'. prodasuao^al. 

L-i r SEE TrlC AURA - ajl aOcul Ike IsjPAtn ana-g. .a..ra. 

EtW COM UUNOAIS " rifjhaat OOcSSWOWr. s/grjOdl 
:.rii' AETTHD 33 a^; isC4] v sic 111' ho-o^^ifra ij.i4<lj;|^4i 
C .'9 THE MYSTERIES OF THE RUNES Tutonal an Ihe 
iBMnHfja ft* Tsa> artW'l Ru'»e HOAM 

-.■>. DREAMS FOR AH ANOEL "|T11 M ajaitl tf 1 JBtal 
draama 



CUP ART 



J2X 

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1.291 ■ tTaaws rumr>.'« Specs. SAaleksF:. 
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U2M ■ ta/s. Fsoasary daoo-atons. C4-prf Haajnt- 
U22 r . dgtr mm. pariv Inriras. Maps p' Eucca, 
P-nsiaat" stornoa. 

UMf ■ W*rl .Hst CremdB pi people. Frames^ 
S^ns; 

U22j ■ Farcy InliMa. Cars, Clusa Arlmala. 
UftS - Mufo Soipuellae. Sfrnocla. ledoy 001s 
UJSft.Sitt iif) niSKSi MILITWIY CLIP MIT 
U3B5 - Arunooiy 
uana ■ aiuhmw 



"] lhiids?h1 ihe caldlisdu. disk wu^ l-iloIL-ME value 
iiir (rsc ■» sas mans "n|' qh* disks have been 
individually n: ■, i..',4 ...I 

V Mlh r 1 1 



Chech out aur 

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catafogue 

disksi tar Ihe very 

best PDSnartwari!. 

Upilalerl monlnly 

+- 



Mixed Imagine Objects 

9 disk sel conipn^mg gf around 

50 objects for use with Imagine. 
Disk REFS: ustj. U3J4. lijm. u.i^h, 

UJJT, LlJt.iri. 1. 33«. 1 Wl : U| 




r-" 

1 
1 
1 



AU TfTiiS ARi COMPAT/Sif WtTtt Ait AM/SA'S 
t/MU$$ STAT£0 QTHiWfSi. 



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ADOBE TYPE 1 FO, 



lrii;i' .tLjiil". A.I..' 



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GHOOSf 0*V£ fd££ £JCTRA PO 
9?$*? fOR £V€*Y fO Pt/RSftASfB. 

<U II k (iM.i UTI M :i Hi l"l III K |)(IM.M\ 
BISKS \l (UNI I'l- H: MI^K. 




ST*h 7f£* T THEtEcT ^raTH4 IMrT "I 

Diss- i uurtiire for al TrckJua (ans. 

Ldart: ol rsBsyiL r*w.ar»ig anrt 

mrujr.iev.B Pit* miniki and 

iliaiil.os. FAspl 

AS -s.f. ::.;..■■. l.:r ryr, tij H • ->.* 

iBSLart 

THIS 15 NOT PUBLIC DOMAIN 

-^ J 



CI) AMIGA 




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» 



Tony Horgan has spent 
so long playing with the 
heaps of PD games and 
demos we received this 
month, his brain has 
fallen out of his left ear. 
Fortunately, it doesn't 
seem to have had any 
adverse effects. 



DANCE WAR 

music disk El> 

Dance War is devoted entirely to six 
pieces ol music, and as you'd expect. 
they're generally quite fast techno tracks 
{what a surprise - £<%. As there aren't any 
trancey tunnels at acidic graphics, the 
music would need to be pretty gond to 
stand up on its own - unfortunately most 
of it isn't. The first track is an effective but 
nondescript chunk 0* hypnotic techno 
with a few ragged edges. The only other 
track that stands out is a hard and last 
pneumatic-drill workout. 
Available from; Choice Software. 144 
London Road. Highfields, Sheffield, S2. 
Tel: 0742 555S94 Disk no. M175- g^m 9 . 
Price: C2.0D including P+P. **' /o 




_J 




HTKH 

demo 

Hypnotic tesseilatinc triangles zoom out 
screen as HTKH k cks up. It's one ol those 
simple effects mat's can trance you right out, if 
you're that way inclined AN too soon it gives 
way to some nice plasma and wobbly copper 
patterns. Then there's a pleasant oil painting 
style picture and some more of those jelly 
effects. Nothing, (jutsiandiflg here, but well worth 
a spin for triangle fans. 

Available from: Cyrtcstic PD. Office 01, New 
Enterprise Centre, Little Heath Industrial 
Estate, Old Church Road, Coventry, CV6 
7NB, Tel: 0203 6B1 667. Disk no „ 

D0279. Price: C2.75 including P+P. * ** ** 



CORAL 
QUARREL 



AL CAPONE 

AGA disk book 

Al Capone is one of those fascinating leg- 
endary bad boys - strange that a man 
responsible tor so much death and suffer- 
ing should almost become a kind of hero. 
This disk book' demo is a combination of 
digitised pictures and text, describing the 
rise and fail ol the biggest gangster of all 
lime. While the text is scruffily presented 
in a CLI window, the graphics have been 
very cleanly digitised in hi-res interlaced 
grey scale. Most nt the pictures are mug- 
shots of Capone and his henchmen, 
although there are a couple of more inter- 
esting photos of the real Untouchables in 
action. Recommended to Grimew6tctt fans. 
Available from: Alpha PD, 3 Whtekham 
Street. Easington, Peteriee, Co Durham, 
SR8 3D J. Disk no. 244. Price: £1-30 includ- 
ing P+P (Cheques payable to ^>g\ 
Greig Harper). # ©% 



inimation 

Charley Cat is the star of this five-disk cartoon from 
Anthony Whitakker. Charley's latest adventure is 
along the lines of the classic Day at the Beach car- 
loon from Eric Schwartz. The cuddly cat just wants to 
catch a bit ol surf and sun, bul ends up being bitten 
by lobsters and having his face punched in by a 
nasty old tiger. The briel scenes follow a predictable 
pattern in a Tom and Jerry slapstick kind of way, with 
plenty of good comic poses and sound effects. 
Beware of eternal disk swopping il you only have one 
floppy drive. 

Available from: Roberta Smith DTP, 1 90 
Falloden Way, Hempstead Garden Suburb, 
London NW11 6JE. Tel: 0B1 455 1626. 
Requires 4.5 Mb of RAM. Price: £5,00 
Including P+P. 





LIC DOMAIN CU AMIGA 




LOVE 

AGA d< 

If you're into the kind of cheesy Euro techno pop 
that's all over the Chans ai Ihe moment, you'll 
instantly warm to this new one from Fairlight, as it 
□pens with a slick Haddaway-style (una. The 
graphics get going with a slow vector sequence, 
but pick up with a nice plasma effect mad© from a 
warped and twisted bitmap. Nex| up is a shaded 
3D logo which is OK for the vector fans. The best 
effect is the swarm of morphine, dots that spin 
around in a three dimensions, forming themselves 
into various patterns , There's some more 
alternative plasma, a few neat pictures, and a slow- 
moving texture-mapped iwisting veclor cube, 
Following a short ray-traced animation loop and a 
smooth realtime-generated fractal zoom, there's a 
nice bitmap zoom. The final stage is a flight around 
a ray-traced Fairlight logo, 

Depending on your TV or monitor, you may have 
problems viewing certain parts, as ihe demo jumps 
between 50Hz and 60Hz (causing the screen to roll 
on some systems). Nothing particularly outstanding 
hers, but enough to keep you entertained. 
Available from: Visage Computers, 18 Station 
Road, Ilkeston, Derbyshire DE7 5LD. 
Disk nos P296 a+b. Price: £3.00 
including P+P, 




GEVALIA 



Polka Brothers are excellent at coming up with their 
own unique Style Of demos: intense, humourous, 
always fresh with new effects, tied -in perfectly with 
a fast and funky soundtrack. Gavalia is no excep- 
tion. On Ihe menu we hava: abslracl vector 
patterns, a cartoon crocodile, a very strange 
stylised animation, a twisty cube-within-a-cube, a 
delicious new swirly pattern routine, a picture, a 
super-speedy tunnel sequence, Ihe credils and an 
abrupt end, It's short, but righl in your face all the 
way through (it's so fast that I've had to reset and 
watch it four times over Just to make a list ol the 
effects!). A short, sharp shock on a disk. 
Available from: Visage Computers, 18 
Station Road, Ilkeston, Derbyshire, 
DE7 5LD. Disk no. D297. Tei: 0602 
444501. Price: E2.00 including P+P. 





TO THE DEATH 



I was expecting a slow, jerky Street Fighter copy 
when the title screen popped up, but To The Death 
turns oul to be quite playable, This is a PD demo 
version of the game, which gives you just one oppo- 
nent, suggesting thai a full registered version may 
become available. There are two special moves, 
along with the usual sweep kicks and jumping 
punches, lis pretty last, and Only falls down on the 
controls, which can be a bit unresponsive at times. 
Otherwise not bad ai all. 
Available from: Freestyle PD, 108 
Wood side Way, Short Heath, West 
Midlands WV12 5NH, Price: £1.50 Including P+P. 



HYDROZONE 

9«me 

Here's a simple game based on the final Dealh 
Slar sequence from Star Wars - the bit where 
you fly down the trench and shoot the exhaust 
port at Ihe end. The simplest of vector graphics 
are used lo display the trench and the olher 
"time tunnels'. Gameplay consists of dodging 
the obstructions along the way, then zapping a 
big robol head with your lasers It was wrilten 
(or the A 1200. but is still quite playable on a 
straighl A500. 

Available from: Skull Army Software, 58 Aln 
Street, Hebburn, Tyne and Wear NE41 1XT. 
Price: C2.00 including P+P. ^^^ 



ARIEL ULTRA 



It's another from those Polk Brothers! Ariet Ultra isn't 
as frantic as usual, but still has plenty of head-melt- 
ing effects, such as the routine lhat has beams of 
light spinning Irom the centre of the screen, the 
mutating tunnel, and some mad sine wave patterns. 
There are also a couple ol good pics in there- Fun, 
but not as good as Gevalia. 
Available from: Visage Computers, 18 
Station Road, Ilkeston, Derbyshire 
DE7 5LD. Disk no, D2S9. Tel; 0602 
444501. Price: £2.00 Including P+P. 



(J^ 




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129 



QUALITY PB & SHAREWARE: WE STOCK OVER 4500+ OtStiS 




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BANDIT MANIA 



Banditmania is a good looking 1wo-disk set, offering 
net just one fruit machine simulator, but three! 
Although thg graphics are nice and bright, the 
machines themselves are a bit bland. None or them 
have any particularly interesting features, apart from 
the hidden games. These are accessed by clicking 
on various parts ol the screen (as described in the 
user-friendly insiruction sheet), and consist of typical 
simple PD games like Grkfrunner and Snake. 
Playing the third fruii machine requires nothing more 
than constant tapping of the mouse button lo spin 
the reels - exciting stuff eh? Even so, the other two 
should be enough to occupy fruit machine addicts 
for a short while- 
Available from: Mental Image, 16 Mile End 
Avenue, Hatfield. Doncaster, South Yorkshire 

DN7 fiAU Tel; 0302 BB6591. Price: £5,00 

including P+P. (3*Sl! 




»?' ^ 




!M 




f— Jr* 








t^F^ WW * ". , ^^™" 




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THE STATES OF 



disk bo 

Go on. ask me a question. Any question you 
like so long as it's about Europe. Popuiation of 
tan Marino? 24,000. Principal language of 
OTJkJavia? Rumanian. Life expectancy of your 
average Austrian? 75 years. You see. I've 
become a bil of a Euro-authority since discover- 
ing this Hyperbcok- created disk from David 
White It's a pOint-and-ciick encyclopedia on a 
disk, with a list of Euro fads as long as your 
arm. Well designed, and recommended to any- 
one who needs lo swot up on the Big E. Send 
off your cheque now. Neil Kinnock. 
Available from: F1 Licenceware, 31 
Wellington Road, Exeter, Devon EX2 78% 
9DU. Price: £3.99 including P+P. 








"H 


1 

1 


l 



FINAL FRONTIER - 
ISSUE SEVEN 

diskmag 

First Set me apologise for comments we made 
aboul Trehkies in our lasl look at the Final Frontier 
diskmag. Trekkies are not a bunch of anorakked 
saddos who shgw oft to their males by talking flu- 
ent Klingon loudly on | he bus, and quizzing each 
.other on the brand of hair-cream used by Speck in 
episode six [reader's voice: "ol course not - Spock 
wasn't even in episode si*'> 

As lor the mag. il's acluaily rather good The 
Interface has had a complete overhaul, and it's 
now the mosl attractive and user- friendly of all the 
diskmags. Background hums and the occasional 
blip gives it a spacey kirtd of atmosphere, and all 
^^tha«Eicles appear in a kind o! computer- readoul 
*Hyle Issue seven comes on four disks and has 
Jneaps of features all about Star Tr&k, with some 
graphics and music modules too. In all, il adds up 
to hours o> engrossing reading for all Trek outs. 
Available from: Cynostic PD, Office 01, New 
Enterprise Centre, Little Heath Industrial Estate, 
OTd Church Road, Coven I ry CV6 7MB. Tel: 0203 
681687. Price; CB.00 including P+P. 




United Public D\ 



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EUANK DISKS- 

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SRT PD, 27 KINGSHOLM ROAD, WESTBURY-ON-TRYM, BRISTOL BS1Q 5LJ 




PD Drome. Dept THO, 
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UTILITIES C 



CU AMIGA 



rrrrr-rrr^ 



Before you splash out 
your life savings on some 
expensive professional 
software, check out the 
latest budget offerings in 
the public domain. Andre 
Digard is your guide. 



teftPWr-rwttwpimSLrtn BtlMM 



- <■■ w I 



^mSHmUJjttjidawlilBwtftiBifcilattrafc-j Q» Sywlrt I hfcrtlW* IJIW WHt 




EPOCH 
MASTER V3 

tlm*> manager 

This is an unusual type Of program 10 find in 
the public domain. Time managers are nor- 
mally reserved tor use by businesses and often 
cost very large sums indeed. Epoch Master is 
not as powerful as its professional counter- 
parts, though it packs quite a hefty punch, 
Essentially, the program revolves around a cal- 
endar ot events, From there the program spins 
off into basic accounts, an address book, a 
year planner and several other functions. The 
idea behind the program is that you can find 
out where you or your staff should bo on any 
given day and time. The whoie program is 
remarkably well done. The only complaint I 
have is that the user interlace is very non stan- 
dard- It doesn't detract from the useability 
though, this is one of the better public domain 
business programs. 

Available from: Blue Rose PD, 33 Glenmore 
Walk, Hilden, Lisburn, N. Ireland BT27 
4RY. Tel: 0846 678513. Price: £2,00 
including P+P. 




f'W< 



**>■» blanker 
irkbench 2-*-) 




iirwr 



^ 



^JSniiUta! _£j 



v] liitt _J Tosii | 



i*h A\t-ttUfy (fchflkwiT 



£xFipltf [silfTTr 



TasiPri 



tNikktr \ikiti 14 



jii«« f ] !*.> [ Hfctp...| lit 



-II 








Tell He The Tine 



On The Blackboard 



— • }f Lets Go Shoppiner 



Grid Reference 



Honey Matters 



Fun With Fractions 



Here comes yet another invasion ot flying house- 
hold electrical equipment, This time it's toasters, 
the latest screen blanker to hit the Amiga. Screen 
bl ankers {also known as screensavers) are 
designed to reduce damage to your monitor from 
screen burn, which can permanently etch a pat- 
tern on the screen if the same graphics are 
displayed tor long periods. 

The latest update of SuperDark dees nolhing 
unusual when compared with other bl ankers, but 
it does do iis job very well. There are a host oi 
different effects available, including a remarkably 
silly music player with cuddiy, bouncing crea- 
tures. The standard blankers are also there, 
fireworks, searchlights, starfiekJs et al, 

The menus are well laid out, and setting up is 
child's play. The bad news is that it crashed far 
too frequently for comfort when using Ihe testing 
facility. As it stands SuperDark V2- 1A is an e*oel- 
lent program that easily rivals commercial 
Wankers, but I wouldn't irusi it when doing impor- 
tant work in case it crashed. 
Available from : KEW^tl Software, PO Bos 672, 
South Croydon, Surrey CR2 9VS, Teh ., mm^. 
061 $57 1617. Price; C1.5Q Including (^Jp 
P+P (Minimum order two disks). 



>*QVTHS MONKEY 



P 



;tJf 

7 

■ ■ ■ 



Cet*eal Beans Sausascs 
£1,ZQ 2lF* ?5«- 


Orsnate 

8?p 


Cake 
73p 




2 ^OKH <*f c#PPdl 


£ 


_ 




3 tins of beans 


£ 


3 cakes 


£ 


Socr* ; 


4 bottle* of «ptivt 


£ 


■ ! 




2 trav* of sjunjts 


£ 


mil 


£ 



ation 

If you have kids who need a bit of help with their maths, this program could seem to be the ideal 
solution. It has many sections ranging from grid references to digital clocks. It was programmed 
in Amos, as most educational programs seem to be. 

The graphics are well done, but they are all static Some animation would have been more 
than welcome. The program itself is somewhat like the graphics; colourful and welt designed but 
completely lacking in interest. There are no fireworks when you do a section well, just a picture 
showing your score, The scenes and questions remain the same every time you play. 

When left to play for a while, our 'guinea pig' got bored very quickly (as did I), It's unfortunate, 
because there's a lack of good educational software. Kids like to be rewarded when they get 
something right, and animations and music seem, to please them. So why do so few people 
include these things in this kind of program? My immediate guess is that programmers don't 
have enough of the child in them to understand what makes it tick. Overall, I will be interested in 
seeing any future releases, but I'm not holding my breath, and neither is my little nephew. This 
could have been a great program but, as with a lot of other educational; software, it's left 
swimming in a sea of boredom and mediocrity. 

Available from: F1 Licenseware, 31 Wellington Road, Exeter, Devon EX2 9DU. 
Tel: 0392 493580. Price: £3.99 including P+P. 



^ 



» 



135 



cu • 



BLUE ROSE VIDEO 
GRAPHICS 

video fonts and 
backgrounds 

There aren't too many good sources tor video 



poor quality. So it makes a very pleasant change 
to find some (hat are cheap yet of reasonable 



HD CLICK V2.7 



hard disk m»nu 
(workbench 2-1-} 

In recent times the number of hard disk menuing 
programs has increased considerably. HD Click 
has now come lo swell the ranks, and is a pretty 
good attempt.. The program is far more configurable 
than most, with a complete editor for the front end. 

C.L.INDEX 

liconsowaro tutorial 
(workbench 3-*-) 

CLIndex is Nceneeware, not public domain. This 
means two things; firstly, your friends should buy 
their own version, copying yours would be stealing; 
secondly the author is given some money for his 
effort when you buy it 

CUndex is a set of manuals on disk designed 
tor beginners. It takes you on a tour of your 
Amiga's Shell, a topic which should be 
approached with care. It all starts out very well, 
the author making very few assumptions as to 
your capabilities and providing a good general 
grounding in the Shell. The only real complaints I 
have are that it's all rather staid, and the author, 
having explained something, expects you to 
understand it immediailely. The latter is the main 
problem I came accross, a real beginner would 
probably have to go over most of the text several 
times before they had learned it well enough to 
remember. Still, it's far cheaper than buying a 
book on the subject and it all happens on screen 
which gets a thumbs up. 

Available from: F1 Licen Beware, 31 Wellington 
Road, Exeter, Devon EX2 9DU. ,-> 

Tel: 0392 493580. Price: £3.99 tltSfo 

including P+P. 






II NmwiI I'itMwrMUr? 



hi|j 



M*» Cwl, If-H r*"'l"l 



WW 







Rnord nuil-ir I tt I 



UtfHlHI 



lYtum.i n.huiiii: vu mi mi, »tm, Hiinia 



HHl.lMll mMmrO. I : l«l.1 ,lH it'O 



ifHirfi'r.l.l * 






appearance, This set comes on two cisks and 
is licenseware. 

The fonts are varied, some are the kind that 
you would associate with games or demos, 
and others are definitely well suited to video 
production. Most ol the fools are static, though 
there are a couple of animated ones such as 
Fire. The backgrounds are thoughtfully 
d 

general they are very useable. They could be 
handy for anyone putting together presentation 
disks or si ides hows, especially for the title 
screens. There are also several pieces of clip 
art scattered across ihe disks, including the 
obligatory dinosaur. 

All of the artwork is of very high quality, well 
chosen and uliimately well designed, it might 
nol be suitable lor every application, but there's 
something on here lor everyone. 
Available from: Blue Rose PO, 33 Glen more 
Walk, Hilden. Lisburn, N. Ireland BT27 
4RY, Tel: 0846 678513. Price; £ 4,50 
including P+P, 



It comes m two versions. The one supplied here 
is the, 'I'll annoy you with a silly requester until you 
pay the shareware fee' version. The full shareware 
version apparently works taster and more effi- 
ciently. HD Click V2.7't$ a little gaudy lor my taste 
... the screen layout and 9 just don't hit it oft. But it 
does seem to work well enough. Extra memory is 
definitely recommended. 

Available from: KEW=II Software. PO Box 672, 
South Croydon, Surrey CR2 9VS. Tel: 0B1 657 
1617. Price: 1-50 including P+P 
(Minimum order two disks.). 




ROBOT 



education 

A surprising month , with not one, but two educa- 
tion programs. This one is a very different kettle 
of lish from Maths Monkey. There are loads of 
bits rind pieces on this disk, including a word 
quii, a simple maze, details on a NASA astro- 
naut and some historical information, 

The disk supplied is a cut down demo ver- 
sion. The complete program is available from 
the programmers. The whole thing works in a 
sort of children's science book way with lots of 
little articles and games, most of them very 
short, which is a good thing. As tor the graph- 
ics, I don't think I have ever seen such variety 
on one disk. The characters are well drawn, 
and Ihere are loads of digitised pictures, but the 
quality also swings' the other way too. Ready 
Hobo! ultimately suffers from the same prob- 
lems as Maths Monkey though, i.e. it's boring, 
and lacks lasting interest. Its saving grace is 
some simple animations in various sections. 
Available from: KEW=1I Software, PO Box 
672, South Croydon, Surrey CR2 9VS. Tel: 
081 657 1617, Price: £1.50 including 
P+P (Minimum order two disks). 





CYNOSTIC UTILITIES NO.47 

various (workbench 2-t-l 



(^^ 



a I LlltMH it [LmwHinMlll.tll1,TtAlfP^|/1l»trt tj| Until 

«ln In nKH«wit ret tw if tnf mitw I ww** m ■■<* 
4 ^mm '.I N l-l lb ill Idtjt [Aficibi krf . l*.ln u i -jn*t 



111 

,1 IL 

H r«i irr: 



FT 

i -|rut PDirMi 



ice mill tilling limit |[u cm I Ml irv ninlw if Mlt! l("(rt(l iM'dl 
J, I Ml fKMIJU' Hill riliHM. 



This is a small batch of five semi-useful utilities. There's a functional, if somewhat basic, phone diary, 

It will keep a tew lines of details and can produce lone dial sounds via your Amiga which, theoretically, 

could be used to dial a number, but it can't produce printouts or even an on screen listing. Then 

there's MToots, for people who need to transfer large MS-DOS files to and Iro. It does a reasonable 

job, but is noticeably slower than CrossDOS when 

moving small files, Next comes Clock, which is a 

well -prog rammed replacement lor the standard 

Workbench item. Best of all is a small utility called 

BindNames. This great little program lets you keep 

all of your Workbench Assigns in a separate file, 

allowing all of them to be done in one job lot by the 

program. Great! Lastly, a grave warning (literally}. 

It you follow the instructions on this disk about 

modifying an A4000/30 for extra speed, you WILL 

send your computer to an early death. 

Available from: Cynostic. Office Ol, New 

Enterprise Centre, Little Heath Ind-Est., Old 

Churgh Road, Coventry CV6 7NB, Tel: 0203 

681687. Price: £2.00 including P+P. 



T -J ?n*t buluMn Ihw n r«i rtf*lH f 

if in ,ti grb 1i.il il ib, II i> kf.l wrll IrilH 

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MrmffiiriWfiMMiM 

TpeIfi tun juirdmi tor Mi Ltd-]] 



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<ti IhE 1 1 pracris 4 



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136 



■*<_';> Ht»7t j*<S, Frocisliam, 



Simply I he Bcsi Public Domain Sortware Around 
Hig.ll CJltality A. net I -ci-w I* rices - r*J«> C-fjmprcjmist: 

I >L-tli<.;it<_-tl Tu I-It-lpiiii^ Novice Aiiiigii Users 
Lightning F'Sk-i* I'Toc-esB-inj^ Of All Oftltrs 
toI1> NJCA*5 aSE>J Telephone tLnt|ijiriea Wekolne - OU28 732 550 



GAMES 



_ IKth I Lute 

CAT 225 -2 DISKS- NOT 121)0) 
TTus it a very good looking over 
>srad gull" game. Good niuhi plajcr 

_n 

3 $B Games Series 

CAT 849 I DLSK) 

K-, .i hrillunl ^13 LuivrmEuir 
cirrr. whiih ik jtanlutHv hu.v 

.Act Of War 
CAT 287 i disk) 

* very good Space Crusade 
i itrategy game ivuh three 
inn ! Ip ;Ui, and am anay 1.1I 
ueapnns 

. Advanced Hero Quest 

•:.\T [«0 I DISK;. 
Ixl the •"■'!■■ ipin-^r he (he game 

I master, and provide Ihe 

challenge Vliu need lht board 
no Do |i -iv 

3 Dfluw Galaga 

CAT 1'97* I l>ISK) 
i mp . I.iwii- .is far ;is shiml em 
:> .i i.! fanla.sliL-.illv 

'i :c-- 'I wita 'i Re-five -■ n'n- 

-iri.,ide mxiLal^Li now 

3 Diplomacy 

(CAT l*»- I DISKS 

A yny competent csmifiulc'r 

version of that great hoanl jptme- 

jGmi Chess 

i CAT 1042- I DISK - NOT 50") 
A very good looking playable 

n chess pnyrricm. hasily ime of Iht 
he** injuml. 
j Golden Oldies 

■ CAT INK I DISK) 
A wonderful coHrtlion of arc tie 
cLasnica from the early days. 
v emxl in i -- "_ : ■ L f ' : i tup 



□ Grand Prix 93 

(CAT 2-t¥J2 - I DISK) 

A sunjiriMnety deep .±ud hiehk 

involved mnrwgement gume. 

j < lush 

(CAT 1209 -I DISK) 

1 1 1:1 probably Ihe beet version 
aT ptpemania yafl tart get . Very 
playable and very addictive. 

j High Octane 

(CAT WW- I DISK) 

Tfaii R v-r head car 

racer for two player* H's full m> 
Ilk: Ik nil « H Hi: 1 1 lla .1 rd •| i I 1 '- 
anil plenly ill VMftfRafl ;.u,.k Ups. 

jjellyqucst 

(CAT 2l3b - ] DISK) 

A snm of (J-Hcn puller, and a 

good me ill Ihal. Quite Eacndivli 

j Kliivr/: The Cat 

(CAT I TJS5 - 1 DISK! 

This b a Lovely cube platform gnme, 

Willi classic gaintplay 

□ LCD Dreams 

(CAT 1789- I DISK 1 

A o nfe e iitv of four old LCD lurid 

held Eiuniex ie vamped fnr Ihe 

Amiga, Greni atufl 
jNOI Mint 1 
(I WWO I DISK; 
A clcvet BotildepJjish fcanu\ with 
mind ntie^linu puuks. 

j NO I Mine 2 

(CAT 454- I DISK) 

M>.iiy of Ihc Name, with liuc-i ^iid 

tons of frustrating leweU. 

j P«p Quiz 

(CAT 2150- 1 DISK i 

Test your knowledge of pop history 

with tliiv |xip -illsLil quiz. 



GAMES 



j Rt-rl Dwarf Quiz 

(CATSS7-IPISK) 

I ad jour tnowledge of" die TV 
SEnts Willi Itm LKvai Ma>lK- \flil_ 
h\ •ti.'-rj ihcm^h iinLs«l. 

□Road To Hell 

(CAT56S-IDISK! 

Yl-< rmuL- over head rieinj in >ti 
jaiulliLT L![L-jl jaunt.-. I'll r- linn: V'.'u 
can cushKTMse yi^ir cir ax w^ell. 

_iSlurh;isL 13 

(CAT UH- 2 DISKS) 

lln- i> ,ii t-pic u-..|ilm utmlm 

Willi li-'ls ki-.iLilvu. Il's very pla^ahk'. 
and qaitr Kunny 

D Survivor 

CCAT.^Kl I DISK* 
This it d pretty good RFC type- 
Ju'iiUii' faana. Simple in play, buc 
haid In fini^Ji 

uTelren 

(CAT«6- I DISK) 

Tetrco is. a wry good Tejrit done. 

II Icalun.-. a inKid selection |>1 ml-" 
^Hjiiitiu^, jnd [«t*n jiiayrr n|^ii.ii:. 

\lr Men Olvmpirs 

(CAT I SB- 2 DISKS) 

[lin i^ a iiii-K cm i.- ""I Uda I: 
kuLun:^ gnual ^rapliK's v*1ik:Ii i[iak-|i 
1he iiri j'iiial VKn 1 well . 

D Total War 

(CAT I IW- I DISK) 
A brjiliani vemioc of die board 
rim*.- KisL.Siji jilayL-ri L^HrapiMfr iir 
liuiM.in inmpck 1 - .Lnii hjlrkv 

u Wizard Wars 

(CAT-2W- I DISK) 
Ibb is a «ry polbtied Kit; type 
hoard gBitw.Qijile insolved ajid 
pnTihi 1 ii in:K ki w in 



ASSASSINS 



j \ssiissin> 3 

(CAT 1 114- I HISXi 
Hejnbjill - grctl hnrnkran rjhw 
Dtip - polislied Ptaimer game. 

u Assassins 123 

(CAT l^v I DISK i 
Includes the Mcelleni Arlil lenjs - 1 
wiiH-li ia ►inliuiitly aiddiciive . and 
for upiu Lii:!il pla\Lis. 

g Assassins 1 14 

(CAT IBS I DlSKi 
InKeniBtionaJ Crkket iioti here . 
and mj ls bLSLLtinu^ 2 . Brill. 

j Assassins 95 

(CAT 36 I DISK! 
Include^ iwo IVpshImII I'lLinii^vr 
gtaimes w+ich nre quite diffenewl 
from each other. 

o Assassins 133 

(CAT IIJ1 ! DISK) 

The« are two pen CoJuiinnj lype 

■f aiiiL!i for y<M oh dns one. 

j Assassins 138 

(CAT Li-ID - I DISK) 
Includes 1he on misKahlE >;aniL - 
Scnccacd Tariki. Tofally aoMiirifvi- . 
and pe» inulti ]ilayLi fun . 

j Assassins I2H 

'..I I6J2- J DISK. i 
Three hrilliiinl vmiofnof sotne 
arcadt tlassich. Includes - Space 
InvjLimci. LkluxL Macnian ajiO Sola: 
Sysitcm W^n. 

j Assassins 139 

(CAT22C - 1 DISK) 

Includes a food I run iiui'Iiiih.- gaihC, 

aniL u TftTird hrL'jlnut 

j Assassins 135 

(CAT 24+2 - 1 DISK) 

llus ;i Hull IS;i-_1u..iiiii3iiiii \mz\ij. 



ML SIC/DEMO 



jliiiiliylti 1-il 

(CAT ITS! I - I DISK I 
£"..ir.1aiiLS a very kini" MidM 
sequence s«rolheii'.iiaiiKchnn 
type raiuk-. 

j 9 Fingers 

(CAT 36 - : Disk^ 

An aiklm \ isnal feist bnnjghJ In yciu 
from Spaoehal&s. If! pop^viden 
laatjc and no mistake, 

j Arte 

(CAT 562 - t DISK) 
V .'laplncaJ L'Alnva^uaxa nf a4lnnK> 
with funky-ironic music 

_i Attract ioti 

■■. i 1243 i way 

A jin'.ir iimi.ir dick i*L-ih Hue 
lovely thoughtful musk. 

■ liimnirifj. Raves 

(CAT 213 I DISK. 
Perltaps no* rave enattlj . Iml ;i j;nnd 
inecamix of aome clatiic kaci 
A cixid nux ol aylea . 

j RiiiiKinK Raves 2 

(CATS14 ■ L DISK) 

Another pwd nw^urnii . 

-iKassctCtmliiuio 

(CAT 1059- I DISKl 

Ten eMflleni funky nines m oat 

licrc for your llBteniuf pleasure. 

uOoop Re-mix 

(L'AI 111 - I DISK) 

A I'i^jil re mil nf llul L'hajt tupping 

tune. 

uGastric Ulser 

(CAT 272* - I DISK) 

A tjiKM.1 i>.il IscfaH Ml siaijf very 

hard mve tunes Neil fr-r llic 

feint Itearled listener. 



MISK7DKMO 



u Gospel Karaoke 

(CAT Hi - I DfSl 

It aaundt unlnelicvaWc. Ijut il is hue 
KatjiAc Amia^r 

u Kaos Theory 

HAT I IN . 1 DESK) 

Ifa ravc-omntic A*nig» time with 
-"Hie tcrlouuly hard ttinea. 

uMuIti Mesumix 2 

{CAT 2498 -I DISK) 

A 'i jlriiuM ctHTiBIKrcial quality 
remix 4sl unnu. 1 - very lamiHjx tunes. 

-i I'ii-L-e Or Mind 

lCAT"StJ. llllSKi 

A great 3D CKtravftguiudemo 

« mi some very dassy music.. 

□ SiMMpeK 2 Unlimited 

(CAT2M1 IDISKiii 

GoodoJdSeoopen supplK"- (wsrj 
well piixlucid 2 L'tdimicMl mhai 

"*j Sequential 

(CAT54T. 1 DISK I 

A nailer caask'T flf a ik'ni-i 

j For Your Mind 

(CAT24£2- I DISK) 

Fiuq vtdeo. Fnsi muKic^ a really 
iiiovnic expenenvee fat sure. 

u State Of The AH 

(CAT l<J ■ I DISK) 

An all time CUsmi- ik'irio. Hi il Irani 

i isuals and a cra*.'king dance tunc . 

j Star Trek Rave 

(CAT 2J« - I DISK) 

K iwKhiny -iLicrwl ? Apparvrath not. 
A silly slnry with sictura n-hicli 
provide a good laugh 

j Techno Tracks 2 

(CAT 1«64 - 1 DISK) 

A u .'.Milne music and m ni ic yi cat 

vimials iii.iL:- this a mil ,1 



ALL INI 1>1SKS LIS I MX>\ HI IS l'\(.l ARK COMPATIBLK WITH AIL AMKiA COMPUTERS INLESS OTHERWISE STATED 



USEFUL 



600 Business Letters 

I IT2SH I DISK: 

Lou of letter* tor Iocs of things. 

AiLciunt Muster 
i ■■ i iai7-i diski 

A giN.nl hltk acrcHJitls pnpafll lo 
help keep yiHjr tns iks. 

. Amibase Pro 2 

(CATiy.t- I DISK I 

Ptntsahty the hesl database prtivirani 

yoa cut get, Very tualMe inil I 

j Astro 22 

IT 21 20 I DISK) 

An excellent pmjHram k> help 
with your nslroli.-ig'icjil piedk:iion>, 

Astronomv 

(CAT2S47-IPISK! 
Prodticcfi very ifciailed: planetary 

a!l'.!rniatioi '.>'i asliontiiiSris. 

j Classic l"tilities 

■I Ki.i I DISK) 

A true collecoon of classics that 
^•■ij really >ln>ald tluec 

j Create Adventures 

\X tun ■ I DISK) 

\ s^ery vice authnring pmcrain. 

j Crossword Creator 

. 1 2 : rb I - I DISK) 

Tatcen the %1min imiI fur you . 

-Crunchers Disk 

..T 1 217 I DISK) 
If disk space is getting light then 
'.his disk is definitely for you. 

_[)-C«p\3.l 

'CATiSW- I DISK) 

The best disk copier you en get. 

j Dynamic Skies 

(CAT15I2-IDISK) 

An xnUibig fliglM Sky » ic »vr wliicli 
» learture packed. 



ISKIT I 



j Easyealc 

(CATICHC- I DISK) 

Simply the best sprescUieet^ 

ti Edword Pro 4 

(CAT 2071 ■ (DISK) 

A brilloanl lull edikir whicli lia.s 

a very j-:is.hI Teel ahisut il 

j Forecaster 

(CAT 607- I DISK) 

If you're a betting inarvwomiin. 

Ihu disk cHild be up yuuff MH.-v.-l . 

j Grinder 

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A ■■ ersitilc scraL-ii Lxmscrlet. 

.iHvperdrive 

(CAT I I ItS 1 DISK) 
Creates a protected RAM ditt ■ 

u Man del muni j 

(CAT DM' - I TJlSH - NOT SflO) 
A very fast tracts] geneniinr wiih 
•■ouin in and oat, 

_i\ Lin del pint 

(CATflO- I DISK) 

A ii e\cc Ik-iii sliawewane fractal 

ivnentlnr Tons nf fractal types. 

u Magnum 

lCATI66t> 1 DISK i 

A ^noit disk nufa/.irje creator. 

□ Opti Comms 2 

(CAT235T7 I DISK) 
An e^celfent colleclicinof bnnls Inr 
utse with you modem 
u PC Task 2 
(CAT I2S| . I DISK) 
A wtrfcing Jemoof Iftis very gcmS 
IT ciiiulnt.T p'oci.nu 

Li Planetarium 

HAT tftSI I DISK- 

A sample pKisrnim In display ihc 

[xisiricin ol the planets. 



li Pools Tools 2 

(CAT 442- 1 DISK) 

A ereal rich quick proerajii V 
CwWheCoiiktn , l ir 

li PP Mini Crunch 

(CAT BUD -I DISK -NOT SOTl) 
A user friendly interface for the 
c-icelkrtt Powcipacker. Very nice. 

□Professional Utilities 

ttATfcX - 1 DISK) 

A very cckhJ useful and varied set ol 

wnrfhwhile prneraini . 

_V|-R-|>-s 

(CAT 2214 t DESK) 

Cneate v*itirveBy nwn sterentjraiTi 

picttires jni.l baffle your friends 

□Start Of The Art 

(CAT 2311 -2 DISKS) 

'Ihest' di-.!.-. ane [lacked flwicltfr 
widi vunlHjs grapuiK's pmgrams. 

ciStarview 

(CAT Irdn 1 DISK 

\ nighj -Ay ybvhx nhkn ncn 

narks out the cuntehauon-i 

□Text Engine 4 

(CAT IJJ>» I DISK 

The hesl wnnl pnte.-iMXf Ihere it. 

Very well wiied to 1he Amiga. 

□The Money Program 

(CAT I8I1 - I DISK) 

An excellent ruifTX nunicy inonitor 

nrcigrsim Very useful , 

jlJtlily Disk Maker 

(CAT -"-7 I I DISK* 

Proves very helpful for Granting 
your own dinks. strioiK or not. 

□X Beat Pro 

(CAT415 I DISK) 

A very friendly music sequcnen 
nroeram . Very good for lefmiens. 



ANIMATION 



□ Animation Studm 

(CAT2*)6- I DISK I 

A laiHaMi-: pineiain lo eel you 

stahKl in animaliiHi t-ealures Ihc 

onion skin layering (echnjiiiie. 

□Boat 

,CAT°.J3-IDISK) 

A very nice aninialKMi of a LypicaJ 
l- nvl ish i;anli'n ^rene, wiih a hi'ial 

-i Bonds Last Stand 

ICAT8J5-IDISK) 

Bond cops it art last, and not before 

tune no. 

□Beach 

ICATIHG- IDlSKt 

A ereal siujrle sctotii picture 

postcard type animalinn. 

li Human ( anntinhall 
(CAT 1599- I DISK) 
An amusing story of ho* not to be 
a Ihintiii eaiinoiih.il I 

□Linus 

(CAl 101! I DISK I 

A very original anim wiih a very- 
good cartoon atmosphere 

□ Raging Hormone 

(CAT2T8B. 1 DISK i 

l\sir old hi •riEiniic tries krpull a 

hrnt. lie- shi-iuld know belter. 

□ Raging Hormone 2 

(CAT 247J- IDl^ki 

'Dial itiick hormone jua dotsn'l 

knuiw when lo slop. Very luiluy. 

□Raging Hormone 3 

(CAT2l.Hl- I DISKt 
Ni!inii.ne p.c^sesoti what tie lia.-. 
Il.i i- in '.VI . - ii in 

□Savings 

tCATllT-lDLSK? 

Tbe peattoxSaa saviiees advcit quite 
a novel end . Tunny . 



MISCELLANY 



_i Communicate 

(CAT 270- | DISK) 
Lcurn how tou'ommunwuof with 
■i.-i Lns'ujec and inaiiv ilimv . 

jOclumed Tutor 

(CAT 2456-1 DISK i 

An excellent guide 1o gelling the 

iikisi limn CKiamed or MED. 

j Spectrum Emulator 

tCAT I44h ] DISK) 
Turn yiiiir Amiga intn a qSk YX 
Specrnm-i A fastish Ainij 
rccorjutnended though. 

jSpeccv ('lassies 

(CAT-«W-IDISK) 
A collection of classic old Sfwclntin 
games for use wiih the above 
ernulalcir pmaram. 

jSpeccv C.'lassits2 

(CAT I4W. I DISK i 

More great games rnremidnuw. 

j Speccy Classics 3 

(CAT 2*13- - ! DISK) 
Ar*J yet rutin; cockers. 

jThelnvLsihle World 

IT |78n- 1 DlSk i 
A visual insight into the tiny world 
of microscopic bugs. 

j Titanic Cheats 

(CAT 11)31 • ] DISK! 
',l'--i -I ik Iv i !i.«. k a black full lyt 

hi in- . i ipi and cherts. 
j Ultimate Cheat Disk 

(CAT 25*3- i DISK i 
Another -disk pttc&ed ta the gills 

with game lips and ehtaU. 

j Vic 21) Emulator 

(CAT I0S7- 1 DISK I 
Turn your Amiga into a Vir 2f). 
Ciimcs with tons of games. Need* a 
fast Aim cj to tully apfH-cciaie 



131MM)NLY 



II ( Ml» |USS.M-illt IIHt 

AHU.A ]Z»( IhMIL I I K 

j Big Time Sensualitv 

I-221S 2DISKSI 
An audio vrsual treat of n demo 
with stunning gtaphics and an 
alnant CD quality suunuHrack. 

jFridav At Eight 

if,\T20^-IDISKj 

A very fnst paced demo with n 

really tu I i -n m i-u. traci. 

j Full Moon 

(CAT 1144 - 1 DISK) 

A luilliani -.Il-hiu with a spoiAy ifiim 

and a ^ixhJ pas-ey tunc 

j Klondike Deluxe 

(CAT7D2 .1 DISK ■ 

A pal ient-f can! game- with scime 

svry beautiful picrtie cards 

J Maximum Overdrive 

(CAT 2SS6 - 2 DISKS) 

Avery lone lull motion Video dcrlio 
which lasts Hbrjes. 

_i Mi t;;i hall AG A 

. Il:l-t. 

The ifiost popular breakotri type 
game fetseven im'i-r A iiilvI. 

j Rent 

(CAT 2379- I DISK) 
Possibly the best AG A demn k> 
date. Totally awesome, 

j Relokick I A 

(CAT 2V1D-1 DISK) 
Brings uinvn^ard eomrjajlbilily to 
y^Hir new IZuU to help gel aurna or 
those old prnennn-- winking. 

j Sleepless Night 3 

(CAT 5113 - I DISK) 
An es-crilial Lollectioi! ud -erious 
pn^num euarunlevd 10 work on tile 
Amiea I 2H5C1-. 



THE EASYBASE CATALOGUES 

i is a unique PI) daiab:i--e pVDfjaan thai is exclusively available lii-<iii 

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Disks are £1 ,00 eaeh, or jusl 90p lor ten or more! 

Postage is 75p UK [plus 20p per disk in Europe) 

t'lr..-,:- M. ■<-.' .ill |,.i r -iii-iii-- ii- ^nli ri|- i<n-.iii;t. .. Brlcati tu .in. h i>! ;-.iii bast 


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AMINET FEB 94 EDITION 

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Amiga Archives From The Internet 

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PO GAMES 



3231 ZOMBIE APOCALYPSE 
X3221 BAZZA S. RUNT AGA 

X3222 DANGFR MOUSE 

EVIL INSECTS 

I uO 
3205 THE PYRAMID CAME 
Goor 
3201 ACT OF WAR MISSIONS 

31 fl I AM BASS ADC H FRUIT H'C 

3189 GALAXY WARS 

X3198 l AB) MASQUERADE 

I i Speech I 
31 8S TUMBLER STREET 
Gambling Tumbk 
3179 GLOBAL THERMO WAR 
Goon 

3175 (ABC)KLONDIKE II AGA 
The me 

3174 CASINO BLACKJACK 
More For ' 
3171 IN T 

Good I ame 

♦31 57 OH BIT 

♦3151 CASE OF DH STANGE 

X3147 (AB) CYBEHTECH CORP 

AGA Only Alien Breed < 

+3146 TMA 

1 st I • 

♦3141 ROB'S HOT GAMES *5 

but.. , aur Rob 1 



ANIMATIONS 



in3230 2MB AMIGA ANIMATION 

The Teapot * The Angi^; 

3229 2MB AMIGA ANIMATION 

Theh': *y Dancer 

3228 2MB AMIGA ANIMATION 

Plea 1 ■ ' no 1 

3182 MORPHY THE MAGICIAN 

X3181 MORPH MAGICIAN AGA 
Requires 4MB S HD! Aga Ol 



UTILITIES 



3224 BUTZ SHAPE EDITOR I .I 

•"lasic 
3220 HD CLICK Vi-1 
Hard Drivs Menu System. 
3219 CALORIE COUNT DIARY 

r hose Calories 
3218 VARK CLI UTIL '5 
Collection of New CLI i 
321 7 NOSTROMO CHE ATS V3 
MoreCheais For Chea 

3203 CMC MAG CREATOR 1JZ1 
Creale YOui Owr TjiskRiags 

3204 EPOCH MASTER V3.Q 
Calendar, Dbasa, Afldresse? 
3197 (AB) SAGLEPLAYER 1.S2 
Superb Module Player! 

3192 ROBS HOT STASH '9 
More Super Upto< data UUIs! 
31*7 HOBS HOT STASH "B 
More Super Uplonat Utils! 
3177 UTILS COMPILATION 

'ay advice, Cash Uliit 
3173 FONTFARM 12 
5C Super Unmapped fonlB 
3172 FONTFARM11 
20 MoteGwat Fonts 

X3160 BLTTZ BLANKER AGA 
:J1 AGA Blankers 

3161 (AB) IMAGINE BUDDY 
« Help From Imagined HD 

req 

315* ROBS HOT STASH '7 

Even mare Meg^i 

♦3196 MARBLE BASE 

New Shan ■ I iisu 

+3150 SONIC DRUM KIT 
:. Drum Ma: 

+3145 PROBOARDVl-1 
tksaro De^" • 

+3144 ROB'S HOT STASH *6 

More Up^c. date 1 1 

.3143 CANNON UTILS DISK 
S Prn1 Ulils Far BJ's! 

+3132 FONT FARM 10 

A Colli ■ onis 

+3131 FONTFAHM9 

50 More Fonts 

+3125 PROGRAM LOAD EH 

axecuie P'ograms Frorn A Menu 

+3124 AMIGADOS TUTORIAL 
There Are Lots WrtO Need This! 



DEMO & MUSIC 



3226 RHYTHM ATTACK 2 

Hot Mus*c Disk 

3Z25 RHYTHM ATTACK 1 

Mare Great Music Tra-: 

3211 OUACKBUSTED II 

Decern Gfx Demo 

3210 (AB) LOVE 

Superb Party Winning Demo 

320B POLKA BROTHERS 

' hfo Name Derr'iO 

3208 GEVALIA - POLKA BROS 

Pnd Place in Demo Comp 

3203 DE VOL UTIONS SLIDES 

Superb Raytracec Pics 

3202 DANCE WAR 

'Zone Against Zone" Music 

3194 (AB) ARTIFIC. PARADISE 

Well Worth A Look At! 

3183 (ABC, TRANCENTRAL 

Wy Vflry Nice MuS-iC Demo 

+3155 GENIUS MUSIC 

3 Tracks of Ravel 

+3154 CLASSIC HORROR P1X 
-.. From Old Horror FMx. 

+3153 DEEPER 8 

Spacey Sci-I : i Jpeg PScs 

+3152 DEEP 9 

More Space Jpegs 

+3126 H. BAXTER METHOLINK 

2 Orighai Composi-ion-i 

+3123 AEROSOL MUSIC 

Toons to Anno*nl Ywr Ears! 

+3122 STSFCTN GUARANTEED 

Nice new Demo Addhior 

+3119 "LARGO " BEETHOVEN 

Piano Conceno No 1 i<i"C 

+3109 ELECTRONIC KWIGHTS 

Nbw Demo-'Pampage - 

+3108 OXYGENE "CUZCO" 

Anolfier Quality Demo 

+3103 ANDROMEDA 

"Sequential - Excellent 

+3077 (AB) PASTEL VANILLA 
.aNic#Amiga Toons 

+3074 FRIENDS OF PAULA 2 

Even Mom F.O.P, Modal 

+3073 FRIENDS OF PAULA 1 

4 Mwe Greait F.O.P. Modules 

+3970 FRIENDS OF PAULA S 

More- MjsaX. lor Paula Fans 

+3066 INFINITY 

Very Nice Plagma Cycle Damo 

3065 INFINITY 



AGA DEMOS 



X3193 (AB| RAM JAM ,'BF 

"It Can't Be Done" AGA Demo 

X.3142 BRAIN STATE IN A BOX 

Alter Many R»quesl3l,.~ 

X3127 FHIDAY AT 6 AGA 

Nice Cflects, Good Demo 

X3104 COMPLEX REAL' AGA 

Superb New AGA Demo 

X3091 FATAL MORGANA AGA 

Groo^ AGA Ostricn Demo 

X3D46 {AS) BIG TIME SENSUAL | 

2 D'&k AGA EjctravacjanzaM 

X3016 FAIRUGHT FULL MOON 

Superc. Fairtignt Do It Again. 

X3015 NOXIOUS: 

Demo Tilled "Beyond Be-lief' 

X3014 (ABC> INNESTATIOM 

Present Hay Wohd. Excellent 




AGA PICS 



X3207 JPM'S AGA PICS *10 
More ^ary Nice AGA Pictures 
X3178 (AB)TUTANKrtAMUN2 
Even More Treasures From Tu1! 
X317* (AB) RED DWARF AGA 
Loads 01 AGA Pics From R.D! 
X3170 (AB) BOHIS VALLEJO 
Superb Bona Art In AGA 
X3169 (AB) CHAW FORD COL-2 
Yawn . More P«CS of Cindy 
X3168 (AB) CRAWFORD COLL. 
AGA Cindy Crawlord Sturf! 



BITS N BATS 



3223 ROME (EDUCATIONAL) 

"Enlertainment & ArcnilSCftjre" 
3216 MORTAL GODS RAVE *5 
Rave Samptes, Vol 1-4 Available 
3200 LUCIFERS GHIMOIRE 
Black Magic Spel'S A Potions 
3199 (AB) BOOK OF SHADES 
More Stulf From Lucrfer! 
3198 KIRKS SAMPLES '1 
Assorted Samp us Disk 
X3196 SANDMAN CARDS 
X3195 IRON MAIDEN CAHDS 
Cardsels For Klondike AGA 
31 90 WAC AMOS M AG AZIN E 
■Whitby Amos Cub - Mag 
3186 LEARN AND PLAY 
Educational Comp For Kids, 






NEW EUROSCENE 1 

II You Want A Colleclion Of The Hotlesl 
Musi Up To Dale Demos Currently Available 
On CD Then You Really Do Need This. Just 
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Includes Demos Released AtTG 3*3 & 94 ! 

£14,99 -75pPSP 

DonT Miss This Superb Conripilalion! 



NEW! VIDEO CREATOR 

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Over 1000 Images Have Been 

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' £34.99 To- Ths End Of July! 

(RHP is £38.99, CD32 Onlyi 




C032 NETWORK CD & CABLE 

Connect Your CD3£ To Your 

Amiga For Complete CD Access! 

CD £14,98 CABLE CI 9. 99 

|CD Also Includes Fish To 9751; 



CRAIG COLLINS PRESENTS.. 

The Imagine Video Collection *1 
ThlB 20 Minute Long HI- Grade VM 
Contains. AIL Oi Craig Collins Animation Works 
To Date, Specially Enhanced Wilh Digital Sound 

For This Unique Collectors Video. 

Nol Only Are All Craig's Previous Anirtis Such 

As Last Stand Oh Hotlr Mean CD Machines & 

Speed Limit Included, But 3 More Never Belore 

Seen, MASSIVE Animal Ions Created Wtth 

Imagine, Especially For This Video Are The Main 

Attractions' I Thes* Are:- Soldier X, Tigris a & 

Aliens, The Survivors! 
If You Enjoyed "Space Wars" You'll Die For 



POSTAGE RATES 

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UK orders, Europe 

Please Add 10% Rest 
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17 BIT SOFTWARE 
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i Disks £1.25 Each 
sor more El. DO Each! 
E WITH EVERY 10 YOU 



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CU AMIGA ART GALLERY 




JURASSIC PARK 

by Andrew Taurah. Notts. 



GALLERY 

Welcome, mes amis, to this month's 
wonderful world of art on the Amiga 
On with the show daaarlings- 





1 . The pgUlns Of Ine •"■■• 
SAS Trooper i* roughly cul- 

lined onto, a black BfiU while 
background usdng the Ire*- 
hand Icol in OPatnl 



3. The colour mining stage. 

Using Ih* rraehand tool, 
even more grey 'a allied to 



3. Neil, Ih* gln-ves are 
coloured in with a lol of 
rjrfiys and Ihe canons are 



he flasma*k lilled inwfah snideaof yef 



4. Finally, Ihe 9"" U* aH W8a 

lilled in using the complete 
range: ol greya frofli the 
palette, glvhig It a strong 

meli'lllc look 



J. Answer troapar Is drawn 

using Ihe same technique- 
This time lh* trooper has dif- 
ferent equipment and his lace 
Is completely hidden. 



S, The finished picture. »ttar the second 
IfODper has feaen dfawn, one it loads* 
inlo the normal screen and the olher Inlo 
the spare screen and rtheed them 
together uilng the pickup toCl1 *- 




Tide ^ «.. cr«.ed U*r>o . comolnatloh « ***** and W< IV In »»«*» mode. 



140 







ART GALLERY CU AMIGA 



THE JOKER 

by John Bradshaw, East Sussex. 




How Tof the (ace and DM h*1r Mm, Again, Ihe 
Mlelle was redefined and Hie whole picture 

«as touched up. A speech bubble is Imally 
added for trie II rushing louch. 



Al RUNNER 

by Che Yuen Yam, Bradford. 



Is replaced by Ihe final bac 




Che Yuen Yam sent in a selection of pictures and animations to, "make our life that little bit more satisfactory and signil- 
cant", This animation was produced and created on an Amiga A1200 with 2Mb using DPaint4. 



■141 




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Caliik)fuediii;£1.nO. F».M, reliable Bnendly t«rvice. 
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POSTAGE* PAIVKINC; 

LTK = 60pperordei; 
tiumpe - +2Crjj per disk; R.O.W. = +4Qp per disk 



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Note: Prices are per disk and not per xet 



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£ 

8 



iWiahIe Tel™ 



CU AMIGA AMIGA OFFERS 




Welcome to our new look readers' 
off era. This month sees the launch of 
our new upgrades for the Amiga A1200. 
Unlike some At 200 upgrades, ours are fully 
PCMCIA compatible. Designed and built in the 
UK exclusively for C J Amiga - never has it been 
so affordable to upgrade an A1 200 with more 
memory on a board also capable of adding a 
68882 floating point matins co-processor at 
speeds of up to 50MHz. 
How can wc be so cheap? Well, thanks to the 
hug* success of our campaign to upgrade all 
Amigas to a minimum of 1 Mb, we have 
exceptional buying power. Also, because so 
many of our readers buy upgrades we can use 
the very latest manufacturing technology to 
produce our upgrades ■ and hence give you 
exceptional value. 

So why upgrade your memory? Probably 
because a memory upgrade is the most 
versatile enhancement you can make to your 
Amiga. Apart from tiie fact that you need it to 
run trie more powerful Amiga software there 
are many extra benefits too. You can use some 
of It as a RAM disk, just like a super-fast extra 
floppy drive. This means you can avoid the cost 
of a second floppy dnve or hard disk. Some 
software that claims to need a hard disk will 
run on your Amiga from a RAM disk. A print 
spooler can save you time wailing for your 
printer to finish printing before you get on with 
your work, use your new RAM instead of 
upgrading your printer or buying an expensive 
buffer. 

For reasons best known to themselves, 
Commodore 'forgot' a realtime clock for the 
A1200. Well, we've put it back with our new 
UK made A1 200 clock for just £12.99, 
Getting more from your Amiga means at least 
1 Mb, getting the best means adding as much 
ram as you can is the essential Amiga upgrade! 



MOUSE 



AMIGA A5O0 



AM I G A A5 





pOe^l^ 



A superb replacement 
Amiga mouse. 

The CU Amiga mouse is a major enhancement 

because it uses micro switches for the buttons. 

Our mouse also has a much higher resolution - 

SBO dots per inch which means you need much 

less desk space and you get a much finer control. 



UPGRADE TO 1MB 



£14.50 



UPGRADE WITH CLOCK 



UPGRA.DC TO 1 .5 MB 



£1733 §£15.99] p2Z« 



UPGRADE T0 1 



SCANNER TRA1 



Do you own a 
hand scanner? 




j]£54.99 



poor 



quality scanning? 



Our brand new Scanner Tray will improve four results no end 

Sim"y plate over the ima 9 e and clip the scanner into it and it will act as a guide ^^S* 
rind wobbling, This amazins invention is not available anywnere else. Plus, ft w, help eradicate* 
it wasted time correcting mistakes in scanned text with our OCR software. It's a pain scannirf 
pages of text only to find that they're littered with spelling mistakes. This software package will <| 
down on those errors before this even happens 



12 GOOD REASONS TO 
BUY FROM CU AMIGA 



All the products offered by CU AMIGA have 
been carefully selected as being the best in 
their class. But top quality does not mean top 
price. Thanks to our huge buying power, we 
can deliver to our readers the best products at 
the best prices. 

i : All memory boards are populated with memory. 

Kr All memory boards are individually tested. 

» Support from a cop engineer is just a phone 

call away, 
i Prices include VAT, Postage and Packing, the 






price you see is the price you pay. 
l So minimum order and no credit card 

surcharges, 
i Memory upgrades carry an exceptional five 

year warranty, 
i 28 day no-quibble money back guarantee- * 

We are here until 6pm every day during thw 

week. 
l 24 hour order hotline, 
i :• Because we only sell a few items, your ord* 

will normally be supplied straight from our 4 

stocks, 
i your credit or debit card will not be pnoce^ 

if the item you order is not in stock. 
*r Experienced sales staff are on hand for 

you order or if you need advice before p 

an order. 



GUAM 



AMIGA OFFERS 




AMIGA A600 




0480 891 1 71 




Lines are manned from Monday 
to Friday 11am to flpm and on 
J^J Saturday 1 am le 4pm. 

If you call outside these hours 
rick *J c an pJa« an order by answer phone - just 
the information on the order form in the 
r it appears. You might find it easier to 
ilete the order form before calling so that 
can read directly from It, 

dllaw 23- days for delivery from wtieri we recede vour 
Fwnofi receipt of goods phone 04BQ8 | J1171 
to frldsy between 10am and opm. 




'T FORGET,.. 3BfflBteect: 



E DELIVERY! DO ^T-© 




Lr<c CU AMIGA -GO DIRECT 

r -1NEGAR HILL, ALCONBUfiY WESTON, 
"»[ HUNTINGDON, CAMBSPE1 7 5JA 



plac 



l AMIGA - THE SAflft WAV TO BU V FOR VOU fl AMHiA! 

■*» idniirtislerad Joltlr lltroujh GO DIEKT. InquiritS Should 
bt *ftct«d 16 Irie jbflirf addreil. Mil; 04f D 31 Mil, rot 
GHAMMfttfflCt. 



AMIGA A1200 



A1200 CLOCK 




£149.00 



M12.99 



NO PRICE CHANGES DUE TO 

CURRENT MEMORY SHORTAGE. 

THESE ARE TODAYS PRICES- 

WHAT YOU SEE IS WHAT YOU PAY! 



Thanks to the massive buying power of 

CU AMIGA we can offer our readers the 

cheapest high quality Amiga memory 

upgrades and other essential add-ons 

for your Amiga! 




Order by telephone by tailing 0480 891171 Men to Fri 10am to 8pm /Sat 10am to 4pm. 

There's an answering machine to take your orders at all other times. If you place your order on the 
machine, leave the eaatt details in the order they appear on this form. 



LORDED ITEMS iV) 



□ A500 upgrade to 1Mb £14.50 

□ A5Q0 upgrade to 1 Mb 

including dock £17,99 

Q A500+ upgrade to f .5Mb £15.99 

□ A500+ upgrade to 2Mb £22.99 

□ A600 upgrade to 2Mb ,. £24.99 

□ A60O upgrade to 2Mb 

including clock £34,99 

□ A1 200 upgrade to 4Mb .£149.00 

□ A1 200 upgrade to 4Mb 

with 25 MHz 6SS82 £179.00 

□ Clock Module £12.99 

LI Scanner Tray. £54.99 

Q OCR Software £99.00 



4. DELIVERY DETAILS 



** CUSTOMER DETAILS 



Name 



[This should be it* name written on In* Cheque or Credit 
Card if payment by this method). 

Telephone No: { ) 



1. PAYMENT DETAILS W) 



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■4 



ISSUE 21 SEPTEMBER 

Someone asked us the 
other day why we bother 
having an index here. 
After all, you'll find out 
what's on the following 
pages by reading them. 
The point is: what do you 
read when you've finished 
the Workshop section? 
This page. You read it to 
see if you've missed out 
on anything important 
and to laugh (or not as 
the case may be) at Tony 
Morgan's witty remarks 
about what himself and 
other people have 
written. Top geezers they 
may be, but Andy 
Leaning, Peter Lee and 
John Kennedy do need 
introducing every month. 



166 



Regulars 



OUESTIONS AND ANSWERS 

Their knowledge ol the Amiga's techie bits is unfath- 
omable - luckily John Kennedy and Andy Leaning 
have su riaced once again to help you with any Amiga- 
related problem you might have. Sit yourself down on 
the couch, and lall us all about it,,, 



174 



BACKCHAT 

"Yakkity-yak 1 Don'l talk hack!" goes the song, but we 
want you |o gel a bit Hppy, Go on, if you've got some- 
thing |o say. say ill And say it to Tony Dillon's face, No, 
on second thoughts, maybe you should just wile a let- 
ter instead. 



178 



POINTS OF VIEW 

Andre; Digard gives his opinion on (tie rising tide of 

blood and gore in today's computer games. Is there a 

deference between Tom and Jerry knocking each 

other's teetti out and Mortal Kombafe decapitate 

sequence? Mr Dlgard says yes. 




f ART SCHOOL * 


□Mandelbrot Q Julia 


Zoom DEH 


X 
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-28088 


Iter WBLWR 










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\mmiwmm 


| 









Everyone likes to do a oil ol shopping, bui what happens 
when things go wrong? Misunderstandings can easily 
occur when buying via mail order, but follow a lew of these 
guidelines and you shouldn't go far wrong, 



Our brilliant M School covercksk caused quite a storm last 
month, The high winds continue ihis month with a follow- 
up guide lo an these clever lealures that we didn'l have 
room lo cover in the last issue. Can you tell whal it is yet? 




-frnu IHIII 



Nl IX! NT 



Thai raving OctaMED encyclopaedia on lags, Tony 
Morgan, continues his tutorial series wrth a look at the 
natation editor, and exposes a load of tricks lo gel you 
QcfaMEDotnc at top spaed. Plus I Your exclusive cumut- 
and keep guide to ail the keyboard short cute. 



H sounds like a delicious sandwich spread thai you might 
find in your funchbox (lucked under the chocolate biscuit 
and yogurt), bul Craft £ is in fad Ihe oilier stunning pro- 
gram we gave away last issue. Our tutorial continues this 
monlh on page 165. 



f Q+A MASTFRCI flSS m 


'1 


V\ 


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John Kennedy gets oui his scales, and weighs up the pros 
and cons of using AnngaDos, Why get shirty wilh Shell, 
when you can work wonders wilh Workbench? Find oul in 
this month's exciting instalment ol ,., Q*A Masterclass, 
lurntopage 1 54 now! 



Internet Is now officially the world's mosi widely used 
word. It overtook 'itie' a few days ago. ft is now the done 
thing lo insert the word "Internet' at least Dnce in every 
sentence. John Kennedy is the man wilh the modem, 
guiding you around the digital world 




Ah, the aW masiers eh? Cant beat em. Actually, Peter 

Lae's a bit of a modern-day 'old master" when it comes to 
animation - sorry h let's shorten (hat to jusl "master'. Here 
he is again witfi mora ol his unique and exclusive lips tor 
Deluxe Paw and Brilliance animators. 



Akai'5 SOI t6-bil sampler comes under the highly-critical 
eyes and ears of Tony Horgan. Irs the cheapest way to 
get into professional quaiily MIDI sampling, bul is this the 
perfect low cost' complement to your Amiga music sys- 
tem, or just a big box with a lew red lights on It? 



5 NOW FOR IMMEDIATE SERVICE ON (0386) 765500 



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IGA WORKSHOP 



BUYERS' GUIDE 






L 



BUYERS GUIDE 



THI 








Are you cautious about 
handing over money to a 
company you can't even 
see? Andy Leaning has 
some tips for buying from 
mail order firms. 



B 



jack in the days of old, if you lived in an 
l area where there wasn't a local Amiga 
'deafer you either had to travel miles and 
miles lo the nearest outlet Or go without that 
new Amiga product you wanted so badly. 
Then someone had the commercially-brilliant 
idea of armchair shopping. All you had to do 
was pick up the telephone, tell the person 
on the other end what you wanted, give 
them your credit card details and the 
goods were on their way. At (east 
that's the chain of events that should 
occur in the ideal world of mail order 
shopping. 

QUESTIONS, QUESTIONS 

However, thhs buying process, as simple as it 
sounds, has some drawbacks. For starters, without 
the reassurance of actually being able to visit the 
company you're buying from how, do you know 
they're not just a gang of con-artists who will take 
your money and run? What happens if the goods 
are faulty when you get them* 7 You can't just take 
them back to the shop. What about backup? 

Thankfully, h's not as bad as it sounds, When 
buying tram advertisers in CU AMIGA you can bs 
confident that the vast majority are very reputable 
and honest. You can also be confident that should 
you get into trouble CU AMIGA'S ADVERTISING 
TEAM will work their hardest to help you Out. 

But what measures can you take to reduce your 
exposure to risk and make sore that mail order 
buying is a totally satisfactory experience? For 
starters, because you can't visit (he company to 
check out their premises and look for potential signs 
of trouble, use the evidence you have access to. For 
example, in just the same way as a good company 
would care about its showrooms being well pre- 
sented and laid out, so will they care about their 
adverts, Whilst the size of adverts [a full page or 
several pages) is a good indicator of how big and 
reputable a company may be, reiving on this can be 
misleading. Many small companies may not want or 
be able to afford large ads, remember that ihis is not 
a problem as long as they provide a good service. 
The quality of the ads, however, is more useful in 
deciding the standard of a company: do they look 
professional? Is the stationery they send you 
(invoices, delivery notes, quotes etc) smart, well laid 
out and, ideally, in cotour? When you call them do 
they answer the phone promptly and politely and am 
they well informed about their products 7 These are 
all signs that a company has spent money on their 
staft and looks, and ere therefore more committed to 
long-term service 



CREDIT CARDS 

Having found a company you're confident about, 
if b time to place your order. When you do so 
always ask for a receipt or invoice to be sent out 
immediately. This is your proof that you have 
ordered the goods, and when you ordered ihem. It 
should also clearly nole the price agreed, which 
will avoid possible future confusion. When ordering 
never, ever, send cash through |he post. Not only 
can your money go missing, but it could also be 
stolen somewhere along the line and you're left 
with no evidence of ever sending it, Instead, send 
cheques, postal orders or best of all use your (or 
ask to use someone else's) credit card 
If you are sending your order via 

post or fax or wish to keep a note 
of your telephone order, use the 
form below. Sending this to the 
upplier with payment will help 
speed up the process. 

If you placed your order over 
he phone, note down who you 
spoke to, when, and what was 
said. Again, this will prove useful 
Should anything go wrong in future. 

Then it's a waiting game. All being well 
your goods should turn up when they were 
supposed to. If not, contact the supplier immedi- 
ately, let ihem know and find out why the goods 
haven't arrived. If it is anything more serious than a 
mistake by the Courier (in which case the goods 
should arrive the next day or day after you call the 
supplier) write to them letting them know this was 
not the original arrangement, and confirming the 
new delivery dates. It your goods still don't turn up 
cancel the order and go elsewhere. To cancel the 
order send confirmaiion in writing and find out 
when your money will be relumed, credited or 







TiPS WHEN BUYING 
VIA MAIL ORDER 

1. Ask friends if they have received good-quality 
service Irom a company, and avoid 
companies thai your friends 

happy with 

2. Never sent ways use cheques or 

nds. 

3. Always ask lor a receipl or invoice to be sen! 
as soon as you place ihe order - this is your 
prool thai that you have do 

4 Check I hat whatever has been del> 

exactly what ycu order* 
5. If pi occur contact Ihe supplier as 

on as possible, and follow it up in writing 

And remember you don't have to rely on 

Ihe post, there's nothing wrong with a 

faxed communication. 



cheques destroyed - and check that this happens 
- don't leave il to good will. 

DO IT IN WRITING 

If the goods do turn up, check them straight away, 

If possible check what is being delivered and that it 
is in a reasonable state before the courier leaves. 
If you have any problems notHy the supplier as 
soon as you can, and do so in writing, 

The vast majority of mail order purchases go 
smoothly- the system wouldn't wo* otherwise. 
Mail order also has many more advantages than 
disadvantages and as long you to follow these sim- 
ple rules you shouldn't have any problems.!"© 









CU AMIGA ORDER FORM 

To the supplier: This order follows your advert in CU AMIGA. Please treat it as a priority order. 
Reader: If purchasing by posl or fax complete Ihis form and send it 10 the company you are ordering 
from. Alternatively, use it to note down your order when calling. 

SUPPLIER CUSTOMER DETAILS 

Company". , Name 

Address „.,., Aadress 



Postcode Postcode , 

Daytime phone number 

METHOD OF PAYMENT 

Postal OrderO Cheque^ Visa ) Access O Amex O Other credit card 

Card Number aOT^nnni-nnimn Expiry Date 00/00 Start Date 00/00 

DESCRIPTION OF GOODS OHDERED 



Quart I My 



Goods/Code 



Individual Price Total Price 



Delivery Date Required Signed 

(Usually within 28 days) 

If you intend to send this order form through the post, take a photocopy first. 



Subtotal 

Delivery 

Total 



149 




OCTAMED 4 TUTORIAL 




KSHOP 



_ J 



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- rJ 



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PART 




■Once you can 
get around 
OctaMED at 
speed, those 
new tunes just 
keep on rolling out. Tony 
Horgan explains a few 
tricks to get you compos- 
ing at high velocity, and 
also unravels the myster- 
ies of the notation editor. 

NOTATION EDITOR 

To a musician coming Ironn a more traditional 
background, the idea of displaying music as a toad 
ot numbers and letters can to a hit hard to under- 
stand- Fear just this reason, OclaMED 4 has a 
notation editor, which you can use to enter and edit 
music on a conventional stave. The disadvantage 
of the notation editor is that it can't show as much 
detailed information as the main block editor 
fthinas tike effects commands and volumes areni 
displayed for example), so you'll still need to refer 
to the block editor for soma lunctions. 

BASIC USE 

Just like the block editor, you can enter ratesirto 
the notaiion editor direct from the Amiga or M Dl 
keyboard. Instead of having a block that scrolls 
upwards as you enter notes, you gel a horizontal 
stave that represents 1 6 lines on the block, As you 
enter the notes, a black marker moves along to the 
right, indicating toe position of the next note. 




mm . 

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However, before you can actually place any 
notes you need to select the track on which you 
want the note to sit. Do this by clicking the number _of 
the track you want to use from the SEL TRACK But- 
tons (as seen above). Unlike the two stops above 
this only one track can be highlighted at once_ 

These two numbered, strips (above the BEL. 
TRACK stop) are there to make the display easier 
to read If you have all of the tracks displayed a 
once, on just one stave, it's bound to become i clut- 
tered and make little sense. By toggling each track 
number on the SHOW TRACK and GHOST 
TRACK strips,, you can display only the tracks you 
are currently working on. This could lead to a lot oi 
switching of tracks as you move from one part to 
another so to keep the button clicking to a mini- 
mum you can set up five combinations of tracks, 
and assign each to one of the PSET buttons. 



Time signatures can be switched between 3* 
and A/A time by clicking on the appropriate buttons 
in the bottom-right corner of the panel. The + and - 
buttons are used to set the key signature. Click 
enher toe sharp or flat button, followed by the + 
and - buttons to set the number of sharps or flats. 






EDITING TIPS 




gal tl the command!- 

USING THE MOUSE 

Alternatively, you can pick up one of the graphic 
note icons from the panel belo* the slave, and 
plonk it down with the mouse. Choose the correct 

type ot note, depending on what you need.. 



Programming the PSET buttons couldn't be 
cimpl#r The current track settings are automati- 
cally tagged to the highlighted pytT Button Tiy I 
out by selecting and ghosting a lew tracks, hen 
clicking the PSET 2 button. The settings will revert 
to the default (as button 2 has not yet been 
defined). Click on button \ and your previous track 
settings will appear. The CLR button will torn oft all 
the track selection buttons. 




TS: 



.1 




Here are some more tricks you can use to get 
right up to speed. Once you've got the hang ot 

.these, you'll be flying around the program as 
fast as Ltotord Christie, 

QUICK COPYING 

There are times when you have a short sec- 
tion of a block that you want to repeat until the 
end of the track, 

The 'official' method of copying just part ot 
a track is to use the RANGE function, drag out 
a range with the mouse, and then paste that 
e Isewhere on the block . 

However, there is a quicker way ol doing 
this Let's say you have a bassline that runs 
Irorn line to line 15, and then should repeat 
Itself on toe three subsequent bars in the 
track By selecting COPY TRACK irom toe 
BLOCK panel, the whole track is copied into 
the buffer. This is the same butter used for 
ranqes so you can now move to line 1 6 (by 
pressing FT) and select PASTE from , the 
■JWftlt par^ 1 Pr|iCC PB to move to the mia- 
dle line of the track, and paste the range 
again, then move to ihe last bar of the track 
with F9 and paste once more. 

You can also use this method for copying 
patterns that are spread over all o< the tracks. 
For instance, you might have a drum pattern 
that uses three tracks. By selecting COPY 
BLOCK from the block panel, all the tracks will 
be copied, which can then be pasted any- 
where with PASTE from the RANGE panel.. 



150 




Printing options are found on the left side ol the 
panel. If HEADER is highlighted, the header will be 
printed with the song. The header contains infor- 
mation about instruments, the playing sequence 
and other details about the song, If you have the 
NOTES button selected, the song will be printed 
out as graphic notes. Otherwise, it will appear in 
text form, as it does in the block editor. FFEED will 
send a form-feed after each block. If you want the 
song 'printed' direct to disk rather than a printer, 
dick the FILE button. The values beside BLKS are 
the blocks trial will be printed;. Click the PRINT but- 
ton to print with your settings. 

VOLUME SLIDES 

OctaMED 4 has a handy function tor creating vol- 
ume fades, and with a bit of trickery, you can use 
it to create Slides tor use with any of trie other 
commands. To create a volume slide between 
two notes, both ol the notes must have their 
volumes specified by the C command, as in the 
picture below. 



000 D-2 1 OC 1 

001 00000 

002 i j 00000 

003 60000 

004 I>-2 1OC50 


HF f i i \ mt^^^^^^m \ i 'i i \ i 'ii't^^^^m 



Move 10 any line between trie two notes, and 
click the VOL button from the RANGE panet, 
making sure that edit mode is active. Trie lines 
between trie notes will be tilled with volume com- 
mands, ranging from the value Of Irie first volume 
to the second. More on commands next month. <3> 



NEXT MONTH 

Next month we? delve even deeper inio this 
amazing program and explain how to 
exploit some ol OclaMEDs advanced pro- 
fr.'SMonal Iccjlure^. 



The key just below ESCAPE (~) turns double 
spacing on an oft, so when you enter a note, the 
cursor jumps down two lines in |he block, instead 
ot just one. If you want to change this spacing to 
any other number, you can enter a new value in 
the box marked SPC in the EDIT panel 

Double spacing is very handy lor entering 
drum patterns. It you want high hats on every 
other line, you can just turn on trie spacing, and 
hokf down a single key |o enter the hats. Ol 
course, you can do ihe same lor your bass drum 
or any other regularly repeating sound, 
remembering to change the spacing increment to 
suit the pattern. 

PROGRAMMABLE KEYS 

QctaMED allows you to program trie number 
keys on the main keyboard, so lhat you can put 
down frequently-used patterns or combinations 
of notes and commands simply by pressing two 
keys. If you want to grab a section of a track or 
block, highlight the relevant part. If you jiust want 
to grab one note, position the cursor over that 
note. Now go to Irie EDIT panel, and click on 
either note or range, depending on which you 
want lo grab. Now when you press Shift and the 
zero key, the nole or range will be pasted in at 
the cursor position. 

By clicking trie < and > buttons to change the 
value in trie box above, you can do this for all the 
Olrier number keys, and also the left and right 
ALT keys. So, you could have up lo t2 different 
notes and patterns instantly available. 



WORHSHO 



KEYBOARD SHORTCUTS 

A list of the keyboard shortcuts were 
included on the CterarVfED4coverdisk 
but if you don't have a printer and would 
like to have a handy memory jogger nearby, you 
now have it. Just cut this guide out and stick it 
somewhere you can easily see it, like the side of 
your monitor or TV or the top ot your desk. 



FUNCTION KEYS 

Go to: 
First block 
L;jst block 

Previous block 
Next block 
First line ol block 
Second quarter of block 
Middle ol block 
Last quarter of block 
Last line of block 
One irack lett 
One track right 
One screen left 
One screen right 

SELECT TOOL PANELS 

Files panel 
Play pane! 
Instruments panel 
Block panel 
Edit panel 

Miscellaneous panel 
Volume panel 
MIDI panel 
Transpose panel 
Range panel 

EDIT FUNCTIONS 

Delete note or character 

Delete note or command 

Delete note or space 

Insert a space 

Insert a track 

Edit on and off 

Auto space on and oft 

Cut track 

Copy track 

Paste track 

Cut block 

Copy block 

Paste block 

Pick note 0-9 

Enter programmed nole 0-9 

Auto-advance down on and off 

Create volume slide 

Create slide: 

command 3 (transform) 

command 1 and 2 

Insert a hold symbol - 

Insert a hold symbol - - 

Insert hbld symbols to all 

tracks of trie previous chord 



Left alt cursor up 

Left alt cursor down 

Shift cursor up 

Shift cursor down 

F6 

F7 

F3 

F9 

F10 

Alt left cursor 

Alt right cursor 

Ctrl left cursor 

Ctrl right cursor 



Ctrl F1 
Ctrl F2 
Ctrl F3 
Ctrl F4 
Ctrl F5 
Ctrl F6 
CtrIF? 
Ctrl FS 
Ctrl F9 
Ctrl Ft 



DEL 
DEL 

Backspace 

Shift backspace 

Shift alt backspace 

Esc 

Amiga x 

Amiga c 

Amiga v 

Amiga shift X 

Amiga sriitt C 

Amiga shift V 

Ctrl shift 0-9 

Shift 0-9 

Ctrl a 

Amiga 

Amiga t 
Amiga Shift T 

Return 
A 

Shift return 



AMIGA SOUND OCTAVE SELECTION 

If NO MIDI is highlighted, the function keys select 
the following octaves; 

Octave 1+2 Ft 

Octave 2+3 F2 

Octave 344 F3 

Octave 4+5 F4 

Octave 5+6 FS 

MIDI OCTAVE SELECTION 

Octave 1 +2 2+3 3+4 (press repeatedly) F1 

Octave 4+5 F2 

Octave 5+6 F3 

Octave 6+7 F4 

Octave 7+8 8+9 9+A (press repeatedly) F5 



OCTAMED 4 TUTORIAL 



Play song Shift alt spacebar 

Play block Amiga spacebar 

Stop Spacebar 

{delete note if SPC=CLR is active) 
Continue block Ait spacebar 

Continue song Shift spacebar 



PLAY SEQUENCE LIST 

Go to end ot list 
Scroll list down 
Decrease block number 
Insert current block no. 
Increase block number 
Go to top of list 
Scroll list up 
Insert number 
Delete Erie block number 



Ctrl 1 

etna 

Ctrl 4 
Ctrl 5 
Ctrl 6 
Ctd7 
CtriS 
CtriO 
Ctrl. 



Tne numbers refer to ff» keys on the numeric 
keypad It the Caps Lock is on, the keypad can be 
used to edit the Play Sequence Ust without hold- 
ing the Ctrl key. 



INSTRUMENT UST 

Go to the end of the list 

Scroll list down 
Ouick scroll down 
Go to lop of list 

Scroll list up 
Ouick scroll up 
Select next instrument 
Select previous inst 
16 instruments forward 
16 instruments backwards 
Select instrument 
name gadget 
Select and clear 
Instrument name gadget 
Select instrument 
repeat gadget 

SAMPLE UST CONTROLS 

Scroll list up 
Scroll list down 
Scroll list up fast 
Scroll list down last 
Go to top of list 
Go to bottom ol list 



Alt 1 

Alt 2 
Alt 3 
Att7 
Alt 8 

AH 9 

Shift left cursor 

Shift right cursor 

Alt sriift right cursor 

alt shift left cursor 

Amiga i 

Amiga shift I 
Amiga r 



ah a 

Alt 2 

Aft 9 (PgUp) 

Alt3(PGDn) 

Alt 7 (Home) 

Alt 1 (End) 



PLAY CONTROL 

Play song 



Amiga p 



It 



The numbers refer to keys on the numeric keypsd- 

MISCEUANEOUS 

Display tree memory Ctrl F 

Low pass filter on and off Amiga F 

Highlight current line TAB 
Reset MIDI effects (pitch bender, 

modulation wheel, presets) Ctrl spacebar 

When entering commands, pressing Ait in 

conjunction with a number key will add 10 to the 
number. While the Caps lock is on, you can 
enter the programmable keys without holding the 
Alt key. 

PftOTRACKER KEYS 

The following Protrackerkey functions are recog- 
nised only when PTKEY is active. 
Record Right shift 

Continue song Right alt 

Play block Right Amiga 

Previous block Left alt left cursor 

Next block Left alt right cursor 

Increase play sequence position Shift left cursor 
Decrease play sequence position Shift right cursor 
Stop playing, toggle editing Spacebar 

Next track TAB 

Previous track Shift TAB 

Cut track Shift F3 

Copy track Shift F4 

Paste track Shift FS 

Cut block AH F3 

Copy block AH F4 

Paste block Alt F5 



1S1 






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MASTERCLASS 



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^ 



J J-L^Azj J^jJi u. 




John Kennedy reflects 
on the pros and cons of 
using AmigaDOS. 



There is a school of thought that believes that 
the real reason that Commodore didn't include 
any reference manuals for AmigaDOS was so 
that magazines could run tutorials on them every 
monlh. I don't subscribe to this theory but it doesn't 
change the fact that an awful' lot of Amiga owners 
don't have an idea what the AmigaDOS Shell is, or 
what it could possibly be for. This isn't necessarily a 
sacrilegious State of affairs, because with version 2 
and above, the Workbench is powerful enough to 
accomplish most normal file-keeping tasks. It a pro- 
gram, such as Directory Opus, is installed it is stilt 
possible lo have almost total control over the Amiga 
without needing to use a single command. 

The Workbench is the main display you see 
when you boot your Amiga, and by default the Shell 
icon is hidden away in the System drawer, When 
you double click on the icon, up pops a special 
Window into which you can type commands directly 
- this is the Command Line Interlace or CLI. and 
the commands are what make up AmigaDOS, 

For example, using the Workbench to rename a 
file Is easy. Highlight (he icon with a single click, and 
then select the RENAME oplion from the pull-down 
menu. With AmigaDOS you enter a command like: 

RENAME oldname newrtaiti^ 

I use my Amiga from 9am to 5pm almost everyday, 

and as an experiment I thought it would be interest- 
ing to see exactly what I did use the Shell for. Not a 
lot as it turns out, as I have spent a lot of time and 



money getting together a lot of other programs to 
make sure I donl need to. Take editing text mes- 
sages, for example, They need to be entered in 
electronic form and passed to a talented layout per- 
son. Although it is possible to use the AmigaDOS 
text editor, one of the lirst things i did was to replace 
it with the commercial program Cygnus Ed 
Professional This is fast, efficient and fully 
Workbench 3 friendly which means it works per- 
fectly with any screen mode, and specifically on my 
AGA Amiga and Microvitec 1*38. There are many 
other excellent text editors available, including 
GotdEd which you must Check out Irom your 
favourite Public Domain library. 

Next on my list of most-used Amiga programs is 
the aforementioned Directory Opus, which replaces 
most AmigaDOS commands with a few point and 
click operations. Vou can do simple things like 
renaming a file by clicking on its display in the 
Directory Opus window and then clicking on the 
RENAME button, but you can also search for files 
with certain names, delete directories or individual 
file, read test files, look at pictures, listen to sound! 
samples and check for space on floppies. I seerri to 
spend a lot of time creating animations with 3D ren- 
dering programs, and with Opus I can quickly keep 
track of all the hundreds of files, rename them, 
move them and even view them. If you haven't yet 
bought Directory Opus start shopping for it tomor- 
row and in the meantime get SID from your library. 

So when exactly is the Shell used? That 
depends. Some people don'l Jike mice and menus, 
and will leel happier typing in commands directly. 
There are some operations which are quite tricky or 
time consuming to do with the mouse which an 
AmigaDOS command can do much quicker (such 
as deleting every file ending in ,bak). Programmers 
will invariably need to use the Shell when using C 
compilers and linkers, 



Dtreetoty Opu»- probably lha most uuful Amiga program In Uib world, 



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Actually, I don't use a normal shell, but a shell 
which uses the KingCon program which is available 
from PP libraries. This device will adjust the shell so 
that It has a scroti bar which means you can see the 
results Irom previous operations. This is especially 
useful when used wKh AmiTCP- the suite of pro- 
grams I use to access the Internet. Logging on to 
multiple computer sites on the other side of the 
world is quite an impressive (albeit slow) use for the 
Shell. The other times I open the Shell are usually 
for a quick DIR or LIST Of a floppy disk, or perhaps 
a particularly tricky operation which might not be 
possible Irom Workbench itself. It's a sign of an 
exlremely well thought cul Graphical User Interface 
when this hardly ever happens. In fact, it's only 
when yog ram mi rig !hat I really need to enter any 
AmigaDOS commands at Ihe Shell prompt. This all 
means lhat I'm not very surprised that Commodore 
took the decision to leave out the AmigaDOS 
documentation because most users simply wouldn't 
need ft 



TOOLSDAEMON 

In the June issue we mentioned a very useful tool 
which combines the AmigaDOS Shell and 
Workbench very well - TootsDaemon, a program 
which can be used to add new menus to the 
Workbench display. 

Normally TooisDa&mon is used to launch a 
favourite program, and to save you hunting through 
various drawers, but someone mentioned in the 
Amiga_Mags echo on FidoNet about using it 10 
unarchive files - something normally done from 
the Shell. Configuring the program to do Ihls is 
quite simple, 

Open up the TootsDaemon Preferences window 
(it should have automatically added this option to 
the Tools menu if it is running) and: enter UN ARC as 
a new command. You will need a suitable unaJthiv- 
i ng. 1 ' archiving program, and the one I'm assuming 
you are using is 'lha'. It is extremely common and 
you will probably find it on an old PD or coverdisk. 
The lha utility will be able to expand any file ending 
in LHA or LZH. Mow enter the folio wing into the 
string requester at the bottom: lha x Q ram: and 
make sure the cycling mode gadget is set to CLI. 
Select Save and the TootsDaemon Preferences 
window will dose. To use your new tool, simply 
highlight the file you need to expand with a single 
click and select this option. The file will be decom- 
pressed into the RAM disk. You should remember 
that files ending in LHA or LHZ usually wonlhave 
any associated icons, and so before you cart see 
them to click on them, you will need to use the 
Show - j AIIFiles in the Workbench Window menu. 

If you are still using Workbench 1 .3 I'm afraid 
you won't have this oplion and should have 
upgraded a long time ago. 

Files which are normally 'hidden' from Ihe 
Workbench display can cause beginners a few 
problems. A file will only usually appear on the 
Workbench il there is an associated .info tile. 

This is something isn't a problem tor the Shell 
user, as all files are vistole. Try opening a Shell win- 
dow and entering 

dii iiy£[ 

and you'll see a lot of files which aren't normally 
present there. 



154 



r 



MASTERCLASS 



MAKING DRAWERS 

Recently, someone else spoke to me in a panic 
because they couldn't snapshot some icons. In 
other words, when they tried to fix their location en 
the screen using Wodtbench's Snapshot com- 
mand. First or all, you should realise the difference 
between the various snapshot options. From the 
Window menu, you can snapshot either Window or 
All. Snapshot Window will remember the current 
viewing status of the Window (show by icon, by 
name, by size and so on) plus its position and size. 
The icons are not stored. Snapshot AH will remem- 
ber all the Window information, plus the locations 
of all lihe icons. You must perform this after a 
Clean Up operation if you need the tidy positioning 
to be remembered. 

However, there is another snapshot under the 
loons menu. This snapshot will store the position 
ot any highlighted icons, and has nothing to do 
with the Windows. The problem system seemed to 
allow snapshots to be taken of the icons on a 
floppy disk, but as soon as the drawer was 
re-opened, the icons were bat*, to their higgle-de- 
piggle-de order. 

PROBLEMS 

What was going wrong? First of all we had to 
make sure the floppy wasn't write protected or 
100% lull. The information tor the position of the 
tiles needs to be stored on the disk, and if the disk 
can't be written to the snapshot will tail. This was 
all in order, but still the stubborn little icons 
wouldn't stay where they were being placed. When 
the disk was removed and replaced, or the Update 
menu option was called, the icons had shifted back 
to their original position. 

The answer lay in the fact that the icons didn't 
really exist. Although they were icons, they were 
icons added automatically by the Amiga because 
the Show -> All Files window option was on. We 
could place the icons wherever we liked, but 
couldn't save their positions because there were 
no special icons file (the .into file) in which to save 
the new postlions. 

The solution was to create suitable icons. The 
simplest way to make an icon is to cheat and use 
one which already exists. This works especially 
well with drawer icons - say tor example there is a 
subdirectory on the disk dfG: called Games, but 
you need an icon for it. Open a shell, and enter 
something like the following ;copy sys Tools. info 
ram: (return) rename ram Tools, info Games, into 
(return)copy ram;Games.info dfO; (return) There 
will now be a perfectly good icon on the floppy. 
You can copy other icons in this way, but you need 
to be careful. 

There are several different types of icon and 
you can't chose one you like the look of - the file 
or program you are creating the icon for must of 
the same type. Some programs keep important 
information inside the icon files, You can check by 
using the information command from the icon 
menu on a high-lighted icon. 

If you need to change the pattern of an icon, it's 
best to load the original icon into the fconEdit pro- 
gram and change the image there - this will 
ensure that the icon type and any hidden informa- 
tion is saved. Workbench 3.0 users who enjoy 
creating their own Icons will probably have come 
across a small bug in the program which manages 
to forget the original size of the image, and puts a 
large outline around the entire thing. 

This can he very tedious, and there is no 
simple way around it. The best thing to do is get 
anther icon editor, and the version of IconEdit 
which came with Workbench release 2 is certainly 
good enough. 

Ef you really want to make use of the extra 
colours provided by the new improved AG A 
chipset and Workbench 3 system, look out the 



b i i h oof t 

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conllflwlnfl ToataDatitmn to ptrfor m uritrchlvlnti Cor moil other CLI (unction*) I* quit* Mty wl*»n you nmmntnT that tin 
sequence [J Is auballtuled with ll»e name ol the Hie wfiase ken has been highlighted. 



freely distributable program Iceman which is an 

excellent icon editor with some cool new features. 

BREAK IN 

If you do ever decide to use the Shell to play with 
programs, you come across times when you need 
to halt a program (more correctly called a 'pro- 
cess') which is running from another shell. This is 
usually done with the Break command, which 
takes a process number as its argument. For 
example, open two shells and in one enter :wait 
I0O0. Normally, this will jam up the shell from now 
until next week, although you could press CTRL 
and C to stop- it, 

Sometimes, however, CTRL&C doesn't seem 
to work. If you have ever tried to close a shell 
window and seen a 'Process x Ending' message 
jamming the display, you'll know it can be 
extremely frustrating. 

To break the waiting process, move to the 
second shell and enter status. You should obtain a 
list oflhe processes current running!. 

Note which number is next to wait, say 4, and 
send a break to it like this: break 4. I can't be 
more specific, because the process number will 
depend on whatever else might me running 



(screen blankers, utility programs, other shells) in 
the background. 

This degree of 'don't know-ness' about the pro- 
cess number can be tedious, especially if you are 
trying to perform the break from a script tile (a script 
file is simply a textfile containing Amiga DOS instruc- 
tions, which will be executed one after the other). In 
this situation this little trick I found might be useful. It 
makes use of an AmigaDGS function you have 
probably never used before: (he lick. What the tick 
actually does is ensure that AmigaDQS passes the 
process value into the break command. 

Everything within tick-man<s is evaluated first, 
and- then passed to the rest of the commands as 
though it was previously known. 

To get a tick, press ALT and a normal apostro- 
phe. The tick should be facing a different way from 
normaJ. To avoid contusion with type-setters, put a 
tjek into the line below where <tick> appears, break 
<tick> status com=wait <dick> 

The oom=wait part is a special extension to the 
norma) status command present in Wb£04 and bet- 
ter, that returns ihe process number only of a given 
process The tick then ensures AmigaDOS passes 
the process value into the break command, as 
though it was previously known. / 25* 



UTILITY OF THE MONTH 

Rather an obscure one this, but well worth experimenting with. The name is ProcureP£f>$. and it will 
mamly be of use to Workbench 3 users who want to make the most of their new AGA chipset. The new 
Workbench as supplied with the A 1200 or A4000 can have up to 256 different colours on screen. 
selected from Ihe Screen Mode preferences program on the Workbench disk. The default is four 
colours, but most users will soon discover the Pattern Preferences program will allow pictures to be 
used and will (hen to bump the colours up a bit. 

However, Commodore decided that Workbench 3, scons could only have eight different colours, 
This was a bit of a backward step, because Workbench 204 allowed 16 different colours 

The reasoning was due to the new 'pen sharing' scheme, whereby any program opening on the 
Workbench could ask to use any pens not currently in use. and then redefine them to suit their own 
purposes Check this out by getting Multiview to display several pictures on the Workbench. If your 
Workbench has 256 colours and the pictures 16, you will be able to display most of the pictures in their 
Correct colours - 

ln order to give a decent supply of pens (not everyone can afford the Chip Ram: or processor speed 
to have a 256 colour display), it was decided to knock the icons back down to eight colours. 

The new Workbench can have up to 256 diflerent colours, but only eight icons. Workbench 2 04. 
however, allowed 16 icons. The reasoning was the new 'pen sharing' scheme, whereby any program 
opening on the Workbench could use any pens not currently in use and redefine them to suit their own 
purposes. In order to give a decent supply of pens (not everyone can afford Ihe Chip Ram or proces- 
■peed to have a 256 colour display), it was decided to knock the icons back down to eight colours. 
II you run the program PrcfcurePens in your startup-sequence, you can decide which pens are 
'nabbed' and define your own colours lor them. Then your 16-colour icons will look tine no matter what 
other programs are subsequently launched. 

But. I pretend to hear you Cry. my Workbench 3 icon editor only lets me Choose S colours! Ah hah, I 
reply, but you should be using (he Workbench 2 one (or the Iconican program} to avoid the weird bid 
box outlines anyway. ProcurvPtins was wrrtts-n by Josenh I uk 

Note: The Public Domain programs mentioned in this article, and several text and graphics files, 
are available for download Irom the Heart of Gold BBS. Try using your modem and Comms software 
to dial into The Heart of Gold on 0247 274919. 



155 



CU AMIGA 



BACK ISSUES 





1*9* 




ALiSii/ 



BACK ISSUES 



CU AMIGA 



D3tiUl~j ± OlUJ&i sCJSUyjj 



Havemaer 1932 

Cover: MOOD. 

On Disk: Vide«scap« 3D animation package 

3 1 us playable nemos or Leg en ds ol Valour and 

Sword of Honour. 

Inside: Amig a 4000 lirst test, whi ch Amiga 

should y a\> buy? Lelhal Weapon and 

Snadowlands and Office 2 reviewed. 

December 1992 ■ Sold oat! 

January 1993 ■ Uid out! 

February 19ftt - Soitl out! 

March 1993 Sold out! 

April 1933 - SolO out! 

May 1893 Sold out 

June 1933 ■ Said on!! 

My 1993 

Cover: full mot I on video. 
On Disk: Workbench Manage me nl System 
vE.D, plus playable demos of The Patrician 
and F1 Challenge. 
!nside:Full Motion Video examined. 
Syndicate, Ishar 2 and Dune 1 1 reviewed, plus 
Vista Pro 2 and buyers guides to DTP pack- 
ages and joysticks. 

August 19S3 

Cover CD32. 

On Disk: Interword, a completely spiling 

word processor,, plus a playable demo nl 

Virgin's Apocalypse. - 
Inside; Muscle Up ■ 8 roundup of HAM 
expansions. V-Lah digitising system, Deluxe 
Music Construction Set Z.O, Brutal Sports, 

Jurassic Park . 

September 1993 -Sold out 

October 1993 

Cover: Star Trek 25lh Anniversary 

On disk: FlenirJump 2.5 - the ultimate image 
processing and printing tool , gins p layabl e 
demos ol Wonderdog and Mean Arenas 
(1Mb only |. 

inside: A meeting ol minds - CU chairs an 
Amiga user & debate. Star Trek 25Hi and 
Space Hulls reviewed plus Digital Creations. 

November 1993 

Cover: Frontier, 

Qn Disk: The absolutely superb 
graph ics/DTP package. EiperiDraw (1Mb 
only), plus unbelievably brilliant demos of 
Frontier, Qwak and Magic Boy- 
Inside: Gummph! There's an extra magazine 
included - a complete guide Id (he Annua. 

Elii ions of hardware and software reviews, 
icludi ng Frontier. 

December 1993 
Cover: Amazing! 

On disk: Aegis Animator -Ihe animation pro- 
gram and Spedracgluur, plus demos of 
Turrican 3 and The Settlers. Wow! 
Inside: Exclusive 52 page Deluxe Paint guide, 
Christmas buyers guide, Microcosm on CD32, 
Terminator 2 Arcade Game, Allen Dreed Z and 
The Settlers. 

January 1994 

Cover: Animation and graphics special. 
On Disk: Sensible Software's Shoot 'em up 
Construction Kil , Font Grabber, plus a fully 
playable demn nf Mortal Komhal (1 Mb only}, 
Inside: DPainl vs Brilliance: the showdown, 
Vidi 12724 AT. Media Point multimedia, 
Beneath a SleelSky, Cannon Fodder, Zoal 2, 



February 1994 

CovenScala/MuIti media. 
Oft disk: Scala, the lop rated home video titter 
11 Mb only i . plus a como I ele ly lab de mo of 
Si men the Sorcerer 1 1 M b on ly| , 
lnside:Scala: Ibe multimedia controller, plus 
reviews ol Fractal Pro 6.0, Craft, Aladdin 40, 
Goblins 3, Simon the Sorcerer and Skidmarks. 

Marti) 1994 

Cover: Don't gel lost In multimedia. 
On Disk: Softwood File database and Craft, an 
Amos programming extension, plus a com- 
pletely spitting demo of K240 1 1Mb only). 
Inside: Full Motion Video evaluated, 
VideoMasler vs So unrj and Vi si on and TV 
Paint 2 reviewed, plus Manchester United and 
super Melh ane Bros. 

April 1994 

Cover Dash in - turning Ideas Inlo money on 

the Amiga. 

Dn disk: Adorage, Tank Force, Master Virus 

Killer, King's Quasi VI and Dots. 

Inside: Reviews ol Demomaniac, Imagine 

2.9, Darkmere, Haughty Ones. King's Quesl 

Vi, Switch Quit, and Simon The Sorcerer. 

May 1994 

Cover: CD-RDM for A12D0 
On Disk: OctaMed 4 - the essential music 
package lor Amiga owners, plus over 300K of 
music samples. Slacks at fonts and cliparl lor 
your art packages and word processors, plus 
playable demos of Sump N' Sum, Bubble S 
Squeak ( AG A only | and Banshee |AGA only j. 
Inside: A sequels month I Reviews of 
Wordworth 3 and Final Writer 2, an exclusive 
review ol K240 - Utopia 2 plus Ibe lirst look at 
Toby Simpson's sequel la Diggers! 

JiHt6l994 

Cover: Amiga Graphics And Video Special 
On Disk: Video Tracker ■ a lull demo and 
video creation program, fully compatible 
with OctaMed music tracks. Not only that, 
fiui completely playable demos ol 
Tactical Manager, Sierra Soccer. Slstii 
and a whole host of sound samples to add to 
your collection . 

Inside: Reviews ol Image FX 1 .1, Hanna 
Barbera Animation Studio, James Pond 3, 
Arcade Pool, an exclusive preview of Simon 
The Sorcerer 2 and part one ol our lull solu- 
tion to Virgin's Beneath A Steel Sky. 

July 1994 

Cover Upgrading Your Amiga 
On Disk: GB Route - Ihe ultimate route! inder 
for 1Mb Amigas plus eiclustva playable 
demos of Ellmania, the greatesl beat 'em up 
ever lor the Amiga, and Valhalla, the world's 
lira! talking adventure game on floppy disk. 
Inside: Wow! An in depth look al Ihe DPS Par 
Card, Montage, Pegerand Hi Soft BASICS, 
plus null reviews ol Banshee, Valhalla, 
Ellmania and a first look at Scavanger - the 
follow up to Microcosm! 

August 1994 
Cover: Music 

Dn Disk: Art School, a lull art package for 
beginners, plus C rait 2 Turbo, Ibe ultimate 
extension lor AMDS. Not only that, but we 
also bring you an exclusive playable level 
from the long awaited Ishar 3! 
Inside: Graphic frenzy! H's the exclusive pre- 
view ol Deluxe Paint 5, plus lull reviews ol 
the Zappo CD-ROM drive for the A12D0 and 
Cocoon Mftrph, plus a look al two low cost 
modems. On the games side, there's Ishar 3. 
Qn The Ba 1 1, Putty Squad and Kick Off 3 . n ol 
to mention the return of Helpline I 



Are you really smart? No, really? We're talking Sherlock 
Holmes here. Einstein even. If you are, then you know why these 
pages are so essential in a high quality tome like CU AMIGA, 

OK, I'm not suggesting that Mortally or me theory of relativity 
would still be at large if you didn't have every CU AMIGA published 
in the last twelve months, but you would be missing out on quite a 
lot of top Amiga related information and software. 

You don't believe me? Well, take a close look at the coverdisks 
and contents of some of the issues listed on this very page (left). 

Is your mind made up yet? 

Good, I knew It, you are a very intelligent person, a connoisseur of 
good taste, a reader of only the finest Amiga magazines. 

So now you've located that missing issue, that gap in the sturdy 
wall of Amiga info that has been troubling you for so long, you'll no 
doubt want to order It from our back issues department. And this is 
where a nice company called Tower Publishing come into the 
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believe me there's not that many left) of CU AMIGA, complete with 
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All you've got to do is fill out the form below and send 11 to 
CU AMIGA Back Issues, Tower Publishing, Tower House, Sovereign 
Park, Lathkill St, Market Harborough Leics LE16 1EF. 



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I 



I 



ANIMATION TUTORIALS WORKSHOP 



AMIGA WORKSHOP 



^ 



GET 





You wanted more - you 
got more! More of every- 
thing this month as we 
combine slick manual ani- 
mations with 
the in-built 
power of both 
Brilliance and 
DeluxePaint. 




U 



sing multi-layered techniques allows you 
to construct a very sophisticated movie on 
the Amiga; provided you plan ahead, your 
computer has enough memory for ihe work you 
intend doing, and you use the skills we've been 
sharing, you should then end up with some really 
neat sequences. 

This month we've gone lo town with some 
sophisticated techniques: space debris tumbling 
out of the screen, multi-morphing brushes and drib- 
bling paint. Dullsville rj ain't' 

Again, the techniques are explained step-by 
step so you can learn processes from the inside, 
then adapt ihem for your own needs. It's a bit like 
riding a bike - once you learn how to pedal, the 
world's your oyster (or textured soya protein if 
you're a vegetarian). The main emphasis is on 
DPaint- it is still the most widely used art pack- 
age on the Amiga, But there are also hints and 
tips lor the many Brilliance tans out there, who 
maybe find it a little tough to convert their ideas 
into moving images. 

So off we go on another two-feature odyssey... 



TUTORIAL I 



DRAIW: 



llZJ&i ilAliLTV jlrJ-J" A. AH 



Object - to simulate the 30 approach of a field of 
asteroids heading directly towards the viewer. 
Mode DPaint, 3£ colour low-res; default palette. 
A nice, quick and simple, but really satisfying, 
little animation. What's more, DPaint does 90% of 
ihe hard work! 

S| The most difficult part is drawing the meteor, 
ul as you can see, it's just a three stage process 
which is brought to life by DPainfs effects. Draw 
out a rough meteor shape, and using the filled 



^^^^ 








m * 




rou*h 






\ 




' - shade 



Three atagea In du avolulkm o! ■ malecr . The tlril alage la a 

tilled miis-shape containing randomly-drawn polygons ol dlHer- 
Ing shades of gray. After smearing and a touch ol blending, tine 
meteor can be (weaken until 11 looks a little more like a solid 
rock. The final louch comes with DPaint ft deltcalB Shade palm- 
ing function, which gives real body to Ihe Image. 



shape tool, blob a few dark and mid^reys around 
Inside so It looks like a piebald rock. 
Q Using the ModeASmear feature, smear colours 
Into surrounding areas to get rid of the angular look 
left by the filled areas. You could try a little 
Smoothing in some areas to gel gradual' transitions 
of colour. 

Select the Mode/Shade option, and using a 
brush the size of a 1 0p coin and by pressing alter- 
nately Ihe right and left mouse buttons, you will 
create shade and highlights on the meteor to give 
it a 3D look. Don't go overboard on this though, as 
you could easily end up with too dark, or too -light 
areas. One click at a time is the charm. Once 
you're happy with the result cut out your meteor as 
a brush. 




t Switch to the spare screen, which should be 
ck. Now create a 20-trame sequence based on 
Ihis screen (From the Anim/Frames/Set # pull-down 
menu). We're going to pull a time-saving stunt now, 
which will pay dividends later, Right click the meteor 
brush in the centre of the screen, simply to register 
Ihe position without painting it down. From the 
Effect menu, turn Anti Alias on to High, to give us a 
smooth image when we animate, 
Call up the Move requester (Shift M), and in 
Ihe Direction area, click on the button with the 
arrow pointing lo the dot; this tells DPaint to end 




the animation at the spot we just registered with 
the brush. Set the Z distance value to minus 900 (■ 

900); this makes DPaint draw the brush from far 

away to Ihe registered size. Set the Z angle to 1 BO, 
to make the meteor spin around as it approaches. 
Ensure 20 is the figure in the Count box, then dick 
On Draw, and wait for the images to be drawn. 
Q The animation now consists of a rotating 
meteor, which moves towards the viewer from out 
of the distance. Cut this sequence out as a 2D cell 
Animbrush (Anim/AnimBrustVPickup pull-down 
menu) and save it, Next, clear all frames to return 
them to black (right click on the CLR toolbox button 
and select All Frames). 

fi Now we have the Anim Brush, we can place it 
anywhere on screen; the aim is to have multiple 
meteors coming out of the screen in different direc- 
tions, and we can call on DPainfs neat Anim 
painting technique to help us out. Right click on the 
Line tool to call up the Spacing requester, and 
enter 20 in the N Total box, and click on the N total 
button before clicking on OK. This will paste 20 
images (in this case, all 20 of our Anim Brush cells) 
along any length line we draw. 
Q With the Anim brush positioned in the centre 
of the screen, press the Alt key and click and hold 
down the left mouse button. Draw out a line to the 
bottom lefi corner, and see as DPaint ghosts the 
Anim brush on screen. 

When you are happy with ihe position, release 
the mouse button and watch as the Animbrush is 
painfed on consecutive frames. 
To add variety to the meteors, flip the 
Anim Brush either horizontally or vertically (key- 
board x or y) before repeating step eight to different 




158 



ANIMATION TUTORIALS WORKSHOP 



TUTORIAL 2 



BRILLIANCE: 

Object: Another multi-layered animation, incorpo- 
rating dripping paint colouring hidden text, while a 
paint blob explodes to reveal a name. 
Mode: Brilliance, 32 colour low res; default palette 

This animation hinges on the fact that you can 
change on& colour into another so that in effect it is 
invisible - until you want it to appear. On a grey- 
coloured screen, draw out a deep blue rectangle 
and type the word 'My' and position it as shown. 

Using a large font (I chose SO point} and a 
bright colour, type in the words ART gallery so they 
fit inside the blue rectangle 




Q Call up the Palette requester (key pK and 
select the colour-you used for the blue background. 

TIP - it you're unsure which one it is, press the 
comma key, and with the pipette icon dick on the 
colour you want to choose. 

Now click on the COPY button on the requester 
and Ihen on the colour you used lo type the Art 
gallery text 

You should see your on-screen texl disappear 
now - it's camouflaged into the same colour as the 
background, but it's still there as a distinct image, 
so don'l worry. 

Switch to the spare screen (key j, just like 
DPa/nf), because it's time to create the dripping 
paint effect, Using the filled freehand drawing fool, 
draw out a shape similar to the first brush in the 
illustration, with drools of paint running down. 
Now lengthen it by cutting it out as a brush and 
painting downwards. 

Q Create a multi-coloured dribble by repeated 
use of this same brush, using different colours 
from the palette. With the brush active, pressing 
key F2 will give it the current foreground colour, 
so by selecting new colours it automatically 
changes, Overlap the different coloured brushes 
for a random effect. 





Cut out the large brush, and switch back to the 
main drawing screen. Create a 25-frame animation 
based on this screen. To do this, call up the Anim 
requester by clicking on the icon which looks like a 
movie camera, and entering 25 as the number of 
frames. As it stands now, if you were lo paint down 
your brush, it would cover everything under it, so 
we have to protect the colours we need - which is 
everything except our invisible text colour. 

The way to do this is to use the Stencil func- 
tion ; right click on the Stencil icon (a large S), and 
dick on me Select button. Using the resulting 
pipette icon, click on the colour you used for the 
main text - do not click the background colour, but 
select the one which you altered earlier, Now click 
on Invert, so that every colour in Ihe palette is 




protected except the one you used for Ihe text. 
You can see which colours are protected, 
because they are shown on the palette bar sur- 
rounded by a white oval. Click on the Colours 
button to create the stencil, and ensure the S icon 
is selected (ie, active) 

Q If your brush is still active, you should be able 
to see it 'through' the hidden text. This is just what 
we want. Position the brush right above the start 
of the text, so none of it is showing, and right click 
the mouse button to position it. This, will be the 
starting location of the brush, which we shall bring 
down screen so it gradually fills up the text. 
Call up the Path of Motion requester (use the 
icon which looks like sheets ol paper overlaid), 
and with the Start button highlighted, click on the 
Brush button, to transfer the brush co-ordinates to 
the position slots. Move back to the drawing 
screen, and position the brush where you would 
like it to end i.e. with all your text filled with multi- 
coloured streaks, and right click the mouse burton 
to set the location. If you cannot see enough of 
the drawing screen to do this, a quick tap on the 
space bar removes the menus, and another 
brings them back. 

With End selected, again dick on Brush lo 
transfer these lasi co-ordinates to the slots. 
Ensure the number displayed in the Count box 
represents ihe toial number of your animation 
frames (25 for us), then click on Preview. You will 
see a ghost of your brush moving down screen; if 



it doesn't look good, you can alter it by choosing 
new start and end positions before committing the 
drawing by clicking on Draw. As ihe Stencil is 
active, only those parts ol the brush made visible 
by the hidden text will show on screen. Pretty 
clever or what? 

The icing on the cake for me is the exploding 
paint blob in the bottom right corner, which 
morphs inio a name. To achieve this effect, firstly 
draw a paini blob, cut it out and store it in the 
Brush Bank (Right click on the scissors icon, and 
click in one of the empty slots waiting for a brush). 
Now type in your text at a size of around 40 poini, 
and clip and place this in the Brush Bank too. You 
have to store brushes in this way to use 
Brilliance's brush transition power. 




(Q With the paint splash as your active brush, 
call up the Anim Brush menu (Right click on the 
scissors and paper icon, to the left of the menu 
bar next to the movie camera). Enter 1 in the 
Morph/Frames box to create a 10-cell anim brush, 
and select the numbered slot in the From area 
which corresponds to the number of the Brush 
Bank where you stored the text brush, 
Remember, more than one menu can be on 
screen at once, so if you're at all unsure which 
brush is where, just call up the Brush Bank again. 
The amazing morphing. should now, hopefully, 
take place automatically. 

Once the anim brush is complete, you can 




paste it down manually, beginning 10 frames from 
Ihe end, and advancing a frame at a time (key 2), 
and pasting down the mcrph. If you want to 
change ils colour at any time, you can do so sim- 
ply by pressing key F2, and selecting a new 
foreground colour, 

Ideas: Using the same 'invisible' stencilling tech- 
niques, you can make objects pulse like a strobe, 
or gradually appear and disappear by altering 
their colour to merge in and out of their back- 
ground. Pretty nifty eh? 1 ® 



NEXT MONTH 

More insider tins to help you gel things moving on your 



anoQurexperl guide, Pete lee. 



159 



ARTSCHOOL TUTORIAL 



MI6A WORKSHOP 





Last month we gave away Art School, a brilliant kids' 
paint package, This month, we tie up the ioose ends, 
with instructions for all those cunning extra features. 



n.'NMir 



FRACTALS 

1 Fractals are mathematically-gener- 
ated patterns. Art School lets you 
include fractal graphics In your own 
pictures. To use Hie fractal tool in its 
simple si form, just dick the icon from 
the Special Effects icon strip, The type of fractal 
car* be altered from the Supervisor menu. Move 
down to the Set Fractal option, and select Type. 
You'll see the following options panel, 




| Mandelbrot Jut 1a 




CHHCEL J 



Art School can create two types of fractals; 
Mandelbrot and Julia. Click the Mandelbrot and 
Julia buttons to switch between them. One of the 
best things about fractals is that you can zoom 
into them art infinite number of times, and they 
still keep on throwing up new patterns. 

Art Behoofs zoom fealure isn't infinite, but you 
can still use it to get in closer on the fractal 
pattern. Click in the 200m bo* and enter a new 
value. Higher values zoom out of the pattern, 
lower values zoom in. 

Change the value in the box marked lief' to a 
higher number to add more detail to the pattern. 
The X and Y values govern the horizontal and 
vertical position of the fractal- 
Clicking the Go! button draws the fractal with 
the new settings. The Centre button sets all of the 
values Pack to their defaults. This is handy if you 



QD I 


[F(PQS$€iG 

Window 
Fu 1 1 Sci 

1 


^9<53SG0©d]© 


SET 

j CHHCEL | 


OKfir 










160 




m 



get completely lost. The other fractal option avail- 
able from the menu is Viewmode. This gives you 
the choice of displaying the f racial in the whole 
screen, or just in a defined area. To draw the frac- 
tal in your chosen area of the screen, click the 
Window button. 

Now click the Set button and drag out a rect- 
angle on the screen by holding the left mouse 1 
button and moving the mouse. 



MUSIC MODULES 

Sotmdtracker and Proiracker modules can be 
loaded and played from within Art School. The rou- 
tine for loading a module is similar to that of setting 
up a slideshow. You first need to tell the program 
where to find the music module. Select the Set 
Music Path option from the Supervisor menu, and 
click in the box. To keep things as simple as possi- 
ble, you should have your modules saved on a disk 
in Ihe main directory. Delete any text that may be 
in |he box, and enter 'DFO:' (without the quotation 
marks). Press Return. 

Insert the disk that contains your module into 
the internal drive. Click the music note icon, and a 
list of any available modules will appear. Art School 
will only recognise modules whose filenames are 
prefixed 'mod.' II no files appear, exit the program 
and check their filenames. Click on the module you 
want to play, and then click OK. Once the module 
has loaded, you'll be presented wilh a panel thai 
has three cassette-deck type buttons: stop, play 
and pause. Click the buttons 1o play the tune, then 
Click OK 10 &et rid of the window. To load another 
tune, click the Load button. 



5UKSHOWS 

The slide icon lets you view a number 
of Art School pictures as a slideshow. 
All the pictures must have been cre- 
ated wilh Aft School, and must have a 
.PIC extension on the filename {Art 
School puts this on automatically when you save a 
picture. They must also all be in the same disk 





1 G A WORKSHOP 



ARTSCHOOL TUTORIAL 



directory- Before you can use the slideshow option, 
you need to tell the program where to find the pic- 
tures. You do this- by selecting the Set Slide Path 
from (he Supervisor menu. Enter 'OFO:' into the box 
(don't include the quoles) and click on Okay. Make 
sure the disk in the internal drive is the one with 
your pictures on it. If the pictures are in a separate 
directory on the disk, you'll need to specify that in 
the slide path bo* (eg, DFO; piccies/)- 

Clich on the slide icon, and you'll be given a list 
of all the available pictures on the disk. Click on 
the pictures you want to view, and the click Okay. 
Your chosen pics will be loaded and displayed one 
after the other. Press the mouse button to move to 
the next pic. 

THE MENUS 

In case the menus get in the way, you can turn 
them ofl with the Lock Menus option. Now the 
right button no longer brings up the menus, To 
reactivate the menus, press ALT, CTRL and M 
simultaneously. 

And. that's just about your lot! If by any chance 
you find there are still some grey areas, take a 
good look at thejn&truction document on the Art 
School disk. 



fffippwrar 



were talking about those fiflte rafcots that pootle around the floor, dragging a f eft-tip pen with 
them, it you have access to such an item, you can control it from within Art School. Click the 
icon below to enter turtle mode. To control the turtle, you need to give it a list ot instructors 
- a program. The programming language is very simple All of the available commands 
ran be viewed in the window on the right, Use the scroll bar a! the far right of the window to bring up 
the reel of the commands. The program is entered from the keyboard in the left window, instead ol 
typing the lull commands, you car deviations (eg. FQ instead of For:-. 






UodcpOQ© 



F o ru and 
R ight 

Penllp 
B a c ku ard 
Pen Down 
Left 



.OflD I SflUE | CLEAR <£iJG0£>§H)rj)& G»&©3 




ForUttrd 
Dae kward 

■m ft. ■ 



Le; 

Hovo 
Pen Up 
PpnOown 
Reset 
Square 



I 






Art StftmU eaters lor all types Ol budding artisli. 1*om wmjld-tw 
Warhol* to young PIcbbiOS, What the h*ck. Why slop hi Imper- 
■onitlng IsmouB artlsle,, «rt*n you can Imperionata ymir 
frvQurhte weather lorotflsier! It llul doesn't ILckle your fancy, 
how arxHJl putflrtg together a slkdeshofl lor Ihe rest ol the 
(amity - n be*l* another night in Iron! of Hb\hb al Ten, ToU 
could 6v*n »dc» some sural stimulation wtlh your favourite 
StfUttatrtflmr module playing in <»e background. 



BSlfSMiM 1 tT:TI ■jnTw i !il I v.-f ItT- 



letters in brackets are their abbreviations - 'n' is 
she parameter for the command, and shoutd be 
replaced by a nurrtber. 

(FO) FORWARD n 

Moves the turtle (onward n number of steps 

(BA) BACKWARD n 

Moves the turtle backwards n. number of steps. 

(Rl) RIGHT n 

Turns the turtle to the right at the angle ol n 
degrees 1 is added to the current 

direction gf the turtle. 

(LE) LEFT n 

As above but turns left. 

IPU) PEN UP 
This will cause the 

ginery pen to be 
lifted from the page 
so that no actual 
drawing will take 
place. The turtle will 
sttll move. 

(PD) PEN DOWN 

Opposite to above. 

{RE) RESET 

Resets the pert 
colour, screen posi 
lion and the ai 

" i zero 

(MO) MOVE n,n 

This function uses 
two values sepa- 
^h rated by a comma. 

I moves ihe posi- 
ng of the turtle to a 
w screen co-ordi- 
te x,y. 

This changes Ihe colour to thai of the value 
This can be an/ number from to 31 . which will 
correspond to ihe colours of the standard paletle. 



,. A) FAST 

The default drawing speed ot the turtle is set lo 
Slow. Th<s changes it to fast. 

{SLJSLOW 

Changes the drawing speed back to slow. 

(CL) CLS 

Instructs the turtle to clear the screen. 

* LABEL 

This allows the u&eMo s 
specific point within the program Set), which can 
be lumped lo at any time with a command 
elsewhere in (he program. To define a label 
enter an asterisk (*) followed by a space, arc 
then a short word, which can contain numbers, 
You don - ieed to enter the word 

LABEL. Eg. * THIS BIT, 

(GO) GOTO LABEL n 
This will jump to a label. N number ol time 
Fleplace the word LABEL with the name ol your 
chosen label. These loops cannol be nested. 

(ST) STAR n 

Draws a five pointed star the size ol n. 

(SW) SQUARE 

Draws a square the size of n. 

(CI) CIRCLE n 

Draws a circle the sus of n. 

(EN) END 

This can be placed anywhere in the program. 

rind slops the whoie process. 



ERROR MESSAGES 

You may encounter some error messages. 

Here's what they mean. 

No room: The editor is lull. 

Musi be a number: The function requires ,.. 

number a one of the parameters. 

Command error: The function you have entered 

is not recognised. 

Parameter error: The function you have entered 

has either two many or loo few parameters. 



Ill 



(A 




IlW 



PARADISE 
ISLE 



VAST HARDWARE , 
SOFTWARE AND 
VAJLABLE EAST 



AMICA I20( 

MEGABYTE 

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— 



MIGA WORKSH 



CRAFT TUTORIAL 






icking off this month's 
ty lo rial we start with a 
look at star fields. These 
[are popular in 3D games 
because the effsci of hun- 
dreds of small points moving 
| forward gives the illusion of 
travelling through space or 
possibly time. 

Creating star fields is usu- 
ally an awful lot of hard graft, but luckily with this 
Amos expansion they are a lot easier to craft 
(sorry!). The Craft expansion supplied on fast 
month's disk has a group of commands whose sole 
function in life is to' produce star fields and help you 
maintain them. 

Graft uses the main processor of the Amiga to 
display the stars so you will have to watch the 
number of stars you display at once, depending 
upon which processor you have, over do it and 
your Amiga will crawl to a snail's pace. A500 and 
A600 owners should use no more than 1 00 stars at 



■JUJOJilAL 



On last month's cover disk we included the amazing 
Craft AMOS expansion. This month we continue the 
tutorial series with a look at star fields. 




once, assuming you want your stars to move at a 
reasonable speed. This is not a disadvantage 
though, you realfy only need between 100 and 200 
or> a low resolution screen to achieve a reasonable 
effect anyway. 

STARTING POSITIONS 

The star field commands are a group of simple 
commands for the easy maintenance of the vari- 
ables which hold all the delails of the stars. 
Normally, to create a star fieW you would need to 
create an array which holds ihe vertical and hori^ 
zontal position of each star, manually update and 
then draw this, and finally multiply it by. say, 100 
Stars, so you've got your work cut out. With Craft 
however it's a much simpler matier. Just tell 
AMOS how many stars you want defined, what 
their starting positions are, and set the amount of 
movement and direction you want to 
be carried out. Then rt 5 a simple mat 
ter of issuing a command which 
displays the stars and recalculates 
the new screen positions lor all of the 
delined stars - much easier. 

So what exactly are the com- 
mands? Well, first of all, you need to 
toll the AMOS system how many 
stars it will be manipulating so it can 
reserve memory for them. The com- 
mand for this is 'Reserve Stars' 
followed by the number of stars 
which are required. 

Following ihis you need to define 
the Starting position and movement of 
each star. This is done via the com- 
mand Define Star' followed by ihe 
number of the star you are defining, 
the starting horizontal and vertical 
location of the star, and finally the 
speed for the horizontal and vertical 
planes. Thus the command 'Define 
Star 1,150,90,1,-2' would define a 
star that appears at screen position 
1 50 across and 90 down, and every 
move jumps one pixel across and 
minus 2 pixels up (giving a diagonal 
movement upwards and to the right). 

Using this command you would 
then define the number of stars you 
had reserved memory for (hint: you 
could use a for-next loop to simplify 
this process). 

Having done this you then display 
the stars, automatically compute 
their new positions or both, To do 



ihis there are three commands, as follows: 

"Display Slars draws the stars on screen and 
calculates the next screen position, 'Stars Draw' dis- 
plays the stars on screen without calculating their 
new location and finally 'Stars Compute' simply 
computes the new positions without drawing them. 



Further commands include 'Stars Speed' which 
can change (he speed and direction of a range of 
stars, This has a syntax of 'Stars Speed START 
To END, *,y'. Where START is the first star in a 
range, finishing with star END and x and y are the 
new speed and direction. 

'Stars Erase' frees up memory allocated with 
the 'Reserve Stars' command, whilst Stars Clip 
x,y,x1 ,y1 limits all stars to a rectangular area on 
screen defined by the four variables. 

The last commands provide an automatic 
'Display Stars' furvction that is carried oul every 
time the screen is updated. These being "Stars Int 
On Clear' and 'Stars Int Off'. The On version 
enables this feature and, unsurprisingly, 'Off' dis- 
ables it. An important note rs thai these commands 
musl not be issued in direcl mode - doing so will 
almost certainly crash your system, 

And that's it for this month folks, next month 
we'll explain some more of Craft's extensive 
library of commands. £J) 




Hmmrn, It's amoving how dull *|»r fl.lds look whan they aien'1 
moving! Ol course you can't actually see Hits ana In motion, 
bul Imtt mo wtian I say that it's a real masterpiece . 



SOME TOP TIPS 

You urn odd to ihe effect erected by a star field by pJoc- 
iiig rerjlral object at its heort , givtrm ihe impression 
tbnt the stars ore emulating frown it. this can be easily 
down Irving ihe powerful Oaf? mi AMDS circle functions 
lo Creole a planet or ottier obf-ert . The screensbf obove 
shows such an effect. 



165 



a a 



There is no 
problem too 
small, for our 
crack Q&A 
Team. No-one 
can outfox them, 
Try if you dare. 



LOGOS, MEANINGS 
AND MYSTERIES: 

To help you see at a glance exactly 
what each G+A letter deals with, they 
are all marked with one of the follow- 
ing icons. So. if you're aching to lind 
out whether we've solved your flicker- 
ing monitor, or if someone else has 
Ihe same trouble with their RAM 
expansion, you know where to look. 

If you Ve got trouble with your Amiga, 
we're here to help. Let us know 

what's wror>g. tell us exactly what set- 
up you have, and we'll do our best to' 
solve il for you. Remember, a 

problem shared is a pfxibtem halved. 



CD 32 queries, 

Pamet and other CD 
ROM problems. 







sk 






All about upgrading 
RAM, operating sys- 
tem and processor, 






Plug-in hardware of 
any kind: scanners, 

disk drives etc, 




Answers to queries 

on particular pieces 
ol software. 





« Monitors, TVs, modu- 
'£ lators, screen-modes 
and all thai: stuff. 



*ie# 




Pixels, sprites, ani- 
mation, pictures. In a 
word: graphics, 



■v, 



m 



o 



* Spreadsheets, 
databases, organis- 
ers, accounts.. . 



Not everything fits 
into a pigeonhole, but 
anything fits in here, 




Miscellaneous tools 
1o keep your Amiga 
running smoolhly. 



rm,. 




Form-feeds, page 
breaks, preferences 
and lots lots more! 



Music, sampling, 

MIDI and anything 
that makes a noise, 



»*L»* 



Keyboard paying 
up? Sounds like a 

keymap problem. 




JOHN 
KENNEDY 
AT LAST I'VE 
GOT A 
68040 IN 
MY AMIGA, SO I'M IN 
A GOOD MOOD. ' 

ANDY 
LEANING 
"HEY, I'VE 
FOUND IF I 
REMOVE 
THE MEMORY, CPU 
AND CUSTOM CHIPS 
FROM THIS AMIGA I 
CAN EMULATE 
WINDOWS NT." 



RAD, FILES AND 
VIDEOTAPE 

^^^^ I would like some 
J0 IhL help with my A30O 



i . I've heard that you 
can boot Irom the 
RAD disk. How do 
you create this RAD 
disk and make it bootable? 



programs. Remember a floppy 
disk can hold about 7QO-800K of 
data, and a 1 Mb Amiga doesn't 
have much more RAM, 

2. No matter how desperate you 
are, we certainly hope you aren't 
desperate enough to pirate It Irom 
your friends - which Is what you 
would be doing If you copied their 
A 1200 Or A40D0 Workbench, 
CrossDOS Is available for sale 
from Computer World (tel: 0532 
350091) for £29.99, which Includes 
a software PC emulator. Perhaps 
yen would be better looking 
through adverts from Public 
Domain libraries fore program 
called MessyDOS or MessySID, 
which are freely distributable pro- 
grams which will allow the Amiga 
to read/write IBM-PC format disks. 

3. Yes, but exactly how depends 
on the connector at the back of 
your video. Most will be SCART 
these days, which has provision 
for composite video In. 

Most camcorders produce 
composite video signals (which 
means alt the colour and syn- 
chronisation signals are included 
in one) and so any high street 
shop will be able to help you sort 
out the cable you need. 

4. We gave away Power Packer a 
long time ago, which Is probably 
the easiest to use disk expander 
software ever. 



2, 1 need a copy of CrossDOS for my 

school work. Do you know where I 
could get a copy Of it. as I don't know 
anyone with an A1200 or A4Q00? 

3. Is it possible to connect my Amiga 
to an VCR via the composite socket 
at ihe bat* of the computer? 

4. Could you put a disk expander on 
a eoverdisk? It would make an excel- 
lent utility. 

Paul Gildee, Belfast. N. Ireland. 

1 , 1 hava an A600 with an extra 1 Mb 
of RAM. I would like to copy my 
Workbench into RAM so that I can 
keep another disk in dfO; and don't 
have to keep swopping. 
Steven Murray, Whereabouts 
Unknown. 

1. RAD Is an area of memory 
which the Amiga can be fooled 
into thinking Is a floppy disk. RAO 
disks are occasionally very useful 
- but you will need more than 1Mb 
of RAM to get the most from them. 
Assuming you have the memory, 
open a shell and enter: 
MOUNT RAD: 

Then, without your Workbench 
floppy still in place, enter: 
DISKCOPY FROM DFO: TO RAD: 
This should give you a recover- 
able RAD disk which you can boot 
from. Only one problem - you now 
don't have any memory left to run 



CANADA 

^^_ Can you please give 

j0i B^ me some information 
M H on Comms. I don't 

have a modem at 
V W present, but I am 

^fl ^P^ very interested. One 

thing I would like to 
do, if it is possible, is 10 communi- 
cate with a PC in Canada either by 
fax modem or whatever, using my 
Amiga A1 200, 

Please, please can you tell me if 
this is possible, and if so what is the 
best way to do this with a reason- 
able budget? 

James Gates, Edinburgh, 
Scotland. 

Electronic mail Is the buzzword 
you are looking for James, and 
yes, it is more then possible. In 
fact, sending Email to Canada will 
probably be cheaper than posting 
a letter there- 

What you need to do is sort 
yourself out with a nice new 
modem (the USR 14,400 Sportster 
for example) and find your local 
Bulletin Board. There are at least 
two (Slatic2 031 5-569734 and 
Chapps BBS 0315 391 132) In 
Edinburgh alone. 

Then, with some shareware 
programs such as TtapDoor, Spot 



166 



AMIGA WORKSHO 



Q & A 



* •* 




or BlueWave you can send mes- 
sages using the FidoNet system. 
Assuming your friend in Canada is 
also on FidoNet, your message 1 
will turn up a few days later. 

If your friend is on the Internet, 
you can either use the FldoNef 
Internet gate to send him mes- 
sages, or join the Internet yourself 
and send him mail that way. Using 
FldoNet is free, but Internet 
access will cost about £10 a 
month. See the Comms feature on 
page 170-1 71 , this issue for more 
indepth details. 

DRMN' ALONG 

Having recently 
upgraded to the 
A4000/030 from the 
A500+, there are a 
tew points that I 
would like to clarify, 
1 Will there be a 
CD32 compatible CD-ROM drive for 
the A4O0O conning out, and it there 
is would you recommend buying it? 
Also, if it doesn'i appear would you 
recommend ihat I buy a SCSI CD- 
F DM drive instead? 
2. Is it possible to use IBM-PC inter- 
nal floppy disk drives with the 
A4GC0? I ask this because itie high- 
density types are considerably 
cheaper for PCs than for the Amiga. 

Paul Clark, Goxhill, Sth Humbs. 

1. Commodore said there would 
be. but Of Course whether 
Commodore are in a position to 
do II remains to be seen. 
However, things are looking 
hopeful. See the news in this 
issue tor the full update on 
Commodore's position. 
Apparently, the new Workbench 
release 3. i Includes software 
which directly integrates the CD- 
ROM into the system, and will 
also emulate the CD's AKIKO chip 
functions In software. This means 
a Tandem controller and a 
Mitsumi CD-ROM should be able 
to play CD32 games- More news 
on ihat score when we can get all 
(he kit together and test tt, 

SCSI CD-ROM drives won't work 
much faster (if any faster) than 
other CD-ROM drives. The advan- 
tage is Ihat the controller card will 
also allow other SCSI devices to be 
connected: such as herd drives, 
several more CD-ROMs and optical 
storage systems. 

The disadvantage of the 
Tandem/Milsuml system (and any 
SCSI system) Is that, unlike the 
promised Commodore drive, 
there is no way to add an FMV 
cartridge. Unfortunately, at the 
present moment it is also hard for 
CD owners to add the FMV car- 
tridge as they are extremely thin 
on the ground. 

2, No, The Amiga 4000 supports 
high density floppy drives by 
halving their speed, and not all 
drives will do this. 




ZAPPO QUERIES 

+ w a H As the proud owner 

of an A1 200 I'm 
thinking about buy- 
ing a hard drive. I 
read the upgrade 
article in the July 
issue of CU AMIGA, 
but it didn't answer all my questions. 

1 . What would be the best drive I 

could buy in the price range ol £200- 
£300? 

2. I've seen an advert for the Zappo 
CD-ROM drive which claims that it 
plays CD32 software, Is this true? 

3. I've heard that the memory expan- 
sion for the PCMCIA port can slow 
the A 1200 down because it is only 

1 S-bit- So as some external hard 
drives and CD-ROM drives plug into 
the PCMCIA slow, wilt they slow 
down my A1200? 

Matthew Corbett, Nuneaton, 
Warka. 



I own an A1 200 with an 030 fitted 
and a 260Mb hard drive. I am inter- 
ested in fitting a CD-ROM drive, and 
I noticed an advertisement in CU 
AMIGA lor the new Zappo CD-ROM 
drive. So, piease could you tell me 
what disadvantages are there to fit- 
ting this drive to the PCMCIA slot 
rather than the trapdoor? I would use 
the CD-ROM dnve mainly for video 
editing and effects. 

MJH, HM Forces. 

Dear Mathew Corbett and MJH, I 
will answer both your questions 
with a couple of points. 

1. You should be able to get a siz- 
able 2.5 Inch IDE hard drive fitted 
internally for that budget, includ- 
ing a year's warranty. Try Tri logic 

ftn 0774 ft) 111 R 

2. Yes. See the review on page 115 
In the August issue of CU AMIGA. 

3. Let's clear this up once and for 
all. Saying the PCMCIA port is 
siow is not doing it justice. II is 
only 'slow 1 because the Chip and 
Trapdoor memory In the A1200 Is 
accessed In 32-bil wide chunks, 
whereas the PCMCIA port is only 
IB-bits wide. Data stored in mem- 
ory fitted via the PCMCIA bus will 
therefore take twice as long to be 
fetched. Although it's slow' In this 
respect, it's still actually quite fast. 
For example, the VldeoMaster 
from HI Soft can pump 25 frames a 
second of digitised mono video 
through it. The hard drives that 
connect to it usually work twice as 
fast as normal (internally fitted) 
IDE drives, And as for CD-ROM 
drives, remember that the drives 
themselves only work about twice 
as fast as floppy disks (300k a 



second} and so the PCMCIA port 
will be able to copy with data at 
this rate extremely easily. Your 
Amiga will not be slowed dawn it 
you fit a drive to this port. 

By the way, MJH, although the 
PCMCIA CD-ROM drive would inte- 
grate perfectly with your existing 
system, it is hard to Imagine how 
it would help you with video edit- 
ing or effects, as there is no video 
software currently available In CD 
format. You would be much better 
off selling the A 1200, buying an 
A 4000 and fitting a 24-bit graphics 
card instead. 



FLIGHT POWER UP 



>*A* 




I have an A 1200 
unexpended Amiga 
which I use mainly 
for flight simulators. 
Some simulators like 
AW Tank Kilter and 
A V33 Harrier run ;i 
little slowly, whereas 
Tornado is almost unplayable. 

If J were to install the Power 
Computing Viper 6BG30 accelerator 
which claims a speed increase ol 
440%, would these simulators draw 
ths 3D vector environment much 
more smoothly? 

Would fitting an FPU (Floating 
Point Unit} make any difference? 
According to my local expert shop 
FPUs make no difference at all for 
flight sims. 

M. Eustace, Cookridge, Leeds. 

Fitting extra memory - no extra 
processors, just extra memory in 
the trapdoor - will almost double 
the speed of the A 1200, and this 
will make a very noticeable differ- 
ence to your simulators. 

Likewise, fitting a faster pro- 
cessor such as a double-clocked 
6B020 or 68030 will also speed up 
the Amiga, but remember thai fit- 
ting extra memory is still essential 

to makr- tho m«t of th«9 CPUs. 

An A 1200 fitted with an &S030 
but with no extra fast RAM isn't 
that much faster than an unex- 
pended Amiga. 

As for the FPU, well it depends. 
Normally, you will see serious 
software come in two versions, for 
systems titled with and without an 
FPU. This is because to make full 
use of an FPU a program needs to 
be compiled using a specific code 
library. If this library is used on an 
Amiga without an FPU, the pro- 
gram will GURU instantly. 

However, it is possible to write 
programs which use a different 
library which will detect it an FPU 
is present and only use it if it is 
there. Unfortunately, if there is no 
FPU present then the program wilt 
actually run slightly slower. 

Most flight sims will make 
extensive use of pre-caiculated 
tables and special cut-down -tor- 
speed trig routines, which 
couldn't make use of an FPU even 



if they wanted io. The final 
answer has to be that unless it 
states differently on the box, 
most flight sims will not run any 
faster if an FPU is present. 

LONG U VI CDTV 



L *r_i* 





In. answer to various 
letters requesting 
information on 

expanding the 
CDTV,, the German 
company WAW 
Eleklronik produces 
various upgrades, including an 2Mb 
Chip RAM board, an 6Mb Fast RAM 
expansion and a SCSI controller. A 
turbo board is also imminent. 

You can contact WAW Elektronik 
GmbH by writing to; Tegeler Strasse 
2, 13467 Berlin or Tel: 030-404-3331 
and Fax: 030-404-7039. 
Sandy San do m. FidoNet. 

PICTUREBOX 2? 

I would like to thank 
you tor the lovely 
piece of software 

you gave away in 
CU AMIGA -that 
is, the wonderful 
program 

Picturgbox. I would also like to give 
you a few suggestions about your 
awaited Piclurebox Professional. I 
would like to see support for more 
filetypes, including IFF, PCX, GIF, 
MACPAINT, TIFF, JPEG, JFIF, BMP, 
CDTV and so on. I would also like to 
see more image processing tools, 
and support for animation formats. 

Aram M. Iskenderian, 
Baghdad, Iraq. 

Well Aram, thanks for taking the 
trouble to write with your com- 
ments. The Picturehox program 
appeared on a cover disk a long, 
long time ago and a professional 
version was promised. 
Unfortunately, various things 
delayed this project, including 
using The Art Department 
Prof ess ionatv.2. 5 which includes 
all your desired features and a few 
more besides, making it the ulti- 
mate image processing tool. There 
are also several other image pro- 
cessing programs available in the 
Public Domain which you should 
Check out. I (John) hope to bundle 
together what there is at 
PicttireBox Pro and make it avail- 
able In a month or two. 

WHICH LANGUAGE? 

I have just gradu- 
aled with an 
honours degree in 
computing science, 
and I am: hoping to 
get more involved in 
Amiga program- 
ming. Initially I'll jusl be playing 
about with fractal landscapes but I'll 
probably wan l to progress 10 more 
serious programming in the future. I 
own an A 1200. 




» 



1ST 



Q & A 



MIGA WORKSHOP 



» 



My problem is choosing which 
language to use. I'm fluent In sev- 
eral, and would ideally like to 
program in C or C++, but my 
finances can't quite strelch enough 
to buy S A 5/ Lattice C and I'm quite 
dubious about the compilers on the 
PD scene. 

Naturally, IVe heard about Blitz 
Basic ami AMOS and both sound 
impressive, However, I get the feel- 
ing that they are really only suited to 
games programming. 
Chris Love, East Kilbride. 
Scotland. 

If you want to progress to 'real' pro- 
gramming in the Mure, then C and 
C++ are your only real options. 

Although SAS/C is expensive, rt is an 
absolutely superb product and the 
latest version includes C++ support 
as standard. Perhaps HiSott (Tel: 
0525 7 1 8 1 fl 1 ) will do a special deal 
for graduates. 

However, the DICE C Compiler 
has recently been given a major 
upgrade to become a commercial 
product, complete with the special 
'include' files you need to make use 
of Intuition and the Amiga's sound 
and graphics capabilities. Like 
SAS/C it now comes with all the edi- 
tors, linkers and compilers you'll 
need- By all accounts DICE is now a 
top class system, and reasonably 
priced. Get a PD version and check 
that out, then upgrade - you wont 
regret it 

Yes, AMOS and Blitz are 
designed lirst tor foremost for 
games, but they are extremely pow- 
erful languages which offer excellent 
Support over the Amiga's features. If 
you are experimenting with fractals, 
using Blitz would be a good way to 
do t| as you could concentrate on 
your recursive algorithms and leave 
Blitz to handle all the graphics stuff, 
even in AG A modes. 



CDS AND CVS 

©I own an A600 and 
was wondering if 
you answer the 
three following 
questions for me; 

1 . II a CD can hold 
&00 floppy disks of information, 
why, on Earth, can't it hold 600 one- 
disk games on it? 

2. Will Microcosm be released for 
non-CD machines without the big 
flashy intra? 

3. When I'm older I would like to 
become a games programmer or 
create the artwork for one. Where 
should I start? 

James Chapman, Wisbech, 
Cambs. 

1. Erm ... dunno, A CD-ROM can 
store a heck of a lol and theoreti- 
cally it would be possible to put 
over 600 games on it. The Aminet 
CD and other 17 Bit Collections 



(tcl : 0924 366962) all manage to 
cram as much onto a CD as you 
would ever want. Fred Fish, (col- 
lector of PD whose programs are 
available from PD Soft tel:0702 
466933), has managed to squeeze 
1,000 of his disks onto one CD, 

However, if you are thinking of 
Commercial games there are huge 
financial reasons behind such an 
Idea. Plus, games invariably use 
their own special bootblocks 
which always complicate matters. 

2. No, because Microcosm doesn't 
just use the CD for the Intro 
sequence. Throughout the game 
graphics are constantly pulled 
from the CD, which la why there 
won't be a floppy-based version. 

3. Learn to program, and look 
closely at your favourite games to 
understand how to animate and 
move sprites realistically. Buy a 
copy of Bfitz Basic and read the 
manual. Go to university or art 
college and learn to do it all prop- 
erty, then answer an 
advertisement in the computing 
press and get a job. Or get 
together a collection of your very 
best Ideas and send them to a 
software house which you know 
to publish similar stuff. Send your- 
self a copy In a sealed envelope in 
case r>f copyright problems. 



does still mean It Is possible to 
make use of all the excellent 
Public Domain collections out 
ihere on CD, as well as running a 
a good-sized proportion of old 
CDTV games. 



+Z±1* 




A600 CD? 

I would like to ask a 
few questions 
about the A600 
since I am a com- 
plete beginner. 

1 , Would the new 
Zappo Amiga A1 200 CO- ROM drive 
work with the A60Q? 

2. If so, what software would I be 

able to run? 

3. II not, will there ewer be an A600 
CD-ROM drive? 

Llam Reford, Port Glasgow, 
Scotland. 

After speaking to Indi aboul the 
new Zappo drive, I'm afraid the 
news looks bad. They claim the 
drive will not, under any circum- 
stances, work with the A600. 
However, here at CU AMIGA we 
have our doubts, mainly because 
the PCMCIA port is a pretty good 
standard, and therefore think that 
it's only a matter of time before 
the necessary A600 driver soft- 
ware appears. 

When the software does 
appear, it will not mean that you 
will be able to magically play CD 
games on the A600. 

The At 200 has a totally differ- 
ent processor, more RAM and of 
course, makes use of the wonder- 
ful AG A chipset. 

However, having a working CD- 
ROM drive connected to the A600 




I am planning on 
buying a few acces- 
sories tor my A 1200 
and would appreci- 
ate your advice. 



1. Which is the 
faster - a 4Mb 

33MHz Hawk, or a Blizzard with the 

same specifications? 

2- Will either speed up my hard 
drive? Which one out them all makes 
the biggest difference? 

3, How much is a monitor an 
improvement over a SCART TV? 

S. Edwards, St, John's Wood, 
London. 

1. Assuming you mean a standard 
RAM card fitted with a 33 MHz 
68882 maths coprocessor, the 
Blizzard board Is the faster one of 
the two. 

Incidentally, the new Blizzard 
card which features a 26MHz 
66020 is incredibly fast, and 
doesn't cost much more. It's only 
worth getting an FPU if you are 
Interested In ray tracing, image 
rendering, fractal landscape gen- 
eration or some other pastime 
with a heavy dependence on 
mathematical functions. 

2. The Amiga's IDE hard drive 
interface depends on the speed 
of the CPU, so the faster the CPU 
runs, the faster the hard drive will 
go. Fitting the Blizzard will dou- 
ble the speed, although to bo 
honest you probably won't notice 
the difference. 

3. That depends on the specifica- 
tions of each. Generally, a monitor 
will have a screen "dot pitch' of .26 
dots per inch. 

SCART TVs are good, but not 
quite that good although being 
SCART they will use pure Red, 
Green and Blue instead of rather 
blurry composite. 

However, monitors such aa the 
Microvitec 1436 or Commodore 
1940742 can also operate at a high 
frequency (about 31 KHz) as 
opposed to a TV which works at 
video frequency (1 SKHz). 

The higher frequency means 
that the A1200 s and A4000 s 
flicker free' video modes can be 
used, and that means a clear, 
sharp display of the Workbench 
and application software using 
612 lines or more (460 in produc- 
tivity mode'). 




I have a problem 
which annoys me 
quite a lot, but 
maybe you can 
help me oui. I am 
using an A1200 
with an NEC 
Multisync 3D monitor (the older 
model which is capable of displaying 
all screen modes). 

However, in higher screen resolu- 
tions (besides the small black 
borders left and right) the whole 
screen width isn't used, even in over- 
scan mode. 

In your May 1 &S4 issue, I read 
with interested about a PD program 
called MonEd V2.T4. Could it solve 
my problems? And If so, where can I 
gel it? ] have tried a couple of PD 
libraries without any luck. 

I would really appreciate It if you 
could help find a solution to this little 
problem. What would you say to a 
trip to the Fiji Islands as my guests? 
Hey, that's only a joke! 

Frgnz Sattler, Vaielevu - Nasinu, 
Fiji Islands, 

That was close, John was halfway 
to the airport then muttering: "I'll 
bring my copy of MonEd over to 
the Fiji Islands and deliver it per- 
sonally." He had his sun-tan lotion 
at the ready and deck chair In 
hand before we stopped him get- 
ting on the plane. 

Yes, MonEd will certainly help 
you fine-tune your monitor drivers 
to make the most of the screen 
display. Practically any monitor 
display can be improved in this 
way, although there are various 
inherent dangers. 

Having recently watched his 
favourite Commodore 1 960 moni- 
tor being destroyed by a wayward 
video signal, John now treats all 
things monitor-y with a little more 
care and respect. 

The MonEd program Is avail- 
able from the Aminet, in the 
'■■ pu b.'e m Inel-'o s30<uti is' drawer 
under the name of moned2b.lha . 
If you don't have access to the 
Internet this mightn't mean any* 
thing to you, but remember you 
can still get the entire Aminet col- 
lection on a CD-ROM. 

It you can't get access to a CD- 
ROM drive either, the program will 
be one of many available from the 
CU AMIGA file area of the Heart of 
Gold Bulletin Board (modem num- 
ber: UK 0247 2749 H 9). 



NEXT MONTH 

Please send your technical 
teasers to Andy and John's OS A. 
CU AMIGA, Priory Court. 30-32 
Farringdon Lane. London EC1 R 
3AU, We regrel we cannot reply 
lo letters personally and SAEs will 
only get reused. 



168 



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WIRED WORLD SPECIAL 




COMM5 




THE INTERNET 

The Internet has been in existence for quite 
some time. It can be traced back to networks 
which were designed in the 1960s and 
1970s, although (he Internet as it appears today 
only really slatted to tame about in 1 984 when the 
American National Science Foundation needed a 
way of linking their super-computers together, 
Now, it Is a vast jungle ol over a million computers 
linked together with over 20 million users. And the 
number ol users is increasing even more as 
access becomes easier and easier. 

What you use the Net for is really up to you. 
Some folk use it for sending electronic mail, some 
use it to pass the time in group conferences. 
Many people use It for serious work - either as a 
way of linking differed offices, or as a vast library 
ready to be lapped for the latest research infor- 
mation. Others see it as the largest Public 
Domain library of software in existence. The Net 
is all these things, depending on which software 
tools you use. 

For example, if you have an FTP (File 
Transfer Protocol) program, you can log into a 
thousand different sites and download files on 
anything from the latest Amiga games, to helpful 
text files and obscure pictures. With a program 
called TELNET, you can be remotely connect to a 
computer raifw like an ordinary Bulletin Board. In 
this way you can connect to computer systems 
such as NASA's information service, or stay up 
half the night playing multi-user adventure 
games. With an electronic mail program you can 
send messages instantly to anyone else with an 
Email address, and with a suitable reader you 
can take part in the group discussions that form 
the Usenet News. Perhaps most impressive of 
all, you can use Mosaic a program which displays 
pictures and text for the World Wide Web which 
is a really impressive collection of text, sounds 
and animation. 



storing details on everything from cult television 
programs to guided tours around national institu- 
tions, and it's available all day, every day. Email 
sent to another Internet Email address is sent 
immediately, there is no need to wait for the recipi- 
ent to poll a special number: the message is on 
their computer (or on their Internet Access 
Provider's server) within seconds. 

HARDWARE/SOFTWARE 

Getting onto the Internet can be a tricky business. 

Firsl of all you need a physical link to the network, 
and this is usually by means of a PoP (Point ol 
Presence). Several companies sell unlimited 
access for about £1 a month. Next, you need a 
modem to conned your computer to the PoP. A 
1 4,400 baud is good enough as most sites don't 
support anything faster, Then, you'll need a suite 
of programs to allow access to the Internet, and at 
the moment there are two choices; AmigaNQS and 
AMiTCP. AmigaNOS isn't incredibly difficult to 
understand, and works particularly well with the 
Internet service provided by Demon (tel: 081 349 
0063) It comes with FTP .TELNET, Email and 
news readers. 

The alternative is AmiTCP which, frankly, is a 
bit of a nightmare to install. AmiTCP also requires 
a SLIP driver, which is another program which 
allows the Amiga to use the serial port {and hence 
the modem) rather than some form of network. 
When you do get it working, you use ihese pro- 
grams directly from the Shell. With AmiTCP, the 
Shell becomes a terminal which you use to log into 
remote sites with TELNET, and when using FTP 
(File Transfer Programs). 

If you have elected to use AmiTCP you can 
also use Mosaic, the Amiga World Wide Web pro- 
gram. This is one of the most impressive feats yet 
seen on the Amiga, as pictures and text appear 
on-screen lor sites all over the world. This is pretty 
much state-oHhe-art stuff. 



The Internet is huge, really huge. Over 20 million 
people have individual Email addresses, and the 
amount of data and software available tor down- 
loading is almost beyond measure. There are sites 



Accessing the Internet is going to cost you £1 a 
month (or whatever your PoP supplier charges), 
plus your telephone bill for the calls you make to 
the PoP. Software is freely distributable, On the 
other hand, setting up your own 24-hours a day 
Internet site would require a little more in the way 



PLUG CORNER 






Here are some boards you might wani to call: 






Name Modem number 


Sysop 


Comments 


DARK SOLUtlOM 0246 277317 


Andrew Milter 


Amiga-based 


ROD IN A STATION 0232 402320 


Stephen Moore 


Star Trek zone 






ad ii ' 


- Kommandal 


: 





John Kennedy compares 
the two major Comms net- 
works which are freely 
available to most Amiga 
users and highlights the 
pros and cons of each. 




*" Z$X** M " f " BFW * 






iiB"a$«'K''S.1L s S3 






I 



Spot IB 1fie leading FidoNel Point Manager program, it's very 
l»t and exl remely Bi&y-to-u**, itllhouQh you will need a 
Workbench 2.04 Amiga and ZNK of RAM 

of cash, You would need a dedicated high-speed 
data link plus a large and expensive computer sys- 
tem to use with it. 

WHO RUNS IT? 

No-one runs the Internet, it's jusl there. There is no 
structure to speak of, and no-one in charge. 
Everyone is equal on the Net, Thai is not to say you 
can get away with what you like: if you start making 
a nuisance of yourself you'll soon get "flamed" 
(verbally ripped apart on Ihe board) and develop a 
bad reputation. It's a self-regulatory system that, so 
lar, has worked pretty well 

Unfortunately, there seems to be an old guard of 
net folk who complain about all Ihe new users 
appearing on the scene. These fogies will mutter 
about the good old days, and lake particular delight 
in sending sarcastic or scathing replies to some 
newcomers' queries. Beginners can easily be fright- 
ened off, so one of the first things any net 
newcomer should do is find a FAOsite (Frequently 
Asked Question) and read up. This will save any 
embarrassment caused by asking a stupid question 
and getting flamed. 

The other consequence to a network where no- 
one is in charge is a lol of pretty raw material 

Spot call* TMrpO&CtXt) gel all the actual messages In and Mil. 

TttpDeor V1.B4 has jual been released, bul If you hSV* reqif- 
lered previous versions fear mil Ihe same k»r will fit all. 




=2£3< 
m m 



I 



1TO 



WIRED WORLD SPECIAL 




F 



Amiga UiiAnlc make* travelling around lha Internet fncradlljFy 
easy. Il'a an arntilng program whflsh nwnJs rtrrifr-GP and Magic 
User InSertucs to work. 

floaiing around: both teat and pictures which your 
mother and/or the local police force would lake a 
prelty dim view of, 

FIDONET 

ido was started in about 1 984 by a clever 

fellow named Tom Jennings, who had the 
klea of creating a network linking all the 
local dial-up Bulletin Boards which were spring- 
ing up around San Francisco and BaHimore. By 
getting the boards to call each other at nig hi, 
thus avoiding the busy daytime traffic, mail could 
be quickly and easily swopped from board to 
board. Thus FidoNet was born, and ai the 
moment there are over £6,000 Bulletin Boards in 
the network. 

Each board can have one or several dozen 
users^ which means a whole lotta people are 
using it. Today, FidoNet can be described as 'a 
loose confederation of bulletin board sysiems 
which stretches around the entire world'. 

Each Bulletin Board in FidoNel is in a local 
network, the networks make up regions and all 
the regions together make up Zones. These are 
decided geographically and are huge. Zone 1 
covers all of North America. 

Fido also supports Echoes, which are on- 
going group conversations. An echo can either 
exist on a single board (for the sole use of users 
on a particular Bulletin Board) or be shared 
between echoes to let many users join in. For 
example,, the echo Amiga_Mags is part of the 
Fido UK 'backbone' which means every Fido 
board should be able to get hold of it. 

HARDWARE/SOFTWARE 

In order to use FidoNet, you'll need to be able to 
dial up a focal Bulletin Board. This requires a 
modem, and one which works at a minimum 
14,400 baud is recommended- You can use 
normal terminal emulation software such as 
rVCommor Term to read or send messages, or 
even download software from the board. 

However, for trequenl use, a dedicated mail 
program; is better. An Off-Li ne Reader {OLR) will 
aliow you to download all the messages you are 
interested in to your computer in one big com- 
pressed chunk. Vou can then log-off the board, 
and use the OLR software to write your replies. 
When you next log in, as well as receiving the 
next batch of messages your computer will also 
transmit the replies, 

A good OLR is the BlueWave program, and 
this is freely available from any good PD library 
or Bulletin Board- An aftern alive to an OLR is a 
Point Manager program. If you become a 
FidoNet Poinl, you are almost in charge of your 
own miniature Bulletin Board. 

You don't need to have constant access to the 
main FidoNet node, but you do get a reliable 
FidoNet electronic address. 



One of the best point manager programs is 
called Spof, and is written by Nico Francois - an 
Amiga programmer with an impressive collection 
of titles to his name. 

Spot keeps track of all tha various echoes you 
could be a member of, and makes reading 
through them all extremely interesting. Spot 
requires a program to allow it lo send and receive 
mail. Trapdoor is one ot the besl programs of this 
kind around at the moment. 

PRICES 

Boih Spot and Trapdoor are shareware, and 
although they work fine straight Irom the archive, 
for best results you will need to register them. 
This will cost about £45. You will also need to 
pay for the telephone call to your 'boss' but this is 
usually a local call of only a few seconds a day 
Most Bulletin Board Systems do not charge for 
access, although the Sysops (system operators) 
of some will have spent so much money installing 
extra lines, CD-ROM drives and so on for their 
users that they teel they can charge a fee of a 
tew pounds a month. 

Becoming a full-time FidoNet Node is quite 
simple. You will normally require a dedicaied 
phone line and your computer must be available 
to receive calls to swop mail very late at night. 

WHO IS IN CHARGE? 

FidoNet has a very regimented hierarchy of 
Zone, Region and Network controllers lo keep art 
eye on what is going on, although there is no 
centralised authority. There are also a large set 
of rules, the Policy Documents, which contain 
details on what you can and cant do. In the worst 
case it is actually possible to get yourself banned 
from the network. 

Most FidoNet echoes have a moderator who 
keeps an eye on proceedings, If a particular mes 
sage in the echo is offensive, or is 'off topic' (ie 
not related to the particular echo) the moderator 
will lei the offending user know. A persistent 
offender will find him or herself disconnected 
from the echo. 

ADVANTAGES 

The main advantage of FidoNet is that it is 
extremely cheap to use. Assuming you have a 
modem you can take pan in a multitude of differ- 
ent discussions, swop news and exchange Email 
with thousands of people and all for a few shod 
local telephone calls a week. 

The users on Fido are usually a tot friendlier 



IffSwI^'ta-gn T «frm*r'| 



<tp feTfiMLMI 



"«*--■* ti*lo d 
- 5 f l - 



■ /**.« r ic+iDfn 4p*?l;r 



iIp*»*i*-^S7 W7>. A*l«. wnlw I J «« 3 
taw tr* nc'lf/rt Iti* to set u*r Labia* *> u,*rti* w4 t« *u »it„ (h»< 

Mfrbf ..nit 

■an* lit* lo rr,si n*o^c.' 




than those on the Internet, and there is always a 

great club atmosphere. 

CONCLUSION 

There is no better place tor the Comms beginner 
to learn the ropes than with FidoNet. Not only will 
they enter a thriving but friendly world of amateur 
Comms, but there is also plenty of scope tor set- 
ling up your own Bulletin Board and taking an 
active part. In fact, even if you had to buy all the 
equipment from scratch you could create a pretty 
high-tech BBS lor less than £600 and a useable 
board for half that at least. 

Setting up your Own Internet site is simply too 
expensive for a home user to contemplate, 
although obtaining access lo FidoNet is becom- 
ing easier and easier as more and more POPs 
open up. Even the BBC is keen to get involved, 
and have plans to open.saverai access points all 
over the UK. 

There is no reason why a Comms fanatic 
can't have both FidoNet and Internet access. In 
fact, some Bulletin Boards are starting to offer 
limited gateways into the Internet so, once again, 
the Fido system makes if easy for the beginner to 
get involved. 

NEWS 

The very latest version of ihe top Amiga mail pro- 
gram is now on general release. TrapDoor vt.84 
should be available from a Bulletin Board near 
you now. 

FIDOUPDATE - E ECHO 

The primary purpose of this Fidonei Echo 
Conference is for discussion of Amiga E pro- 
gramming, and the language, AmigaE, by Wouter 
van Oortmerssen. li is a forum, for advice on 
Epfogramming between all users. 

E Echo originates from Port of Call, 
2:254H49 (Ml) 391-5779 and should be avail- 
able from the UK backbone 

GOIHK.UK 

Devoted to fans of Gothic music, writing and so 
on. If you're a fan of Gothic rock music, vam- 
pires, churchyards and wearing black then this is 
the echo for you. 

As with any echo (and especially a new one) 
its success and interest lies with you, You can 
find this echo at THE GOTHiC BBS (0509 
237963, Bprn-Bam) or if you already use a local 
board, ask your sysop to get it for you fNetmail 
Syscp #2 2503/ 310). ffft 



JT WWW* «*<Hr 



«"«*») Wl your in buu: 

of SI wiftrnxfi) 



7 »= 

7 H 52 

l| is 

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k* Shv cardt 

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««l fc <? «< Mrlpl 

a* ■ inc UiLng 

-fTH qwUwt 

fMaana 
iifi**j ijiijia 
hi* ^>i lon 
B1tit Hnot Lrtn .in tit, 
R* Lite hHdM^ 

tat nndad? 

mr** mm 

tug* 

ft* «M# Ul<4 

Coaaa tan** la Ot taiga 
Frefelt* launehins «xtrm*L vl 
To *riy U*' 



AmlTCP in oper- 
ation, using tftt 
Amiga Shull, 
you uu com- 
manda auch a* 
TslNst and FTP 
la log IrilD sites 
Ina world <wor 
artd raeovai- Ilia 
and play gam**. 



171 



OUND LAB 






AKAI SOI SAMPLER 

Want to expand your sampling set-up to 
1 6-bit s? Akai's entry level S01 MIDI sam- 
pler could be just the ticket. Professor Von 
Morgan investigates... 




Had enough of 8-bit sampling? Want to gad in 
with the big boys and start using 1 6-bits 
instead? A professional sampler could set 
you back a few grand, but there is a more wallet- 
friendly alternative: the SOI from Akai. 

The Akai SOI is a rackmounted MIDI sampler 
module. It's mono rather than stereo, with eight 
voice polyphony. It comes with 1Mb of internal 
RAM (not 2Mb as we mistakenly staled in the 
August issue), which gives 15.6 seconds of sam- 
pling time. 

The sample rate is fixed at 32KHz. Sample 
bandwidth is 1 6-bits, wilb eight times oversam- 
pling, In other words, it can add eight extra 
channels of 1 6-bit sampling to your system. 

This is Altai's most basic sampler, and ifs also 
the cheapest MIDI sampler currently on the mar- 
ket. It's based around the popular Si 000, but to 
keep the costs down, all but the most essential 
(unctions and features have been removed. The 
most obvious cutback is lack of an editing screen, 
Sampling and editing is carried out wiih a matrix oi 
buttons and data-entry wheel. The only display is a 
large three figure LED. That might sound a bit 
basic, but it's enough to get by with. 

If you're used to wrestling with badly behaved 
8-bit samples, the first thing you'll notice about the 
S01 is the excellent sound quality. Tnere isn't any 
audible degradation in trie recording at all. Amiga 
samples tend to break up if they're played more 
than a lew semitones below their original pitch, but 
the S01 manages to keep a good deal of fidelity, 
even when pitching samples la/ above or below 
their original pitch, which can be as much as three 
or lour octaves either way. This is especially useful 



SOUND LAB 



if you're sampling bass 

sounds, which keep their L oomph' even when 

played on very low notes. 

EDITING 

If you need to take out hiss, or add some bottom 
end, there's no way Of doing il once you've sam- 
pled the sound, Editing options are very basic You 
can set up a loop on the sample, it's start point, 
and define its decay rate and overall volume level. 
Of course you can aiso trim the spare noise from 
the start and end of the sample too. Samples can 
also be played backwards. 

If like me, you're used to editing graphic sample 
waves on-screen, being torced to trim and loop a 
sample with nothing more than a dial and a three- 
figure display is very frustrating. Finding click-free 
loops is a problem, as you cant see where the 
wave passes through the central zero' point, This 
reduces the exercise to a long winded combination 
of pot luck and trial and error. If the disk format 
was compatible with the Amiga, PC or Mac. they 
could then be edited on your Amiga, but unfortu- 
nately rTs not. However, S01 samples are 
compatible with the S10QQ, and vice versa, 

IMMEDIACY 

A side effect of the S01 's simplicity is its immedi- 
acy. As there aren't masses of settings and 
parameters to wade through, you can sample a 
sound and have it up and running in seconds. The 
lack of an LCD screen is a bit unnerving at firsl- For 
example, there's no way ol entering or displaying 
full filenames for your samples, so instead they are 
referred to as SQ1, SQ2, S03 etc. This means you 



Slick en. of ItaM Inlo your MLttd *y»1wn, and you tin MM flood bye Id 8-Wi sampling *!■«**- The 16-UI SOI lOUftdt Ijpol-on. 





have to keep written notes of exactly what is on 

each disk, as directory lists ol different disks will all 
look alike. Fortunately, you can save out samples in 
batches, so you could allocate a disk to every song 
you write. When you go back to a song, you can 
then re-load the entire batch, instead of rummaging 
through stacks of disks for each sample. 

SHEER LUXURY 

The best thing about the S01 is that it frees you 
from a load of the hassles of 8-bit Amiga sampling. 

Having the sample rate fixed is nice in some ways 
- you get excellent frequency response, so there's 
no need to worry about your vocals coming out 
with a lisp, or your high hats going all crunchy. 
Thanks to the increase to 1 6-bits, you no longer 
have to fight a constant battle to keep unwanted 
noise out the samples. 

Just 1Mb of RAM isn't much to work with, but 
it's sufficient if you're using the S01 with other 
sound sources, A further 1 Mb expansion is avail- 
able to take the sampler up to its maximum 2Mbs. 
This is a custom RAM expansion available only 
from Akai, This means that you're tied to buying 
from Akai whether you want to or not. This altitude, 
along with the custom disk format, goes completely 
against the current trend for maximum compatibil- 
ity. Couldn't we have had an option to fit standard 
SIMMs instead? 

So it's not perfect, but the S01 is still the most 
affordable 16 bil MIDI sampler on Ihe market. It 
has just about enough RAM, voices and flexibility 
to be able to bear the full burden of a complete 
commercial-quality track, and that can'l be bad. 
Oh„ you also get free access to Akai's extensive 
sample library too. S> 

Available from: Akai UK, Haslemere. 
Heathrow Estate, Silver Jubilee Way, Parkway, 
Hounelow, Middlesex TW4 6NQ, 
Teh 061 697 6388, Price: £799 



AKAI SOI 


SPECIFICATIONS 


Price: 




£79* 


Mono input and output 




Bandwidth: 




1 6-bits 


Sampfeg rates: 




fixed nt32KHz 


Polyphony; 




eight vokes 


Sample RAM: 




1Mb 


Total sample lime: 




1 5.6 seconds 


Disk drive: 




3.5 inch 200/2HD 


Fflten 




eight times o w samping 



172 



'Premier *^l#fl &rj}ev 

Please send cheque/PC's (made our to Premier Moil Order), or advise Visa /Mastercard number and expiry date to: ; 

68 271 172 Fax; 0268 271173 

wiwiiviia v>v«ij, tmni ■■■ ruin t y\\\ unu jlh tx juil I UU HTM fJII I Hirer Hrv vpen 364 DflVS CI YCCff 

P&P and VAT is included for all UK orders, Please add £2 P&P for Europe and £3,50 for Rest of The World 

S ^ ! I ■_■_ r> m !•«_ __ ■ ■■# ■ 



MOST TITLES ARE DESPATCHED SAME DM 



;e UP TO 28 DAY'S Some Titles, may not be released af the time of going to Press E&OE 



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BACKCHAT 



AMIGA WORKSHOP 




Another month has passed, and another postman has 
walked away with a permanent stoop after carrying 
your sackloads of post. BUT IT ISN'T ENOUGH! Tony 
Dillon wants loads more, so get scribbling and send 
your missives to BACKCHAT, CU AMIGA, PRIORY 
COURT, 30-32 FARRINGDON LANE, LONDON EC1R 3AU. 



POOR PROMOTION 

I couldn't agree more with Darren Friestnail's letter 
(Marketing Problems? QackrJhat July). However, 
your reply smacked ol the naivety uiat seems to be 
so prevalent throughout the Amiga press. Yes, 
Commodore have set up some ol these "Centres Of 
Excellence', but. has anyone seen any promolkm? 

I suppose CommOdOie'scunrenl financial situa- 
tion doesn't help but if the Amiga is Ihe all- 
conquering platform your magazine would have us 
believe, then surety the PC press or BBC's The Net 
might have reported the opening of ihese centres. 
Alas no, these' centres have appeared in an 
inaudible vrtiisper of publicity and will probably dis- 
appear just as quietly. 

Don't gel me wrong. I'm a dedicated Amiga 
user and have been tor five years, but I am also a 
realist. The Amiga will never be more than a well- 
kept secret while the current Commodore remain 
in charge Our one hope can be that whoever 
buys Commodore will be looking for a return on 
their capital and that means selling lots ot 
Amigas. Only good marketing and new high-end 
machines at a decent price point that can go 
head-to-head with a fast PC will do that. Take 
Apple for example They realised that the busi- 
ness world would never buy Macs unless it was 
for DTP etc so they've brought out new 
machines that will run Mac and Windows software 
which effectively increased their potential market- 
place by about 30 times. What s more they 
promote the fact in the Sunday glossies and in 



the PC mags to let everyone know about it. On a 
completely different subject, I am now the proud 
owner of Final Writer. I didn t realise what I'd 
been missing. Everybody should thank Softwood 
from the bottom of their hearts lor showing what 
the Amiga can do, 
Derek James. Manchester. 

The Amiga Centres 01 Excellence are still a new 
concept and at course CU AMIGA supports 
them - ws support anything! that will do our 
chosen computer some good. It has nothing to 
do with being naive or blinkered As for the 
Amiga toeing a well-kept secret, ho* do you 
think over 3 million machines have been sold In 
the UK atone In the past decade? And who has 
achieved this Impressive safes figure? The 
current Commodore UK, that's who- You may be 
right about their financial problems at the 
moment, but any company in the throes liquida- 
tion doesn't have cash to spare. Rest assured, 
whoever takes over the big C will shout about It 



WELL DONE EMPIRE 

I'd like to congratulate Empire for the release of their 
World Cup Year *94 compilation. At long last some- 
body has finally put those two great footballing rivals 

Sensible Soccer and Gostl in the same box! 

Although this is likely to renew the old argument 
about which is really Ihe best (both have huge fal- 
lowings of dedicated lans) it's surprising how 
nobody thought of oomhining these mega hits 



before! New Amiga owners are in lor a real treat 
and can experience both games for a traction of 
their original cost with the excellent Championship 
Manager '93 and Striker also included, though, what 
have they got 10 lose? 

HopetuHy, if ibis compilation sells well, then per- 
haps other companies will concentrate more on 
producing software bundles instead of single, and 
often very expensive, products! 
Stuart N. Hardy, Sheffield. 

Compilations used to be a big thing in the 8-bit 
days and it would be nice to see more 
compilations In the Amiga market. Note to soft- 
ware publishers: There's money to be made! 

WHERE ARE IHE UPS? 

IVe got two things to cover in this tetter. The first is a 
gripe. I only purchase one Amiga mag each month 
- yours. It has a good balance and it suits me well. 
But what happened to the hints and tips page? It 
seems to have fizzled out around July last year, 
along with your prized Play To Win sections. 
Thinking this was due to lack ol material from us, 
the punters, I sent you a three-page, highiyHJetailed 
complete guide to Alien Breed 2 less than a month 
after the game's release. How prompt do you want 
it? However, 1 never yet saw any acknowledgment 
of any of it I to« a bit daft, eagerly scanning through 
the pages of your mag every month tor the next four 
months, to see my guide in print - bud to no avail I 
felt cheated- 1 nearly sent my letter to Amiga 
Format, but I figured rt wasn't worth the hassle. 

People must still be sending you tips and cheats, 
Print them tor us, please! Oh yes, and bring back 
the Trolls Head, Some of us don't believe that a 
magazine has to contain pictures of a pouting vixen 
with an impressive cleavage before we'll buy it - 
really tacky guys, sorry, 

Okay, moving on, Where can I get hold ot a 
BBC-Micro emulator for my A600? How much will 
it sot me back and is it a dongle or a piece ol soft- 
ware? How good is the compatibility? Can I run 
any of my old Beeb games on my Amiga? And is 



TEAM TALK 

Late one night, after a particularly tough 
day in the office, the CU Crew decided to 
compete telling horror stories. To be 
honest, none of them were particularly 
good but the one thing that did come out 
that fateful evening was the fact that, to 
a man (and woman), your fave magazine 
team are a very phobic bunch. 



AL AN DYK ES 

^■ta^ I So what makes Alan 
m \ | wel he jockeys? 

^■| Befcre if or not, ft* 

1 leoroflwrlHigf* 
m * J hands! You sae f rwl 

^Jm fc^™ to use hs slender 
•^^^^^^ d*rA tfl type out edi- 
toriaJsand reviews for 01 AMIGA, but he is 
also a keen guitar player, and the slightest 
saartcfi on tKose fingers wmjW ieopordise Kb 
tuf*y,ge1 down, itiythnL fc a resulJ, any- 
ihjnosrwrpw Iran a Jiffy envelope has to he 
handled with extreme caution dm all knives 
scupefc are destroyed on sight. 



LISA COLLINS 

Beneath hfit lough 
exterior. Combat 
Collins isn't the hard, 
cold f ighlin' machine 
she Ikes to lell peo- 
ple she is, In hid, 
Lisa suffers from 
almost every phobia 
under the sun, and 
anything, from the following 1st leaves her 
gibbering and paranoid: planes, dogs, con- 
fined spates, open spaces, carpets, budgies, 
while lines down the middle of ihe rood, pat 
holes, bumps in the night, telephones, water, 
air, bicycles, tube trains., buses, disks, Sgtti- 
ring, egg sandwiches ... (more next month). 




T 



BACKCHAT 



By GARV LARSON 







@§ 




?] 




Hr Mil T 




JjgPJSl 




-4c; 




^m j «- 11 *te\Hk 




fill * 




1C IM 1 fw^ ( -*JH 


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'ft OF THE MONTH 



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it possible (without a Master's degree in digital elec- 
tronics, which I don't have, to hook my old Beeb 
disk drive up to my Amiga to load in said games? 
Failing Ihis, can I (eak!) use my oW tape recorder? El 
I use the tape recorder, can il load in games and 
save ihem to Amiga disk for future playing? I pos- 
sess the Beeb knowledge to do this, but not the 
Amiga knowledge- Does Ihe emulator come with 
any free converted Beeb software? 

Would an Amiga running a Beeb emulator be 
able to run Archimedes compatible 3.5 inch disks. 
(containing Beeb files) and how much memory do 
you get? Are you limited to 32K (remember when 
thai seemed like a tot?) In emulator mode, or have I 
got Megabytes to command? 

One lasl thing. Please badger Team 1 7 to . 
release an Alien Breed Data Disk (either version, or 
even both I) for all us who love thai game. 
Aiden M. O Donnell, Bathgate, Weal Lothian, 

We're really, really sorry. We have neglected the 
tips section for quite a while, as you rightly 
pointed out. To make up for our little faux pas, 
we've restarted the Games Helpline section, and 
we solemnly promise to include more cheats 
and tips in future. As for the BBC emulator, 17 
Bit Software (tel: 0924 3669S2) have a PD emula- 
tor, but you still need a BBC computer to use il, 
tt works by downloading software from the BBC 
via an R5232 serial cable, into the Amiga run- 
ning the emulator software. 



While reading the June issue ol PC Power the other day I noticed lhat Team 17 are 10 release 
Overdrive on the PC Quote from the article: '"It's another Amiga conversion yet improved over the 
Amiga, with more cards and no floppy disk access," offered Alan Bunker, Media Manager at Ihe com- 
pany, This is not on. I wasted £26 on this game which is totally unplayable due to all the disk swops. 
Team 17 know that there is just as much piracy on the PC as on the Amiga bul Ihe only reason that 
they don't make their Amiga games [hard disk] installable is because they also know that they can get 
away with it on our format. I would happily use any amount of other piracy stoppers (code entry, 
spinny disks etc) if I could put the game on my hard drive. 

The reason that the PC is a better high-end games machine (which it is) is more to do with the 
aforementioned hard disk installability (great word!) and total hard disk user base rather than the rela- 
tive merits of each machine. The fact that Commodore were willing to show off the GD32 running 
Microcosm next to a 33MHz 486 doing the same goes a fair way to prove this point. 

There is a vicious circle here. Punters don't buy hard drives because they see few games for it. 
Companies see ihey can get away with not making their games installable. People don't buy hard 
drives, etc etc. 

There is an easy way oui of this loop. Commodore should stop selling their 'bundles" and instead 
sell the A 1200 with a SOMb hard drive lor £350 tops. If I can buy the drive foMttcc then I'm sure 
Commodore could. This would provide a new boost to the Al£00"s selling strengths and kickstart the 
whole range into the hard drive era. It would be aboul lime. 

Further on in the same magazine there is a tetters-cum-discussion page. Team 17 crop up again 
as the sponsors of this page with their cute little logo in the bottom right hand corner. The first letter 
was from someone defending Ihe Amiga against the PC which was a refreshing change, but the reply 
to this letter from the magazine's permanent writer made me cringe, 

Another quale. 'Many (developers) give me Amiga less than two years and an awful lot plan to 
drop development after this Xmas. Why do you think Team 1 7 sponsor this page? They, like every 
other Amiga publisher, realise that the market has had its day.' 

I am not going to argue any of the points that were made ill this quote. PC magazines are allowed 
to be just as biased against the Amiga as Amiga magazines are to the P.C What does annoy me is 
being slagged on a page sponsored by Team 17, a company that has lined its undoubtedly large 
pockets Irom loyal Amiga owners' much smaller ones. I am not concerned as to whether they con- 
tinue development on the Amiga or whether these words come straight from Team 1 7 or not, this was 
their page and as such are responsible for it, Has nobody told them that talking behind a friend's back 
is bad manners? 

I used to like Team, 17 you know. I should do, Ihey have enough of my money. I am nol sug- 
gesting anything so radical as a boycott of their games, but what I would propose is a boycott of all 
games that cannot be put on a hard drive (non hard drive owners excluded of course), It this, by a 
strange coincidence, means all Team 1 7 games then the phrase, "how sad, never mind' would be 
more than appropriate. 

Your magazine could help considerably by severely marking down sakl games and explaining why 
in the review. Do- you think a PC magazine would keep quiet it they received an arcade game that 
was so disabled? I think not. Neither should you. 

Rant mode off. Phew, 

I'm not normally such a whinger you know. Honest. I even like Commodore lols and disapprove 
strongly ol all the abuse they receive in the press, They do make the machines that I have known and 
loved for the past umpteen years, 
Alan Heywood, Inverness, 

I had a chat with Marcus Dyson at Team 17 about this, and the feedback is that there is no way 
Team 17 are about to drop the Amiga. They are extremely appreciative of the Amiga market, 
and have some very big plana for it. Obviously a PC magazine will blow their machine s trum- 
pet, and will look lor every reason they can to put Ihe more popular computer down. 

Hard drive Installability Is something I do agree with you on, the more games I could run 
from my hard drive the better, but that really Is no reason to mark down a game. A review Is 
based on what the game is like to play, not what II is like to load! 



ANDY LEANING 

Andy h a happy-go- 
lucky chop, WHO 
rarefy flinches at 
anything. Even when 
he superglued rib 
fingers fa his face 
{See 'Leaning Over 
. The Edge' lost 
1 "* morrtfiK be dkbi'l 
even blink. That isn't to soy that be doesn't 
hove worries. Andy n*«f does things by half, 
and when he gets scared, he gels scared at 
something worthwhile - Armaaeddori. Not at 
the death, destruction or end at the human 
race though. His big concern will he the lock 
of affor dalle SIMM chips for his A4000. 




TONY DILLON 

Mr. has only one 
real phobia, and 
that's the rather 
mundane and nor- 
mal fear of spiders. 
Small ones, large 
ones, hairy ones, 
ones with dozens of 
legs, Tony runs from 
□II of ihem. He went to see a psychoanalyst 
to find out what was actually wrong, and 
after six months of intensive therapy Tony's 
insecurities came to light - he just doesn't 
like anything with bendier legs or more body 
hair than him. Thank goodness his string of 
top model girlfriends use Immot 




TONY MORGAN 

It is often said lhat 
there is a big differ- 
ence between o fear 
and a phobia. A fear 
is a rational response 
1o something threat- 
ening or frightening. 
A phobia is an irra- 
tional response to 
anything thai isn't threatening or frighten- 
ing, Tony goes into a cold sweat whenever 
Bjom Again is mentioned and runs from ihe 
room whenever he hears 'Waterloo' or 
Danrirta Queen'. For want of a belter word 
and in me interests of scientific accuracy CU 
AMIGA declares that Tony H. is Abbaphobic. 




JOHN KENNEDY 

look at this picture. Is 
this the face of a man 
troubled by o major 
phobia? Well, there is 
wiethingthoTrealy 
gives John goosepim- 
ples; flies. You see, 
John is a monk 
matorcyefet, and 
there's nothing he enjoys more than a 
Sunday afternoon speeding up the A Roods. 
However he can't smile when he's so happy 
because flies hove o tendency to attach tnem- 
selves to his leeth - not a very nfce, or tasty 
experience. So poor John has to suppress his 
happiness, or tarry an Oral B on the bice. 







CU AMIGA 





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177 



POlNfS OF VIEW 




Andre Digard takes a long hard looli at computer games 
argues the toss about the level of violence in them. 



and 




For years the arguments have raged back and 
forth about whether violence on screen would 
lead «o violence off screen. It has never been 
clear cut and that has been a problem from the 
start. Worse still, most 'experts' on the subject 
have no real experience in the field. 

Up until a lew years ago I was firmly on the 
side ol those who said that violence was not a 
problem. I still generally believe that. Over the last 
few years though,. I have been training in therapeu- 
tic psychology. It brings a whole lot of new 
perspectives on what's happening lo people when 
they play violent games. Some of il is quite fright- 
ening, particularly when watching children play 
some of the latest stuff. 

VIOLENCE IS MOT REALLY 
THE PROBLEM 

Many people, professionals included, have Shed 
to blame screen violence for problems in society, 

Most of us have shrugged this ofi lor whatever 
reason, usually because we have instinctively 
sensed il as being a load ol rubbish. We can sit 
all day and play the latest shoot 'em up without 
getting worked up and wanting to shot someone, 

The opponents ot violence would then say that 
it might not effect us but what about children? I 
don't know about you but I've been playing video 
games since I was a kid and I can't siand violence 
In real life. 

If kids are so effected by violence, how come 
they don't hit each other over the head with irons 
after watching 'Tom and Jerry' on TV? 

ASSOCIATED OR 
DISSOCIATED VIOIENCE 

OK. If violence isn't trie problem, what is? Believe 
it or not, violence is the problem. Not just any old 
violence though, the problem is the kind of vio- 
lence. I'm not splitting hairs, there are some very 
important differences. 



The two key types of violence are associated 
and dissociated. Long, nasty words I know., but 
simple in their meaning, A good example of disso- 
ciated violence would be 'Tom and Jerry' as 
mentioned before; the characters are not real, Ihe 
situations are not real, there is very little to link it 
with the outside world. This type of violence is fine, 

Associated violence is reasonably well shown 
by beat 'em ups; you are on screen (as a charac- 
ter), the objects are realistically drawn, the 
violence happens in direct f elation to your muscle 
movements. This is the duff type, When you play 
games that are associated all kinds ot things hap- 
pen, Your heart rate soars, your adrenaline soars, 
your muscles tense and so on. The more you are 
'sucked in' to Ihe game, the more effect is has on 
you, Sceptical? Then read on, I'll explain some 
really easy psychology stuff. 

A PLAY ON WORDS 

Let s cover somelhing really simple about words. 

Until they have a reasonable vocabulary and 
understanding of language, words have an amaz- 
ing effect on children. For inslance. you may like to 
remember a time when you heard an adult tell a 
toddler, "You're naughty," instead ot, "That's 
naughty." They will normally reply, "I'm not 
naughty!" What they DID was naughty. THEY are 
not naughty. It's a very subtle difference to us but 
a big one to them. If you tell a Child that THEY are 
naughty repeatedly, eventually they'll get the mes- 
sage. They will become naughty. 

Mosl kids survive this because they get a rea- 
sonable amount of praise ("What a good boy/girl" 
or "Who is a clever boy/girl?"). There are quite a 
tew kids who don't get enough or even any praise. 
This is real. Psychologists have known it lor years. 

VALID EXPERIENCE? 

That's just words. Think about what happens 
when a child gets words, pictures and sounds all 
together. That's called experience. The younger 



the child the more significant and influential the 



experience is, 

That's children. Adults are different. Probably 
not as different as you think though. Words can 
have a similar effect on adults if used skillfully, 
hypnotists rely on this to help people, 

OK, you probably never noticed feeling different 
after playing the latest Street Fighter clone, but 
we're talking about a long-term process here. It's 
something that will change your attitude over the 
years rather than the moment you put your joystick 
down. It won't necessarily make you like violence 
but it will change your attitude to it, 





TAKEN TO THE EXTREME 

The most frightening thoughts occur when you 
look to Ihe future. Think about virtual reality, If we 

are having worries about tbe effect of games on 
children now, imagine Mortal Kombat opponents 
fighting it out in VR. It would be bad enough for 
most adults let alone children. 

The player will be In the same room as multi- 
ple murders, If someone enjoyed playing 
something like that in virtual reality they would 
have to be institutionalised tor the public's salety, 
Think about it. 

Would you want to be in a room with 
someone who had just torn anoiher person's spine 
out? When they took the headset oft, would you 
want to nsk upsetting them? Would you go 
near them il they were preparing food with a 
sharp knife? 

TAKE OUT THE GORE 

When all is said and done, the problem comes 
down to realism, An associated: game which uses 
realistic graphics is a dangerous piece of soft- 
ware. I don't want an end to beat 'em ups, I enjoy 
them too much. The same goes for many other 
games. What does need stopping, though, is 
gore. When we get rid of it {please let it be soon) 
we can rest easy. f?t) 



POINTS OF VIEW 

Po nts of view is a platform for expressing opinions 
on any Amiga games or technically -related subjects, 
allowing people in the know (or who Ihink they are 
anyway) an opportunity lo tell you what (hey think 
outside the normal conlines ol the magaeine. 



ITS 



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